Jennifer Kent

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Jennifer Kent
Kent at Festival Paris Cinéma in July 2014
Born (1969-03-05) 5 March 1969 (age 55)
Alma materNational Institute of Dramatic Art
Occupations
  • Filmmaker
  • actress
Years active1992–present

Jennifer Kent (born 5 March 1969) is an Australian director, screenwriter, and former actress. She is best known for writing and directing the psychological horror film The Babadook (2014). Her second film, The Nightingale (2018), premiered at the 75th Venice International Film Festival and was nominated for the Golden Lion.

Early life

Kent was born in Brisbane, Queensland, Australia. She says that she put on her first play when she was seven and also wrote stories. In her late teens, she chose acting as she "wasn't really aware at that stage that women could direct films".[1] She graduated in 1991 from the National Institute of Dramatic Art (NIDA) in Performing Arts (Acting).[2] In a promotional interview for Kent's 2015 film, The Babadook, lead actress, Essie Davis, explained that Kent was in the year above her at NIDA and was "[an] eerily phenomenal actress ... the girl that was obviously the best girl at the whole school."[3]

Career

Acting

Kent began her career as an actress, working primarily in television. She was a main cast member of

Australian Film Television and Radio School (AFTRS).[4]

Directing

After losing interest in acting, Kent was inspired after seeing Dancer in the Dark to pursue a career as a filmmaker. She wrote to the director Lars von Trier, asking to study under him and explaining that she found the idea of film school repellent.[5] In 2002 von Trier allowed her to assist him as part of a directing attachment on the set of his film Dogville (2003) starring Nicole Kidman.[6] In 2006 Kent directed an episode of Two Twisted, an Australian series following in the tradition of The Twilight Zone.[4]

In 2005 Kent directed her short film Monster, which was screened at over 50 festivals around the world, including

The Exorcist director William Friedkin tweeting that he'd never seen a more terrifying film, and doubled its budget with $4.9 million in the worldwide box office.[10][11] The Babadook script won the Betty Roland Prize for Scriptwriting at the 2015 New South Wales Premier's Literary Awards.[12]
The Film won other awards including: New York Film Critics Circle Award for Best First Film (2014), Empire Award for Best Horror (2015), AACTA Award for Best Film (2015), AACTA Award for Best Direction (2015), AACTA Award for Best Original Screenplay (2015), and the AACTA Byron Kennedy Award (2020).

Kent has been vocal in the press about the lack of female directors in horror cinema.[13] "It will shift, as the world shifts. Women do love watching scary films. It's been proven, and they’ve done all the tests. The demographics are half men, and half women. And we know fear. It's not like we can't explore the subject."[13]

Kent met with executives at Warner Bros. in late 2014 to talk about possibly directing the Wonder Woman film, a job which eventually went to Patty Jenkins.[14]

The Babadook (2014)

Kent's first feature-length film The Babadook", is a supernatural horror film, written and directed by Jennifer Kent. It displays how grief can engulf someone's life completely. The mother, played by Essie Davis, struggles throughout the film with grief, anxiety, and how incredibly hard motherhood can be. Her son, Sam, played by Noah Wiseman has behavioral issues which seem to stem from the single-mother household. One day, the unsuspecting family receives a scary children's book about a supernatural being called "The Babadook". After, receiving the book the family goes through many horrifying encounters until it reaches a boiling point.

On Rotten Tomatoes, the film received an approved rating of 98% with its 242 reviews.

In late 2014, Kent announced that, due to popular demand, a limited edition of the Mister Babadook pop-up book featured in her film The Babadook would be published in 2015. Kent wrote the book in collaboration with illustrator Alex Juhasz, who had created the prop book used in the film. The book sold out its run of 6,200 copies.[6]

The Nightingale (2018)

Her second film, The Nightingale, deals with murder and revenge in 1825 Tasmania.[15] On Rotten Tomatoes, the film garnered an approval rating of 86%, based on 234 reviews.[16]

Future projects

When asked whether she would be doing a sequel to The Babadook, Kent said that she "will never allow any sequel to be made, because it's not that kind of film. I don't care how much I'm offered, it's just not going to happen."[17]

Kent has at least two feature films currently in various states of development. One of her scripts, Grace, won the Prix Du Scenario for unproduced scripts at the

