Kokle

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Kokle
Different types of kokles made by Guntis Niedoliņš
String instrument
Other namesKokle[1]
Kūkles, kūkļas, kūkļes, kūklis, kūkļis, kūkle, kūkļe, kūkla and kūkļa (Latgale)[1]
Classification
Chordophone[1]
Hornbostel–Sachs classification314.122-5[1]
(Diatonic lute-type stringed instrument played using bare hands and fingers)
Inventor(s)Folk instrument
Related instruments
Kanklės, kannel, kantele, gusli
Musicians
Mārtiņš Baumanis, Nikolajs Heņķis [lv] (1864–1934), Namejs Kalniņš,[2] Pēteris Korāts [lv] (1871–1957), Māris Muktupāvels, Valdis Muktupāvels, Biruta Ozoliņa [lv], Latvīte Podiņa, Laima Jansone [lv], Jānis Poriķis (1909–1992), Aloizijs Jūsmiņš [lv] (1915–1979; concert kokles)
Builders
Nikolajs Heņķis [lv] (1864–1934), Pēteris Korāts [lv] (1871–1957), Gunārs Igaunis [lv], Māris Jansons, Eduards Klints, Ģirts Laube, Krists Lazdiņš, Kārlis Lipors, Imants Robežnieks [lv] (concert kokles),[3] Jānis Poriķis (1909–1992), Andris Roze, Jānis Rozenbergs, Rihards Valters, Edgars Vilmanis-Meženieks, Donāts Vucins [lv] (1934–1999)

Kokle

Latvian Culture Canon.[18]

Etymology

According to Finnish linguist

Proto-European root *qan- ('to sing, to sound'). However, Lithuanian ethnologist Romualdas Apanavičius [lt] believes kokles could be derived from the Proto-European root *gan(dh)-, meaning 'a vessel; a haft (of a sword)', suggesting that it may be related to the Russian word gusli.[19]

Construction

The kokles has a hollow trapezoidal body (ķermenis or korpuss) usually carved out of a single piece of wood (vienkocis) that's topped with a thin ornated wooden soundboard (skaņgaldiņš). A distinct feature that sets kokles apart from most of the other string instruments is that the strings don't rest on a bridge, making the sound quieter, but richer in timbre. Wooden (or sometimes metal) tuning pegs (tapas) are set into the wide tip of the body, while at the narrow tip is a metal rod (stīgturis) upon which the strings are secured, giving them a slightly fan-shaped arrangement. The strings may be of brass or steel. Traditionally, there were 6–9 strings which later increased to 10 and more.[20]

Playing

Latgale kokles player in Riga

The technique of kokles playing differs from most other plucked string instruments, including that of zither, harp and guitar. There are also some playing differences between the regional types of Latgale and Kurzeme instruments. In Kurzeme kokles was generally played while sitting on a stool, bench or chair without armrests and placing it horizontally in the lap with legs slightly parted. It could be played while laid on a table as well. For Latgale kokles the size and form of the instrument also allowed for it to be steadily placed in the lap in a vertical position, resting the shorter edge of kokles against the stomach and placing both arms on the instrument for extra comfort and stability.[21][22]

Strumming is done with the index finger of the right hand while the left hand is used for muting unwanted strings by lightly placing fingers on them. An alternative string muting technique found in Latgale features the fingers being inserted in-between the strings, but such option heavily restricts the movement of the left arm. The left hand can also be used for picking strings.[21][22]

Tuning

Tuning of the kokles is a

drones. A few traditional tuning variations include D-G-A-H-C for 5-stringed kokles written down by Andrejs Jurjāns at the end of the 19th century, D-C-D-E-F-G-A for 7-stringed kokles and D-C-D-E-F-G-A-H-C for 9-stringed kokles both used by traditional suiti kokles player Jānis Poriķis. However, as kokles began to be constructed with more strings and Latgale kokles became the dominant type of kokles among many other factors,[23] the drone strings have gradually lost their function and become just a lower range extension of the kokles' diapason. Since the 1980s, the most popular tunings among kokles players for 11-stringed kokles are G-A-C-D-E-F-G-A-B-C (GA) and G-A-C-D-E-F-G-A-B♭-C (GA-b♭).[24]

Types

In his book "The Baltic Psaltery and Playing Traditions in Latvia" (Kokles un koklēšana Latvijā) Latvian ethnomusicologist

Latvian American community in the 1960s.[26]

Kurzeme kokles

Side view of the so-called "Piltene kokle" (Piltenes kokle). Below transcription of the engraved symbols and its possible Latvian translation according to the ethnographer Matīss Siliņš [lv]

