Latin music
Latin music | |
---|---|
Native name | Música latina |
Stylistic origins | |
Cultural origins | Early 1940s, Ibero-America |
Subgenres | |
2024 in Latin music |
Latin music (Portuguese and Spanish: música latina) is a term used by the music industry as a catch-all category for various styles of music from Ibero-America,[1] which encompasses Latin America, Spain, Portugal, and the Latino population in Canada and the United States,[2][3][4][5] as well as music that is sung in either Spanish and/or Portuguese.[6][7][8][9][10]
Terminology and categorization
Because the majority of Latino immigrants living in New York City in the 1950s were of Puerto Rican or Cuban descent, "Latin music" had been stereotyped as music simply originating from the
Following protests from Latinos in New York, a category for Latin music was created by
In 1997, NARAS established the
Since the late 1990s, the United States has seen increasing growth in its population of "Latinos",[18] a term popularized since the 1960s due to confusing the wrong term "Spanish" with the more proper but less popular term "Hispanic".[19] The music industry in the United States began to refer to any kind of music featuring Spanish vocals as "Latin music".[20][21][22] Under this definition, