Juliette Binoche
Juliette Binoche | |
---|---|
Conservatoire National Supérieur d'Art Dramatique | |
Occupation | Actress |
Years active | 1983–present |
Partners |
|
Children | 2 |
Relatives | Léon Binoche (great-uncle) |
Awards | Full list |
Juliette Binoche (French pronunciation:
Binoche first gained recognition for working with such
Binoche has appeared on stage intermittently, most notably in a 1998 London production of
Early life
Binoche was born in Paris, the daughter of Jean-Marie Binoche, a director, actor, and sculptor, and Monique Yvette Stalens (born 1939), a teacher, director, and actress.[2] Her father, who is French, also has one eighth Portuguese-Brazilian ancestry; he was raised partly in Morocco by his French-born parents.[3][4][5] Her mother was born in Częstochowa, Poland.[6] Binoche's maternal grandfather, Andre Stalens, was born in Poland, of Belgian (Walloon) and French descent, and Binoche's maternal grandmother, Julia Helena Młynarczyk, was of Polish origin.[7] Both of them were actors who were born in Częstochowa; the German Nazi occupiers imprisoned them at Auschwitz as intellectuals.[6][8][9]
When Binoche's parents divorced in 1968, four-year-old Juliette and her sister Marion were sent to a provincial boarding school.[10] During their teens, the Binoche sisters spent their school holidays with their maternal grandmother, not seeing their parents for months at a time. Binoche has stated that this perceived parental abandonment had a profound effect on her.[11]
She was not particularly academic
Her first professional screen experience came as an extra in the three-part TF1 television series Dorothée, danseuse de corde (1983) directed by Jacques Fansten, followed by a similarly small role in the provincial television film Fort bloque directed by Pierrick Guinnard. After this, Binoche secured her first feature-film appearance with a minor role in Pascal Kané's Liberty Belle (1983). Her role required just two days on-set, but was enough to inspire Binoche to pursue a career in film.[12]
Career
1984–1991
Binoche's early films established her as a French star of some renown.[10] In 1983, she auditioned for the female lead in Jean-Luc Godard's controversial Hail Mary, a modern retelling of the Virgin birth.[15] Godard requested a meeting with Binoche having seen a photo of her taken by her boyfriend at the time.[16] Although she said she spent six months on the film's set in Geneva, her presence in the final cut is confined to just a few scenes.[16][17] Further supporting roles followed in a variety of French films. Annick Lanoë's Les Nanas gave Binoche her most noteworthy role to date, playing opposite established stars Marie-France Pisier and Macha Méril in a mainstream comedy,[18] though she has stated the experience was not particularly memorable or influential.[19] She gained more significant exposure in Jacques Doillon's critically acclaimed Family Life cast as the volatile teenage step-daughter of Sami Frey's central character. This film was to set the tone of her early career.[20] Doillon has commented that in the original screenplay her character was written to be 14 years old, but he was so impressed with Binoche's audition he changed the character's age to 17 to allow her take the role.[21] In April 1985, Binoche followed this with another supporting role in Bob Decout's Adieu Blaireau, a policier thriller starring Philippe Léotard and Annie Girardot. Adieu Blaireau failed to have much impact with critics or audiences.[22]
It was to be later in 1985 that Binoche would fully emerge as a leading actress with her role in André Téchiné's Rendez-vous. She was cast at short notice when Sandrine Bonnaire had to abandon the film due to a scheduling conflict.[23] Rendez-vous premiered at the 1985 Cannes Film Festival, winning Best Director. The film was a sensation and Binoche became the darling of the festival.[24] Rendez-Vous is the story of a provincial actress, Nina (Binoche), who arrives in Paris and embarks on a series of dysfunctional liaisons with several men, including the moody, suicidal Quentin (Lambert Wilson). However it is her collaboration with theater director Scrutzler, played by Jean-Louis Trintignant, which comes to define Nina.[25] In a review of Rendez-Vous in Film Comment, Armond White described it as "Juliette Binoche's career-defining performance".[26]
In 1986, Binoche was nominated for her first
In August 1986, Binoche began filming
Later that year, she began work on
At this point, Binoche seemed to be at a crossroads in her career. She was recognized as one of the most significant French actresses of her generation.
