Kathleen Battle

Source: Wikipedia, the free encyclopedia.
Kathleen Battle
Laurence Olivier Award

Kathleen Deanna Battle (born August 13, 1948) is an American operatic soprano known for her distinctive vocal range and tone.[1][2] Born in Portsmouth, Ohio, Battle initially became known for her work within the concert repertoire through performances with major orchestras during the early and mid-1970s. She made her opera debut in 1975. Battle expanded her repertoire into lyric soprano and coloratura soprano roles during the 1980s and early 1990s, until her eventual dismissal from the Metropolitan Opera in 1994. She later has focused on recording and the concert stage. After a 22-year absence from the Met, Battle performed a concert of spirituals at the Metropolitan Opera House in November 2016.[3]

Life and career

Early years and musical education

Battle was born in

Time Magazine interview, Varney recalled the first time he heard the eight-year-old Battle sing, describing her as "this tiny little thing singing so beautifully." "I went to her later", Varney recalled, "and told her God had blessed her, and she must always sing."[4] In that same interview, music critic Michael Walsh described Battle as "the best lyric coloratura in the world".[4]

Battle was awarded a scholarship to the University of Cincinnati – College-Conservatory of Music, where she studied voice with Franklin Bens and also worked with Italo Tajo.[5] She majored in music education, and proceeded to a master's degree in Music Education. In 1971 she began a teaching career at an inner-city public school in Cincinnati, continuing to study voice privately while teaching 5th and 6th grade music. Later, she studied singing with Daniel Ferro in New York.[6]

1970s

In 1972, her second year as a teacher, a friend and fellow church choir member phoned her and informed her that the conductor Thomas Schippers was holding auditions in Cincinnati. At her audition Schippers engaged her to sing as the soprano soloist in Brahms' German Requiem at the 1972 Festival dei Due Mondi in Spoleto, Italy. Her performance there on July 9, 1972 marked the beginning of her professional career.[7][8] During the next several years, Battle would go on to sing in several more orchestral concerts in New York, Los Angeles, and Cleveland.[5] In 1973 she was awarded a grant from the Martha Baird Rockefeller Fund for Music to support her career. William Mullen, managing director of the Santa Fe Concert Association was on the panel of judges who made the award. In 2004 he recalled:

We would meet monthly, listen to up-and-coming concert artists and give money to deserving artists for further study. A very young Kathleen Battle sang for us. The other judges thought her voice was too small, but I thought she had an incredible ability to communicate through music. I talked the other judges into giving her a grant.[9]

Thomas Schippers introduced Kathleen Battle to his fellow conductor

Mozart's The Marriage of Figaro, and in 1977 made both her San Francisco Opera debut as Oscar in Verdi's Un ballo in maschera and her Metropolitan Opera debut as the Shepherd in Wagner's Tannhäuser. The latter performance was conducted by James Levine.[7] Battle made her Glyndebourne Festival debut (and UK debut) singing Nerina in Haydn's La fedeltà premiata in 1979.[11]

1980s

Throughout the 1980s, Battle performed in recitals, choral works and opera. Her work continued to take her to performance venues around the world. In 1980 she made her

Voices of Spring for the Vienna New Year's Day concert. In opera she sang a variety of roles including Oscar at Lyric Opera of Chicago and a highly acclaimed Semele at Carnegie Hall.[14] She returned to Salzburg various times to sing Susanna, Zerlina, and Despina, Mozart roles which she also sang at several other opera houses during that period. Battle became an established artist at the Metropolitan Opera in the 1980s, singing more than 150 performances with the company in 13 different operas,[15] including the Met's first production of Handel's Giulio Cesare.[16] Other opera houses where she performed include San Francisco Opera, English National Opera, Grand Théâtre de Genève, Vienna State Opera, and Deutsche Oper Berlin
.

During this period, she received three

Grammy awards for her recordings: Kathleen Battle Sings Mozart (1986), Salzburg Recital (1987), and Ariadne auf Naxos (1987). Battle's 1986 collaboration with guitarist Christopher Parkening entitled Pleasures of Their Company was nominated for the Classical Album of the Year Grammy award. She also received the Laurence Olivier Award (1985) for her stage performance as Zerbinetta in Ariadne auf Naxos at the Royal Opera House, London. Critical response to Battle's performances had rarely varied throughout the years following her debut. In 1985, Time Magazine pronounced her "the best lyric coloratura soprano in the world".[4]

1990s

The 1990s saw projects ranging from a concert program and a CD devoted to

spirituals to a recording of baroque music
, from performances of complete operas to recitals and recordings with jazz musicians.

