Josephine Baker

Source: Wikipedia, the free encyclopedia.

Josephine Baker
civil rights activist, French Resistance
agent
Years active1921–1975
Spouses
Willie Wells
(m. 1919; div. 1919)
William Baker
(m. 1921; div. 1925)
Jean Lion
(m. 1937; div. 1940)
(m. 1947; div. 1961)
Partner(s)Robert Brady
(1973–1975)
Children12;
French pop
  • French jazz
  • Instrument(s)Vocals
    Labels
    Signature

    Freda Josephine Baker (née McDonald; June 3, 1906 – April 12, 1975), naturalized as Joséphine Baker, was an American-born French dancer, singer and actress. Her career was centered primarily in Europe, mostly in France. She was the first black woman to star in a major motion picture, the 1927 silent film Siren of the Tropics, directed by Mario Nalpas and Henri Étiévant.[3]

    During her early career, Baker was among the most celebrated performers to headline the revues of the Folies Bergère in Paris. Her performance in its 1927 revue Un vent de folie caused a sensation in the city. Her costume, consisting only of a short skirt of artificial bananas and a beaded necklace, became an iconic image and a symbol both of the Jazz Age and the Roaring Twenties.

    Baker was celebrated by artists and intellectuals of the era, who variously dubbed her the "Black Venus", the "Black Pearl", the "Bronze Venus", and the "Creole Goddess".

    St. Louis, Missouri, she renounced her U.S. citizenship and became a French national after her marriage to French industrialist Jean Lion in 1937.[5]
    She raised her children in France.

    Baker aided the

    Chevalier of the Legion of Honour by General Charles de Gaulle.[7] Baker sang: "I have two loves: my country and Paris."[8]

    Baker, who refused to perform for segregated audiences in the United States, is noted for her contributions to the civil rights movement. In 1968, she was offered unofficial leadership in the movement in the United States by Coretta Scott King, following Martin Luther King Jr.'s assassination. After thinking it over, Baker declined the offer out of concern for the welfare of her children.[9][10][11]

    On November 30, 2021, she was inducted into the Panthéon in Paris, the first black woman to receive one of the highest honors in France.[12] As her resting place remains in Monaco Cemetery, a cenotaph was installed in vault 13 of the crypt in the Panthéon.[13]

    Early life

    Baker, c. 1908

    Josephine Baker was born Freda Josephine McDonald in

    St. Louis, Missouri.[9][14][15] Baker's ancestry is unknown—her mother, Carrie, was adopted in Little Rock, Arkansas in 1886 by Richard and Elvira McDonald, both of whom were former slaves of African and Native American descent.[9] Baker's estate identifies vaudeville drummer Eddie Carson as her natural father despite evidence to the contrary.[16] In 1993, Josephine Baker's foster son Jean-Claude Baker
    published a biography titled Josephine: The Hungry Heart, which was the culmination of decades of exhaustive research into Baker's life and career. In the book, he discusses at length the circumstances surrounding Baker's birth:

    The records of the city of St. Louis tell an almost unbelievable story. They show that (Baker's mother) Carrie McDonald ... was admitted to the (exclusively white) Female Hospital on May 3, 1906, diagnosed as pregnant. She was discharged on June 17, her baby, Freda J. McDonald having been born two weeks earlier. Why six weeks in the hospital? Especially for a black woman (of that time) who would customarily have had her baby at home with the help of a midwife? ... The father was identified (on the birth certificate) simply as "Edw"... I think Josephine's father was white – so did Josephine, so did her family...people in St. Louis say that (Baker's mother) had worked for a German family (around the time she became pregnant)... I have unraveled many mysteries associated with Josephine Baker, but the most painful mystery of her life, the mystery of her father's identity, I could not solve. The secret died with Carrie, who refused to the end to talk about it. She let people think Eddie Carson was the father, and Carson played along, (but) Josephine knew better.[9]

    Josephine McDonald spent her early life on 212 Targee Street (known by some St. Louis residents as Johnson Street) in the

    street smarts playing in the railroad yards of Union Station.[17]

