KLK Calling PTZ – The Red Orchestra

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KLK an PTX – Die Rote Kapelle
Greta Kuckhoff, former member of the Red Orchestra, and actress Barbara Adolph who played her in the film, during the premiere of KLK an PTX. 25 March 1971.
Directed byHorst E. Brandt
Written byWera and Claus Küchenmeister
Produced byHeinz Herrmann, Wolfgang Rennebarth
StarringHorst Drinda, Irma Münch, Horst Schulze
CinematographyGünter Haubold
Edited byErika Lehmphul
Music byHelmut Nier
Production
company
Distributed byPROGRESS-Film Verleih
Release date
  • 25 March 1971 (1971-03-25)
Running time
101 minutes
Country
East German Mark[1]

KLK Calling PTZ – The Red Orchestra[2] (alternate title: KLK To PTX – The Red Band;[3] German: KLK an PTX – Die Rote Kapelle) is a 1971 East German film about the history of the Red Orchestra espionage ring.

Plot

After

German invasion of the Soviet Union, they intensify their work. In August 1942, the Gestapo
arrests Boysen and soon after cracks down on the spy ring.

Cast

Production

Writer Claus Küchenmeister and his wife Wera began conducting interviews with former members of the Red Orchestra during 1966. Claus, son of the executed organization member Walter Küchenmeister, intended to make a documentary about the activities of his father. When officials in the Ministry of State Security's Department of Agitation heard of his project, he was granted full government support and access to previously undisclosed materials in the Ministry's archives. Rather than documentary, a full-length feature film was commissioned.[4]

Reception

KLK Calling PTZ was distributed in fifty-eight copies,[5] and sold 2,107,093 tickets in the first year after its release.[6]

On 4 October 1971, director Horst E. Brandt, cinematographer Günter Haubold and the Küchenmeister couple were awarded the

National Prize 1st class for their work on the film.[7] They, dramatist Anne Pfeuffer and actors Horst Drinda, Irma Münch, Horst Schulze, Klaus Piontek, Barbara Adolph, Jutta Wachowiak, Manfred Karge, Ursula Karusseit, Harry Pietzsch, Eberhard Esche and Günther Simon were all granted the Art Prize of the Free German Trade Union Federation in the same year.[3]

Daniela Bergahn noted that, while the film still "inflated" the role of the communists in the resistance to the Nazis, it "at least acknowledged" the participation of other groups.

West German story version was disseminated in the television mini series "Die rote Kapelle
".

References

External links