In 1990, Battle and

Grammy award. Another first came in January 1992 when Battle premiered André Previn's song cycle Honey and Rue with lyrics by Toni Morrison. The work was commissioned by Carnegie Hall and composed specifically for Battle.[20]

In December 1993 she was joined by Martin Katz and Kenny Barron on piano and Grady Tate (drums), Grover Washington Jr. (saxophone) and David Williams (bass) at Carnegie Hall for a concert featuring the music of Handel, Haydn, and Duke Ellington as well as Christmas spirituals.[21] During this time she also collaborated with other musicians including trumpeter Wynton Marsalis in a recording of baroque arias entitled, Baroque Duet; violinist Itzhak Perlman on an album of Bach arias; and flautist Jean-Pierre Rampal for a recital at Alice Tully Hall (also released on CD). In May 1993 Battle added pop music to her repertoire with the release of Janet Jackson's album Janet, lending her vocals to the song "This Time". An album of Japanese melodies, First Love, followed in November 1993.

On the opera stage, she performed in a variety of Mozart, Rossini and Donizetti operas.[22] Between 1990 and 1993, she performed in several productions at the Metropolitan Opera: Rosina in The Barber of Seville (1990), Pamina in The Magic Flute (1991 and 1993), and Adina (with Luciano Pavarotti as Nemorino) in L'elisir d'amore (1991, 1992, and the Met's 1993 Japan Tour).[15] She also won her fifth Grammy Award in 1993, singing the title role of Semele on the Deutsche Grammophon recording conducted by John Nelson.[23]

Although Battle gave several critically praised performances at the Metropolitan Opera during the early 1990s, her relationship with the company's management showed increasing signs of strain during those years.[24] As Battle's status grew, so did her reputation for being difficult and demanding.[25] In October 1992 when she opened the Boston Symphony Orchestra season, she reportedly banned an assistant conductor and other musicians from her rehearsals, changed hotels several times, and left behind what a report in The Boston Globe called "a froth of ill will".[25] In February 1994, during rehearsals for an upcoming production of La fille du régiment at the Metropolitan Opera, Battle was said to have subjected her fellow performers to "withering criticism" and made "almost paranoid demands that they not look at her."[26] General Manager Joseph Volpe responded by dismissing Battle from the production for "unprofessional actions" during rehearsals. Volpe called Battle's conduct "profoundly detrimental to the artistic collaboration among all the cast members" and indicated that he had "canceled all offers that have been made for the future."[25] Any input from Metropolitan Opera music director James Levine, Battle’s close friend and collaborator for 20 years, is shrouded in mystery. Battle was replaced in Donizetti's La fille du régiment by Harolyn Blackwell.[27] At the time of her termination from the Met, Michael Walsh of Time magazine reported that "the cast of The Daughter of the Regiment applauded when it was told during rehearsal that Battle had been fired."[26] After she sang with the San Francisco Opera at this time, several backstage workers wore T-shirts that read: "I survived the Battle".[28]

In a statement released by her management company, Columbia Artists, Battle said: "I was not told by anyone at the Met about any unprofessional actions. To my knowledge, we were working out all of the artistic problems in the rehearsals, and I don't know the reason behind this unexpected dismissal. All I can say is I am saddened by this decision."[25] Since then, Battle has not performed in opera.

For the remainder of the decade, she worked extensively in the recording studio and on the concert stage. She was a featured guest artist on the May 1994 album

art songs
from a variety of eras and regions, opera arias, and spirituals.

2000–present

Battle has continued to pursue a number of diverse projects including the works of composers who are not associated with traditional classical music, performing the works of Vangelis, Stevie Wonder, and George Gershwin.

In August 2000, she performed an all-Schubert program at Ravinia.

Aspen Music Festival performing an all-Gershwin program as part of a season benefit.[35] In October 2007, at a fundraiser for the Keep a Child Alive Charity, Kathleen Battle and Alicia Keys performed the song Miss Sarajevo written by U2's Bono.[36]

Battle singing the Lord's Prayer (2008) in honor of the Pope

On April 16, 2008, she sang an arrangement of the

papal visit to the White House. This marks the second time she sang for a pope. (She first sang for Pope John Paul II in 1985 as soprano soloist in Mozart's Coronation Mass.)[37] Later that year, she performed "Superwoman" on the American Music Awards with Alicia Keys and Queen Latifah. Since that time she has appeared in the occasional piano-voice recital, including a recital of works by Schubert, Liszt, and Rachmaninoff in Costa Mesa, California accompanied by Olga Kern (February 2010) and a recital in Carmel, Indiana, accompanied by Joel A. Martin (April 2013).[38][39]

