Kishore Kumar

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Kishore Kumar
Bombay, Maharashtra, India
NationalityIndian
Other names
  • Kishore Da
  • King of Playback Singing
Occupations
  • Playback singer
  • actor
  • music director
  • lyricist
  • film producer
  • film director
  • screenwriter
  • composer[1]
Years active1946–1987
Notable workAs an actor -
Spouses
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(m. 1950; div. 1958)​
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(m. 1960; died 1969)​
​
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(m. 1976; div. 1978)​
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(m. 1980)​
Children
RelativesSee Ganguly family
See Mukherjee-Samarth family
Awards
Musical career
Genres
Instrument(s)Vocals, Piano[11]
Signature

Kishore Kumar (born Abhas Kumar Ganguly; pronunciation

yodelling and ability to sing songs in different voices.[17] He used to sing in different genres but some of his rare compositions, considered classics, were lost in time.[18][19][20]

Besides

Bhojpuri, Malayalam, Odia and Urdu.[21] He also released a few non-film albums in multiple languages, especially in Bengali, which are noted as all-time classics.[22] According to his brother and legendary actor Ashok Kumar, Kishore Kumar was successful as a singer because his "voice hits the mike, straight, at its most sensitive point".[23]

Kumar was also active in acting too. His first film appearance was in

Naukari (1954) and Hrishikesh Mukherjee's directorial debut Musafir
(1957).

As an actor, his best period was between 1954 and 1968. He won 8

Hindi cinema. In 2012, his unreleased last song sold for ₹15.6 lakh at the Osian's Cinefan Auction in New Delhi.[24][25][26]

Early life

Kishore Kumar's ancestral home
Ganguly House (Gauri Kunj), Kishore's ancestral home

Kishore Kumar was born in a Bengali Brahmin Ganguly[27][28] family in Khandwa, Central Provinces (now in Madhya Pradesh) as Abhas Kumar Ganguly.[29] His father, Kunjalal Ganguly (Gangopadhyay) was a lawyer and his mother, Gouri Devi came from a wealthy Bengali family and was a home-maker. Kunjalal Gangopadhyaya was invited by the Kamavisadar Gokhale family of Khandwa to be their personal lawyer. Kumar was the youngest of four siblings, the older three being Ashok (the eldest), Sati Devi, and Anoop.[30]

While Kumar was still a child, his brother Ashok became an actor in

Hindi cinema. Later, Anoop also ventured into cinema with Ashok's help.[31] Kumar graduated from Christian College, Indore.[32]

Early career

Main articles:
List of songs by Kishore Kumar
Kishore Kumar as a young man

After Ashok Kumar became a star of Hindi films, the Ganguly family visited Bombay (now Mumbai) regularly. Abhas Kumar changed his name to 'Kishore Kumar' and started his cinema career as a chorus singer at Bombay Talkies, where his brother worked. Music director Khemchand Prakash gave Kumar a chance to sing "Marne Ki Duayen Kyon Mangu" for the film Ziddi (1948). After this, Kumar was offered many other assignments, but he was not very serious about a film career.[33] In 1949, he settled in Bombay.[34]

During the initial stage of his career, Kumar was deeply inspired by singer K. L. Saigal and imitated his style of singing in some of his early films but later evolved his own, unique style.[35] He had a great respect for poet and musician Rabindranath Tagore who influenced him in many ways.[36]

He was an ardent admirer of Hollywood actor-singer Danny Kaye. He hung the portraits of all these three personalities at his Gouri Kunj residence and would bow respectfully before them everyday as a rule.[37]

In his later career, Kumar was also heavily influenced by playback singer Ahmed Rushdi and his liking towards Rushdi was to the extent that former paid a tribute at Royal Albert Hall in London to the latter by singing some of his songs.[38]

Kumar employed

Jimmie Rodgers and Tex Morton.[39]

