Kazi Nazrul Islam
Bangladeshi (1976) | |
---|---|
Occupations |
|
Years active | 1922–1942 |
Spouses | Nargis Asar Khanum
(m. 1921; div. 1937)Pramila Devi
(m. 1924; died 1962) |
Children | 4, including Kazi Sabyasachi |
Awards |
|
Website | kazinazrulislam.org |
Kazi Nazrul Islam PB EP IA (Bengali: কাজী নজরুল ইসলাম, pronounced [kad͡ʒi ˈnod͡ʒɾul islam] ⓘ; 24 May 1899 – 29 August 1976), also known as the Rebel Poet, was a popular Bengali poet, writer, lyrist and the national poet of Bangladesh.[1] Nazrul produced a large body of poetry, music, messages, novels, and stories with themes that included equality, justice, anti-imperialism, humanity, rebellion against oppression and religious devotion.[2] Nazrul Islam's activism for political and social justice as well as writing a poem titled as "Bidrohī", meaning "the rebel" in Bengali, earned him the title of "Bidrohī Kôbi" (Rebel Poet).[3] His compositions form the avant-garde music genre of Nazrul Gīti (Music of Nazrul).[4][5][6][7]
Born into a
Nazrul Islam's writings explored themes such as freedom, humanity, love, and revolution. He opposed all forms of bigotry and fundamentalism, including religious, caste-based and gender-based.[12] Nazrul wrote short stories, novels, and essays but is best known for his songs and poems. He introduced the ghazal songs in the Bengali language[13][14][15][16] and is also known for his extensive use of Arabic and Persian influenced Bengali words in his works.[17][18][19]
Nazrul Islam wrote and composed music for nearly 4,000 songs (many recorded on
Early life
Nazrul Islam was born on Wednesday 24 May 1899
Attracted to folk theatre, Nazrul Islam joined a leto (travelling theatrical group) run by his uncle Fazle Karim. He worked and travelled with them, learning to act, as well as writing songs and poems for the plays and musicals.
In 1910, Nazrul Islam left the troupe and enrolled at the
Nazrul Islam studied up to grade 10 but did not appear for the
During this period, Nazrul Islam read extensively the works of
Career
I am the unutterable grief,
I am the trembling first touch of the virgin,
I am the throbbing tenderness of her first stolen kiss.
I am the fleeting glance of the veiled beloved,
I am her constant surreptitious gaze...
I am the burning volcano in the bosom of the earth,
I am the wildfire of the woods,
I am Hell's mad terrific sea of wrath!
I ride on the wings of lightning with joy and profundity,
I scatter misery and fear all around,
I bring earthquakes on this world! "(8th stanza)"
I am the rebel eternal,
I raise my head beyond this world,
High, ever erect and alone!
– Translation by Kabir Choudhary[35]
Kazi Nazrul Islam joined the army in late 1917. Nazrul Islam left the British Indian army in 1920, when the 49th Bengal Regiment was disbanded,[36] and settled in Calcutta. He joined the staff of the Bangiya Mussalman Sahitya Samiti ("Bengali Muslim Literary Society").[37] He published his first novel Bandhan-hara (বাঁধন-হারা, 'Freedom from Bondage') in 1920, on which he continued to work over the next seven years.[27] His first collection of poems, which included "Bodhan", "Shat-il-Arab", "Kheya-parer Tarani", and "Badal Prater Sharab", received critical acclaim.[27]
Nazrul Islam grew close to other young Muslim writers, while working at the Bengali Muslim Literary Society, including
Nazrul Islam reached the peak of his fame in 1922 with
Nazrul Islam started a bi-weekly magazine, Dhumketu ("ধূমকেতু", 'Comet') on 12 August 1922 that was critical of the British Empire. Earning the moniker of the "rebel poet", Nazrul Islam aroused the suspicion of British Raj authorities.[22][44] The Police raided the office of Dhumketu after it published "Anondomoyeer Agomone" ("আনন্দময়ীর আগমনে"), a political poem, in September 1922. Nazrul Islam was arrested on 23 January 1923 and charged with sedition.[44] He presented a long argument in the court, an excerpt of what he said:
I have been accused of sedition... To plead for me, the king of all kings, the judge of all judges, the eternal truth the living God... I am a poet; I have been sent by God to express the unexpressed, to portray the unportrayed. It is God who is heard through the voice of the poet... I am an instrument of God. The instrument is not unbreakable, but who is there to break God?[45]