After a 22-year absence from the Metropolitan Opera House, Battle performed a concert of spirituals at the Met in November 2016. Battle is scheduled to perform a recital at the Metropolitan Opera on May 12, 2024.[3]

Major debuts

Repertoire

See also: Kathleen Battle discography

Choral and symphonic

Major oratorio, choral, and symphonic works in which Battle has performed as a soloist:

Opera

Battle has portrayed the following roles on stage:

Concert and recital

Battle's concert and recital repertoire encompasses a wide array of music including classical, jazz, and crossover works. Her jazz and crossover repertoire includes the compositions of

spirituals
.

Major collaborations

Among the conductors with whom Battle has worked are

Tanglewood Festival, Blossom Festival, the Hollywood Bowl, Mann Music Centre Festival and the Caramoor Festival, and at Cincinnati May Festival.[43]

In recital, she has been accompanied on the piano by various accompanists including Margo Garrett, Martin Katz, Warren Jones, James Levine, Joel Martin, Ken Noda, Sandra Rivers, Howard Watkins, Dennis Helmrich, JJ Penna, and Ted Taylor. Collaborations with other classical artists include flautist Jean-Pierre Rampal, soprano Jessye Norman, mezzo-sopranos Frederica von Stade and Florence Quivar, violinist Itzhak Perlman, baritone Thomas Hampson, tenors Luciano Pavarotti and Plácido Domingo, trumpeter Wynton Marsalis and guitarist Christopher Parkening.

Away from the classical side, she has worked with vocalists Al Jarreau, Bobby McFerrin, Alicia Keys, and James Ingram, jazz saxophonist Grover Washington Jr., jazz pianists Cyrus Chestnut and Herbie Hancock. Battle also lent voice to the song "This Time" on Janet Jackson's album Janet and sang the title song, "Lovers", for the 2004 Chinese action movie, House of Flying Daggers.[44] She also performs the music of Stevie Wonder.[34]