    Her mother married Arthur Martin, "a kind but perpetually unemployed man", with whom she had a son and two more daughters.[18] She took in laundry to make ends meet, and, at eight years old, Josephine began working as a live-in domestic for white families in St. Louis.[19] One woman abused her, burning Josephine's hands when the young girl put too much soap in the laundry.[20]

    In 1917, when she was 11, a terrified Josephine McDonald witnessed

    racial violence in East St. Louis.[21] In a speech years later, she recalled what she had seen:

    I can still see myself standing on the west bank of the Mississippi looking over into East St. Louis and watching the glow of the burning of Negro homes lighting the sky. We children stood huddled together in bewilderment ... frightened to death with the screams of the Negro families running across this bridge with nothing but what they had on their backs as their worldly belongings... So with this vision I ran and ran and ran...[22]

    By age 12, she had dropped out of school.

    street child in the slums of St. Louis, sleeping in cardboard shelters, scavenging for food in garbage cans,[24] making a living with street-corner dancing. It was at the Old Chauffeur's Club that Josephine met Willie Wells, whom she married at age 13, but the marriage lasted less than a year. Following her divorce from Wells, she found work with a street performance group called the Jones Family Band.[25]

    In her teens, she struggled to have a healthy relationship with her mother, who opposed her becoming an entertainer and scolded her for not tending to her second husband, William Howard Baker, whom she had married in 1921, at age 15.[26] She soon left him. when her vaudeville troupe was booked into a New York City venue. They divorced in 1925, during a period when her career success was beginning. Still, she continued to use his last name professionally for the rest of her life.[9] Though Baker was often on the road, returning with gifts and money for her mother and younger half-sister, larger career opportunities drew her farther afield, to France.[27]

    Career

    Early career

    Baker's unrelenting badgering of a local show manager led to her recruitment for the St. Louis Chorus vaudeville act. At the age of 13, she headed to New York City[22] during the Harlem Renaissance and performed at the Plantation Club, Florence Mills's old stomping ground. After several auditions, she secured a role in the chorus line of a touring production of the groundbreaking and hugely successful Broadway revue "Shuffle Along" (1921)[28] that helped bring public attention to Florence Mills, Paul Robeson, and Adelaide Hall.[29][30]

    In "Shuffle Along", Baker was a dancer at the end of a chorus line. Fearing she might be overshadowed by the others, she used her position to introduce a hint of comedy into her routine, making her stand out from her fellow dancers. She began in "Shuffle Along" with one of the U.S. touring companies, but, once she came of age, she was transferred to the Broadway production, where she remained for several months, until the show closed, in 1923. Next, Baker was cast in "The Chocolate Dandies", a revue that opened on September 1, 1924. Again, she was relegated to the chorus line. The show ran for 96 performances, finally closing in November 1925.

    Pre War Paris and rise to fame

    Baker in her banana costume, 1927

    Baker sailed to Paris in 1925 and opened on October 2 in "

    Bricktop was there as well. Me and her were the only two, and we had a marvellous time. Of course, everyone who was anyone knew Bricky. And they got to know Miss Baker as well."[33]

    In Paris, she became an instant success for her erotic dancing and for appearing practically nude onstage. After a successful tour of Europe, she broke her contract and returned to France in 1926 to star at the Folies Bergère, setting the standard for her future acts.[9]

    Arrival of Baker in The Hague, 1928

    Baker performed the Danse Sauvage, wearing little more than a skirt of strung-together artificial bananas. Her success coincided with the 1925

    Exposition des Arts Décoratifs, which gave birth to the term "Art Deco", as well as a renewed interest in non-Western art forms, including those of African origin, which Baker would represent. In later shows in Paris, she was often accompanied on stage by her pet cheetah, "Chiquita", donning a diamond collar. Chiquita frequently escaped into the orchestra pit, terrorizing the musicians and adding another element of excitement to the show.[9]

    After a while, Baker became the most successful American entertainer in France.

