Lansdowne Heracles

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Lansdowne Heracles
Lansdowne Herakles
Yearc. 125 (Julian)
Mediummarble
Dimensions193.5 cm (76.2 in) × 77.5 cm (30.5 in)
LocationUS
CollectionJ. Paul Getty Museum Edit this on Wikidata

The Lansdowne Heracles is a Roman marble sculpture of about 125 CE. Today it is in the collection of the

Tivoli, Italy, on the site of Hadrian's Villa, where many fine Hadrianic copies and pastiches of Greek sculptures had been discovered since the 16th century. Today, the sculpture is considered to be an example of Roman-era improvisations on the Greek sculptural style of the fourth century BCE rather than a copy of a specific Greek original.[4][5]

The sculpture was found in the part of the villa's former site that had belonged to

neoclassical taste; the sculptor responsible, who was probably Carlo Albacini,[8] completed the statue's missing parts according to the sensibilities of the day: the nose was completed; the right forearm, several fingers, the rear of the lion's hide, part of the right thigh and the whole of the left calf were sculpted and assembled as discreetly as possible. The restorations were removed in the 1970s, after it was detected that iron and lead pins connecting the restorations to the original were swelling from corrosion and threatening to spall off additional pieces of marble. The 18th-century restorations were, in part, replaced with casts in epoxy resin, "to show the original as much as possible free of alien additions" according to the conservator Jerry Podany.[9] They have been re-integrated with the sculpture more recently.[5]

The sculpture remained at Lansdowne House, London, until the grand reception rooms were sheared off in a street-widening scheme. The Lansdowne sculptures were sold at auction in 1930.[10] The oil billionaire and collector J. Paul Getty bought the sculpture in 1951.[5]

Notes

  1. ^ Michaelis, Adolf (1882). Ancient Marbles in Great Britain. Cambridge: Cambridge University Press. p. 451. This beautiful statue...exhibits the hero as of youthful age... In spite of the powerful square-built frame... the statue is unmistakeably in the spirit of Lysippos.
  2. ^ Stewart, Andrew (1995). Moon, Warren (ed.). Polykleitos, the Doryphoros, and Tradition ("Notes on the reception of the Polykleitan Style"). Madison: University of Wisconsin Press.
  3. ^ Frel, Jiří (1974). "A Hermes by Kalamis and Some Other Sculptures". The J. Paul Getty Museum Journal. 1. The J. Paul Getty Museum: 55–60..
  4. ^ Lattimore, S. (1975). "Two statues of Herakles". J. Paul Getty Museum Journal. 2: 17–26.
  5. ^ .
  6. ^ Ford, Brinsley (1974). Sutton, Denys (ed.). "Six Notable English Patrons in Rome, 1750–1800 (Thomas Jenkins, Banker, Dealer, and Unofficial English Agent)". Apollo. 99: 408-461 (416ff).
  7. .
  8. .
  9. ^ Muñoz Viñas, Salvador (2005). Contemporary Theory of Conservation. Oxford: Elsevier Butterworth-Heinemann. pp. 95–97. Thus, for the sake of truth, authentic imprints of real history (in this case, the substantial work of a neoclassical sculptor) were removed due to them being considered alien to the object.
  10. Christie, Manson & Woods
    . 1930-03-05.