In the movie

Salil Chowdhary had a duet in mind and wanted Kumar and Lata Mangeshkar to sing the song. However, since Lata Mangeshkar was not in town and Salil Chowdhury had to record that song before she could return, Kumar solved the problem by singing both the male and female parts of the song himself. The duet is actually for Pran and Kumar on the screen dressed as a woman. It just turned out to be fine as he did admirably well singing both in male and female voices.[40]

Music director

Jimmie Rodgers.[42]: 60 S. D. Burman kept making Kishore sing for Dev Anand from the 50s to the early 70s. S. D. Burman provided him the training and encouraged Kumar a lot, especially in the late 50s and early 60s, resulting in Kumar developing into a great singer in the future years.[43]

S. D. Burman recorded Kumar's voice for Dev Anand's Munimji (1954), Taxi Driver (1954), House No. 44 (1955), Funtoosh (1956), Nau Do Gyarah (1957), Paying Guest (1957), Guide (1965), Jewel Thief (1967), Prem Pujari (1970), and Tere Mere Sapne (1971). He also composed music for Kumar's home production Chalti Ka Naam Gaadi (1958). Some of their songs were "Maana Janaab Ne Pukara Nahin" from Paying Guest (1957), "Hum Hain Rahi Pyar Ke" from Nau Do Gyarah (1957), "Ai Meri Topi Palat Ke Aa" from Funtoosh (1956), and "Ek Ladki Bheegi Bhaagi Si" from Chalti Ka Naam Gaadi.[44] Asha Bhosle and Kishore performed duets composed by Burman including "Chhod Do Aanchal" from Paying Guest (1957), "Ankhon Mein Kya Ji" from Nau Do Gyarah (1957), "Haal Kaisa Hai Janaab Ka" and "Paanch Rupaiya Baara Aana" from Chalti Ka Naam Gaadi (1958) and "Arre Yaar Meri Tum Bhi Ho Gajab" from Teen Deviyan (1965).[45]

As a singer, Kumar's work with many music directors in this period includes "Ye Raatein Ye Mausam" and "Hum Toh Mohabbat Karega" from Dilli Ka Thug, "Piya Piya Mora Jiya" from Baap Re Baap, "Hello Hello Ji" from Bombay Ka Chor, "Michael Hai To Cycle Hai" from Bewaqoof, "Ae Haseeno Nazneeno" from Chacha Zindabad, "Zaroorat Hai Zaroorat Hai" from Manmauji (1961), "Likha Hai Teri Ankhon Mein" from Teen Deviaan, "Suno Jaana Suno Jaana", "Pyaar Baatke Chalo" and "Kya Teri Zulfein Hai" from Hum Sab Ustaad Hai, "Khoobsurat Haseena" from Mr. X in Bombay, "Gaata Rahe Mera Dil" from Guide (1965), "Sultana Sultana" from Shreeman Funtoosh, "Machalti Hui" from Ganga Ki Lahren, "Mera Dil Meri Jaan" and "Pyar Ka Jaahan Hotel" from Jaalsaaz and "Yeh Dil Na Hota Bechara" from Jewel Thief (1967).[46]

Music director

Chitragupta.[13]

In 1968,

Mehmood as a Carnatic music and dance teacher, and Sunil Dutt as a simpleton named Bhola. Kishore's character was inspired by his uncle, Dhananjay Bannerjee, a classical singer.[33] The highlight of the film was a musical, comical duel between Kumar, Sunil Dutt and Mehmood: "Ek Chatur Nar Karke Singaar.[48]

In 1969,

Filmfare award for "Roop Tera Mastana".[50]
: 54 

Acting career

Main article: Kishore Kumar filmography

Kumar's first film appearance was in Shikari (1946), in which his brother, Ashok played the lead role. Kumar played the lead in the Bombay Talkies film Andolan (1951), directed by

Naukari, Miss Malaysia, Char Paise and Baap Re Baap that Kumar developed an interest in acting seriously, which resulted in him having successful films as the lead actor between 1955 and 1966.[16]