    Picasso depicted her alluring beauty. Jean Cocteau became friendly with her and helped vault her to international stardom.[33] Baker endorsed a "Bakerfix" hair gel, as well as bananas, shoes, and cosmetics, among other products.[36]

    In 1929, Baker became the first African-American star to visit Yugoslavia, which she included on a tour through Central Europe via the Orient Express. In Belgrade, she performed at Luxor Balkanska, then the city's most luxurious venue. In a nod to local culture, she included a Pirot kilim in her routine, and donated some of the show's proceeds to poor children of Serbia. In Zagreb, adoring crowds greeted her at the train station, but opposition from local clergy and morality police led to the cancellation of some of her shows.[37]

    During her travels in Yugoslavia, Baker was accompanied by "Count" Giuseppe Pepito Abatino.

    stonemason who passed himself off as a count, persuaded her to let him manage her.[38] He became not only Baker's manager, but her lover as well. The two could not marry because she was not yet divorced from her second husband, Willie Baker.[39]

    During this period, she released her most successful song, "J'ai deux amours" (1931).

    Princesse Tam Tam (1935). She starred in Fausse Alerte in 1940.[42] Bergfelder, Harris, and Street wrote that the silent film Siren of the Tropics "rehearses the 'primitive-to-Parisienne' narrative that would become the staple of Baker's cinema career, and exploited in particular her comic stage persona based on loose-limbed athleticism and artful clumsiness."[41] The sound films "Zouzou" (1934) and "Princesse Tam Tam" were both star vehicles for Baker.[43]

    Drawing by Louis Gaudin, depicting Baker being presented a flower bouquet by a cheetah

    Under the management of Abatino, Baker's stage and public persona, as well as her singing voice, were transformed. In 1934, she took the lead in a revival of Jacques Offenbach's opera La créole, which premiered in December of that year for a six-month run at the Théâtre Marigny on the Champs-Élysées of Paris. In preparation for her performances, she went through months of training with a vocal coach. In the words of Shirley Bassey, who has cited Baker as her primary influence, "... she went from a petite danseuse sauvage with a decent voice to la grande diva magnifique... I swear in all my life I have never seen, and probably never shall see again, such a spectacular singer and performer."[44]

    Despite her popularity in

    America. Her star turn in a 1936 revival of "Ziegfeld Follies" on Broadway was not commercially successful, and later in the run she was replaced by Gypsy Rose Lee.[45][46] "Time" magazine referred to her as a "Negro wench ... whose dancing and singing might be topped anywhere outside of Paris", while other critics said her voice was "too thin" and "dwarf-like" to fill the Winter Garden Theatre.[45] She returned to Europe heartbroken.[31] This contributed to Baker's becoming a legal citizen of France and giving up her American citizenship.[9]

    Baker returned to Paris in 1937, married the French industrialist Jean Lion, and became a French citizen.[47] They were married in the French town of Crèvecœur-le-Grand, in a wedding presided over by the mayor, Jammy Schmidt.

    Between 1933 and 1937, Baker was a guest at the start of the Tour de France on four occasions.[48]

    World War II

    Baker in uniform, 1948

    In September 1939, when France declared war on Germany in response to the invasion of Poland, Baker was recruited by the Deuxième Bureau, the French military intelligence agency, as an "honorable correspondent". Baker worked with Jacques Abtey, the head of French counterintelligence in Paris. She socialised with the Germans at embassies, ministries, night clubs, charming them while secretly gathering information. Her café-society fame enabled her to rub shoulders with those in the know, from high-ranking Japanese officials to Italian and Vichy bureaucrats, reporting to Abtey what she heard. She attended parties and gathered information at the Italian embassy without raising suspicion.[49]

    When the Germans invaded France, Baker left Paris and went to the

    embassies and ministries, charming people as she had always done, but at the same time trying to remember interesting items to transmit".[37]