1992–2000
In the 1990s, Binoche was cast in a series of critically and commercially successful international films, winning her praise and awards.[46] In this period, her persona developed from that of a young gamine to a more melancholic, tragic presence.[47] Critics suggested that many of her roles were notable for her almost passive intensity in the face of tragedy and despair.[36] In fact, Binoche has nicknamed her characters from this period as her "sorrowful sisters".[48] Following the long shoot of Les Amants du Pont-Neuf, Binoche relocated to London for the 1992 productions of Emily Brontë's Wuthering Heights and Damage, both of which considerably enhanced her international reputation.[49] Yet, from a professional and personal point of view, both films were significant challenges for Binoche; her casting opposite Ralph Fiennes's Heathcliff in Wuthering Heights, instead of English actresses Helena Bonham Carter[50] and Kate Beckinsale,[51] was immediately contentious and drew derision from the British press, unimpressed that a uniquely English role had gone to a French actress.[52] The film had its world premiere at the 1992 Edinburgh International Film Festival. Reviews were poor, with Binoche being cynically dubbed "Cathy Clouseau" and derided for her "franglais" accent.[53] Both Binoche and director Peter Kosminsky distanced themselves from the film, with Binoche refusing to do any promotion for the film or to redub it into French.[54]
Damage, a UK and French co-production, is the story of a British Conservative minister played by Jeremy Irons who embarks on a torrid affair with his son's fiancée (Binoche). Based on the novel by Josephine Hart and directed by veteran French director Louis Malle, Damage seemed to be the ideal international vehicle for Binoche; however the production was fraught with difficulties and dogged by rumours of serious conflict. In an on-set interview, Malle stated that it was the "most difficult" film he had ever made, while Binoche commented that "the first day was one big argument".[55] Damage opened in the UK late in 1992 and debuted early in 1993 on US screens. Reviews were somewhat mixed.[56] For her performance, Binoche received her fourth César nomination.
In 1993, she appeared in
In 1995, Binoche returned to the screen in a big-budget adaptation of Jean Giono's The Horseman on the Roof directed by Jean-Paul Rappeneau. The film was particularly significant in France as it was at the time the most expensive film in the history of French cinema.[62] The film was a box office success around the world and Binoche was again nominated for a César for Best Actress. This role, as a romantic heroine, was to influence the direction of many of her subsequent roles in the late 1990s.[63] In 1996, Binoche appeared in her first comedic role since My Brother-in-Law Killed My Sister a decade before; A Couch in New York was directed by Chantal Akerman and co-starred William Hurt. This screw-ball comedy tells the story of a New York psychiatrist who swaps homes with a Parisian dancer.[64] The film was a critical and commercial failure.[65] Three Colors: Blue, The Horseman on the Roof and A Couch in New York all gave Binoche the opportunity to work with prestigious directors she had turned down during the prolonged shoot of Les Amants du Pont-Neuf.[21]
Her next role in The English Patient reinforced her position as an international movie star. The film, based on the novel by Michael Ondaatje and directed by Anthony Minghella, was a worldwide hit.[66] Produced by Saul Zaentz, producer of The Unbearable Lightness of Being, the film reunited Juliette Binoche with Ralph Fiennes, Heathcliff to her Cathy four years previously. Binoche has said that the shoot on location in Tuscany and at the famed Cinecittà in Rome was among the happiest professional experiences of her career.[10] The film, which tells the story of a badly burned, mysterious man found in the wreckage of a plane during World War II, won nine Academy Awards, including Best Supporting Actress for Juliette Binoche.[67] With this film, she became the second French actress to win an Oscar, following Simone Signoret's win for Room at the Top in 1960. After this international hit, Binoche returned to France and began work opposite Daniel Auteuil on Claude Berri's Lucie Aubrac, the true story of a French Resistance heroine. Binoche was released from the film six weeks into the shoot due to differences with Berri regarding the authenticity of his script.[68] Binoche has described this event as being like "an earthquake" to her.[10]
Next, Binoche was reunited with director André Téchiné for
Next, she appeared in
Between 1995 and 2000, Binoche was the advertising face of the
2001–2006
