Jonathon Keats

Source: Wikipedia, the free encyclopedia.
Jonathon Keats
Jonathon Keats, Hong Kong, 2012
Born (1971-10-02) October 2, 1971 (age 52)
New York City, U.S.
NationalityAmerican
EducationAmherst College
Known forConceptual art, installation art, performance art
Notable workThe God Project, The First Intergalactic Art Exposition, The Photosynthetic Restaurant

Jonathon Keats (born October 2, 1971) is an American

thought experiments. Keats was born in New York City and studied philosophy at Amherst College.[2] He now lives in San Francisco and Italy.[3]

Art projects

Early work

Keats made his debut in 2000 at Refusalon in San Francisco, where he sat in a chair and

nude in the gallery. His thoughts were sold to patrons as art, at a price determined by dividing their annual income down to the minute.[4][5]

In 2002 Keats held a petition drive to pass the

fingerprinting them as they entered the building.[9][10] And at Modernism Gallery in San Francisco, he premiered his first musical composition, "1001 Concertos for Tuning Forks and Audience".[11]

Keats

Ripley's Believe It or Not.[16] In 2012, the project was exhibited in London at the Wellcome Collection.[17][18]

Projects 2004–2010

Keats is most famous for attempting to

pilot study, which relied on continuous in vitro evolution, was not definitive, urging interested parties to pursue their own research, and to submit findings to the International Association for Divine Taxonomy, on which he served as executive director.[21][22]

In 2005 he started customizing the

Ed Ruscha. He did so by recalibrating time to each person's heartbeat, and mathematically deriving a new length for the meter, liter, kilogram, and calorie accordingly.[23][24]

Around the same time, he became interested in

Judah L. Magnes Museum in Berkeley, California.[27] As part of this exhibition, he also transmitted his own abstract artwork out into the cosmos.[28][29][30]

In 2006 Keats undertook several new projects, including two collaborations with other species: In rural

Bay Area properties were bought on the first day of sales.[38]

In 2007, Keats created a mobile ring tone based on the

constellations,[65] released through GarageBand.[66]

Keats brought his honeybee ballet to San Francisco in 2008 as part of Bay Area Now, the

Yahoo homepage on September 29,[79] controversy erupted in both the scientific[80] and religious[81][82][83] communities, and interest in the Atheon gained traction worldwide.[84]
astrophysicist Ilan Roth.[92][93]

In the midst of the Atheon debate, Keats announced that he had discovered a way to play God, using

nuclear waste slated to be buried in the Yucca Mountain nuclear waste repository in the next decade.[111][112] His proposal has proven controversial.[113]

In early 2009, Keats was an artist-in-residence at

Independent (UK)
]].
The Discovery Channel as "the epitome of caveat emptor".[132]

Projects 2010–present

Keats introduced four new projects in 2010. In January he created a

cosmic expansion,[163] worldwide opinion on the worthiness of his project was mixed.[164][165][166][167][168][169][170][171]

Keats turned his attention to flora again in early 2011, opening a "photosynthetic restaurant" where plants could enjoy "gourmet sunlight".

Well-Tempered Clavier to bring it into accord with the increased entropy of the universe.[204][205] Gallery visitors could purchase cans of "universal anti-seasoning," which was formulated to make cuisine more bland.[206]

Keats opened a "Microbial Academy of Sciences" in January 2012.

Wall Street Journal, Keats explained that he was motivated by the unresolved scientific quest for a theory of everything, the failings of which he attributed to the complexity of the human brain relative to the simplicity of the universe. He claimed that the fundamental laws of physics could more readily be grasped by cyanobacteria than by humans, because "cyanobacteria are not burdened by all that gray matter.”[215]

In April 2012, Keats launched the Electrochemical Currency Exchange Co. in the basement of

electrochemical arbitrage", generating energy by taking advantage of differences in the metallic content of Chinese and American coinages.[218] The energy generated was used to power a data processing center, but, due to the low wattage, the center consisted of pocket calculators, limiting computations to addition, subtraction, multiplication and division.[219][220][221] On May 16, 2012, a similar experiment was held in Hong Kong in the lobby of an HSBC building. But this time the electrochemical charge was derived exclusively from Chinese currency: aluminum Chinese fen and brass Hong Kong pennies.[212][222] A special website was made for this particular event.[223]

Writing career

Keats is also the art critic for

devil's dictionary of technology,[229][230] and a book of essays, "Virtual Words: Language on the Edge of Science and Technology", which Oxford University Press
published in October 2010.
New York Observer even deconstructed his Wikipedia entry.[248]) However Keats has assured interviewers that the writer and artist are the same person, telling Salon that his fables, like his art, are a form of thought experiment.[245]

Bibliography

Fiction

Nonfiction

Art and curatorial work

Essays and reporting

References

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External links

Retrieved from "https://en.wikipedia.org/w/index.php?title=Jonathon_Keats&oldid=1218045081"