Joseph Freiherr von Eichendorff
Joseph Freiherr von Eichendorff | |
---|---|
Prussian Silesia, Kingdom of Prussia | |
Died | 26 November 1857 Neisse (Polish: Nysa), Prussian Silesia, Kingdom of Prussia | (aged 69)
Occupation | Novelist, poet, essayist |
Education | Heidelberg University |
Period | 19th century |
Genre | Novellas, Fairy tales, poetry |
Literary movement | Romanticism |
Notable works | Memoirs of a Good-for-Nothing, The Marble Statue |
Signature | |
Joseph Freiherr von Eichendorff (10 March 1788 – 26 November 1857) was a German poet, novelist, playwright,
Eichendorff first became famous for his 1826 novella
Many of Eichendorff's poems were first published as integral parts of his novellas and stories, where they are often performed in song by one of the protagonists.[8] The novella Good-for-Nothing alone contains 54 poems.[9]
Biography
Origin and early youth
Eichendorff, a descendant of an old noble family, was born in 1788 at
College days
Together with his brother Wilhelm, Joseph studied law and the humanities in
In October 1806Love affairs
From Eichendorff's diaries we know about his love for a girl, Amalie Schaffner,[24] and another love affair in 1807–08 during his student days in Heidelberg with one Käthchen Förster.[25] His deep sorrow about the unrequitted love for the nineteen-year-old daughter of a cellarman inspired Eichendorff to one of his most famous poems, Das zerbrochene Ringlein (The Broken Ring).
Military service
In his deep desperation over this unhappy infatuation, Eichendorff craved death in military exploits as mentioned in his poem Das zerbrochene Ringlein:
Ich möchte’ als Reiter fliegen |
I fain would mount a charger |
—Translated by Geoffrey Herbert Chase[26] |
Although Chase's translation weakens the second line from blut’ge Schlacht (bloody battle) to "in fight" this, actually, happens to be much closer to the historical truth, since Eichendorff's participation in the Lützow Free Corps seems to be a myth – in spite of some authorities asserting the contrary.[27] In 1813, when conflict flared up again, Eichendorff tried to join the struggle against Napoleon,[28] however he lacked the funds to purchase a uniform, gun, or horse, and, when he finally managed to get the money necessary, the war was all but over.[29]
Betrothal, marriage and family life
His parents, to save the indebted family estate, hoped that Eichendorff would marry a wealthy heiress, however he fell in love with Aloysia von Larisch (1792–1855),[30] called 'Luise', the seventeen-year-old daughter of a prominent, yet impoverished Catholic family of nobles. The betrothal took place in 1809, the same year Eichendorff went to Berlin to take up a profession there. In 1815, the couple was married in Breslau's St. Vinzenz church[30] and that same year Eichendorff's son Hermann was born, followed in 1819 by their daughter Therese. In 1818, Eichendorff's father died and in 1822 his mother. The death of his mother resulted in the final loss of all the family's estates in Silesia.[31][32]
Child mortality
During the period, infant mortality was very high.[33] Both Eichendorff's brother Gustav (born 1800) and his sister Louise Antonie (born 1799) died in 1803 at a very young age, as did two of Eichendorff's daughters between 1822 and 1832.[34] The poet expressed the parental sorrow after this loss in the famous cycle "Auf meines Kindes Tod".[35] One of the poems in this series conveys an especially powerful sense of loss in this era:
Die Winde nur noch gehen |
Only the winds are wandering |
—Translated by Margarete Münsterberg[36] |
Travels of a transferee
With his literary figure of the Good-for-Nothing Eichendorff created the paradigm of the wanderer. The motif itself had been central to romanticism since Wilhelm Heinrich Wackenroder and Ludwig Tieck undertook their famous Pfingstwanderung (Whitsun excursion) in the Fichtel Mountains in 1793, an event that began the Romantic movement.[37] Travels through Germany, Austria, and France rounded off Eichendorff's education, however, he himself was not much of a hiker. Apart from some extensive marches on foot during his school and college days (for example from Halle to Leipzig, to see popular actor Iffland),[38] he only undertook one lengthy tour, traversing for seventeen days the Harz mountains with his brother in 1805, a trip partly undertaken using the stagecoach, as witnessed by his diary.[39] Eichendorff was less of a romantic wanderer, but rather displaced again and again by changes of location necessitated by his official activities. The following trips, mainly undertaken by coach or boat, are documented:
- 1794 Prague.