After the success of Chocolat, Binoche was internationally recognized as an A-list movie star in the early 2000s, but as an actor her persona became somewhat fixed following a series of
In a more serious vein, Binoche traveled to South Africa to make
Binoche's next film, Bee Season, based on the celebrated novel by Myla Goldberg, cast her opposite Richard Gere. The film was not a success at the box office taking less than $5 million worldwide.[93] For many critics the film, although intelligent, was "distant and diffuse".[94] Bee Season depicts the emotional disintegration of a family just as their daughter begins to win national spelling bees. Mary (2005) featured Binoche in a somewhat unlikely collaboration with the controversial American director Abel Ferrara for an investigation of modern faith and Mary Magdalene's position within the Catholic Church.[95] Featuring Forest Whitaker, Matthew Modine and Marion Cotillard, Mary was a success, winning the Grand Prix at the 2005 Venice Film Festival. Despite these accolades and favorable reviews, particularly from the cultural magazine Les Inrockuptibles,[96] Mary failed to secure a distributor in key markets such as the US and the UK.[97]
The Cannes Film Festival in 2006 saw Binoche feature in the
Next, Binoche traveled to the
.Although Binoche began the decade on a professional high with an Academy Award nomination for Chocolat, she struggled at the beginning of the 2000s to secure roles that did not confine her to the tragic, melancholic persona developed in the 1990s.[106] Despite the huge success of Caché, other high-profile films such as In My Country, Bee Season and Breaking and Entering failed critically[107] and commercially.[108] Binoche again seemed to be at a crossroads in her career.[106]
2007–2012
2007 was the start of a particularly busy period for Binoche, one that would see her take on diverse roles in a series of critically acclaimed international movies giving her film career a new impetus, as she shed the restrictions that seemed to have stifled her career in the early part of the decade.[106] The Cannes Film Festival saw the premiere of Flight of the Red Balloon (2007) by the Taiwanese director Hou Hsiao-hsien. It was originally conceived as a short film to form part of a 20th anniversary tribute to the Musée d'Orsay, to be produced by Serge Lemoine, president of the museum. When that idea failed to find sufficient funding, Hou developed it into a feature-length film and secured the necessary financing.[109] The film was well received by international critics and went on to debut around the world early in 2008. Paying homage to Albert Lamorisse's 1957 short The Red Balloon, Hou's film tells the story of a woman's efforts to juggle her responsibilities as a single mother with her commitment to her career as a voice artist. Shot on location in Paris, the film was entirely improvised by the cast.[110] The film was number one on the influential critic J. Hoberman's "Top 10 List" for 2008 published in The Village Voice.[111]
She was also honored with the Maureen O'Hara Award at the Kerry Film Festival in 2010, an award offered to women who have excelled in their chosen field in film.[112]
In stark contrast,
Back in France, Binoche experienced popular and critical success in Paris directed by Cédric Klapisch. Paris is Klapisch's personal ode to the French capital and features an impressive ensemble of French talent, including Romain Duris, Fabrice Luchini and Mélanie Laurent. Paris was one of the most successful French films internationally in recent years, having grossed over $22 million at the world box office.[119] Binoche and Klapisch had originally met on the set of Mauvais Sang in 1986, where Klapisch was working as a set electrician.[120]
Also in France,
In the autumn of 2008, Binoche starred in a theatrical dance production titled in-i, co-created with renowned choreographer Akram Khan. The show, a love story told through dance and dialogue, featured stage design by Anish Kapoor and music by Philip Sheppard. It premiered at the National Theatre in London before embarking on a world tour.[122] The Sunday Times in the UK commented that, "Binoche's physical achievement is incredible: Khan is a master mover". The production was part of a 'Binoche Season' titled Ju'Bi'lations, also featuring a retrospective of her film work and an exhibition of her paintings, which were also published in a bilingual book Portraits in Eyes.[123] The book featured ink portraits of Binoche as each of her characters and of each director she had worked with up to that time. She also penned a few lines to each director.[124]
In April 2006 and again in December 2007, Binoche traveled to Tehran at the invitation of Abbas Kiarostami.