Awards and honors

References

  1. ^ Donal Henahan, "Concert: Battle Sings with the Philharmonic", The New York Times, January 24, 1987. Accessed August 31, 2008.
  2. ^ Tim Page, "Kathleen Battle's Pure Sweet Sound", The Washington Post, January 20, 1997. Accessed via subscription, August 31, 2008.
  3. ^ a b Tommasini, Anthony (November 14, 2016). "Review: Kathleen Battle Returns to the Met After 22 Years. It Was Worth the Wait". The New York Times.
  4. ^ a b c Michael Walsh, "At the Head of the Class", Time Magazine, November 11, 1985. Accessed July 22, 2008.
  5. ^
    AllMusic
  6. ^ Von Rhein, John (April 21, 1985). "Soprano Kathleen Battle: From Unknown To Operatic Star Of Two Continents". Chicago Tribune. Retrieved October 14, 2011.
  7. ^ a b Nancy Malitz, "The Winning Battle", Ovation Magazine, May 1986, p. 17.
  8. ^ Eduardo Fradkin, Interview Archived July 13, 2011, at the Wayback Machine, O Globo, May 16, 2008. Accessed July 31, 2008.
  9. ^ Emily Van Cleve, Soprano to sing for early benefactor[dead link], Albuquerque Journal, October 3, 2004. Accessed via subscription September 1, 2008.
  10. ISSN 0028-7369
    , published by New York Media, LLC
  11. ^ a b Erik Smith, The Musical Times, vol. 120, no. 1637 (July 1979), pp. 567–570.
  12. ^ a b Dyer & Forbes.
  13. ^ a b c List of Kathleen Battle performances at the Salzburg Festival, Salzburg Festival Archives. Accessed 2 September 2008.
  14. ^ Donal Henahan, A Rare Semele by Handel, The New York Times, February 25, 1985. Accessed September 1, 2008.
  15. ^ a b c Kathleen Battle Performance Record, MetOpera Database. Accessed July 23, 2008.
  16. ^ Donal Henahan, Kathleen Battle Sings Cleopatra In Handel's Giulio Cesare at Met, The New York Times, September 29, 1988. Accessed September 1, 2008.
  17. ^ PBS, Great Performances 30th Anniversary Archived 2013-12-26 at the Wayback Machine. Accessed July 23, 2008.
  18. ^ Los Angeles Daily News, "Talent Aside, Piquing Singer's Interest is an Uphill Battle", August 6, 1990. Accessed July 23, 2008.
  19. ^ a b Chicago Sun-Times, "Battle's recital has a bonus", April 29, 1991. Accessed via subscription July 23, 2008.
  20. ^ Bernard Holland, Classical Music in Review: Honey and Rue Orchestra of St. Luke's Carnegie Hall, The New York Times, January 7, 1992. Accessed July 23, 2008.
  21. ^ Tim Page, "Kathleen Battle Turns on the Lite", Newsday. December 15, 1993
  22. ^ a b San Francisco Opera Performance Archives. Accessed July 23, 2008.
  23. ^ "GRAMMY.com". Retrieved January 31, 2018.
  24. ^ Bernard Holland, "Kathleen Battle Pulls Out Of 'Rosenkavalier' at Met", The New York Times. January 30, 1993. Accessed July 22, 2008.
  25. ^ a b c d Allan Kozinn, The Met Drops Kathleen Battle, Citing 'Unprofessional Actions', The New York Times, February 8, 1994. Accessed July 22, 2008.
  26. ^ a b Michael Walsh, "Battle Fatigue", Time Magazine, February 21, 1994
  27. ^ Edward Rothstein, "Opera Review: After the Hoopla, La fille du régiment, The New York Times, February 16, 1994. Accessed 23 July 2008.
  28. Independent.co.uk
    . February 17, 1994. Retrieved January 31, 2018.
  29. ^ James R. Oestreich, Battle and Hampson: All Charm in a Parade of Hits, The New York Times, March 3, 1995. Accessed August 6, 2008.
  30. ^ Jon Pareles, Kathleen Battle: Jazz Headliner, The New York Times, September 14, 1995. Accessed August 4, 2008.
  31. ^ Interview, Classical Guitar Alive Radio Broadcast, July 15, 1995.
  32. ^ Dan Tucker, Classical review, Kathleen Battle at Ravinia, Chicago Tribune, August 18, 2000.
  33. IMDb Edit this at Wikidata
  34. ^ a b Kathleen Battle lives up to her top billing Archived 2007-06-30 at the Wayback Machine, The Royal Gazette (Bermuda), October 4, 2006. Accessed July 24, 2008.
  35. ^ Kyle MacMillan, Aspen books a soprano with a past,
    Denver Post
    , July 16, 2007. Accessed July 24, 2008.
  36. ^ Roger Freedman, Keys woos celebrities, Fox News, October 26, 2007. Accessed August 8, 2008.
  37. ^ Sony Masterworks: High Mass Celebrated by Pope John Paul II – Mozart: Coronation Mass, K. 317 Archived August 29, 2008, at the Wayback Machine
  38. ^ Swed, Mark (February 17, 2010). "Review: Battle is Back". Los Angeles Times. Retrieved April 28, 2013.
  39. The Palladium at the Center for Performing Arts. The Center presents an Evening with Kathleen Battle
    . Retrieved April 28, 2013.
  40. ^ Internet Broadway Database. Accessed July 24, 2008.
  41. ^ Lyric Opera of Chicago Performance Archives Archived October 1, 2006, at the Wayback Machine.Accessed July 26, 2008.
  42. ISBN 0850211611
  43. ^ a b "Kathleen Battle (Soprano) – Short Biography". www.bach-cantatas.com. Retrieved January 31, 2018.
  44. ^ "Consumer Electronics – Sony US". www.sonystyle.com. Archived from the original on June 16, 2011. Retrieved January 31, 2018.
  45. ^ a b c d e "GRAMMY.com". Retrieved January 31, 2018.
  46. ^ "The Home of London Theatre". Official London Theatre. Archived from the original on September 27, 2007.
  47. ^ Database, official web site of the Academy of Television Arts & Sciences
  48. ^ "Camille Cosby, Kathleen Battle Win Candace Awards". Jet. 82 (13): 16–17. July 20, 1992.
  49. American Academy of Achievement
    .
  50. ^ "Our History Photo". 2005. Awards Council member and famed operatic soprano Kathleen Battle presenting the American Academy of Achievement's Golden Plate Award to Toni Morrison, the recipient of the Nobel Prize in Literature, at the Banquet of the Golden Plate gala ceremonies during the 2005 International Achievement Summit in New York City.
  51. ^ NAACP 'Image Awards' honor best and brightest, Baltimore Afro-American, February 26, 1999. Accessed via subscription September 1, 2008.

Sources

  • Dyer, Richard;
    Grove Music Online
    . (subscription required)

Further reading

External links

Wikimedia Commons has media related to Kathleen Battle.
Retrieved from "https://en.wikipedia.org/w/index.php?title=Kathleen_Battle&oldid=1218611053"