Saint Tropez,[6] which presents films from Australia and New Zealand, but Kent said in October 2014, "The story of Grace was very much what I ended up making with The Babadook."[18] Kent said a project, a "surreal drama" about death and letting go set in Australia, has some funding for development.[18] She told The Guardian in May 2014 that HBO was courting her for a TV series.[1]

In June 2015, it is reported that the nonfiction book Alice + Freda Forever is being adapted into a film that Kent would write and direct. The book tells the real-life story of Alice Mitchell and her lover Freda Ward whom she killed in 1892.[19] The film's producer Sarah Schechter stated that she is "thrilled Kent shares the same passion for telling this powerful, intense and unfortunately still timely story"[20]

Film techniques

The Babadook has more of an emphasis on narrative than many horror films: It tells the relationship between the monster and the family and how they, in the end, learn to live with not only their "inner demons" but the Babadook himself.

The film strays from the typical approach to the genre of horror by using a mix of psychological drama and horror and focusing on the imagination of children slowly turning into a reality. Kent does this by using horror elements in the layout and camerawork.

German expressionist techniques. Many of the scenes are disorienting and dark; artistic flare is used in the lighting, characters' emotions, and sets to add to the overall mood of the film[22]

Kent uses different approaches to the horror genre than classic horror film directors. As The Babadook progresses, for example, the Victorian-style house which is the main set mimics the mother's mental state.[21] As the mother's mind slowly turns erratic, the home follows.

Kent brought together a team of people she felt could bring her idea to the screen. Radek Ladczuk was the film's cinematographer and helped bring her ideas to life. Kent was influenced by old movies, and even wanted to film the movie in black and white but later changed to colour.[21] Kent used many different techniques to embody a terrifying set, using colours like "muted grey-and-blue and hints of red as the story became more suspenseful".[23] Throughout the film, she pushed to colour grade certain scenes to stay within the colour scheme, by altering and enhancing the colour of the scene either chemically or digitally.[21]

Ladczuk states that there were five aspects to this film, all shown with different camera movements. The film is split into five different emotions: anxiety, fear, terror, possession, and courage.[21] By shooting with a 32mm lens they were able to capture the mother's feelings and later changed to a 14mm lens. They also used a Steadicam and static camera[21] to help develop the film's layers. Fast and slow motion effects were also added throughout the film, as well as stop motion, and they even mounted a camera vertically on the wall to help with certain shots.[21] A lot of the shots were done in camera because Kent felt that it made the film scarier and more realistic than adding stuff in with CGI later.[24]

Jennifer Kent's work falls under the category of fiction, horror, and trauma. Her work isn't necessarily based on specific real events. Kent's filmmaking process starts off with a central idea that leads her to think about a film's other components. Kent focuses on the themes of mise-en-scène, from the style of editing to the usage of sound, lighting, visuals, locations, but most importantly, the performance and camera angles. She explains that within her filmmaking style, each actor is approached with different techniques, games, and tricks to attain the best possible natural expressions and acting.

Kent was recently asked if Amelia wrote the Babadook to which she replied "It was intended but never said right out. When it turns out that The Babadook is really Amelia, or that Amelia has become possessed by him, it also seems plausible that Amelia is his creator as well as his puppet."[citation needed] Blogger Lynn Cinnamon points out that Amelia used to write children's books, so it makes sense that she used her book-making skills to create the mysterious, haunted object that infiltrates their life. If that's the case, the second book depicting herself as the monster was also made by her, possibly in an insomniac trance.

Psychological horror-drama

The Babadook is presented from the mother's perspective; the struggle of motherhood is a major component of the film's story. According to Clarke, many scenes in the film are relatable because they show the everyday struggles of mothers. Clarke argues that Kent touches on not only parenting but dealing with gossipy friends and sexuality, as shown in a scene where the mother is masturbating. These everyday themes are interspersed with moments of terror and suspense; techniques of classic horror. The film ends with the female lead taming the beast by defending her child, and keeping it in the basement,[22] furthering the theme of motherhood. She takes on the role of a mother to the monster, as shown when she collects worms with her son to bring them to the basement to feed him. Kent's ending is very unorthodox for the horror film genre. This metaphor of when her son grows older, maybe one day she'd show him the monster in the basement in a literal and figurative sense.