Kumar starred in

Naukari (1954) and Hrishikesh Mukherjee's directorial debut Musafir (1957). Salil Chowdhury, the music director for Naukari, was initially dismissive of Kumar as a singer when he found that Kumar had no formal training in music.[47] However, after hearing his voice, Chowdhury gave him the song Chhota Sa Ghar Hoga, which was supposed to be sung by Hemant Kumar.[51]

Kumar alongside Meena Kumari in Naya Andaz (1956)

The commercially successful films of Kumar included

Vyjayanthimala, Nutan, Madhubala, Meena Kumari and Kumkum gave the biggest hits in his career.[52]

Chalti Ka Naam Gaadi (1958), his home production, had the three Ganguly brothers and Madhubala in main roles. Kumar played a car mechanic who has a romance with a city girl; (Madhubala) with a subplot involving the brothers.[42]: 29  Kumar acted in and composed the music for

Amit Kumar).[50]
: 52 

After 1966, as an actor, Kumar built up a notoriety for coming late for the shootings or bunking them altogether.[54] His films flopped frequently after 1965 and he landed in income tax trouble.[41] Kumar produced and directed some movies in the late 1970s and early 1980s; Pyar Zindagi Hai, Badhti Ka Naam Dadhi (1978), Sabaash Daddy, Zindagi (1981), Door Wadiyon Mein Kahin (1980) and Chalti Ka Naam Zindagi (1982)—which was his last appearance as an actor.[citation needed]

1970s and 1980s

Kumar was a leading singer throughout 1970s and 1980s until his death in 1987.[55] Kumar sang the most songs in his career for Rajesh Khanna. Kumar sang 245 songs picturised on Rajesh Khanna across 92 films, which is an unbeaten record for singer-actor combination. Kishore sang 245 songs for Rajesh Khanna, 202 for Jeetendra, 119 for Dev Anand and 131 for Amitabh Bachchan.[56]

Sharmilee (1971), "Meet Na Mila" from Abhimaan (1973), and "Jeevan Ki Bagiya Mehkegi" from Tere Mere Sapne (1971). In 1975, S. D. Burman composed his last song for Kishore, "Badi Sooni Sooni Hai" for the film Mili.[57]

R. D. Burman recorded several songs with Kumar in the 1970s, including "O Maajhi Re" from

Buddha Mil Gaya (1971) and "Chingari Koi Bhadke", "Kuch To Log Kahenge (Amar Prem)", "Zindagi Ke Safar Me Guzar Jaate Hain Jo Makam" from Aap Ki Kasam (1974), "Aane Wala Pal" from Golmaal (1979), "Hume Aur Jeene Ki Chahat Na Hoti" from Agar Tume Na Hote (1983), "Raha Pe Rahete Hai" from Namkeen (1985) and "Jab Bhi Koi Kangana" from Shaukeen (1987). Although Kumar was not formally trained in classical music, R. D. Burman often had Kumar sing semi-classical songs, such as "Humein Tum Se Pyaar Kitna" from Kudrat and "Mere Naina Saawan Bhadon" from Mehbooba.[20]

R. D. Burman recorded several duets pairing Kishore with Asha Bhosle and Lata Mangeshkar, including "Panna Ki Tamanna" and "Bahut Door Mujhe" from Heera Panna (1973), "Neend Chura Ke Raaton Mein" from the film Shareef Budmaash (1973), "Mujhko Mohabbat Mein Dhoka" and "Kisise Dosti Karlo" from Dil Deewana (1974), "Dhal Gayi Rang" from Heeralal Pannalal (1978), "Ek Main Hoon" from Darling Darling (1977), "Rimjhim Gire Sawan" from Manzil (1979), "Kya Yehi Pyar Hai" and "Hum Tum Se Mile" from Rocky (1981), "Jaan-e-Jaan Dhoondta" from Jawani Diwani, "Kahin Na Jaa" and "Kaho Kaise Rasta" from Bade Dilwala (1983), "Sun Zara Shok Haseena" and "Kharishoo" from Harjaee (1981), "Waada Haanji Waada" from The Burning Train (1980) and "Kaisi Lagrahi Hoon Mein" from Jhuta Sach (1984).[58]

Apart from the Burmans, Kumar worked with other famous music directors too. The composer duo

Alisha Chinoy
.