    Later in 1941, she and her entourage went to the

    French colonies in North Africa. The stated reason was Baker's health (since she was recovering from another case of pneumonia), but the real reason was to continue helping the Resistance. From a base in Morocco, she made tours of Spain. She pinned notes with the information she gathered inside her underwear (counting on her celebrity to avoid a strip search). She met the Pasha of Marrakech, whose support helped her through a miscarriage (the last of several). After the miscarriage, she developed an infection so severe it required a hysterectomy. The infection spread and she developed peritonitis and then sepsis. After her recovery (which she continued to fall in and out of), she started touring to entertain British, French, and American soldiers in North Africa. The Free French had no organized entertainment network for their troops, so Baker and her entourage managed for the most part on their own. They allowed no civilians and charged no admission.[53]

    After the war, Baker was awarded the

    Baker's last marriage, to French composer and conductor Jo Bouillon, ended around the time she adopted her 11th child.[39]

    Post War

    Baker in Havana, Cuba, in 1950
    Baker in Amsterdam, 1954

    In 1949, a reinvented Baker returned in triumph to the Folies Bergère. Bolstered by recognition of her wartime heroism, Baker the performer assumed a new gravitas, unafraid to take on serious music or subject matter. The engagement was a rousing success and reestablished Baker as one of Paris' pre-eminent entertainers. In 1951, Baker was invited back to the United States for a nightclub engagement in Miami. After winning a public battle over desegregating the club's audience, Baker followed up her sold-out run at the club with a national tour. Rave reviews and enthusiastic audiences accompanied her everywhere, climaxed by a parade in Harlem in honor of her new title: NAACP's "Woman of the Year".[54][55]

    In 1952, Baker was hired to crown the Queen of the Cavalcade of Jazz for the famed eighth

    Leon Hefflin, Sr. on June 1. Also featured to perform that day were Roy Brown and His Mighty Men, Anna Mae Winburn and Her Sweethearts, Toni Harper, Louis Jordan, Jimmy Witherspoon and Jerry Wallace.[56][57]

    An incident at the

    Communist sympathies (a serious charge at the time). The ensuing publicity resulted in the termination of Baker's work visa, forcing her to cancel all her engagements and return to France. It was almost a decade before U.S. officials allowed her back into the country.[58]

    In January 1966, Fidel Castro invited Baker to perform at the "Teatro Musical de La Habana" in Havana, Cuba, at the seventh-anniversary celebrations of his revolution. Her spectacular show in April broke attendance records. In 1968, Baker visited Yugoslavia and made appearances in Belgrade and in Skopje. In her later career, Baker faced financial troubles. She commented, "Nobody wants me, they've forgotten me"; but family members encouraged her to continue performing. In 1973 she performed at Carnegie Hall to a standing ovation.[59]

    The following year, she appeared in a Royal Variety Performance at the London Palladium, and then at the Monegasque Red Cross Gala, celebrating her 50 years in French show business. Advancing years and exhaustion began to take their toll; she sometimes had trouble remembering lyrics, and her speeches between songs tended to ramble. She still continued to captivate audiences of all ages.[60]

    Civil rights activism

    Although based in France, Baker supported the

    historically black college in Nashville, Tennessee, on "France, North Africa and the Equality of the Races in France".[61]

    She refused to perform for segregated audiences in the United States, although she was offered $10,000 by a Miami club;[6] the club eventually met her demands. Her insistence on mixed audiences helped to integrate live entertainment shows in the Las Vegas Valley.[10] After this incident, she began receiving threatening phone calls from people claiming to be from the Ku Klux Klan but said publicly that she was not afraid of them.[62]

    In 1951, Baker made charges of racism against

    Prince Rainier of Monaco). The two women became close friends after the incident.[64]

    When Baker was near bankruptcy, Kelly—by then the

    FBI file and, using comparison of the file to the tapes, said he thought the Stork Club incident was overblown.[65]
    )

    Baker also worked with the

    Fielding Wright, the governor of Mississippi, asking him to spare McGee's life.[66] Despite her efforts, McGee was executed in 1951.[66] As the decorated war hero who was bolstered by the racial equality she experienced in Europe, Baker became increasingly regarded as controversial; some black people even began to shun her, fearing that her outspokenness and racy reputation from her earlier years would hurt the cause.[67][page needed
    ]