Following the success of Certified Copy, Binoche appeared in a brief supporting role in The Son of No One for American writer and director Dito Montiel. The film also stars Channing Tatum, Al Pacino and Ray Liotta. The Son of No One premiered at the 2011 Sundance Film Festival to fairly negative reaction.[133] It was acquired by Anchor Bay Entertainment for distribution in the US and other key territories arriving in selected US cinemas on 4 November 2011.[134] As of December 2011[update], according to film review aggregator Rotten Tomatoes, The Son of No One is Juliette Binoche's least critically successful film, with only 18% of critics giving it a positive review.[135]
In June 2010, Binoche started work on Elles for Polish director Małgorzata Szumowska. Elles, produced under the working title Sponsoring,[136][137] is an examination of teenage prostitution with Juliette Binoche playing a journalist for ELLE. The film was released in France on 1 February 2012.[138] On 12 January 2011, Variety announced that Juliette Binoche would star in Another Woman's Life loosely based on the novel La Vie d'une Autre by Frédérique Deghelt.[139] Released in France on 15 February 2012, the film is the directorial debut of the French actress Sylvie Testud and co-stars actor/director Mathieu Kassovitz. Another Woman's Life is the story of Marie (Binoche) a young woman who meets and spends the night with Paul (Kassovitz). When she wakes up, she discovers that 15 years have passed. With no memory of these years she learns she has acquired an impressive career, a son and a marriage to Paul which seems headed for divorce. The film met with generally mixed reviews in France.[140]
On 17 February 2011, Screendaily announced that Binoche had been cast in David Cronenberg's film Cosmopolis with Robert Pattinson, Paul Giamatti, Mathieu Amalric, and Samantha Morton.[141] Binoche appeared in a supporting role as a New York art dealer, Didi Fancher, who is having an affair with Pattinson's Eric Packer. The film, produced by Paulo Branco, began principal photography on 24 May 2011 and was released in 2012, following a competition slot at the 2012 Cannes Film Festival.[142] Cosmopolis received mixed reviews from critics.[143] August 2012 saw the French release of An Open Heart opposite Édgar Ramírez and directed by Marion Laine. Based on the novel Remonter l'Orénoque by Mathias Énard, the film is the story of the obsessive relationship between two highly successful surgeons. The film depicts the consequences of an unexpected pregnancy and alcoholism upon their relationship.[144] The second film directed by Laine, An Open Heart met with tepid reviews in France and poor box office receipts.[145]
2013–present
Released at the 2013 Berlin International Film Festival, Bruno Dumont's Camille Claudel 1915 is a drama recounting three days of the 30 years French artist Camille Claudel (Binoche) spent in a mental asylum though she had not been diagnosed with any malady. The film examines Claudel's fight to maintain her sanity and find creative inspiration while awaiting a visit from her brother, the poet Paul Claudel. The film received excellent reviews with Binoche in particular gaining praise for her performance.[146]
Following this, Binoche completed work on A Thousand Times Good Night for director Erik Poppe in which she plays a war photographer and the romantic drama Words and Pictures with Clive Owen from veteran director Fred Schepisi. She co-starred in Gareth Edwards's Godzilla, which was theatrically released in May 2014. August 2013 saw Binoche reunite with Olivier Assayas for Clouds of Sils Maria. The film was written especially for Binoche and plot elements parallel her life.[147] It also featured Kristen Stewart and Chloë Grace Moretz. The film had its debut at Cannes 2014.[148] Following this role Binoche was slated to appear in Nobody Wants the Night by Isabel Coixet which was due to begin shooting late in 2013.