Fakira. Shyamal Mitra
recorded a duet of Kishore with Asha – Sara Pyaar Tumhara for the film Anandshram and solos "Dil aisa kisi ne mera toda" and " Na poochho koi humein" for the film "Amanush".

Khayyam recorded many of Kishore's duets with Lata Mangeshkar, including "Hazaar Raahein" and "Ankhon Mein Humne" from Thodisi Bewafaii and "Chandni Raat Mein" from Dil-E-Nadaan (1982). Hridaynath Mangeshkar recorded "Zindagi Aa Raha Hoon Main" from Mashaal (1984).

Qurbani(1980).[59]

Kishore also worked with other composers including

Gurudakshina (1987). Another Bengali musician was Ajay Das, who composed many hit songs in Kumar's voice. He also recorded a duet song Hello Hello Kya Haal Hai with Asha Bhosle for Naushad in 1975 for the movie Sunehra Sansar, the only song of Kishore. He also worked with music directors Basu and Manohari Singh for duets such as "Wada Karo Jaanam" and "Dariya Kinare" for the film Sabse Bada Rupaiya and "Aa Humsafar" for the film Chatpatee.[citation needed
]

Indian Emergency

During the

Indian Emergency (1975–1977), Sanjay Gandhi asked Kishore to sing for an Indian National Congress rally in Bombay, but he refused.[61] As a result, Information and broadcasting minister Vidya Charan Shukla (1975–1977) put an unofficial ban on playing Kumar songs on state broadcasters All India Radio and Doordarshan from 4 May 1976 till the end of Emergency.[62][63]

Later years

Kishore Kumar's son

Surakshaa (1979), and in the 1980s in many films, including Boxer, Jaagir, Faraib and Waqt Ki Awaz
.

In the mid-1980s, Kishore sang for Anil Kapoor in his first Hindi film as a leading man, Woh Saat Din and also recorded for Mr. India. (1987) the song "Zindagi Ki Yahi Reet Hai Haar Ke Baad Hi Jeet Hai". He sang duets with Alka Yagnik such as "Tumse Badhkar Duniya Mein Na Dekha" for Kaamchor in 1982, "Humnashi Aaake from Ek Daku Saher Mein" and sang "Teri Meri Prem Kahani" in Pighalta Aasman. He also recorded for newcomers like Aditya Pancholi for the song "Mere Dil Mein Utar Jana" for the film Laal Paree (1991).

He had recorded the duets "Kaho Kahan Chale" for the film Bulundi, "Pyar Ka Dard Hai" from Dard and "Tum Jo Chale Gaye" from Aas Paas, a few days before his heart attack in 1981. He suffered his first heart attack on 24 January 1981 in Kolkata in the noon hours and within a gap of another four hours, suffered his second heart attack. The first solo song sung by him, after recovery from his two attacks was "Mere Sang Sang Aya" from Rajput (1982) and the duet with Asha – "Mausam Bheega Bheega" from Gehra Zakham.

Collaboration with other singers

Kishore Kumar is credited with the highest number of multi-singer and male duet hits with the finest singers of different eras. Kishore Kumar sang the highest number of duets with Asha Bhosle (687 duets). He also sang duets with Lata Mangeshkar, Mohammed Rafi, Mukesh, Manna Dey, Mahendra Kapoor, Geeta Dutt, Shamshad Begum, Sulakshana Pandit, S. Janaki etc.