On 14 April 1923, he was moved from Alipore Jail to Hooghly Jail in Hooghly. He began a 40-day fast to protest mistreatment by the British jail superintendent, breaking his fast more than a month later and eventually being released from prison in December 1923. Nazrul Islam composed numerous poems and songs during his period of imprisonment. In the 1920s, the British Indian government banned many of his writings.[27] Rabindranath Tagore dedicated his play "Basanta" to Nazrul Islam in 1923. Nazrul Islam wrote the poem "Aj Srishti Shukher Ullashe" to thank Tagore.[46] His book Bisher Banshi ('The Flute of Poison'), published in August 1924,[47] was banned by the British Raj.[48] Bisher Banshi called for rebellion in India against the British Raj.[49] Bisher Banshi was read and distributed in secret following the ban.[50]
Nazrul Islam was a critic of the
During his visit to Comilla in 1921, Nazrul Islam met a young Bengali Hindu woman, Pramila Devi, with whom he fell in love, and they married on 25 April 1924. Brahmo Samaj criticised Pramila, a member of the Brahmo Samaj, for marrying a Muslim. Muslim religious leaders criticized Nazrul Islam for his marriage to a Hindu woman. He also was criticised for his writings. Despite controversy, Nazrul Islam's popularity and reputation as the "rebel poet" increased significantly.[27][52]
With his wife and young son Bulbul, Nazrul Islam settled at Grace Cottage, Krishnanagar in Krishnanagar in 1926. His work began to transform as he wrote poetry and songs that articulated the aspirations of the working class, a sphere of his work known as "mass music".[53]
O poverty, thou hast made me great
Thou hast made me honoured like Christ
With his crown of thorns. Thou hast given me
Courage to reveal all. To thee I owe
My insolent, naked eyes and sharp tongue.
Thy curse has turned my violin to a sword...
O proud saint, thy terrible fire
Has rendered my heaven barren.
O my child, my darling one
I could not give thee even a drop of milk
No right have I to rejoice.
Poverty weeps within my doors forever
As my spouse and my child.
Who will play the flute?
– Translated by Kabir Chowdhury[54]
In what his contemporaries regarded as one of his greatest flairs of creativity, Nazrul Islam vastly contributed in profusely enriching
I don't see any difference
Between a man and woman
Whatever great or benevolent achievements
That are in this world
Half of that was by woman,
The other half by man.
– Translation by Sajed Kamal[60]
Nazrul Islam believed in the equality of women, a view his contemporaries considered revolutionary, as expressed in his poem Naari (women).[61] Nazrul Islam's poems strongly emphasised the confluence of the roles of both sexes and their equal importance to life. His poem "Barangana" (Prostitute) stunned society with its depiction of prostitutes who he addresses in the poem as "mother".[62][63] In the poem, Nazrul Islam accepts the prostitute as a human being first, reasoning that this person belonged to the "race of mothers and sisters"; he criticises society's negative views on prostitutes.[64]
An advocate of women rights, Nazrul Islam portrayed both traditional and nontraditional women in his work.[62] He talked about the working poor through his works such as the poem: 'Poverty' (Daridro).[35][65]
Nazrul Islam wrote thousands of songs, known collectively as Nazrul Geeti. The exact number is uncertain. The complete text of 2,260 is known, and the first lines of 2,872 have been collected, but according to musicologist Karunamaya Goswami, it is popularly believed that the total is much higher. Goswami has written that some contemporaries put the number near 4,000.[66]
Religious beliefs
Nazrul Islam was born an Orthodox Sunni Muslim, but engaged in religious syncretism so often such that he was seen by laymen as only a proud pluralist. Nazrul Islam wrote an editorial in Joog Bani in 1920 about religious pluralism,
Come brother Hindu! Come Musalman! Come Buddhist! Come Christian! Let us transcend all barriers, let us forsake forever all smallness, all lies, all selfishness and let us call brothers as brothers. We shall quarrel no more.