In 2015, Binoche starred on stage in a new English language translation of
Binoche narrated the new documentary film titled Talking about Rose about the Chad soldier Rose Lokissim who fought against Hissène Habré's dictatorship in the 1980s.[150]
In 2016, Binoche reunited with Bruno Dumont for a comedy film Slack Bay.[151] The 2016 Cannes Film Festival saw the première of Slack Bay (Ma Loute), also starring Fabrice Luchini and Valeria Bruni Tedeschi, which is a burlesque comedy based in the Ambleteuse region of Northern France. Set in 1910, the film tells the unusual story of two families linked by an unlikely romance. Ma Loute won much praise from French critics and was a popular success at the French box office.[152]
Following the success of her reunion with Bruno Dumont, Juliette Binoche next made a special appearance in Polina, danser sa vie (2016) directed by Valérie Müller and Angelin Preljocaj, focusing on the story of a gifted Russian ballerina, Polina (Anastasia Shevtsoda). From Moscow to Aix-En-Provence and Antwerp, from success to disillusion, we follow Polina's incredible destiny. Binoche portrays a choreographer, Liria Elsaj, who awakens a desire in Polina to move away from classical ballet to explore more contemporary dance.[152] In October 2017, she performed Barbara's autobiographical prose in the Philharmonie de Paris, accompanied by the French pianist Alexandre Tharaud.[153]
Telle mère, telle fille (Like Mother, Like Daughter) (2017) is a comedy from Noémie Saglio and features Binoche as a free-wheeling 47-year-old who falls pregnant at the same time as her uptight daughter Avril (Camille Cottin). The film also features Lambert Wilson, reuniting with Binoche 32 years after they were a sensation at the 1985 Cannes Film Festival in André Téchiné's Rendez-Vous. In May 2017 Binoche and Cottin appeared together again, this time on the small screen in the final episode of the second season of Dix Pour Cent (Call My Agent) where Juliette Binoche played herself in a tongue-in-cheek episode centering on the Cannes Film Festival.
Returning to the big screen, Binoche next appeared in a supporting role in Rupert Sanders's big screen adaptation of the cult manga Ghost in the Shell (2017). Binoche played Dr Ouelet, a scientist with the Hanka organization responsible for creating the ghost in the shell, Major, portrayed by Scarlett Johansson. Binoche, Sanders and Johansson did extensive promotion for the film in the US, Japan, Europe and Australia.
May 2017 saw the première of Claire Denis's Un Beau Soleil Intérieur (Let the Sunshine In) (2017) at the Quinzaine des Réalisateurs selection at the Cannes Film Festival. The film is the story of a middle-aged Parisian artist, Isabelle (Binoche), who is searching for true love at last. The film depicts her many encounters with a number of unsuitable men. The film also features Xavier Beauvois, Nicolas Duvauchelle, Josiane Balasko, Valeria-Bruni Tedeschi and Gérard Depardieu. Un Beau Soleil Intérieur was a success with audiences and critics around the world.
Next, Binoche appeared in Naomi Kawase's Vision (2018). Following that, she reunited with Claire Denis for the English language High Life (2018), Olivier Assayas for Doubles Vies (2019) and Patrice Leconte for La maison vide (2019).
