John Lee Mahin
John Lee Mahin (August 23, 1902, Evanston, Illinois – April 18, 1984, Los Angeles) was an American screenwriter and producer of films who was active in Hollywood from the 1930s to the 1960s. He was known as the favorite writer of Clark Gable and Victor Fleming.[1] In the words of one profile, he had "a flair for rousing adventure material, and at the same time he wrote some of the raciest and most sophisticated sexual comedies of that period."[2]
Biography
Mahin was born in Winnetka, Illinois in 1902, the son of John Lee Mahin, Sr. (1869–1930), a Chicago newspaper and advertising man, and Julia Graham Snitzler.[3]
Mahin attended Harvard University; while there he reviewed movies and plays for the Boston American at $30 a week. Mahin worked as a journalist for two years in New York, at the Sun, the Post and the City News. He then tried to make a living as an actor, starting as a chorus boy in a production of Gilbert and Sullivan's Patience at the Province Playhouse. He eventually moved into advertising in New York but wrote fiction on the side.[4]
Mahin became friendly with Ben Hecht and Charles MacArthur, who he would meet on the ferry while commuting to work in New York. Hecht read Mahin's stories and encouraged him to move to Hollywood.[1]
Early screenwriting
Hecht and MacArthur were working on
World War II
Mahin served as a lieutenant in the U.S. Army Air Forces with Clark Gable.[6]
MGM
It took a while for Scarface to be released but advance word was strong and MGM offered Mahin a long-term contract at $200 a week. They assigned him to a gangster film,
Mahin wrote The Wet Parade (1932) his first movie with director Victor Fleming. The two men had a huge hit with Red Dust (1932), which helped make a star out of Clark Gable.[8]
Mahin did some work on Rasputin and the Empress (1933), then Hell Below (1933) (in which he also appeared as an actor), Bombshell (1933) for Fleming, The Prizefighter and the Lady (1933) and Eskimo (1933); Mahin claims to have done some directing on the latter.[9]
Other credits included Laughing Boy (1934), Treasure Island (1934) for Fleming, and Chained (1934). He adapted the operetta Naughty Marietta (1935) and did uncredited work on China Seas (1935).
Mahin then wrote Riffraff (1936), Wife vs. Secretary (1936), Small Town Girl (1936), The Devil Is a Sissy (1936), and Love on the Run (1936).[10]
He was Oscar nominated for his work on Captains Courageous (1937) for Fleming. Mahin wrote The Last Gangster (1937), then did two Gable films, Test Pilot (1938), and Too Hot to Handle (1938). In 1937 MGM paid him $56,000.[11]
With Fleming, Mahin did uncredited work on
Mahin did another for Gable, Boom Town (1940) and was reunited with Fleming on Dr. Jekyll and Mr. Hyde (1941). In July 1940 it was reported MGM had paid him $80,833 for the previous year.[13]
He did a gangster film for Mervyn LeRoy, Johnny Eager (1941) and some uncredited work on the ending of Woman of the Year (1942).[9]
Mahin adapted Tortilla Flat (1943) and worked on the British film The Adventures of Tartu (1943).[14]
While serving during World War II, Mahin wrote Combat America (1943), narrated by Gable.
After the war, Mahin did uncredited work on
20th Century Fox
Over at
Louis B Mayer
When Louis B. Mayer left MGM, Mahin went with him. Mayer put Mahin under personal contract, and would loan him out to studios, including MGM.[18]
Mahin wrote the screenplay for Show Boat (1951), the Technicolor remake of the noted 1927 stage musical, which had previously been filmed in 1936. According to musical theatre historian Miles Kreuger in his book, Show Boat: The History of a Classic American Musical, Mahin retained most of the basic structure of the storyline, but little of Oscar Hammerstein II's stage dialogue, preferring to create his own. According to Kreuger, Mahin and producer Arthur Freed introduced the plot device of keeping the lovers Magnolia Hawks and Gaylord Ravenal young to the end, rather than having a passage that showed them forty years older, as in the original stage musical.
He wrote Quo Vadis (1951) for MGM and My Son John (1952) for Leo McCarey. He redid his Red Dust script as Mogambo (1953) for Gable and John Ford, and worked on another melodrama in the tropics, Elephant Walk (1954).
In 1955 a play he wrote with Patsy Ruth Miller, Don Ella, played at UCLA.[19]
Mahin wrote
Mahin adapted Paint Your Wagon for Mayer but plans to film it were dropped when Mayer died.[20] (It would be filmed in 1969 with a fresh script.) Mahin did do some uncredited work on the Cinerama film, South Seas Adventure (1958).[21]
Producer
Mahin got to know
Later career
Mahin's later credits included The Spiral Road (1962) and Moment to Moment (1966) for LeRoy. He also wrote episodes of The Jimmy Stewart Show (1971–72).