    In 1963, she spoke at the

    Daisy Bates were among those she acknowledged, and both gave brief speeches.[70]
    Not everyone involved wanted Baker present at the March; some thought her time overseas had made her a woman of France, one who was disconnected from the Civil Rights issues going on in America. In her speech, one of the things Baker said:

    I have walked into the palaces of kings and queens, and into the houses of presidents and much more. But I could not walk into a hotel in America and get a cup of coffee, and that made me mad. And when I get mad, you know that I open my big mouth. And then look out, 'cause when Josephine opens her mouth, they hear it all over the world ...[71][72]

    After King's assassination, his widow Coretta Scott King approached Baker in the Netherlands to ask if she would take her husband's place as leader of the Civil Rights Movement. After many days of thinking it over, Baker declined, saying her children were "too young to lose their mother."[70][73]

    Personal life

    Relationships

    Baker with ten of her adopted children, 1964

    Baker's first marriage was to American Pullman porter Willie Wells when she was only 13 years old. The union was reportedly very unhappy, and the couple divorced soon after marrying. Another short-lived marriage followed in 1921, to William Howard Baker. Since her career was already taking off under that last name, she retained it after the divorce. Although she ultimately had four marriages to men, Jean-Claude Baker wrote that Josephine was bisexual and had several relationships with women.[74]

    In 1925, she began an extramarital relationship with the Belgian novelist Georges Simenon.[75] On an ocean liner, in 1929, en route from South America to France, Baker had an affair with the Swiss-French architect Le Corbusier (Charles-Édouard Jeanneret).[76] In 1937, Baker married Frenchman Jean Lion, but they separated in 1940. She married French composer and conductor Jo Bouillon in 1947, and their union lasted 14 years before also ending in divorce. Later, she was involved with the artist Robert Brady for a time, but they never married.[77] Speculation exists that Baker was also involved in sexual liaisons, if not relationships, with blues singer Clara Smith, Ada "Bricktop" Smith, French novelist Colette, and Frida Kahlo.[74][78]

    Children

    Baker at the Château des Milandes, 1961

    During her participation in the

    religions could still be brothers." She often took the children with her cross-country, and when they were at Château des Milandes, she arranged tours so visitors could walk the grounds and see how natural and happy the children were in "The Rainbow Tribe".[79] Her estate featured hotels, a farm, rides, and the children singing and dancing for the audience. She charged an admission fee to visitors who entered and partook in the activities, which included watching the children play.[80]

    She created dramatic backstories for them, picking them with clear intent in mind: at one point, she wanted and planned to adopt a

    Catholic. One member of the Tribe, Jean-Claude Baker, said: "She wanted a doll".[81]

    Baker raised two daughters, French-born Marianne and Moroccan-born Stellina, and 10 sons, Japanese-born Janot (born Teruya) and Akio,[82][83] Colombian-born Luis, Finnish-born Jari (now Jarry), French-born Jean-Claude, Noël, and Moïse, Algerian-born Brahim (later Brian), Ivorian-born Koffi, and Venezuelan-born Mara.[84][85] Later on, Josephine Baker would become the legal guardian of another boy, also named Jean-Claude, and considered him an unofficial addition to the Rainbow Tribe. For some time, Baker lived with her children and an enormous staff in the château in Dordogne, France, with her fourth husband, Jo Bouillon. Bouillon claimed that Baker bore one child, though it was stillborn in 1941, an incident that precipitated an emergency hysterectomy.[86]

    Baker forced Jarry to leave the château and live with his adoptive father, Jo Bouillon, in Argentina, at the age of 15, after discovering that he was gay.[87][88] Moïse died of cancer in 1999, and Noël was diagnosed with schizophrenia and is in a psychiatric hospital as of 2009.[89] Jean-Claude Baker, the unofficial addition to the Rainbow Tribe, committed suicide in 2015, aged 71.[90]

    Later years and death

    In her later years Baker converted to

    Princess Grace offered her an apartment in Roquebrune, near Monaco.[92]

