John Brack

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John Brack
Antipodeans Group

John Brack (10 May 1920 – 11 February 1999) was an Australian painter, and a member of the Antipodeans group. According to one critic, Brack's early works captured the idiosyncrasies of their time "more powerfully and succinctly than any Australian artist before or since. Brack forged the iconography of a decade on canvas as sharply as Barry Humphries did on stage."[1]

Life

During

Antipodeans Group in the 1950s which protested against abstract expressionism. He was appointed Head of National Gallery of Victoria Art School
(1962–1968), where he was an influence on many artists and the creation of the expanded school attached to the new gallery building.

Style

Brack's early conventional style evolved into one of simplified, almost stark, shapes and areas of deliberately drab colour, often featuring large areas of brown. He made an initial mark in the 1950s with works on the contemporary Australian culture, such as the iconic

Manet's 1882 A Bar at the Folies-Bergère, and satirised the six o'clock swill, a social ritual arising from the early closing of Australian pubs. Most of these early paintings and drawings were unmistakably satirical comments against the Australian Dream
, either being set in the newly expanding post-war suburbia or taking the life of those who lived there as their subject matter.

In the 1970s, Brack produced a long series of highly stylised works featuring objects such as pencils in complex patterns. These were intended as

allegories
of contemporary life.

Period and themes

Brack's works cover a wide range topics and themes. He often did a series of works on a particular theme over a number of years. His portraits, including self-portraits, and portraits of family, friends and commissions, and his paintings of nudes were produced throughout his career.

  • War time drawings (1943–1945)
  • Scenes of urban life (Shops, street scenes etc.) (1952–
  • Racecourse (1953–1956)
  • School, the playground (1959–60)
  • Wedding (1960–61)
  • Shop Windows (1963–1977)
  • Ballroom Dancers (1969)
  • Gymnastics (1971–1973)
  • Postcards and implements (1976–
  • Pencils and pens (1981–
  • Mannequins (1989–90)

The Art of John Brack by Sasha Grishin[2] includes a catalogue raisonné of his work to 1990. The catalogue for the exhibition at Heide Museum of Modern Art in 2000 includes works to 1994.[3]

Exhibitions and auctions

A major retrospective exhibition of Brack's work opened at the

Canberra on 24 August 2007, National Portrait Gallery, Old Parliament House, 24 August 2007 – 18 November 2007. the last major exhibition for the gallery before its relocation. Brack's widow, Helen Maudsley, an artist in her own right, attended the opening and commented that Brack was not concerned with the social standing of the sitter, but rather the artistic merit of their participation in the piece.[4]

Brack's painting The Bar sold for $3.2 million in April 2006,[5][6] while in May 2007 his painting The Old Time sold for $3.36 million at auction in Sydney, a record for a painting by an Australian artist.[7]

See also

Notes and references

  1. ^ Thomas, David. Three of the Players, 1953 Archived 2 April 2012 at the Wayback Machine, Deutscher and Hackett. Retrieved 12 November 2012.
  2. ISBN 978-0-19-553199-2
  3. ^ Ted Gott, A Question of Balance (2000), Heide Museum of Modern Art
  4. ^ WIN TV news report, 24 August 2007
  5. ^ The Arts | All the latest Arts news | The Australian
  6. ^ Record price for painting, bar none – Arts – Entertainment – smh.com.au
  7. ^ Brack's 'Old Time' sells for $3.36m – Arts – Entertainment – theage.com.au
  8. ^ Smith&Singer (2020). "JOHN BRACK (1920-1999) Laughing Child 1958".
  9. ^ Wilson-Anastasios, Meaghan (12 June 2020). "Rediscovered John Brack portrait shows a time of chaos and art". The Sydney Morning Herald.

Further reading

External links

Media related to John Brack at Wikimedia Commons

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