Personal life
Binoche has two children: son Raphaël (born on 2 September 1993), whose father is André Halle, a professional scuba diver, and daughter Hana (born on 16 December 1999), whose father is actor
Her half-brother Camille Humeau (born 1978) is a musician and has been part of the line-up of Oncle Strongle,[156][157] before top-lining the group Artichaut Orkestra.[158] In 2007, he appeared in a stage production of Cabaret directed by Sam Mendes.[54]
Charitable work
Since 1992, Binoche has been a patron of the French Cambodian charity Enfants d'Asie (previously ASPECA). Through this charity, she is godmother to five Cambodian orphans, and has funded the construction of a children's home in Battambang.[159] Starting in 2000, she has been involved with the organization Reporters Without Borders. In 2002, she presided over "Photos of Stars" with Thierry Ardisson. Nearly 100 French stars were given disposable cameras, which were then auctioned, the buyer then having the exclusive photos taken by the star developed.[160]
Political views and activism
On 7 February 2006, Binoche attended a high-profile demonstration organized by Reporters Without Borders in support of Jill Carroll and two Iraqi journalists who had been abducted in Baghdad.[162]
She supported
In 2009, she commented on the September 11 attacks during the shooting of Quelques jours en septembre, a spy film in which interest groups, including the American secret services, were aware of an imminent attack on the United States. She talked with a secret agent, who was a consultant for the film, and was reported in an English newspaper saying: "He couldn't tell me everything, but he told me a lot. I was surprised by some things."[166]
Binoche and numerous other French personalities, including
Binoche was a signatory to a June 2010 petition organized by Reporters Without Borders and Shirin Ebadi to protest against the detention of numerous people, including members of the press, who were protesting the occasion of the first anniversary of the disputed re-election of Iran's president Mahmoud Ahmadinejad.[168]
At the 2010 Cannes Film Festival, Binoche spoke out against the detention of Iranian director Jafar Panahi, incarcerated in Tehran's Evin Prison since 1 March 2010 without charge or conviction. At the press conference following the press screening of Copie Conforme, Binoche was informed that Panahi had begun a hunger strike.[169] The following day, Binoche attended a press conference called especially to demand the release of Panahi. Also in attendance were Abbas Kiarostami, Mohsen Makhmalbaf, and Gilles Jacob. Binoche read a letter that said that Panahi's detention was "unwarranted and intolerable". When Binoche was awarded the Best Actress award at the festival, brandishing his name on a placard, she used her speech as an opportunity to raise Panahi's plight once again.[170] On 25 May, it was announced that Panahi had been released on bail. It was generally agreed that the publicity Binoche and Kiarostami elicited for his case was a strong factor in his release.[169] On 20 December 2010, Panahi, after being prosecuted for "assembly and colluding with the intention to commit crimes against the country's national security and propaganda against the Islamic Republic", was handed a six-year jail sentence and a 20-year ban on making or directing any movies, writing screenplays, giving any form of interview with Iranian or foreign media, as well as leaving the country. Binoche continued to lobby on his behalf.[171]
In May 2018, she co-authored a tribune in the newspaper Le Monde, in which she opposed the lawsuit brought by the French judiciary to three people who had helped migrants, and said she had already helped migrants in need and intended to continue to do so.[172]
In 2018 she signed a letter calling to act “firmly and immediately” for stopping climate change and biodiversity loss.[173]
In February 2019, during a press conference at the Berlin International Film Festival, Binoche said that Harvey Weinstein was a great producer and "we shouldn't forget, even though it has been difficult for some directors and actors, and especially actresses".[174] Binoche also said: "I almost want to say peace to his mind and heart, that's all, I'm trying to put my feet in his shoes. He's had enough, I think. A lot of people have expressed themselves. Now justice has to do its work."[175]
Filmography
Film
Television
Year | Title | Role | Notes |
---|---|---|---|
1983 | Dorothée, danseuse de corde | Minor role | TV movie |
1985 | Fort bloqué | Nicole | TV movie |
1991 | Women & Men 2 | Mara | TV movie |
2011 | Mademoiselle Julie | Mademoiselle Julie | TV movie |
2017 | Call My Agent! | Herself (guest) | Episode: "Juliette" |
2022 | The Staircase | Sophie Brunet | Miniseries |
2024 | The New Look | Coco Chanel | Main role |
Theatre
Year | Title | Role | Playwright | Venue |
---|---|---|---|---|
2000–2001 | Betrayal | Emma | Harold Pinter | American Airlines Theatre , Broadway
|
Accolades
References
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{{cite web}}
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External links
- Juliette Binoche at IMDb
- Juliette Binoche at the Internet Broadway Database
- Juliette Binoche at AllMovie
- Juliette Binoche at filmsdefrance.com
- Juliette Binoche Interview at AMCtv.com
- Juliette Binoche at Juliette Binoche: The Art of Being