- 1799 Karlsbad and Prague
- 1805/1806 Harz, Hamburg, Lübeck
- 1807 Nürnberg
- 1808/1809 via Lothringen, and the Champagne to Paris, a month later from Heidelberg to Frankfurt, and from there on a mailboat via Aschaffenburg, Würzburg, Nürnberg, Regensburgto Vienna,
- 1809/1810 Berlin,
- 1813 Neustadt O.S. (Prudnik),[40]
- 1814 Berlin,
- 1816 Breslau,
- 1819 Berlin,
- 1820 Vienna,
- 1821 Danzig,
- 1823 Berlin,
- 1824 Königsberg,
- 1831 Berlin,
- 1838 Munich and Vienna,
- 1843 Danzig,
- 1846/1847 Vienna,
- 1847 Danzig and Berlin,
- 1848 Köthen and Dresden,
- 1849 Berlin,
- 1855 Neiße (Nysa).[41]
Eichendorff as civil servant
Eichendorff worked in various capacities as Prussian government administrator. His career began in 1816 as unpaid clerk in Breslau. In November 1819, he was appointed assessor and in 1820 consistorial councilor for West and East Prussia in Danzig, with an initial annual salary of 1200 thalers. In April 1824, Eichendorff was relocated to Königsberg as "Oberpräsidialrat" (chief administrator) with an annual salary of 1600 thalers. In 1821, Eichendorff was appointed school inspector and, in 1824, "Oberpräsidialrat" in Königsberg.[42] In 1831, he moved his family to Berlin, where he worked as Privy Councilor for the Foreign Ministry until his retirement in 1844.[30]
Death and burial
Eichendorff's brother Wilhelm died in 1849 in
Growth of a Romanticist
Artistic influences
The two writers who had the greatest early influence on Eichendorff's artistic development were
Eichendorff shared Schlegel's view that the world was a naturally and eternally "self-forming artwork",[48] Eichendorff himself used the metaphor that "nature [was] a great picture book, which the good Lord has pitched for us outside."[49] Arnim's and Brentano's studies and interpretations of the Volkslied (folk song) deeply influenced Eichendorff's own poetry and poetology.[50]
Arnim's and Brentano's anthology Des Knaben Wunderhorn: Alte deutsche Lieder, a collection of songs about love, soldiers, wandering, as well as children's songs, was an important source for the Romantic movement. Similar to other early 19th-century anthologists such as
Eichendorff's poetical style
Range
Although Eichendorffs poetry includes many metric forms ranging from very simple elegiac couplets and stanzas to
Naturalness and artificiality
Following the model of Des Knaben Wunderhorn, Eichendorff uses simple words ('naturalness'), adding more meaning ('artificiality') than dictionary definitions would indicate. In this sense, "His words are rich in connotative power, in imaginative appeal and in sound."[55]
Emblematic imagery
Certain expressions and formulas used by Eichendorff, which are sometimes characterised by critics as pure cliché,
Wünschelrute Schläft ein Lied in allen Dingen, |
Wishing Wand A song sleeps in all things around |
—Translated by Natias Neutert[59]
Main motifs
The titles of Eichendorff's poems show that, besides the motif of wandering, the two other main motifs of his poetry were the passing of time (transience) and nostalgia. Time, for Eichendorff, is not just a natural phenomenon but, as Marcin Worbs elaborated: "Each day and each of our nights has a metaphysical dimension."[60] The morning, on the other hand, evokes the impression that "all nature had been created just in this very moment,"[61][62] while the evening often acts as a mysterium mortis with the persona pondering transience and death. Eichendorff's other main motif, nostalgia, is described by some critic as a phenomenon of infinity.[63] However, there is a number of different interpretations. According to Helmut Illbruck: The "simple-minded Taugenichts (...) feels continually homesick and can never come to rest."[64] Katja Löhr distinguishes between nostalgia as an emotion consisting of two components — longing and melancholy: "The inner emotion of longing is to long for, the inner emotion of melancholy is to mourn. As an expression of deep reflection, longing corresponds with intuition (Ahnen), grieving with memory."[8] Theodor W. Adorno, who set out to rescue Eichendorff from his misled conservative admirers, attested: "He was not a poet of the homeland, but rather a poet of homesickness".[65] In sharp contrast, Natias Neutert saw in Eichendorff's nostalgia a dialectical unity of an "unstable equilibrium of homesickness and wanderlust at once".[66]
