Jean-Baptiste Debret

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Jean-Baptiste Debret
Manuel Porto-Alegre
Born(1768-04-18)18 April 1768
Died28 July 1848(1848-07-28) (aged 80)
NationalityFrench
Alma materAcadémie des Beaux-Arts
Known forPainting, Drawing
MovementNeoclassicism
AwardsPrix de Rome
Member of the Academie des Beaux Arts.

Jean-Baptiste Debret (French pronunciation:

Salon des Beaux Arts.[1]

Biography

, by Jean-Baptiste Debret, 1812

Debret studied at the

Salon des Beaux Arts of 1798, where he got the second prize.[1]

He travelled to Brazil in March 1816 as a member of the so-called

Academia Imperial de Belas Artes (Imperial Academy of Fine Arts) under Emperor Dom Pedro I
.

Guarani
family captured by slave hunters

As a painter favored first by the Portuguese court in exile and later by the

Archduchess Maria Leopoldina of Austria, the first empress of Brazil, who married D. Pedro I (Debret was commissioned to produce a painting of her arrival for the marriage at the Rio port, as well as the public acclaiming of the new Emperor). He established his atelier at the Imperial Academy in December 1822 and became a valued teacher
in 1826. In 1829 Debret organized the first arts exhibition ever to take place in Brazil, in which he presented many of his works as well as of his disciples. Emulating David's role during the French Empire, Debret was also involved in the drawing ornaments for many of public ceremonies and official festivities of the court and even some of the courtier's uniforms are credited to him.

He corresponded frequently with his brother in Paris. After noticing his brother's interest in his depiction of everyday life in Brazil, he started to sketch street scenes, local costumes and relations of the Brazilians in the period between 1816 and 1831. He took a particular interest in slavery of blacks and in the indigenous peoples in Brazil. Together with the German painter Johann Moritz Rugendas (1802–1858), his work is one of the most important graphic documentation of life in Brazil during the early decades of the 19th century.

Debret returned to France in 1831 and became a member of the

Academie des Beaux Arts
. From 1834 to 1839 he published his monumental series of three volumes of engravings, titled Voyage Pittoresque et Historique au Brésil, ou Séjour d'un Artiste Français au Brésil ("A Picturesque and Historic Voyage to Brazil, or the Sojourn of a French Artist in Brazil"). Unfortunately the work was not a commercial success. In order to survive, he made lithographs depicting paintings by his distant cousin David, but the editions were very limited and money was short. Debret died poor in Paris in 1848.

Gallery

  • Uruncungo Player
    Uruncungo Player
  • “L’exécution de la Punition du Fouet” (“Execution of the Punishment of the Whip”)
    “L’exécution de la Punition du Fouet” (“Execution of the Punishment of the Whip”)
  • Family dining
    Family dining
  • “Feitors corrigeant des nègres” (“Plantation overseers disciplining blacks”)
    “Feitors corrigeant des nègres” (“Plantation overseers disciplining blacks”)
  • Black women (1835)
    Black women (1835)
  • Charrúa warrior
    Charrúa warrior

References

External links