In the song "Humko Tumse Ho Gaya Hai Pyar" from Amar Akbar Anthony, Kishore sang one song with Lata Mangeshkar, Mohammed Rafi and Mukesh, the most legendary singers in Hindi films. This was probably the only time that all of them rendered their voices for one song.[66] Kishore sang over 30 songs with his contemporary Rafi and they were good friends despite the claims of animosity reported in the media.[67]

Bhajans

Kishore Kumar sang

Bhajans like "Aao Kanhai Mere Dham" from Mere Jeevan Saathi (1972), "Devi Mata Rani" from Swarag Se Sunder (1986), "Jai Bholenath Jai Ho Prabhu" from Kunwara Baap (1974), "He Re Kanhaiya" from Chhoti Bahu (1971), "Jab Ram Naam Le Le" from Abhi Toh Jee Le (1977), "Kahe Apno K Kaam Nahi Aye Tu" from Raampur Ka Lakshman (1972), "Krishna Krishna, Bolo Krishna" from Naya Din Nai Raat (1974), "Prabhuji Teri Leela Aparampaar" from Humsafar (1953) etc.[68][69]

Qawwali

Kishore Kumar recorded Qawwalis like all time hit "Vaada Tera Vaada" from Dushman (1971), "Hum Toh Jhuk Kar Salam Karte Hai" from Fakira (1976), "Mehfil Mein Paimana Jo Laga Jhumne" from Chunaoti (1980), "Is Ishq Mein" from Mr. Romeo (1974), "Kya Cheez Hai Aurat Duniya Mein" from Zorro (1975), "Haal Kya Hai Dilon Ka" from Anokhi Ada (1973), a semi qawwali "Jab Se Sarkar Ne Nashabandi Tod Di" from 5 Rifles (1974), the chart buster qawwali "Qurbani Qurbani Qurbani" from Qurbani (1980) etc.[59][70]

Ghazals

Kishore Kumar sang

Ghazals like "Peechhli Yaad Bhula Do" from Mehndi (1983), "Aisi Haseen Chandni" from Dard (1981), "Yun Neend Se Woh Jaan-E-Chaman" from Dard Ka Rishta (1982), "Tera Chehra Mejhe Gulab Lage" from Aapas Ki Baat (1981) etc.[70][71]

Personal life

Kumar with wife Ruma Guha Thakurta in the early 1950s

Kumar married four times. His first wife was Bengali singer and actress Ruma Guha Thakurta aka Ruma Ghosh. Their marriage lasted from 1950 to 1958.[50]: 53 

Kumar's relationship with actress

converted to Islam and changed his name to Karim Abdul,[74] but Madhubala's sister has refuted such claims, saying that Kumar remained a Hindu.[75] His parents refused to attend the ceremony. The couple also had a Hindu wedding ceremony to please Kumar's parents. Their marriage ended with Madhubala's death on 23 February 1969.[76]

"I knew she(Madhubala) was very sick even before I married her. But a promise is a promise. So I kept my word and brought her home as my wife, even though I knew she was dying from a congenital heart problem. For 9 long years, I nursed her. I watched her die before my own eyes. You can never understand what this means until you live through this yourself. She was such a beautiful woman and she died so painfully. She would rave and rant and scream in frustration. How can such an active person spend 9 long years bed-ridden? And I had to humour her all the time. That's what the doctor asked me to. That's what I did till her very last breath. I would laugh with her. I would cry with her."[77]

— Kishore Kumar on his relationship with Madhubala

Kumar with wife Madhubala in May 1966

Kumar's third marriage was to

Amit Kumar with Ruma, and Sumit Kumar with Leena Chandavarkar.[78]

Kumar is said to have been paranoid about not being paid.[33] During recordings, he would sing only after his secretary confirmed that the producer had made the payment.[79] On one occasion, when he discovered that his dues had not been fully paid, he appeared on set with makeup on only one side of his face. When the director questioned him, he replied "Aadha paisa to aadha make-up." (Half make-up for half payment).[33] On the sets of Bhai Bhai, Kumar refused to act because the director M. V. Raman owed him ₹ 5,000. Ashok Kumar persuaded him to do the scene but when the shooting started, Kishore walked a few paces and said, Paanch Hazaar Rupaiya (five thousand rupees) and did a somersault. After he reached the end of the floor, he left the studio.[80] On another occasion, when producer R.C. Talwar did not pay his dues in spite of repeated reminders, Kumar arrived at Talwar's residence shouting "Hey Talwar, de de mere aath hazaar" ("Hey Talwar, give me my eight thousand") every morning until Talwar paid up.[79]