Religiosity
For a long time it had been argued that Eichendorff's view of Romanticism had been subordinate to religious beliefs. More recently, however, Christoph Hollender has pointed that Eichendorff's late religious and political writings were commissioned works, while his poetry represents a highly personal perspective.[67]
Eichendorff's own résumé
Eichendorff summed up the Romantic epoch stating that it "soared like a magnificent rocket sparkling up into the sky, and after shortly and wonderfully lighting up the night, it exploded overhead into a thousand colorful stars."[68]
Legacy
"While other authors (such as Ludwig Tieck, Caroline de la Motte Fouqué, Clemens Brentano and Bettina von Arnim) adapted the themes and styles of their writing to the emerging realism, Eichendorff "stayed true to the emblematic universe of his literary Romanticism right through to the 1850s,"[69] Adorno stated: "Unconsciously Eichendorff's unleashed romanticism leads right up to the threshold of modernism".[70]
Works
Volumes of poetry
- First publication of some Poems in Ast's Zeitschrift für Wissenschaft und Kunst, under the pseudonym «Florens»; Heidelberg, (1808),
- Gedichte von Joseph Freiherrn von Eichendorff, Verlag Duncker & Humblot, Berlin, (1837)[71]
- Julian, story in verses, (1853)
- Robert und Guiscard, epic poem, (1855)
- Lucius, epic poem, (1855)
Narrative texts
Novels
- Ahnung und Gegenwart. Mit einem Vorwort von de la Motte Fouqué, novel, Nürnberg, bei Johann Leonhard Schrag (1815)
- Dichter und ihre Gesellen, novel, Verlag Duncker & Humblot, Berlin (1834)
Novellas
- Die Zauberei im Herbste, (1808/09), published posthumously in 1906,
- Das Marmorbild (The Marble Statue), ed. by De la Motte-Fouqué, published in «Frauentaschenbuch für das Jahr 1819» (1819),
- Aus dem Leben eines Taugenichts(Memoirs of a Good-for-Nothing) together with Das Marmorbild (The Marble Statue), (1826),
- Viel Lärmen um Nichts (1833)
- Eine Meerfahrt, (1836); published posthumously (1864)
- Das Schloß Dürande, (1837)
- Die Entführung, in: Urania. Taschenbuch für das Jahr 1839 (1839)
- Die Glücksritter, in: Rheinisches Jahrbuch (1841)
- Libertas und ihre Freier (1848), published posthumously (1858)
Play texts
- Krieg den Philistern! Dramatisches Märchen in Fünf Abenteuern, (1823)
- Meierbeth's Glück und Ende, (1827)
- Ezelin von Romano, (1828)
- Der letzte Held von Marienburg, (1830)
- Die Freier, (1833)[72]
Translations
- Pedro Calderón de la Barca: Der Graf Lucanor, (1845)
- Die geistlichen Schauspiele Calderons (2 vol.), (1846–53)[1]
Literary critic
- Über die ethische und religiöse Bedeutung der neuen romantischen Poesie in Deutschland (On the ethical and religious significance of the new romantic poetry in Germany), (1847)
- Der deutsche Roman des 18. Jahrhunderts in seinem Verhältniss zum Christenthum (The German novel of the 18th century in its relationship to Christianity), (1851)
- Geschichte der poetischen Literatur Deutschlands, (1857)[73]
Anthologist
- Oberschlesische Märchen und Sagen (Aarne-Thompson-Uther Index):[74]
- Die schöne Craßna und das Ungeheuer, variant of Beauty and the Beast (tale type ATU 425C);
- Die Prinzessin als Küchenmagd, variant of Allerleirauh (mostly tale type ATU 510B);
- Der Faulpelz und der Fisch, variant of Emelian the Fool(tale type ATU 675);
- Die schöne Sophie, variant of Snow White (tale type ATU 709);
- Der Vogel Venus, variant of The Golden Bird (mostly tale type ATU 550, combined with ATU 551 and ATU 506).
