Jonathan Hoefler

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Jonathan Hoefler
Type designer
EmployerHoefler & Co.
Notable work
(2001)
Hoefler Text, a serif typeface designed by Hoefler in 1991

Jonathan Hoefler (

Hoefler Type Foundry in 1989, a type foundry
in New York.

Early life

Jonathan Hoefler was born on August 22, 1970,[1] in New York City to Doreen Benjamin and Charles Hoefler, a theatrical set designer and producer. Growing up, it was the Gill Sans text on boxes of custard that drew him to typography design.[1] He is largely self-taught, and worked with magazine art director Roger Black prior to forming the Hoefler Type Foundry in 1989.[2]

Career

Hoefler's Champion Gothic was inspired by 19th-century wood type.

Hoefler & Frere-Jones as a partnership.[2] In 2000, the firm, under Frere-Jones' direction, designed its ubiquitous Gotham typeface for GQ magazine and received wide recognition for their work and in the last 20 years is one of the most successful typefaces.[1][2]

Hoefler's process when designing typefaces begins with research into historical records and then utilize the programming language

Apple Computer and now appearing as part of the Macintosh operating system.[4] He also designed the current wordmark of the Church of Jesus Christ of Latter-day Saints.[citation needed
]

In January 2014, Frere-Jones sued Hoefler for $20 million in the New York Supreme Court accusing him of scamming Frere-Jones. Frere-Jones claimed that in 1999, Hoefler agreed to a verbal 50–50 partnership that was legally binding. In light of the lawsuit, Hoefler changed the name back to Hoefler & Co claiming Frere-Jones had only been an employee, citing an agreement that they were not partners but "independent entities" and asked the court to dismiss the case. Fans of the foundry were shocked by the news of the lawsuit. A settlement was subsequently filed in September 2014.[5][6]

On September 15, 2021, Monotype announced the acquisition of Hoefler & Co. and its font assets.[7] Jonathan Hoefler also announced his intention to retire from the company.[8]

Awards and recognition

In 1995, Hoefler was named one of the forty most influential designers in America by I.D. magazine,[9] and in 2002, the Association Typographique Internationale (ATypI) presented him with its most prestigious award, the Prix Charles Peignot for outstanding contributions to type design.[10]

Hoefler's work is part of the

Cooper-Hewitt, National Design Museum's permanent collection.[11] In 2011, the Museum of Modern Art acquired two of Hoefler's typefaces: Mercury, and HTF Didot.[6][12]

In 2013, Hoefler and Frere-Jones were awarded the AIGA Medal for "their contributions to the typographic landscape through impeccable craftsmanship, skilled historical reference and insightful vernacular considerations."[2]

Typefaces

Jonathan Hoefler's typefaces include:

  • Gestalt, 1990
  • Champion Gothic, 1990
  • Hoefler Text, 1991
  • Ideal Sans, 1991
  • Ziggurat, 1991
  • Leviathan, 1991
  • Mazarin, 1991
  • HTF Didot, 1992
  • Requiem Text
    , 1992
  • Saracen, 1992
  • Acropolis, 1993
  • NYT Cheltenham, 1993
  • Knox, 1993
  • Historical Allsorts, 1994
  • Knockout, 1994
  • Fetish, 1994
  • Neutrino, 1994
  • Quantico, 1994
  • Oratorio, 1994
  • Troubadour, 1994
  • William Maxwell, 1994
  • Deseret, 1995
  • Jupiter, 1995
  • Pavisse, 1995
  • Verlag (formerly Guggenheim), 1996
  • Giant (formerly They Might Be Gothic), 1996
  • New Amsterdam, 1996
  • Hoefler Titling, 1996
  • Plainsong, 1996
  • Kapellmeister, 1997
  • Numbers (with Tobias Frere-Jones), 1997–2006
  • Mercury, (with Tobias Frere-Jones), 1997
  • Radio City, 1998
  • Vitesse, (with Tobias Frere-Jones), 2000
  • Deluxe, 2000
  • Cyclone, 2000
  • Topaz, 2000
  • Lever Sans, (with Tobias Frere-Jones), 2000
  • Archer, (with Tobias Frere-Jones), 2001
  • Chronicle, (with Tobias Frere-Jones), 2002
  • Sentinel, (with Tobias Frere-Jones), 2002
  • Operator, (with Andy Clymer), 2016[13]
  • Inkwell, (with Jordan Bell), 2017[14]
  • Decimal, 2019
  • Sentinel Ornaments (an extension of Sentinel), 2021
  • Sagittarius, 2021[15]

References

Footnotes

  1. ^ a b c d Dunlap, David W (October 19, 2004). "2 Type Designers, Joining Forces and Faces". The New York Times. Retrieved October 17, 2007.
  2. ^ a b c d e "2013 AIGA Medalist: Jonathan Hoefler and Tobias Frere-Jones". AIGA | the professional association for design. Retrieved June 6, 2019.
  3. ^ Heck, Bethany. "Champion Gothic". Font Review Journal. Retrieved September 13, 2019.
  4. ^ Heller, Steven. "Jonathan Hoefler on type design". Design Dialogues. Retrieved August 2, 2016.
  5. ^ Brownlee, John (September 29, 2014). "Type Stars Jonathan Hoefler And Tobias Frere-Jones Settle Their Bitter Lawsuit". Fast Company. Retrieved June 6, 2019.
  6. ^ a b "Were H&FJ Partners Jonathan Hoefler and Tobias Frere-Jones Ever Partners at All? -- New York Magazine - Nymag". New York Magazine. Retrieved June 6, 2019.
  7. ^ Quito, Anne. "A famous type foundry's sale to a PE-backed giant has rattled the font industry". Quartz. Retrieved December 11, 2021.
  8. ^ "Monotype Announces the Acquisition of Iconic Type Foundry Hoefler&Co". Monotype. September 15, 2021. Retrieved September 24, 2021.
  9. ^ “The I.D. Forty,” I.D., Jan/Feb 1995.
  10. ^ Barratt, Mark. "Prix Charles Peignot — ATypI". www.atypi.org. Retrieved June 6, 2019.
  11. Hoefler & Frere-Jones. Archived from the original
    on January 1, 2011. Retrieved October 17, 2007.
  12. ^ "Jonathan Hoefler | MoMA". The Museum of Modern Art. Retrieved June 6, 2019.
  13. ^ "Operator Font Combinations & Free Alternatives · Typewolf". Typewolf. Retrieved December 11, 2021.
  14. ^ Heck, Bethany. "Inkwell review". Font Review Journal. Retrieved September 13, 2019.
  15. ^ "Sagittarius Font | Webfont & Desktop | MyFonts". www.myfonts.com. Retrieved November 8, 2022.

General references

Awards
Preceded by Prix Charles Peignot
2002 		Succeeded by
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