In spite of his "no money, no work" principle, sometimes Kumar recorded free even when the producers were willing to pay. Such films include those produced by Rajesh Khanna and Danny Denzongpa.[81] On one occasion, Kishore helped actor-turned-producer Bipin Gupta by giving him ₹ 20,000 for the film Daal Me Kala (1964). When actor Arun Kumar Mukherjee—one of the first persons to appreciate Kishore's singing talent—died, Kumar regularly sent money to Mukherjee's family in Bhagalpur.[80]

According to Kumar's eldest son Amit Kumar, Kumar did a lot of charity and free shows for jawans and cancer patients but he never spoke about it. Kumar was a homebody and avoided the trappings of stardom. He was an early riser and went to bed early. He loved authentic Bengali food, and was deeply emotional, a side which he seldom expressed and was also philosophic. Kumar was fond of Biblical films and liked sitting in a cemetery.[82]

The film

Bengali—had not been paid for a stage show organised by another Bengali man and had instructed his gatekeeper to drive away this "Bengali", if he ever visited the house. Consequently, Mehmood had to leave the film as well, and new actors (Rajesh Khanna and Amitabh Bachchan) were signed up for the film.[83]

Many journalists and writers have written about Kumar's seemingly eccentric behaviour.

Madh Fort. When Sippy questioned his strange behaviour, Kumar refused to recognise or talk to him and threatened to call the police. The next morning, Kumar reported for the recording session. An angry Sippy questioned him about his behaviour the previous day but Kumar said that Sippy must have dreamt the incident and said that he was in Khandwa on the previous day.[86]

Once, a producer went to court to get a decree that Kumar must follow the director's orders. As a consequence, he obeyed the director to the letter. He refused to alight from his car until the director ordered him to do so. After filming a car scene in Bombay, Kumar drove until he reached

Khandala because the director forgot to say "Cut".[80] In the 1960s, a financier named Kalidas Batvabbal, who was disgusted with Kumar's alleged lack of cooperation during the shooting of Half Ticket, reported to the income tax authorities, who raided his house. Later, Kumar invited Batvabbal to his home, asked him to enter a cupboard for a chat and locked him inside. He unlocked Batvabbal after two hours and told him, "Don't ever come to my house again".[80]

Kumar was a loner; in a 1985 interview with Pritish Nandy he said that he had no friends—he preferred talking to his trees instead.[87] Once, when a reporter made a comment about how lonely he must be, Kumar took her to his garden, named some of the trees there and introduced them to the reporter as his closest friends.[80]

Death

By September 1987, Kishore Kumar had decided to retire as he was unhappy with kind of songs and tunes being made by music directors and was planning to return to his birthplace Khandwa.[54]

On 13 October 1987, his brother Ashok Kumar's 76th birthday, he died of a heart attack in Bombay at 4:45 pm. His body was taken to Khandwa for cremation. Kishore had recorded his last song, "Guru Guru", a duet with Asha Bhosle for the film Waqt Ki Awaz (1988) composed by Bappi Lahiri for Mithun Chakraborty and Sridevi, the day before he died.[88][89]

Recalling the day of Kishore Kumar's death and his last lines before he took his last breath, his wife Leena Chandavarkar was quoted as saying: "On the morning of October 13 (the day Kishore Kumar passed away in 1987), he looked pale and as though in deep sleep. As I went near him, he woke up and asked, 'Did you get scared? Today is my holiday'." That day he had several meetings at home. During lunch he told me that we'd watch the film River of No Return in the evening. A little later, I heard him move furniture in the next room. When I went to see what was happening, I saw him lying on the bed. Nervously he said, 'I'm feeling weak'. I ran to call the doctor. He got angry and said, 'If you call the doctor, I'll get a heart-attack'. Those were his last lines. His eyes were wide open and he was breathing out. I thought he was fooling as usual but that was the end."[72]