Editor
- Lebrecht Blücher Dreves: Gedichte. Ed. and with a foreword by Joseph v. Eichendorff. Verlag Duncker & Humblot, Berlin 1849.
Set to music
With approximately 5000 musical settings, Eichendorff is the most popular German poet set into music. "The magical, enchanting lyricism of his poetry almost seems to be music itself," as it is praised.[75] His poems have been set to music by many composers, including Schumann, Mendelssohn, Max Bruch, Johannes Brahms, Hugo Wolf, Didia Saint Georges, Richard Strauss, Hans Pfitzner, Pauline Volkstein, [76]Hermann Zilcher, Alexander Zemlinsky, Max Reger, and even Friedrich Nietzsche.[77]
His poems also inspired orchestral music, such as Reger's Eine romantische Suite as well as electronic arrangements by Qntal.
Literature
Primary Literature
- Sämtliche Werke des Freiherrn Joseph von Eichendorff. Max Niemeyer Verlag, Tübingen.
- HKA I/1: Gedichte. Erster Teil. Text. Ed. by Harry Fröhlich/Ursula Regener (1993).
- HKA I/2: Gedichte. Erster Teil. Kommentar. Aufgrund von Vorarbeiten von Wolfgang Kron. Ed. by Harry Fröhlich (1994).
- HKA I/3: Gedichte. Zweiter Teil. Verstreute und nachgelassene Gedichte. Text. Ed. by Ursula Regener (1997).
- HKA I/4: Gedichte. Zweiter Teil. Verstreute und nachgelassene Gedichte. Kommentar. Ed. by Ursula Regener (1997).
- HKA III: Ahnung und Gegenwart. Ed. by Christiane Briegleb/Clemens Rauschenberg (1984).
- HKA IV: Dichter und ihre Gesellen. Ed. by Volkmar Stein (2001).
- HKA V/1: Erzählungen. Erster Teil. Text. Ed. by Karl Konrad Polheim (1998).
- HKA V/2: Erzählungen. Erster Teil. Kommentar. Ed. by Karl Konrad Polheim (2000).
- HKA V/3: Erzählungen. Zweiter Teil. Fragmente und Nachgelassenes. Ed. by Heinz-Peter Niewerth (2006).
- HKA V/4: Erzählungen. Dritter Teil. Autobiographische Fragmente. Ed. by Dietmar Kunisch (1998).
- HKA VI/1: Historische Dramen und Dramenfragmente. Text und Varianten. Ed. by Harry Fröhlich (1996).
- HKA VI/2: Historische Dramen und Dramenfragmente. Kommentar. Ed. by Klaus Köhnke (1997).
- HKA VIII/1: Literarhistorische Schriften I. Aufsätze zur Literatur. Aufgrund der Vorarbeiten von Franz Ranegger. Ed. by Wolfram Mauser (1962).
- HKA VIII/2: Literarhistorische Schriften II. Abhandlungen zur Literatur. Aufgrund der Vorarbeiten von Franz Ranegger. Ed. by Wolfram Mauser (1965).
- HKA IX: Literarhistorische Schriften III. Geschichte der poetischen Literatur Deutschlands. Ed. by Wolfram Mauser (1970).
- HKA XI: Tagebücher. Ed. by Franz Heiduk/Ursula Regener (2006)
- HKA XII: Briefe 1794–1857. Text. Ed. by Sibylle von Steinsdorff (1993).