Filmography

Film

Year Title Director Writer Producer Notes
2005 Monster Yes Yes No Short film
2014 The Babadook Yes Yes No Based on the short Monster
2018 The Nightingale Yes Yes Yes

Acting roles

Year Title Role Notes
1997 The Well Marg Trinder
1998 Chlorine Dreams Lisa (mum) Short
Babe: Pig in the City Lab Lady
2002 Six Days Straight Meg Short
2003 Preservation Grieving Mother

Other credits

Year Title Role
2003 Dogville Production assistant
2006 Hunt Angels Script editor

Television

Year Title Director Writer Episode
2006 Two Twisted Yes No "Love Crimes"
2022 Guillermo del Toro's Cabinet of Curiosities Yes Yes "The Murmuring"[25]

Acting roles

Year Title Role Notes
1992 A Country Practice Penelope Rose 1 episode
1992–1993 The New Adventures of Black Beauty Caroline Carmichael 11 episodes
1993 G.P. Rachel Hardy 1 episode
1996 Police Rescue Michelle 2 episodes
1997–2000 Murder Call Constable Dee Suzeraine 31 episode
1999 O'Loghlin on Saturday Night Fake producer 1 episode
2000 Above the Law Geri Harrison 1 episode
2001–2003 All Saints Joanna Hayes 3 episodes
2002 BackBerner Various 1 episode

Awards

Award Category Subject Result
The Ellen Distinctive Achievement Monster (2005) Monster Won
Audience Award
(2006)
Monster (2005) Won
Onda Curta Prize (2006) Monster (2005) Won
AACTA Awards
(4th)
Best Direction The Babadook Won
Best Original Screenplay Won
New York Film Critics Circle Awards
Best First Film Won
Detroit Film Critics Society Awards
Best Breakthrough Nominated
20th Empire Awards Best Horror Won
Best Picture
(2014)
Horror Features Won
Best Original Screenplay
(2014)
Horror Features Won
Breakthrough Artist Awards (2014) The Babadook (2014) Won
BloodGuts UK Horror Awards (2014) Best Screenplay Won
Best Director Nominated
Bram Stocker Awards (2014) Screenplay Won
CFCA Award
(2014)
Most Promising Filmmaker Nominated
Audience Choice Award (2014) Audience Choice Award Nominated
New Talent Grand PIX (2014) The Babadook (2014) Nominated
DFCC (2014) Best Director Nominated
Fright Meter Award (2014) Best Director Won
Best Screenplay Nominated
Special Jury Prize (2014) Jury Prize Won
Audience Award
(2014)
Best Feature Film Won
International Critics Awards (2014) The Babadook (2014) Won
Youth Jury Grand Prize (2014) The Babadook (2014) Won
NYFCC Award
(2014)
Best First Film Won
Best of Puchon (2014) The Babadook (2014) Nominated
Rondo Statuette (2014) Best Film Nominated
Special Prize of the Jury (2014) The Babadook (2014) Won
Prize of the City of Torino (2014) Best Feature Film Nominated
Special Award (2014) Best Director Won
WFCC Award (2014) Best Movie by a Woman Nominated
Best Woman Storyteller Nominated
ICP Award (2014) Best First Feature Won
CCOP (2015) Best First Feature (Melhor Primeira Longa-Metragem) Nominated
ADG Excellence in Production Design Awards (2015) Best Direction in a Feature Film Won
AFCA Coach of the Year Award (2015) Best Director Won
Best Screenplay Nominated
EDA Female Focus Award (2015) Best Woman Director Nominated
Best Woman Screenwriter Nominated
COFCA Critics Association Awards (2015) Breakthrough Film Artist Nominated
Fangoria Chainsaw Award
(2015)
Best Limited-Release/Direct-to-Video Film Won
FCCA Award
(2015)
Best Screenplay Won
Best Director Nominated
Horror Society Awards (2015) Best Horror Film Won
iHorror Empire Award for Best Horror Award (2015) Best Foreign Horror Film Won
Best Horror Director Nominated
OFTA Film Award (2015) Best Feature Debut Nominated
75th Venice International Film Festival Special Jury Prize The Nightingale Won
9th AACTA Awards Best Film Won
Best Direction Won
Best Screenplay, Original or Adapted Won
Special Jury Prize (2018) The Nightingale (2018) Won
Golden Lion (2018) Best Film Nominated
Women Film Critics Circle (2019) Best Woman Storyteller Nominated
Best Directorial Debut (2019) Best Directorial Debut Nominated
Audience Award
(2019)
Best Film Nominated
Rene Rodriguez Critics (2019) The Nightingale (2018) Won
Knight Competition Grand Jury Prize (2019) Best Film Nominated
AFCA Award (2020) Best Director Won
Best Screenplay Won
FCCA Award
(2020)
Best Film Won
FCCA Award (2020) Best Director Nominated
Best Screenplay (Original or Adapted) Nominated