In the Latvian historical region of

suiti inhabited areas.[27]

On May 17, 2015, during Latvia's

Musical Instruments Museum of Brussels.[28]

Latgale kokles

tuning pegs

In the largely Catholic

Baltic Finnic people, such as Setos, Vepsians, and Latgalians. In comparison with Kurzeme kokles, the finish of Latgale kokles is less thorough; the instrument is bigger and heavier, with more strings (sometimes even up to 12 and only in rare cases less than 9) and with a more sober decoration.[29]

In the

Augšzeme-Vidzeme region both types of kokles, as well as mixed forms (for example, kokles with a small wing) were constructed.[30]

Zither kokles

At the end of the 19th century and the beginning of the 20th century kokles traditions were influenced by the construction and playing style of the Western zithers coming from Germany and other Central European countries. Thus arose the so-called zither kokles: kokles with larger, zither-type cases, steel tuning pins, and an increased number of strings (from 17 to sometimes even up to 30 single or double strings).[31]

Concert kokles

Latvian concert kokles ensemble

The first larger "concert kokle" with a three-and-a-half octave range and 25 stings was constructed in 1951 by Romāns Ķirpis for the Latvian folk music orchestra's soloist Helēna Kļava-Birgmeistere. It was the first to have devices for changing the pitches of strings in order to change keys. Few years later concert kokles saw a few more innovations in the construction and the new design gradually spread in the Latvian Conservatoire and musical schools, as well as amateur kokles ensembles.[32]

For a long time, concert kokles were produced at the Musical Instrument Factory of Riga, mainly from leftover materials used for pianos. After Latvia regained its independence, the factory was closed and there were no dedicated kokles craftsmen until the mid-1990s. Soon, Imants Robežnieks [lv], who had previously worked at the factory, started making and fixing kokles again after receiving numerous requests from kokles players. Since then, he has been the only professional luthier of concert kokles in Latvia.[33]

In mythology

Austras koks.[4]

In modern music

post-folk band Iļģi [lv
], July 24, 2010
Kokles player Laima Jansone [lv] at a concert in Sweden, February 5, 2015

Already at the first kokles revival in the 1930s and 1940s kokles music saw an influx of newly composed

electronic folk collaboration,[35] Laima Jansone [lv]'s free improvisations and fusion of kokles' sounds with jazz in the project "Zarbugans"[36][37] to a more heavier kokles-accompanied folk metal sound of Skyforger.[38]

In 2002 record label Upe released a double CD by ethnomusicologist

suiti and Latgale traditional tunes and dance melodies.[39][40]

In 2016 record label Lauska released a CD Trejdeviņi koklētāji (Thrice-nine kokles players) featuring some of the best known Latvian kokles players (Valdis Muktupāvels, Laima Jansone [lv], Biruta Ozoliņa [lv] and Ansis Jansons among others) and Baltic psaltery players from abroad (Leanne Barbo [et; lv] from Estonia and Jenni Venäläinen [fi] from Finland), as well as Latvian concert kokles ensembles, with a collection of 13 compositions that span from traditional to ethno-jazz and ethno-baroque genres. A bilingual Latvian-English hardback booklet was also included with notes on performing musicians and their compositions, as well as a brief history of kokles.[41]