- HKA XV/1: Übersetzungen I. Erster Teil. Graf Lucanor von Don Juan Manuel. Geistliche Schauspiele von Don Pedro Calderón la Barca I. Ed. by Harry Fröhlich (2003).
- HKA XV/2: Übersetzungen I. Zweiter Teil. Geistliche Schauspiele von Don Pedro Calderón la Barca II. Ed. by Harry Fröhlich (2002).
- HKA XVI: Übersetzungen II. Unvollendete Übersetzungen aus dem Spanischen. Ed. by Klaus Dahme (1966).
- HKA XVIII/1: Eichendorff im Urteil seiner Zeit I. Dokumente 1788–1843. Günter and Irmgard Niggl (1975).
- HKA XVIII/2: Eichendorff im Urteil seiner Zeit II. Dokumente 1843–1860. Ed. by Günter and Irmgard Niggl (1976).
- HKA XVIII/3: Eichendorff im Urteil seiner Zeit III. Kommentar und Register. Ed. by Günter and Irmgard Niggl (1986).
- HKA II: Epische Gedichte.
- HKA VII: Dramen II. Satirische Dramen und Dramenfragmente. Ed. by Harry Fröhlich.
- HKA X: Historische und politische Schriften. Ed. by Antonie Magen
- HKA XIII: Briefe an Eichendorff. Ed. by Sibylle von Steinsdorff.
- HKA XIV: Kommentar zu den Briefen (Bd. XII und Bd. XIII). Ed. by Sibylle von Steinsdorff.
- HKA XVII: Amtliche Schriften. Ed. by Hans Pörnbacher.
- Joseph von Eichendorff, Werke, 6 Bde. (Bibliothek deutscher Klassiker) Hrsg. von Wolfgang Frühwald. Deutscher Klassiker-Verlag, Frankfurt am Main 1985–93
- Joseph von Eichendorff: Ausgewählte Werke. Ed. by Hans A. Neunzig. Nymphenburger, Berlin 1987. ISBN 3-485-00554-1
- Wolfdietrich Rasch (Ed.): Joseph von Eichendorff. Sämtliche Gedichte. Deutscher Taschenbuch Verlag, Munich, 1975. ISBN 3-446-11427-0
Secondary literature
- Theodor W. Adorno: "Zum Gedächtnis Eichendorffs". In: Noten zur Literatur I. Bibliothek Suhrkamp 47, Frankfurt am Main 1963. pp. 105–143.
- Hans Brandenburg: Joseph von Eichendorff. Sein Leben und sein Werk. Beck, Munich 1922.
- Dirk Göttsche / Nicholas Saul (eds.): Realism and Romanticism in German Literature / Realismus und Romantik in der deutschsprachigen Literatur. Aisthesis, Bielefeld 2013. ISBN 978-3-89528-995-8
- Klaus Günzel: Die deutschen Romantiker. 125 Lebensläufe. Ein Personenlexikon. Artemis & Winkler, Düsseldorf / Zürich 1995. ISBN 3-7608-1229-5
- Rufus Hallmark: German Lieder in the Nineteenth Century. Schirmer, New York 1996. ISBN 0-02-870845-8.
- Helmut Illbruck: Nostalgia. Origins and Ends of an Unenlightened Disease. Northwestern University Press, Evanston Illinois, 2012. ISBN 9780810128378.
- Hans Jürg Lüthi: Dichtung und Dichter bei Joseph von Eichendorff. Francke Verlag, Bern 1966.
- Sybille Anneliese Margot Reichert: Unendliche Sehnsucht. The Concept of Longing in German Romantic Narrative and Song. Dissertation, Yale University 1995.
- Günther Schiwy: Eichendorff. Der Dichter in seiner Zeit. Eine Biographie. C.H. Beck, Munich 2000. ISBN 3-406-46673-7
- Oskar Seidlin: Versuche über Eichendorff. Vandenhoeck & Ruprecht, Göttingen 1965.
