Japanese dolls

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Japanese traditional dolls
)
Japanese doll in traditional kimono and musical instrument

Japanese dolls (人形, ningyō, lit.'human form') are one of the traditional Japanese crafts.

There are various types of traditional

Kodomo no Hi
, Children's Day. Some are manufactured as a local craft, to be purchased by pilgrims as a souvenir of a temple visit or some other trip.

History

Doll makers, 1915

There may be a continuity in the making of the

Ise Shrine
in 3 BC; the custom was probably even more ancient, but it is at the root of the modern doll festival, or Hinamatsuri.

In the early 11th century, around the peak of the

Hōko, though not explicitly mentioned in The Tale of Genji, were soft-bodied dolls given to young women of age and especially to pregnant women to protect both mother and unborn child.[2] Sources mentioning them by name start appearing in the Heian period, but are more apparent in the Muromachi period.[3]

good-luck charms
and symbols of perseverance and resilience.

Probably the first professional dollmakers were temple sculptors, who used their skill to make painted wooden images of children (Saga dolls). The possibilities of this art form, using carved wood or wood composition, a shining white "skin" lacquer called gofun made from ground oystershell and glue, and textiles, were vast.

During the Edo period (1603–1867), when Japan was closed to most trade, there developed both fine dollmakers and a market of wealthy individuals who would pay for the most beautiful doll sets for display in their homes or as valuable gifts. Sets of dolls came to include larger and more elaborate figures, and more of them. The competitive trade was eventually regulated by government, meaning that doll makers could be arrested or banished for breaking laws on materials and height.[citation needed]

Annual doll festival

Homes and shops put up traditionally-clothed dolls of various sizes, set on a red dais, around 3rd March for the festival of Hinamatsuri. These feature the emperor and empress, attended by a court retinue: warriors, ministers and so on. Full versions include 15 dolls and apparatus such as utensils for Japanese tea ceremony (茶の湯, cha no yu). The most elaborate sets can fetch many millions of yen (tens of thousands of US$). The Doll Festival is celebrated to ensure girls' future happiness, and this link to daughters is rooted in the use of dolls in children's play. However, the Doll Festival itself has been part of Japanese culture only since the Edo period.[1]

Types

It was during the Edo period that most of the traditional doll types known today developed.

Hinamatsuri dolls of the emperor and empress
Wooden kokeshi dolls
karakuri ningyō
for bringing tea
Bunraku puppet during a play

With the end of the Edo period and the advent of the modern Meiji era in the late 1800s, the art of doll-making changed as well:

  • Silk-skinned or "mask-face" dolls became a popular craft in Japan in the 1920s and 1930s, allowing the individual to design elaborate kimono for dolls representing women of various periods of Japanese history, particularly the Edo period. Dolls of this type continued to be made and were a popular item for servicemen and tourists to bring back after World War II, though they also might choose dolls representing similar subjects made with gofun faces.
  • Hakata ningyō
    are famous throughout Japan.
  • Anesama ningyō and shiori ningyō (literally "big sister dolls" and "bookmark dolls," respectively) are made of washi paper. Anesama ningyō tend to be three-dimensional, whereas shiori ningyō are flat. Anesama ningyō often have elaborate hairstyles and costumes made of high-quality washi paper. They often lack facial features. Those from Shimane Prefecture are especially famous.
    • A hybrid of anesama ningyō and shiori ningyō, called shikishi ningyō, has become popular in recent years. Shikishi ningyō are a type of Japanese paper dolls made with figures and scenes and are mounted on shikishi, a rectangular fancy cardboard about a square foot (about a tenth of a square meter) in size.
  • More recent and less traditional Japanese dolls are ball-jointed dolls (BJDs), whose growth in popularity has spread to the US and other countries since the advent of the Super Dollfie, first made by Volks in 1999. BJDs can be very realistic-looking or based more on the anime aesthetic. They are made of polyurethane resin which makes them very durable. These dolls are highly customizable in that owners can sand them, change out their wig and eye colors, and even change their face paint. Because of this hands-on aspect of customization, they are not only popular with collectors, but also with hobbyists.

Collectors

Animal dolls, illustrated by Shimizu Seifū from his collection (1893–1923)

Japanese dolls are broken down into several subcategories. Two of the most prominent are Girl's Day, hina-ningyō, and the Boy's Day musha-ningyō, or display dolls, sagu-ningyō, gosho-ningyō, and isho-ningyō. Collections can be categorized by the material they are made of such as wood dolls (kamo-ningyō and nara-ningyō) and clay forms such as

hakata ningyō
.

In the 19th century, ningyō were introduced to the West. Doll collecting has since become a popular pastime in the West.

Cross of the Legion of Honor for his Vieux-Roven "Le Parvis Notre-Dame". Unlike Tissot, Adeline is recognized as a true collector.[citation needed
] A majority of Adeline's collection consisted of ningyō, and only a few prints.

During the

Kanto earthquake of 1923. Tsuboi, founder of the Tokyo Anthropological Society, was the most trained of the three, and he brought a scientific element to the collecting of ningyō.[10]

Dolls have been a part of

Yodoko Guest House
.

See also

References

  •  This article incorporates text by Citizendium editors available under the CC BY-SA 3.0 license.
  1. ^ a b c d Salvador Jimenez Murguia, "Hinamatsuri and the Japanese female: a critical interpretation of the Japanese doll festival." Journal of Asia Pacific Studies 2.2 (2011): 231-247
  2. .
  3. .
  4. ^ Tsutomu Kawamoto (June 2007). "Nishiki-e depicting Iki-ningyo". National Diet Library Newsletter (155).
  5. ISBN 978-0-674-01753-5. {{cite encyclopedia}}: Missing or empty |title= (help
    )
  6. .
  7. ^ Pate (2008), p. 30
  8. ^ Pate (2008), p. 22
  9. ^ Pate (2008), pp. 35–36
  10. ^ Pate (2008), pp. 24–28

Further reading

  • Albert, Kathy. Japanese Boy and Girl Paper Dolls. New York: Dover Publications, Inc., 1991.
  • Larson, Jack Lenor. Folk Art from the Global Village. Santa Fe, NM: Museum of New Mexico Press, 1995.
  • Pate, Alan Scott. Japanese Dolls: The Fascinating World of Ningyō. Tokyo, Rutland, Singapore: Tuttle Publishing, 2008.

External links

Media related to Dolls from Japan at Wikimedia Commons