Kapo (1960 film)

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Kapò
Italian film poster
Directed byGillo Pontecorvo
Written byGillo Pontecorvo
Franco Solinas
Produced byFranco Cristaldi
Moris Ergas
StarringSusan Strasberg
Laurent Terzieff
Emmanuelle Riva
Didi Perego
Gianni Garko
CinematographyAleksandar Sekulović
Edited byRoberto Cinquini
Music byCarlo Rustichelli
Production
company
Distributed byCineriz (Italy)
Release dates
  • 7 September 1960 (1960-09-07) (Venice)
  • 29 September 1960 (1960-09-29) (Italy)[1]
  • 22 November 1960 (1960-11-22) (Yugoslavia)
  • 26 April 1961 (1961-04-26) (France)
Running time
116 minutes
CountriesItaly
France
Yugoslavia[2]
LanguageItalian

Kapò (Italian:

Holocaust, with graphic depictions of concentration camps which made it controversial at the time. A co-production of Italian, French, and Yugoslavian companies, the film stars American actress Susan Strasberg, along with Laurent Terzieff, Emmanuelle Riva, Didi Perego and Gianni Garko. The title refers to a prisoner functionary
in the Nazi concentration camps.

The film premiered at the

Plot

Edith, a naïve 14-year-old French Jew living in

concentration camp
, where the latter are killed. Sofia, an older political prisoner, and a kindly camp doctor save her from a similar fate by giving her a new, non-Jewish identity, that of the newly dead Nicole Niepas.

As time goes by, she becomes hardened to the brutal life. She first sells her body to a German guard in return for food. She becomes fond of another guard, Karl. The fraternization helps her become a

kapo
, one of those put in charge of the other prisoners. She thrives while the idealistic Sofia grows steadily weaker.

When she falls in love with Sascha, a Russian

Shema Yisrael
.

Cast

Production

Pontecorvo and his screenwriter Franco Solinas were inspired to make the film after reading Primo Levi's memoir If This Is a Man.[4] The writing process was a tense one, as Pontecorvo and Solinas had contrasting ideas on what the film should be - Pontecorvo believed Solinas' script was too melodramatic and nearly broke off their partnership before the intervention of producer Franco Cristaldi.[4] Pontecorvo also disliked the ending, having preferred Edith survive and contemplate her solitude and sense of complicity.[5]

Claudia Cardinale was considered for the lead role before Susan Strasberg, who was known for playing Anne Frank in the Broadway play The Diary of Anne Frank, was cast.[6] This later caused problem on set, because the American actress did not speak Italian, and Pontecorvo had to communicate with her through an interpreter.[4]

Filming took place at Jadran Studios in Zagreb. The culture clash between the Italian and Yugoslavian crews also caused problems. Pontecorvo was forced to worked with a Yugoslavian cinematographer, Aleksandar Sekulović, whose smooth, "Hollywood-style" photography he found inappropriate for the subject matter, much preferring the vérité-style photography by the Italian second unit cameramen.[5]

Reception

On the review aggregator website Rotten Tomatoes, 60% of 5 critics' reviews are positive, with an average rating of 5.4/10.[7]

In their book Foreign Film Guide, authors Ronald Bergan and Robyn Karney wrote:

What does one say about this effort? Pontecorvo has jam-packed his film with every kind of tear-jerking cliché on offer and entrusted the debasement and regeneration of his heroine to a sadly inept actress. The result is an overheated melodrama which does a grave disservice to the enormity of its subject, although the horrors of the camps are realistically portrayed".[8]

In an article for

Cahiers du cinéma nearly 50 years ago for a scarcely more insistent shot in the 1959 film "Kapo." The shot was of the raised hand of actress Emmanuelle Riva, her character Terese electrocuted on the barbed wire of the concentration camp from which she was trying to escape. The criticism hung over Pontecorvo until his dying day. He was ostracized, almost cursed, for a shot, just one.[9]

Lévy contrasted this reaction to one shot with what he asserted is the garish exploitation of Nazi history in Inglourious Basterds (2009) and Shutter Island (2010).

See also

References

  1. ^ Erickson, Hal. "Kapò". Allmovie.
  2. ^ "Kapo". British Film Institute. London. Archived from the original on February 7, 2009. Retrieved December 4, 2012.
  3. ^ "The 33rd Academy Awards (1961) Nominees and Winners". oscars.org. Retrieved 2011-10-29.
  4. ^ a b c Intervista a Gillo Pontecorvo, in Contenuti speciali del DVD Kapò, Cristaldifilm, Twentieth Century Fox Home Entertainment, 2003
  5. ^ a b Scene commentate dal regista, Contributi speciali in DVD Kapò
  6. .
  7. ^ "Kapo". Rotten Tomatoes. Fandango Media. Edit this at Wikidata
  8. ^ Bergan, Ronald; Karney, Robyn (1988). Bloomsbury Foreign Film Guide. London: Bloomsbury. pp. 302–3. Published by Henry Holt, with a modified title, in the United States.
  9. ^ Bernard-Henri Lévy, "Hollywood's Nazi Revisionism", trans. Janet Lizop, Wall Street Journal, March 5, 2010.

External links

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