    Baker was back on stage at the

    Prince Rainier, Princess Grace, and Jacqueline Kennedy Onassis, opened to rave reviews. Demand for seating was such that fold-out chairs had to be added to accommodate spectators. The opening-night audience included Sophia Loren, Mick Jagger, Shirley Bassey, Diana Ross and Liza Minnelli.[93]

    Four days later, Baker was found lying peacefully in her bed surrounded by newspapers with glowing reviews of her performance. She was in a coma after suffering a

    cerebral hemorrhage. She was taken to Pitié-Salpêtrière Hospital, where she died, aged 68, on April 12, 1975.[93][94]

    Baker received a full

    L'Église de la Madeleine, attracting more than 20,000 mourners.[91][95] The only American-born woman to receive full French military honors at her funeral, Baker's funeral was the occasion of a huge procession. After a family service at Saint-Charles Church in Monte Carlo,[96] Baker was interred at the Cimetière de Monaco.[93][97][98]

    Baker was a

    Legacy

    Place Joséphine Baker in Paris

    "Place Joséphine Baker" (48°50′29″N 2°19′26″E / 48.84135°N 2.32375°E / 48.84135; 2.32375 (place Joséphine Baker)) in the

    Montparnasse Quarter of Paris was named in her honor. She has also been inducted into the St. Louis Walk of Fame,[100] and on March 29, 1995, into the Hall of Famous Missourians.[101] St. Louis's Channing Avenue was renamed Josephine Baker Boulevard,[102] and a wax sculpture of Baker is on permanent display at The Griot Museum of Black History
    .

    In 2015, she was inducted into the

    Chicago, Illinois.[103] The Piscine Joséphine Baker is a swimming pool along the banks of the Seine in Paris named after her.[104]

    Writing in the on-line "BBC magazine" in late 2014, Darren Royston, historical dance teacher at RADA, credited Baker with being the Beyoncé of her day, and bringing the Charleston to Britain.[105] Two of Baker's sons, Jean-Claude and Jarry (Jari), grew up to go into business together, running the restaurant Chez Josephine on Theatre Row, 42nd Street, New York City. It celebrates Baker's life and works.[106]

    Château des Milandes, which Baker rented from 1940, before purchasing in 1947.

    Château des Milandes, a castle near Sarlat in the Dordogne, was Baker's home where she raised her twelve children. It is open to the public and displays her stage outfits including her banana skirt (of which there are apparently several). It also displays many family photographs and documents as well as her Legion of Honour medal. Most rooms are open for the public to walk through including bedrooms with the cots where her children slept, a huge kitchen, and a dining room where she often entertained large groups. The bathrooms were designed in art deco style but most rooms retained the French chateau style.[107][108]

    Baker continued to influence celebrities more than a century after her birth. In a 2003 interview with USA Today, Angelina Jolie cited Baker as "a model for the multiracial, multinational family she was beginning to create through adoption."[109] Beyoncé performed Baker's banana dance at the Fashion Rocks concert at Radio City Music Hall in September 2006.[109]

    As a commemoration of Baker’s one hundredth birthday, a multi-media performance was written and shown in 2006. The following year,Josephine Baker: A Life of Le Jazz Hot! was recorded from the Baker inspired production by Imani Winds.[110][111]

    Writing on the 110th anniversary of her birth, "Vogue" described how her 1926 "danse sauvage" in her famous banana skirt "brilliantly manipulated the white male imagination" and "radically redefined notions of race and gender through style and performance in a way that continues to echo throughout fashion and music today, from Prada to Beyoncé."[112]

    On June 3, 2017, the 111th anniversary of her birth, Google released an animated Google Doodle, which consists of a slideshow chronicling her life and achievements.[113]

    On Thursday, November 22, 2018, a documentary entitled Josephine Baker: The Story of an Awakening, directed by Ilana Navaro, premiered at the Beirut Art Film Festival. It contains rarely seen archival footage, including some never before discovered, with music and narration.[114]