Politics
Mahin was a founder of the Screen Writers Guild in 1933. In the late 1930s, he became president of a rival organization, the Screen Playwrights Guild. He rejoined the Guild in 1948 and became its president.[25]
Accolades
He won the Laurel Award for Screenwriting Achievement in 1958.[1][26]
Personal life
His second marriage was to silent film actress Patsy Ruth Miller from 1937 until their divorce in 1946.[27] They had one child, Timothy Miller Mahin.[28]
Selected credits
Writer
- The Unholy Garden (1931) – uncredited
- The Beast of the City (1932; dialogue continuity, as John L. Mahin)
- The Wet Parade (1932; adaptation, as John L. Mahin)
- Scarface (1932; dialogue continuity)
- Tiger Shark (1932) – uncredited
- Red Dust (1932; screenplay, as John Mahin)
- Rasputin and the Empress (1932) – uncredited
- Hell Below (1933; dialogue)
- Bombshell (1933; screenplay)
- The Prizefighter and the Lady (1933)
- Eskimo aka Mala the Magnificent (1933)
- Laughing Boy (1934)
- Treasure Island (1934; screenplay)
- Chained (1934)
- Naughty Marietta (1935)
- China Seas(1935) – uncredited
- Riffraff (1936) – uncredited
- Wife vs. Secretary (1936; screenplay)
- Small Town Girl (1936)
- The Devil is a Sissy(1936)
- Love on the Run (1936)
- Captains Courageous (1937)
- A Star Is Born (1937)
- The Last Gangster (1937)
- Test Pilot (1938) – uncredited
- Too Hot to Handle (1938; screenplay)
- The Wizard of Oz(1939) – uncredited
- Boom Town (1940)
- Dr. Jekyll and Mr. Hyde (1941)
- Johnny Eager (1942; screenplay)
- Woman of the Year (1942) – uncredited
- Tortilla Flat (1942; screenplay)
- The Adventures of Tartu (1943)
- Combat America (1943) (documentary)
- Adventure(1945) – uncredited
- The Yearling(1946) – uncredited
- That Wonderful Urge (1948) – uncredited
- Down to the Sea in Ships (1949)
- Love That Brute (1950)
- Panic in the Streets (1950) – uncredited
- Show Boat (1951)
- Quo Vadis (1951)
- My Sơn John (1952; adaptation)
- Mogambo (1953)
- Elephant Walk (1954)
- Lucy Gallant (1955)
- The Bad Seed (1956; screenplay)
- Heaven Knows, Mr. Allison (1957)
- No Time for Sergeants(1958)
- The Horse Soldiers (1959) – also uncredited producer
- The Barbarians (1960) – also producer
- North to Alaska (1960; screenplay) – also uncredited producer
- The Spiral Road (1962)
- Moment to Moment (1966)
- The Jimmy Stewart Show (1971–1972) (TV series) (episodes "Identity Crisis" and "Old School Ties")
Actor
- Scarface (1932) – MacArthur from the Journal (uncredited)
- Hell Below (1933) – Lieut. (JG) 'Speed' Nelson (final film role)
References
- ^ New York Times. April 21, 1984. p. 1024. Retrieved 17 February 2019.
- ^ McCarthy & McBride p 241
- ProQuest 98855976.
- ^ McCarthy & McBride p 245
- ^ McCarthy & McBride p 246
- ^ Captain Hollywood: Mobbed by women and sought for capture by his fan the Fuhrer, Clark Gable never got his wish: to be an ordinary B-17 gunner. America in WWII. Retrieved September 1, 2020.
- ^ McCarthy & McBride, p. 248.
- ProQuest 153818065.
- ^ a b McCarthy & McBride, p. 249.
- ^ "FILM WORLD". The West Australian. Vol. 52, no. 15, 583. Western Australia. 5 June 1936. p. 3. Retrieved 23 January 2018 – via National Library of Australia.
- ProQuest 102796540.
- ^ McCarthy & McBride p 255
- ProQuest 165097982.
- ProQuest 165307335.
- ^ "Cinema: Garden Notes". The Mercury. Vol. CLXIV, no. 23, 714. Tasmania, Australia. 7 December 1946. p. 3 (The Mercury Magazine). Retrieved 23 January 2018 – via National Library of Australia.
- ^ "ROMANCE STILL FOLLOWS ERROL". Sunday Mail. No. 821. Queensland, Australia. 13 January 1946. p. 5. Retrieved 23 January 2018 – via National Library of Australia.
- ^ "Story by Cardinal Spellman to be Filmed by Hollywood". The Advocate. Vol. LXXIX, no. 4732. Victoria, Australia. 10 April 1946. p. 7. Retrieved 23 January 2018 – via National Library of Australia.
- ProQuest 112462523.
- ProQuest 166793890.
- ProQuest 167176040.
- ProQuest 167344698.
- ProQuest 114185644.
- ^ McCarthy & McBride p 262-263
- ProQuest 114362534.
- ProQuest 108195671.
- ProQuest 167238533.
- ^ "HOLLYWOOD DIARY". Sunday Mail. No. 854. Queensland, Australia. 1 September 1946. p. 8. Retrieved 23 January 2018 – via National Library of Australia.
- ^ "Timothy Mahin Biography". IMDb. Retrieved 2022-07-22.
Notes
- McCarthy, Todd; McBride, Joseph (1986). "John Lee Mahin: Team Player". In Patrick McGilligan (ed.). Backstory: Interviews with Screenwriters of Hollywood's Golden Age. University of California Press. pp. 241–290. ISBN 9780520056893.
External links
- John Lee Mahin at IMDb