- Paul Stöcklein: Joseph von Eichendorff in Selbstzeugnissen und Bilddokumenten. Rowohlts Monographien 84, Reinbek bei Hamburg 1963. ISBN B0094MO2DQ
- Jürgen Thym: 100 Years Of Eichendorff Songs. Recent Researches in the Music of the Nineteenth and Early Twentieth Centuries, vol. 5. A-R Editions, Madison 1983. ISBN 0-89579-173-0
Museum, archives and organisations
- Deutsches Eichendorff-Museum, Eselsberg 1, D-7988 Wangen im Allgäu, Germany, c/o Sybille Heimann, 07522 / 3840 or 3704.[78]
- Frankfurter Goethe-Haus. Freies Deutsches Hochstift. Großer Hirschgraben 23–25, 60311 Frankfurt am Main.
- Eichendorff-Forum. Prof. Dr. Ursula Regener Universität Regensburg
Institut für Germanistik, D-93040 Regensburg
See also
References
- ^ a b c "Joseph, baron von Eichendorff – German writer".
- ^ a b Cf. J. A. Cuddon: The Penguin Dictionary of Literary Terms and Literary Theory, revised by C. E. Preston. London 1999, p. 770.
- ^ Cf. Peter Horst Neumann: Eichendorff im technischen Zeitalter. Zu seinem 200. Geburtstag. In: Die Zeit/Zeitmagazin 11. März 1988 http://www.zeit.de/1988/11/eichendorff-im-technischen-zeitalter
- ISBN 0804461341
- ISBN 0-89579-173-0
- ^ Cf. Ernst Alker: Die deutsche Literatur im 19. Jahrhundert (1832–1914), 2nd ed., Kröners Taschenbuch vol. 339, Stuttgart 1962, p. 27.
- ^ Hanjo Kesting: Eichendorff und seine Gesellen. Die Wiederkehr der Romantik. http://www.frankfurter-hefte.de/upload/Archiv/2008/Heft_01-02/PDF/080102_86_89.pdf
- ^ ISBN 3-8260-2536-9
- ISBN 3-446-11427-0
- ^ Joseph von Eichendorff http://www.britannica.com/biography/Joseph-Freiherr-von-Eichendorff
- ISBN 3-406-46673-7
- ISBN 3-499-50084-1
- ISBN 3-406-46673-7
- ISBN 3-406-46673-7
- ISBN 3-499-50084-1
- ISBN 3-499-50084-1
- ^ Further reading: F. Maak: Das Goethetheater in Lauchstädt. D. Häcker, Lauchstädt 1905.
- ISBN 3-446-11427-0
- ^ ISBN 3-499-50084-1
- ISBN 3-406-46673-7
- ^ Cf. Hans Jürg Lüthi: Dichtung und Dichter bei Joseph von Eichendorff. Francke Verlag, Bern 1966, pp. 68–71, 155 f.
- ISBN 3-446-11427-0
- ^ Cf. Biographical data. http://www.koethen-anhalt.de/de/eichendorff-lebensdaten.html
- ISBN 3-406-46673-7
- ISBN 3-406-46673-7
- ^ In: German Poetry from 1750 to 1900. Ed. by Robert M. Browning. The German Library, vol.39. The Continuum Publishing Company, New York 1984, p.146-147.
- ISBN 3-520-19618-2
- ISBN 3-499-50084-1
- ^ Cf. Wolf Lepenies: Eichendorff, der ewig späte Taugenichts. In: Die Welt, 26 November 2007 https://www.welt.de/kultur/article1400183/Eichendorff-der-ewig-spaete-Taugenichts.html
- ^ a b c de:Aloysia von Eichendorff
- ISBN 3-499-50084-1
- ^ Biographical data: http://www.koethen-anhalt.de/de/eichendorff-lebensdaten.html
- ^ Cf. Arthur E. Imhof: Lebenserwartungen in Deutschland vom 17. bis 19. Jahrhundert.. VCH Acta Humaniora. Weinheim 1990.
- ISBN 3-406-46673-7
- ^ Germany, SPIEGEL ONLINE, Hamburg. "von – Text im Projekt Gutenberg". gutenberg.spiegel.de.