    In August 2019, Baker was one of those inducted in the

    LGBTQ people who have "made significant contributions in their fields".[115][116][117]

    The Staatliche Museen zu Berlin (Berlin State Museums) hosted an exhibition "Josephine Baker: Icon in Motion" from January 26 through April 28, 2024.[118] The show displays photographs, film, and drawings covering her entertainment career through her involvement in civil rights. The exhibit includes Baker inspired works by her contemporaries.[119]

    Josephine Baker appears on the French 20-cent euro coins released in March 2024.[120]

    Panthéon in Paris

    Baker in the Panthéon

    In May 2021, an online petition was set up by writer Laurent Kupferman asking that Joséphine Baker be honoured by being reburied at the Panthéon in Paris or being granted Panthéon honours, which would make her only the sixth woman at the mausoleum alongside Simone Veil, Geneviève de Gaulle-Anthonioz, Marie Curie, Germaine Tillion, and Sophie Berthelot.[121] In August 2021 the French President, Emmanuel Macron, announced that Baker's remains would be reburied at the Panthéon in November 2021, following the petition and continued requests from Baker's family since 2013.[122] Her son Claude Bouillon-Baker, however, told Agence France-Presse that her body would remain in Monaco and only a plaque would be installed at the Panthéon.[123] It was later announced that a symbolic casket containing soil from various locations where Baker had lived, including St. Louis, Paris, the South of France and Monaco, would be carried by the French Air and Space Force in a parade in Paris before a ceremony at the Panthéon where the casket was interred.[124] The ceremony took place on Tuesday 30 November 2021, and Baker thus became the first black woman to be honored in the secular temple to the "great men" of the French Republic.[125][12]

    Works portraying or inspired by Baker

    Film and television

    better source needed] In 2002, Baker was portrayed by Karine Plantadit in the biopic Frida.[130][131] A character who is based on Baker (topless, wearing the famous "banana skirt") appears in the opening sequence of the 2003 animated film The Triplets of Belleville (Les Triplettes de Belleville).[132]

    Her influence upon and assistance to the careers of the husband and wife dancers

    documentary, Carmen and Geoffrey.[133][134] In 2011, Sonia Rolland portrayed Baker in the film Midnight in Paris.[135][136] In February 2017, Tiffany Daniels portrayed Baker in the "Timeless" television episode "The Lost Generation".[137] In May 2020, Astrid Jones portrayed Baker in the El ministerio del tiempo television episode "La memoria del tiempo" (The memory of time).[138] Baker is portrayed by actress Carra Patterson in "I Am.", the seventh episode of HBO's television series Lovecraft Country.[139]

    A biopic about the life of Josephine Baker was announced in November 2022. It will be directed by French director

    Stage

    In 1986, Helen Gelzer

    In 2006,

    Asolo Theatre, directed and choreographed by Joey McKneely, with a book by Ellen Weston and Mark Hampton, music by Steve Dorff and lyrics by John Bettis.[149] In July 2012, Cheryl Howard opened in The Sensational Josephine Baker, written and performed by Howard and directed by Ian Streicher at the Beckett Theatre of Theatre Row on 42nd Street in New York City, just a few doors away from Chez Josephine.[150][151] In July 2013, Cush Jumbo's debut play Josephine and I premiered at the Bush Theatre, London.[152] It was re-produced in New York City at The Public Theater's Joe's Pub from 27 February to 5 April 2015.[153]

    In June 2016, Josephine, a burlesque cabaret dream play starring Tymisha Harris as Josephine Baker premiered at the 2016 San Diego Fringe Festival. The show has since played across North America and had a limited off-Broadway run in January–February 2018 at SoHo Playhouse in New York City.[154] In late February 2017, a new play about Baker's later years, The Last Night of Josephine Baker by playwright Vincent Victoria, opened in Houston, Texas,[155] starring Erica Young as "Past Josephine" and Jasmin Roland as "Present Josephine".[156] Actress DeQuina Moore portrayed Baker in a biographic musical titled Josephine Tonight at The Ensemble Theatre in Houston, Texas, from June 27 to July 28, 2019.[157] In September 2021, Theatre Royal, Bath, in conjunction with Oxford Playhouse and Wales Millennium Centre produced a UK touring production of Josephine co-written by Leona Allen and Jesse Briton who also directed the show. It toured the UK and featured Ebony Feare in the lead role as Josephine Baker.[158]