— [67]
In another article entitled Hindu Mussalman, published in Ganabani on 2 September 1922, he wrote that the religious quarrels were between priests and Imams and not between laymen Muslims and Hindus. He wrote that the Prophets had become property like cattle but they should instead be treated like a light that is for all men.[68]
Nazrul Islam criticized religious fanaticism, denouncing it as evil and inherently irreligious. He wrote about human equality in his writings. He also explored the philosophy of the
Nazrul Islam's mother died in 1928, and his second son, Bulbul, died of
Nazrul Islam was not limited to Islamic devotional music but also wrote Hindu devotional music. He composed Agamanis, Bhajans, Shyama Sangeet, and kirtan.[73][74] Nazrul Islam wrote over 500 Hindu devotional songs.[75] However, a section of Muslims criticized for writing Shyama Sangeet and declared him Kafir (infidel). On the other hand, he became displeased with some Hindus for writing devotional songs about Hindu goddesses because he was a Muslim.[76] Nazrul Islam's poetry and songs explored the philosophy of Islam and Hinduism.[68][77] Nazrul Islam's poetry imbibed the passion and creativity of Shakti, which is identified as the Brahman, the personification of primordial energy. He also composed many songs of invocation to Lord Shiva and the goddesses Lakshmi and Saraswati and on the love of Radha and Krishna.[28] Nazrul Islam was an exponent of humanism.[78] Although a Muslim, he named his sons with both Hindu and Muslim names: Krishna Mohammad, Arindam Khaled (Bulbul), Kazi Sabyasachi and Kazi Aniruddha.[79]
Later life
In 1930, his book Pralayshikha was banned and he faced charges of
Nazrul Islam's success soon brought him into Indian theatre and the then-nascent
Illness and death
Nazrul Islam's wife Pramila Devi fell seriously ill in 1939 and was paralysed from the waist down. To provide for his wife's medical treatment, he mortgaged the royalties of his gramophone records and literary works for 400 rupees.[84] He returned to journalism in 1940 by working as chief editor for the daily newspaper Nabajug ('New Age'), founded by the Bengali politician A. K. Fazlul Huq.[84]
On hearing about the death of Rabindranath Tagore on 8 August 1941, a shocked Nazrul Islam composed two poems in Tagore's memory. One of the two poems, "Rabihara" (loss of Rabi, or without Rabi), was broadcast on the
Despite receiving treatment and attention, Nazrul Islam's physical and mental health did not improve; and Nazrul Islam soon died from his long-standing ailments on 29 August 1976. In accordance with a wish he had expressed in one of his poems, he was buried beside a mosque on the campus of the University of Dhaka.