{{cite web}}
: CS1 maint: multiple names: authors list (link) - ^ Margarete Münsterberg (Ed., trans.): A Harvest of German Verse. Berlin 1916.
- ISBN 3-406-46673-7
- ISBN 3-406-46673-7
- ISBN 3-406-46673-7
- ^ Domino, Marcin (24 February 2019). "Śladami Josepha Eichendorffa na ziemi prudnickiej". Prudnik24 (in Polish). Retrieved 25 April 2021.
- ISBN 3-499-50084-1
- ISBN 3-373-00157-9
- ISBN 3-406-46673-7
- ^ J. A. Cuddon: The Penguin Dictionary of Literary Terms & Literary Theory, revised by C. E. Preston. England 1999, p.768.
- ^ J. A. Cuddon: The Penguin Dictionary of Literary Terms & Literary Theory, revised by C. E. Preston. England 1999, p.770.
- ^ "Romanticism". 25 April 2023.
- ^ Cf. Robert König: Deutsche Literaturgeschichte. Bielefeld/Leipzig 1886, p.521.
- ^ Quoting after Natias Neutert: Foolnotes. Smith Gallery Booklet, Soho New York 1980, p.7, see Friedrich Schlegel: Gespräch über die Poesie. In: Paul Kluckhohn (Ed.): Kunstanschauung der Frühromantik. Deutsche Literatur, Reihe Romantik. Vol.III, Philipp Reclam jun., Leipzig, 1937, p.191.
- ^ "Joseph von Eichendorff Zitate". zitate.woxikon.de.
- ISBN 978-3-8260-3951-5
- ^ Cf. Ludwig Achim von Arnim: Briefwechsel 1802–1804. Vol.31, Max Niemeyer Verlag, Tübingen 2004. p.57
- ISBN 978-3-89678-663-0
- ^ Cf. Horst Joachim Frank: Handbuch der deutschen Strophenformen. 2nd, revised ed., Tübingen/Basel 1993, p.107.
- ^ Also Cf. Jacob Haxold Heinzelmann: The influence of the German Volkslied on Eichendorff's lyric. https://archive.org/stream/influenceofgerma00hein/influenceofgerma00hein_djvu.txt
- ^ Cf. Edward A. Bloom/Charles H. Philbrick/Elmer M. Blistein: The Order of Poetry. Brown University, New York 1961, p.2.
- ^ Cf. Reinhard H. Thum: Cliché and Stereotype. An Examination of the Lyric Landscape in Eichendorff's Poetry. In: Philological Quarterly no. 62, University of Iowa 1983, pp. 435–457.
- ^ Cf. Joseph Görres: Gesammelte Schriften, ed. by Wilhelm Schellberg on behalf of the Görres-Gesellschaft, Köln 1926, vol.IV, p.2 and V, p.274. – Cf. also Gerhard Möbus: Eichendorff in Heidelberg. Wirkungen einer Begegnung. Diederichs Verlag, Düsseldorf 1954.
- ^ Joseph von Eichendorff, cited in Hans Jürg Lüthi: Dichtung und Dichter bei Joseph von Eichendorff, Bern 1966, p.69
- ^ Natias Neutert: Foolnotes. Very Best German Poems. Smith Gallery Booklet, Soho New York 1980, p. 7. See also the installation at the Frankfurter Goethe-Haus and Deutsches Romantik-Museum, Frankfurt
- ISBN 978-3-89528-744-2
- ^ Cf. Peter Paul Schwarz: Aurora. Zur romantischen Zeitstruktur bei Eichendorff. Ars poetica. Texte zur Dichtungslehre und Dichtkunst. Vol. 12, ed. by August Buck et al., Bad Homburg 1970, p.60.
- ^ Cf. Marshall Brown: Eichendorff's Time of day. In: «The German Quarterly», No.50, 1977, pp.485–503.
- ^ Cf. Sybille Anneliese Margot Reichert: Unendliche Sehnsucht . The concept of Longing in German romantic Narrative and Song. Dissertation Yale University, Ann Arbor, Michigan, 1994.
- ISBN 9780810128378.