    Since 2016 Dynamite Lunchbox Entertainment of Orlando Florida has been touring Josephine, a burlesque cabaret dream play,[159] co-created by and starring Tymisha Harris, to Fringe Festivals around Canada and the U.S. It played at the Montreal Fringe Festival in 2022. It is part of the 2022-2023 official season at the Segal Centre for the Performing Arts in Montreal (spring 2023) as Josephine, A Musical Cabaret.

    Literature

    Baker appears in her role as a member of the French Resistance in

    ISBN 978-2-86364-648-9, Pascal Rannou evokes the relationship between Valaida Snow
    and Josephine Baker, who is one of the main characters of this story.

    Music

    The Italian-Belgian francophone singer composer Salvatore Adamo pays tribute to Baker with the song "Noël Sur Les Milandes" (album Petit Bonheur – EMI 1970). The British band Sailor paid tribute on their 1974 self-titled debut album Sailor with the Georg Kajanus song "Josephine Baker" who "...stunned the world at the Folies Bergère..." The title track of the 1987 Premiata Forneria Marconi album Miss Baker was written in honor of the American dancer Josephine Baker. British singer-songwriter, Al Stewart wrote a song about Josephine Baker. It appears on the album Last days of the century from 1988.

    Naughty Girl", she is seen dancing in a huge champagne glass à la Baker. In I Am ... Yours: An Intimate Performance at Wynn Las Vegas, Beyoncé lists Baker as an influence of a section of her live show.[163] In 2010, Keri Hilson portrayed Baker in her single "Pretty Girl Rock".[164] In January 2022, Laquita Mitchell sang the title role in the New Orleans Opera production of Josephine by Tom Cipullo.[165]

    Artworks

    • In 1927, Alexander Calder created Josephine Baker (III), a wire sculpture of Baker, which is now displayed at the Museum of Modern Art.[166]
    • A nude portrait of Baker by Jean de Botton was the "cynosure for all eyes" when it was shown at the Salon d'Automne in Paris in 1931.[167] When auctioned in Paris in 2021 the painting set a world record (EUR 179,200) for the artist.[168][169]
    • Henri Matisse created a mural-sized cut paper artwork titled La Négresse (1952–1953), possibly inspired by Baker.[170][171]
    • Hassan Musa depicted Baker in a 1994 series of paintings called Who needs Bananas?[172]
    • Season 14 of the Duolingo French Podcast is titled The Secret Life of Josephine Baker. The season finale was released in November 2023.

    Film credits

    Film credits for Josephine Baker
    Year Title Role Notes Ref.
    1927 La Sirène des Tropiques (Siren of the Tropics) Papitou silent film [41][173]
    1927 Die Frauen von Folies Bergères (The Woman from the Folies Bergères) silent film [42]
    1927 La revue des revues (Parisian Pleasures) herself [42]
    1928 Le pompier des Folies Bergères unnamed erotic short [174][175]
    1934 Zouzou Zouzou [36]
    1935
    Princesse Tam Tam
    Aouina [174][42]
    1945 False Alarm Zazu Clairon [176][177]
    1941 Moulin Rouge [42]
    1954 An jedem Finger zehn (Ten on Every Finger) [42]
    1955 Carosello del varietà (Carousel of Variety) [42]

    Documentaries

    • Joséphine Baker: Black Diva in a White Mans World, by Annette von Wangenheim, about Baker's life and work from a perspective that analyses images of Black people in popular culture, WDR/3sat, 2006
    • Josephine Baker: The Story of an Awakening, directed by Ilana Navaro, premiered at the Beirut Art Film Festival in 2018.

    Notes

    References

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    Bibliography

    External links