Kyle Baker

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Kyle Baker
Harvey Awards (five)
Glyph Comics Awards (five)
Inkpot Award[1]

Kyle John Baker[2] (born 1965)[3] is an American cartoonist, comic book writer-artist, and animator known for his graphic novels and for a 2000s revival of the series Plastic Man.

Baker has won numerous Eisner Awards and Harvey Awards for his work in the comics field.

Biography

Early life and career

Kyle Baker was born in the Queens, New York City,[4] the son of art director John M. Baker and high-school audiovisual-department manager Eleanor L. Baker.[2] He has a brother and a sister.[4] Their parents had both attended Pratt Institute in Brooklyn, New York, and their father, who, Baker said, "worked in advertising [and] made junk mail", would "draw pictures for us and entertain us."[4] Aside from this exposure to art, Baker has said, his early artistic influences included comic book artist Jack Kirby, caricaturist Jack Davis, and painter and magazine illustrator Norman Rockwell. He noted:

When I was a little boy I loved the

Super-8 movie camera and I made animated cartoons. I remember making a 'King Kong' out of clay, and a drawing of a New York skyline, and I made a stop-motion film of King-Kong fighting model airplanes. In junior high school, I drew comic books and Xeroxed them at my dad's office. I sold the Xeroxes for five cents each. I think I made fifteen cents.[5]

Other influences included the Charlton Comics artwork of Jim Aparo and Steve Ditko.[4]

Breaking into comics

In his senior year of

penciling home on which to practice inking.[6] While working for Marvel, Baker attended the School of Visual Arts, in Manhattan, studying graphic design and printmaking,[7] but dropped out after two years.[5] Through that connection, however, he began freelancing with famed graphic designer Milton Glaser, an SVA instructor, assisting him on a set of children's books.[7]

Baker's first credited work at Marvel is

Brian Marshall, Mike Harris, and Robert Loren Fleming. Cover penciling and more interior inking for Marvel and occasionally DC followed. His first story penciling for one of the two major comics companies was the three-issue Howard the Duck: The Movie (December 1986 - February 1987), adapting the 1986 film Howard the Duck, and which he self-inked.[8]

During this time, Baker also attempted to sell humor spot illustrations, but was rejected by the major newspaper syndicates. Jim Salicrup, a Marvel editor, did commission him "to write a few one-panel gags about [the superhero team] the X-Men",[5] titled "It's Genetic" and appearing in the Marvel-produced fan magazine Marvel Age.[9]

First graphic novel

At the recommendation of freelance artist Ron Fontes, an editor at the Dolphin imprint of the publishing house Doubleday expressed interest in Baker's sample strips of the character Cowboy Wally, "and asked if I had any more. I lied and said I did."[5] This led to the 128-page graphic novel Cowboy Wally.[8] "The character of Noel was pretty much based on me," Baker said in 1999. "I lie all the time.[10] The first part of the books is the collected strips, and the other three chapters were written for the book.[5] "It didn't sell many copies," Baker said, "but at least it convinced DC [Comics] I should be allowed to draw, not just ink."[5]

Baker went on to draw DC's 1980s comics revival of the

Hollywood Comics, the first two issues containing original stories, the third an adaption the 1990 Dick Tracy film.[11]

He began scripting comics around this time: Baker penciled and inked

Through the Looking Glass and Cyrano de Bergerac. While Peter David scripted the latter, Baker himself wrote the adaptation of the Lewis Carroll work.[8] "I'd never planned to become a writer," Baker said in 1999. "I wrote short gags, like the kind you see in the newspapers and Cowboy Wally, but not stories. I only learned to write stories because people kept paying me to write them. In the years 1991-1994, 90 percent of my income was from writing, and I received very few offers to draw. I figured I should learn to write."[5]

Why I Hate Saturn, commercial illustration

Baker's Why I Hate Saturn, 1998 reprint edition

Baker achieved recognition and won an

Eisner Award for his 1990 graphic novel Why I Hate Saturn, published by the DC Comics imprint Piranha Press
. Baker said in 1999 of his breakthrough work:

