Jorrit Tornquist
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Jorrit Tornquist (26 March 1938 – 17 May 2023) was an Austrian-Italian visual artist, color consultant, and color theorist. In 1992 he obtained Italian citizenship.
Biography
He was born in Graz on 26 March 1938.[citation needed]
Initially Tornquist studied biology. In 1958, at the Polytechnic University in Graz, he decided to take up architecture. Under the guidance of one professor named Winkler, Tornquist dedicated himself to both sculpting and painting, focusing on figurative.
From 1959, he focused on an in-depth study of color principles and color effects, and contemporarily launched his artistic career.
Tornquist had interest in the political and artistic movements that promote social transformation; he was a
In 1966 he staged his first one-man show at the Vismara Gallery in Milan.
In the same year he took part in the Forum Stadtpark in Graz. In 1967, together with Richard Kriesche and Helga Philipp, Tornquist signed the founding manifesto of the "Gruppo Austria", which aims to direct the Austrian culture towards new artistic languages.
Successively he set up the Team Color Group[1] (1972), became member of the Color Center of Tokyo[1] (1974) and actively participated in the Surya group[1] (1977), theorized by the critic Enzo Biffi Gentili.
Parallel to his artistic practices, he started his career as color consultant with a project for the Caffetteria dello Studente in Graz (1966, in collaboration with Arch. Jorg Mayr), then gradually he began to deal with important architectural sites, among which stands out the incineration plant in Brescia (1996).
In 1987 Tornquist created a performance titled "Apartheid" in Graz, his home town, which was done with the express intention of raising public awareness towards all living forms.
In 1992 he obtained Italian citizenship, though he maintained his Austrian one throughout.
In 1995 he built up the Color & Surface group: Barcelona-Milano-Wien, which undertakes chromatic interventions for public and private projects.
Tornquist died on 17 May 2023, at the age of 85.[2]
Critical texts
- U. Apollonio, Jorrit Tornquist, in Catalogo, Vismara Arte Contemporanea, Milano 1966.
- G. Dorfles, in Catalogo, Cenobio Visualità, Milano 1970.
- L. Caramel, in Catalogo, Vismara Arte Contemporanea, Milano 1971.
- W. Skreiner, in Catalogo di Farbe Empfindung Gefühlsraum, Neue Galerie, Graz 1973.
- G. Dorfles, Team colore, Milano 1974.
- E. Biffi Gentili, Libero da Gestalt?, in Tornquist 1959–78, Museo, Alessandria 1978.
- A. Veca, in Catalogo di Mostra Antologica, Pinacoteca Comunale, Macerata 1979.
- C. Belloli, in Colore come opposizione di luce-ombra dalle minicromie ai luciumbratili spazializzanti, Arte Struktura, Milano 1980.
- W. Skreiner, Continuità e apertura nell'opera di Jorrit Tornquist, 1980, in Catalogo della mostra Jorrit Tornquist 1959–1995, Studio F22, Palazzolo sull'Oglio 1995.
- E. Biffi Gentili, Introduzione, in J. Tornquist, Colore e luce, Hoepli Editrice, Milano 1983.
- W. Titz, Bagliori in una scatola di latta – Notizie su Tornquist, in Catalogo Jerseits von Farbe, Neue Galerie am Landesmuseum Joanneum, Graz 1987.
- E. Gombrich, L’apprendista stregone, Faenza 1990.
- A. Veca, 1990, in Catalogo della mostra Jorrit Tornquist 1959–1995, Studio F22, Palazzolo sull'Oglio 1995.
- W. Titz, Macule cieche, Graz 1993.
- E. Biffi Gentili, Jorrit Tornquist, o della vaghezza, 1994, in Catalogo della mostra Jorrit Tornquist 1959–1995, Studio F22, Palazzolo sull'Oglio 1995.
References
- ^ a b c VV. AA. (2006). Jorrit Tornquist. Color-works. Stile Editore, Brescia. p. 212.
- ^ E' morto Jorrit Tornquist, il più grande urbanista del colore contemporaneo che amava Brescia (in Italian)
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