Controversy has been reported around the funeral of Nazrul Islam. Nazrul Islam's sons requested the Bangladesh High Commission in Delhi to arrange for the return of their father's body to India by an aircraft so that he be buried beside their mother's grave as per her last wishes. A space had been reserved for his burial next to her grave in the poets native village, Churulia. When the sons arrived in Dhaka for the last rites, they found that they were completed without their attendance and that the poet had been buried in Dhaka University. Popular demand continues in West Bengal for the poet to be buried back in India.[89][90]
Bangladesh observed two days of national mourning, and the Parliament of India observed a minute of silence in his honour.[91]
Criticism
According to literary critic Serajul Islam Choudhury, Nazrul Islam's poetry is characterised by abundant use of rhetorical devices, which he employed to convey conviction and sensuousness. He often wrote without care for organisation or polish. His works have often been criticized for egotism, but his admirers counter that they carry more a sense of self-confidence than of ego. They cite his ability to defy God, or rather orthodox conceptions of God, yet maintain an inner, humble devotion to Him.[45] Nazrul Islam's poetry is regarded as rugged but unique in comparison to Tagore's sophisticated style. Nazrul Islam's use of Persian vocabulary was controversial, but it increased the range of his work.[45]
Legacy
On 24 May 1972, the newly independent nation of Bangladesh brought Nazrul Islam to live in Dhaka with the consent of the Government of India. The government of Bangladesh conferred upon him the status of "national poet" in 1972.[92][93] In February 1976, during his stay in Bangladesh, he was awarded Bangladeshi citizenship.[27]
He was awarded an Honorary
Nazrul Islam's works for children have won acclaim for his use of rich language, imagination, enthusiasm, and an ability to fascinate young readers.[45] Nazrul is regarded for his secularism.[97] His poetry has been translated to several languages including English, Spanish, and Portuguese.[98] The Uzbek poet Erkin Vohidov wrote an epic poem about Nazrul Islam entitled Ruhlar isyoni (The Rise of the Spirits).[99] A major avenue is named after him in Dhaka, Bangladesh.[100] Kazi Nazrul University in Asansol, West Bengal, India is named after him and Kabi Nazrul College In Birbhum, West Bengal.[101] Jatiya Kabi Kazi Nazrul Islam University in Mymensingh, Bangladesh is a public university named after him.[102] Kabi Nazrul Government College in Dhaka, Bangladesh is also named after him. There is a cultural institution called Nazrul Academy, which is spread throughout Bangladesh. Kazi Nazrul Islam Airport in Andal, West Bengal, is India's first private greenfield airport.[5] A chair has been named after him in University of Calcutta and the Government of West Bengal has opened a Nazrul Tirtha in Rajarhat, a cultural centre with library, auditorium and movie theatre dedicated to his memory.[5][103] On 25 May 2020, Google celebrated his 121st birthday with a Google Doodle.[104] On 20 November 2020, a documentary film about Kazi Nazrul Islam was released in Dhaka titled Biography of Nazrul. There is a metro station named "Kavi Nazrul" on Blue Line of Kolkata Metro.Nazrul Mancha is a auditorium of kolkata.
See also
- List of works of Kazi Nazrul Islam
References
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Tripura will be celebrating Nazrul Jayanti on 26 May
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Kazi Nazrul Islam was born on Jaistha 11 of the Bengali year 1306, corresponding to May 24, 1899 at village Churulia in Burdwan district of what is now West Bengal
- ^ Bhattacharya, Ashutosh (1977). Bangiya Lok-Sangeet Ratnakar, Vol. 4 (An Encyclopaedia of Bengali Folk-song) (in Bengali). Calcutta: A. Mukherjee & Co. Pvt. Ltd. p. 1802.
পশ্চিম বাংলার এক শ্রেণীর জনপ্রিয় লোক-সঙ্গীত লেটো গান, ইহাকে লাটু গান, লোট্যার গানও বলে৷
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Firoza Begum too sang these Bengali ghazals of Nazrul Islam
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He is best known for his songs, in which he pioneered new forms such as Bengali ghazals
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Nazrul Islam did what no other Muslim poet in modern Bengal had dared to do. He created images and symbols out of the well-known heroes from Muslim history. Thus Tariq and Qasim, Ali and Omar, Hasan and Hussain and even the Prophet himself figure in his poetry as historical beings. He also transformed men like Kamal Pasha and Anwar Pasha into symbols. The method is somewhat similar to the one Yeats employed in his poetry.
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Learning by heart the poems of his Agnibina and Bisher Banshi, we hid the books in our breasts and passed them secretly to friends. As far as I remember, Bisher Banshi was banned.
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block the nearby Kazi Nazrul Islam Avenue
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