I wrote Why I Hate Saturn at a time when comic books had stopped being fun for me. I was tired of being told how to draw and what to draw. And I was sick of begging people to let me work the way I wanted. Editors told me my stuff was 'underground' and 'alternative'. I decided that if I were going to work in a creatively oppressive atmosphere and not even be allowed to own my work, I might as well go to Hollywood and be oppressed for big money. Back in the eighties, DC and Marvel wouldn't let you own your characters, and Fantagraphics had no money. So when I finally got permission to do Why I Hate Saturn, a book I'd been trying years to sell, I decided to write it like a sitcom and send it to Hollywood. ... However, I don't have anything to do with the [then-proposed] Why I Hate Saturn movie. DC controls those rights. I don't own those characters, so it is of no interest to me.[5]

Baker's cartoons and

Us, Vibe, and The Village Voice. He spent three years illustrating the weekly strip "Bad Publicity" for New York magazine.[3]

Animation

Baker's animation has appeared on

BET and MTV, and in animated Looney Tunes projects, including the animated feature Looney Tunes: Back in Action.[citation needed] Baker was "guest art director" for Cartoon Network's Class of 3000, and storyboarded the Class of 3000 Christmas special.[citation needed
]

in 1994, Baker directed an animated video featuring the

North American market after deeming some of the content unsuitable, though copies were still distributed in Europe.[12]

Baker said in 1999 he was writing a

TV-movie title Corey Q. Jeeters, I'm Telling on You.[5]

At this point in his career, Baker stated in an interview, "Nobody tells me what to write or how to draw. Only an idiot would dare tell Kyle Baker how to make a good cartoon. Hollywood and the magazine world are full of idiots. They water my stuff down and make it unfunny."[10]

He is credited with writing and storyboarding on the "Phineas and Ferb" television episodes "Candace Loses Her Head" and "Are You My Mummy?".[citation needed]

2000s

Baker drew writer

The Amazing Adventures of the Escapist, a spin-off of Michael Chabon's novel, The Amazing Adventures of Kavalier & Clay.[8]

In 2006, his company, Kyle Baker Publishing, serialized a four-part comic book series about Nat Turner, and published the series The Bakers, based on his family life, in two anthologies, Cartoonist and Cartoonist Vol. 2: Now with More Bakers. He has also continued to provide comics material sporadically to Marvel, DC and Image Comics through at least 2010.[8] In 2007 and 2008, Image Comics published Baker's six-issue Image Comics miniseries Special Forces, a teen-soldier military satire that criticizes the exhortation of felons and disabled Americans into military service.[8][13] The New York Times reviewed the 2009 trade-paperback collection of the first four issues, calling it "the harshest, most serrated satire of the Iraq War yet published."[14]

In 2008, Watson-Guptill published How to Draw Stupid and Other Essentials of Cartooning, Baker's art instruction book. That same year, Baker hosted the comics industry's

]

Bibliography

Early work

Marvel Comics

DC Comics

Vertigo

Kyle Baker Publishing

Other publishers

Dark Horse:

Image:

Covers only

Awards

References

  1. ^ Inkpot Award
  2. ^ a b c "Weddings: Elizabeth Glass and Kyle Baker". The New York Times. July 19, 1998. Archived from the original on December 25, 2013.
  3. ^ a b "Kyle Baker". Lambiek Comiclopedia. 2010. Archived from the original on June 12, 2010.
  4. ^
  5. ^ a b c d e f g h i j k Brennan, Kristen (1999). "I Make People Laugh". Jitterbug Fantasia. Moongadget.com. p. 2. Archived from the original on July 14, 2011.
  6. ^ a b Nolen-Weathington, p. 9
  7. ^ a b Nolen-Weathington, p. 11
  8. ^ a b c d e f g h Kyle Baker at the Grand Comics Database
  9. ^ Nolen-Weathington, pp. 106-107
  10. ^ a b c Antonio, Solinas (December 2000). "A Kyle Baker Interview". Ultrazine. Archived from the original on July 17, 2011. English-language version of interview from Italian web magazine Rorscharch.
  11. ^ Dick Tracy (Disney, Hollywood Comics, Walt Disney Publications, Inc. imprint, 1990 Series) at the Grand Comics Database
  12. ^ Elseworlds 80-Page Giant #1 (August 1999) at the Grand Comics Database
  13. ComicBookResources.com. Archived
    from the original on February 11, 2011.
  14. ^ Wolk, Douglas (December 6, 2009). "Holiday Books: Comics". The New York Times.
  15. ^ Callan, Jonathan (September 28, 2008). "2008 Harvey Award Winners". ComicBookResources. Archived from the original on February 4, 2010.

External links