Legacy

In a still from Bhagam Bhag (1956)

Singers like

Shaan, Neeti Mohan, Shilpa Rao, Sunidhi Chauhan, KK have been inspired by Kumar.[96][97][98][99][100]

Morgan House, Kalimpong Testimonial of Kishore Kumar, his wife Leena Chandavarkar and his son Amit Kumar

Kingdom of Dreams, a project of the Great Indian Nautanki Company jointly owned by Wizcraft International Entertainment and Apra Group launched a musical comedy Jhumroo on 7 April 2012 which is a tribute to Kumar and his legacy to music and Hindi films. The musical comedy features 19 retro songs of Kumar's.[101][102]

A statue of Kumar was installed on

Southern Avenue, Kolkata on 22 October 2018.[103][104]

An album titled Baba Mere made by Kumar's son Amit was released on his 86th birthday. It shows Kumar's granddaughter Muktika Ganguly waking up in the middle of the night and in her dreams she meets her grandfather. The album is on a big canvas and is like a film. Amit Kumar termed the album as the greatest tribute to his father Kishore Kumar.[105][106]

In 2015, the UK-based newspaper Eastern Eye placed Kumar fourth in their "Greatest 20 Bollywood Playback Singers" list.[107] Kumar was also included among the top ten most searched Indian singers on Google Search in 2016.[108]

In the Outlook Music Poll conducted by Outlook Magazine in June 2010, three songs were tied for the No. 2 place: One was sung by Kishore. The song was "Kuch to log kahenge logon ka kaam hai kehna" (Amar Prem, 1972). This poll was published in Outlook. The jury included people in the Indian music industry.[citation needed]

There have been appeals to the Government of India to honour the singer-actor posthumously with Bharat Ratna(India's Highest Civilian Award).[109][110]

Manna Dey his contemporary once said that "Kishore had the best voice of all playback singers. He made singing sound so effortless. He had no classical training but could surpass me in a song because of his wonderful musical instinct and natural singing flair."[111]

Hindi films Playback Singer Asha Bhosle has said that:­

It is impossible for anyone to take Kishore Kumar's place. Kishore Kumar was one of a kind. He swayed everyone with his mellifluous voice and even made everyone around him always happy. He has been a true gem to the music industry.[112]

Actor Rajesh Khanna said "Kishore Kumar was my soul and I was his body."[113]

Actress Vyjayanthimala said:

I did several films with Kishore Kumar. He was always full of fun and frolic. You couldn't really predict what he was up to. It was wonderful working with him. Being a singer, he was so quick in his rhythm and quick in his reflexes while dancing. It was easy to match his steps and he was comfortable with me too. He used to tell me, 'Aap to taal mein karte hai sab to bahut hi achha lagta hai mujhe. Betaali ho jati hai to mushkil padta hai.' (It's nice that you dance in rhythm. It's difficult if rhythms don't match.)[114]

Hindi film superstar Amitabh Bachchan called Kishore Kumar a multitalented genius who shall remain a phenomenal star.[115]

Former cricketer and batsman Sachin Tendulkar said:

Kishore Kumar's music has been a constant companion of mine and I feel his songs are truly timeless.[116]

Kumar's unreleased song was sold for Rs 15.6 lakh at the Osian's Cinefan Auction, New Delhi in 2012, the highest price bid for any Indian singer. The song was "Tum hi to woh ho", written by Kulwant Jani with music by Usha Khanna. This was for a film called "Khel Tamasha" by Rakesh Kumar, which never got made. The song was recorded just three days before his death in October 1987.[26]

Today Kumar's popularity spans across many countries of South Asia, especially Pakistan.[117][118][119]

Digitally-colorized version of Kumar's film—Half Ticket (in 2012)—has been released theatrically.[120]

K For Kishore to search for a singer like Kumar.[citation needed
]

Today Kumar's popular songs continue to be remixed or recreated.[121][122]