- ^ Cf. Theodor. W. Adorno: Zum Gedächtnis Eichendorffs. In: Noten zur Literatur I, Frankfurt am Main, 1963, p.112.
- ^ Cf. Natias Neutert: Foolnotes, Soho, New York 1980, p.7.
- ^ Cf. Christoph Hollender: Der Diskurs von Poesie und Religion in der Eichendorff-Literatur. In: Wilhelm Gössmann (Ed.): Joseph von Eichendorff. Seine literarische und kulturelle Bedeutung. Paderborn/Munich/Wien/Zurich 1995, p.163-232.
- ^ Quoted after Robert König: Deutsche Literaturgeschichte. 18th edition. Verlag Velhagen & Klasing, Bielefeld/Leipzig 1886, p.521.
- ISBN 978-3-89528-995-8
- ^ Cf. Theodor W. Adorno: Zum Gedächtnis Eichendorffs. In: Noten zur Literatur I, No.47, Frankfurt am Main, 1963, p.119.
- ^ This collection was supported by Adolf Schöll, a classic philologist and literary historian, whom the poet had met in 1832 in Berlin.- Cf. Harry Fröhlich (Ed.): Zur Edition. In: Joseph von Eichendorff: Sämtliche Werke des Freiherrn Joseph von Eichendorff. Historisch-kritische Ausgabe, begründet von Wilhelm Kosch/August Sauer. Fortgeführt von Herrmann Kunisch/Helmut Koopmann. Bd. I. Stuttgart/Berlin/Köln 1994, p. 11.
- ^ Cf. Hans Jürg Lüthi: Dichtung und Dichter bei Joseph von Eichendorff. Francke Verlag, B.ern 1966, 307–308.
- ^ a b Cf. Hans Jürg Lüthi: Dichtung und Dichter bei Joseph von Eichendorff. Francke Verlag, Bern 1966, p. 307-308.
- ^ Zarych, Elżbieta. "Ludowe, Literackie I Romantyczne W Górnośląskich Baśniach I Podaniach (Oberschlesiche Märchen Und Sagen) Josepha von Eichendorffa" [Folk, literary and romantic character of Upper Silesian fairy tales (Oberschlesiche Märchen und Sagen) by Joseph von Eichendorff]. In: Joseph von Eichendorff (1788–1857) a Česko-Polská kulturnÍ a Umělecká pohraničÍ: kolektivnÍ Monografie. Edited by Libor Martinek and Małgorzata Gamrat. KLP – Koniasch Latin Press, 2018. pp. 75–94. http://bohemistika.fpf.slu.cz/wp-content/uploads/2014/11/eichendorff-komplet.pdf
- ^ Experiencing Lieder http://www.dersnah-fee.com/Essays%20and%20Educational%20Material/Lieder-Resources.pdf
- ^ "Pauline Volkstein und ihre Volkslieder. Von Dr. Armin Knab. - Deutsche Digitale Bibliothek". www.deutsche-digitale-bibliothek.de (in German). Retrieved 4 March 2023.
- ISBN 0-89579-173-0
- ^ Schöllhorn, Bruno. "Deutsches Eichendorff-Museum". amv-wangen.org.
External links
- Media related to Joseph von Eichendorff at Wikimedia Commons
- German Wikisource has original text related to this article: Joseph von Eichendorff
- German Wikiquote has quotations related to: Joseph von Eichendorff
- Works by Joseph von Eichendorff at Project Gutenberg
- http://www.koethen-anhalt.de/de/eichendorff-lebensdaten.html
- Eichendorff texts online at German Project Gutenberg (in German)
- Works by or about Joseph Freiherr von Eichendorff at Internet Archive
- Works by Joseph Freiherr von Eichendorff at LibriVox (public domain audiobooks)
- Works by Joseph Freiherr von Eichendorff at Open Library
- Freiherr von Eichendorff Catholic Encyclopedia article
- Joseph von Eichendorff Chronology Published by the Goethe Institut
- Translations of 'Aus dem Leben eines Taugenichts' and 'Das Marmorbild'