References

  1. ^ a b c d Muktupāvels 2018, p. 141
  2. ^ "Magic of Latvia's kokle showcased by young maestro". Public Broadcasting of Latvia. December 16, 2018. Retrieved December 17, 2018.
  3. ^ Sheeter, Laura (October 29, 2005). "Latvia celebrates national instrument". BBC News. Retrieved March 30, 2017.
  4. ^ a b c Muktupāvels, Valdis (1999). "Systematics of Latvian musical instruments" (in Latvian). Latvijas Mākslas augstskolu asociācija. pp. 96, 100–101. Archived from the original on November 9, 2005. Retrieved March 30, 2017. Kokles, kokle (K; Z; V), kūkles (L), kūkle (L)
  5. ^
    ISBN 978-1858-2863-5-8
    . Retrieved March 30, 2017. Baltic psalteries variously called kantele, kannel, kokles or kanklės. (..) Kokles and citara. (...) The Latvian Baltic zither is called the kokle or kokles (...) it's usual to tune the lowest string of a kokles to a drone a fourth below the key note.
  6. ISBN 978-0819-5626-1-6
    . "revival" of the Latvian kokle zither (...) interact with the newly emerging kokle (...) the usefulness of kokle-playing
  7. ISBN 978-1351-5442-6-9
    . Retrieved September 30, 2017. The most characteristic and significant instrument in Latvian traditional music is the kokles, a board zither with five to twelve strings. (...) Small plucked zithers include the langeleik (Norway), the kantele (Finland), the kannel (Estonia), the kanklės (Lithuania), and the kokles (Latvia).
  8. ISBN 978-1351-5441-1-5
    . Retrieved March 30, 2017. kokles Latvian plucked zither, carved from a wooden plank and having five to twelve strings. (8)
  9. ^ Djupsjöbacka, Tove (May 24, 2016). "The kantele – not exclusively Finnish". Finnish Music Quarterly. Retrieved May 24, 2017. The official status of kanteles varies from one country to another. In the Baltic states, these instruments (the kannel in Estonia, the kokles in Latvia and the kanklės in Lithuania) have a firm official status.
  10. ISBN 978-9004-2218-7-1
    . Retrieved March 30, 2017. The kanklės known in Latvia as the kokles, and has analogues in the kannel of Estonia, and the kanteles of Finland
  11. ISBN 978-0313-3312-5-1
    . Retrieved March 30, 2017. The most popular Baltic folk instrument is the board zither (psaltery), known as the kannel in Estonian, the kokles in Latvia and the kanklės in Lithuania. (..) the early kannel-kokles-kanklės was a five stringed instrument
  12. ^
    ISBN 978-9624-2118-2-5
    . Retrieved March 30, 2017.
  13. ISBN 978-1848-3688-8-0
    . Baltic zithers variously called kantele, kannel, kokles or kankles.
  14. ISBN 978-1848-3688-8-0
    . The more sophisticated ones such as the kannel/kokles/kankles (...)
  15. ^ [4][8][9][10][5][11][12][13][6][14][15]
  16. ^ Muktupāvels 2013, pp. 12–14
  17. Latvian Culture Canon
    . Retrieved January 8, 2018.
  18. ^ Romualdas Apanavičius. Ancient Lithuanian Kanklės, Institute of Ethnomusic, Vilnius, Lithuania
  19. ^ Muktupāvels 2013, pp. 15–16
  20. ^ a b Muktupāvels 2013, pp. 41–42
  21. ^ a b Muktupāvels 2013, pp. 69–70
  22. ^ Muktupāvels, Valdis (2009). "The small or the big kokles? A Shift of Preferences in the Context of the Folklore Revival Movement". Musiikin Suunta (1): 12. Retrieved March 30, 2017.
  23. ^ Muktupāvels 2013, p. 90
  24. ^ Muktupāvels 2013, p. 6
  25. ^ Muktupāvels 2013, pp. 22–26
  26. ^ Muktupāvels 2013, p. 15
  27. ^ "Latvia donates kokle to the Musical Instruments Museum of Brussels". Ministry of Foreign Affairs of the Republic of Latvia. May 17, 2015. Retrieved March 30, 2017.
  28. ^ Muktupāvels 2013, p. 17
  29. ^ Muktupāvels 2018, p. 145
  30. ^ Muktupāvels 2013, pp. 19–20
  31. ^ Muktupāvels 2013, p. 240
  32. ^ "Kokle master preserves 'the sound of a Latvian soul'". China Daily. November 4, 2005. Retrieved March 30, 2017.
  33. ^ Strautmanis, Andris (September 10, 2001). "Iļģi not sure what to expect in America". Latvians Online. Retrieved March 30, 2017.
  34. ^ Kaljo, Egils (October 27, 2013). "New release features Latvian folk songs with a twist". Latvians Online. Retrieved March 30, 2017.
  35. ^ Kaljo, Egils (January 20, 2014). "Unique recording with Latvian instrumental music". Latvians Online. Retrieved March 30, 2017.
  36. ^ Peeters, Tom (December 1, 2015). "Laima Jansone and her cool kokle". Bruzz. Retrieved March 30, 2017.
  37. ^ Kvetkovskis, Pēteris (October 2, 2011). "Kokle". Skyforger. Retrieved March 30, 2017.
  38. ^ Jātniece, Amanda (April 7, 2003). "Double album reveals range of Latvian kokle". Latvians Online. Retrieved March 30, 2017.
  39. ^ Hanson, Jennifer (June 21, 2003). "Valdis Muktupavels, Kokles". Rambles. Retrieved March 30, 2017.
  40. ^ Kaljo, Egils (October 15, 2016). "Various performers show diversity of "kokle" styles on new CD". Latvians Online. Retrieved March 30, 2017.

Bibliography

Further reading

External links

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