References

  1. ^ a b Gibbs, Ed. "The Babadook: 'I was screaming all day'". The Guardian. Retrieved 7 April 2016.
  2. ^ a b Lui, John. "Director Jennifer Kent's debut feature The Babadook is a horror movie without gore or cheap screams". Straits Times. Retrieved 7 April 2015.
  3. ^ "FrightFest 2014 - Essie Davis Discusses The Babadook" (Video upload). London FrightFest on YouTube. 1 September 2014. Retrieved 6 February 2015.
  4. ^ a b c "Jennifer Kent". EICAR International. Archived from the original on 14 April 2015. Retrieved 7 April 2015.
  5. ^ Paul MacInnes (18 October 2014). "The Babadook: 'I wanted to talk about the need to face the darkness in ourselves'". The Guardian. Retrieved 21 November 2014.
  6. ^ a b c "The Babadook - Official Site". Archived from the original on 4 April 2015. Retrieved 7 April 2015.
  7. ^ Lambie, Ryan (10 October 2014). "Jennifer Kent interview: directing The Babadook". Retrieved 24 December 2014.
  8. ^ Caceda, Eden. "Two Aussie Features Selected for Sundance". Filmink. Archived from the original on 27 June 2015. Retrieved 22 April 2015.
  9. ^ "Parental descent: Jennifer Kent's The Babadook is a spooky tale of a mother in crisis". Film Journal International. Archived from the original on 12 April 2015. Retrieved 7 April 2015.
  10. ^ Child, Ben (2 December 2014). "The Babadook is the scariest film I've ever seen, says Exorcist director". The Guardian. Retrieved 7 April 2015.
  11. ^ "The Babadook". Box Office Mojo. Retrieved 7 April 2015.
  12. ^ "New South Wales Premier's Literary Awards" (PDF). SL Magazine. 8 (4): 36.
  13. ^ a b O'Sullivan, Michael. "'Babadook' director Jennifer Kent talks about women making horror movies". Washington Post. Retrieved 7 April 2015.
  14. ^ Adams, Sam (27 November 2014). "Boogeyman Nights: The Story Behind This Year's Horror Hit 'The Babadook'". Rolling Stone. Retrieved 7 April 2015.
  15. ^ Nordine, Michael (14 March 2017). "' The Nightingale': Jennifer Kent Begins Production on Her Follow-up to 'The Babadook'". IndieWire. Retrieved 3 August 2019.
  16. Fandango Media
    . Retrieved 3 September 2019.
  17. ^ Kent, Jennifer (28 November 2014), The Babadook, retrieved 5 March 2016
  18. ^ a b Madison, Charles. "Jennifer Kent on creating The Babadook". Film Divider. Retrieved 7 April 2015.
  19. ^ Fleming, Mike Jr. (4 June 2015). "'The Babadook's Jennifer Kent To Direct Lesbian Romance-Murder-Tragedy 'Alice + Freda' For SKE". Deadline Hollywood. Retrieved 5 June 2015.
  20. ^ Thompson, Anne. "Jennifer Kent to Direct True Lesbian Murder Tale 'Alice + Freda'". Thompson on Hollywood. Retrieved 5 March 2016.
  21. ^ a b c d e f g Bankston, D (2014). Pop-up Horror. American Cinematographer - the International Journal of Film and Digital Production Techniques.
  22. ^ a b Clarke, R (2014). The Babadook. Sight and Sound.
  23. ^ Kidd, Briony (2014). UMBILICAL FEARS: Jennifer Kent's the Babadook. Metro: Media & Educations Magazine.
  24. ^ Alter, Ethan (2014). Parental Descent. Film Journal International.
  25. ^ Zee, Michaela (15 August 2022). "Netflix Releases First Look at Guillermo del Toro's Horror Series 'Cabinet of Curiosities,' Sets October Release Date". Variety.

External links