Kishore Kumar memorial on the outskirts of Khandwa

In his memory, the government of Madhya Pradesh has set up a memorial on the outskirts of Khandwa. It is open to public and has his life sized statue in a lotus-shaped structure. It also houses a mini-theatre and museum dedicated to him. On his birth and death anniversary each year, a function is held and many fans participate. The mini-theatre also screens his films on these days.[123][124][125]

A large number of musical tributes, special programmes and functions are inspired on his birth and death anniversaries every year. As well as fans of Kumar and music lovers from Khandwa make offerings of 'doodh jalebi', which was Kumar's favourite dish at his memorial annually on his birth anniversary.[126][127][128]

In popular culture

Discography

Main article:
List of songs by Kishore Kumar

Filmography

Main article: Kishore Kumar filmography

Awards

Kumar on a 2003 stamp of India
Filmfare Awards

Won:

Year Song Film Music director Lyricist
1970 "Roop Tera Mastana" Aradhana
Sachin Dev Burman
 Anand Bakshi
1976 "Dil Aisa Kisi Ne Mera" Amanush Shyamal Mitra Indeevar
1979 "Khaike Paan Banaras Wala" Don
Kalyanji Anandji
 Anjaan
1981 "Hazaar Raahen Mudke Dekheen" Thodisi Bewafaii Khayyam Gulzar
1983 "Pag Ghungroo Baandh" Namak Halaal Bappi Lahiri Anjaan
1984 "Agar Tum Na Hote" Agar Tum Na Hote
Rahul Dev Burman
Gulshan Bawra
1985 "Manzilein Apni Jagah Hain" Sharaabi Bappi Lahiri Prakash Mehra
1986 "Saagar Kinaare"
Saagar
Rahul Dev Burman
 Javed Akhtar

Nominated:

Year Song Film Music Director Lyricist
1971 "Zindagi Ek Safar" Andaz
Shankar Jaikishan
 Hasrat Jaipuri
1971 "Yeh Jo Mohabbat Hai" Kati Patang
Rahul Dev Burman
 Anand Bakshi
1972 "Chingari Koi Bhadke" Amar Prem
Rahul Dev Burman
 Anand Bakshi
1973 "Mere Dil Mein Aaj"
Daag: A Poem of Love
 		Laxmikant–Pyarelal Sahir Ludhianvi
1974 "Gaadi Bula Rahi Hai" Dost Laxmikant–Pyarelal Anand Bakshi
1974 "Mera Jeevan Kora Kagaz" Kora Kagaz
Kalyanji Anandji
 M.G.Hashmat
1975 "Main Pyaasa Tum" Faraar
Kalyanji Anandji
 Rajendra Krishan
1975 "O Manjhi Re" Khushboo
Rahul Dev Burman
 Gulzar
1977 "Aap Ke Anurodh" Anurodh Laxmikant–Pyarelal Anand Bakshi
1978 "O Saathi Re" Muqaddar Ka Sikandar
Kalyanji Anandji
 Anjaan
1978 "Hum Bewafa Harghiz" Shalimar
Rahul Dev Burman
 Anand Bakshi
1979 "Ek Rasta Hai Zindagi" Kaala Patthar Rajesh Roshan Sahir Ludhianvi
1980 "Om Shanti Om" Karz Laxmikant–Pyarelal Anand Bakshi
1981 "Hameh Tumse Pyar" Kudrat
Rahul Dev Burman
 Majrooh Sultanpuri
1981 "Chhookar Mere Mann Ko" Yaraana Rajesh Roshan Anjaan
1983 "Shayad Meri Shaadi" Souten Usha Khanna
Sawan Kumar Tak
1984 "De De Pyar De" Sharaabi Bappi Lahiri Anjaan
1984 "Inteha Ho Gayi" Sharaabi Bappi Lahiri Anjaan
1984 "Log Kehete Hai (Mujhe Naulakha Manga De)" Sharaabi Bappi Lahiri Anjaan
Bengal Film Journalists' Association Awards

Winner:

See also

References

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Further reading

External links
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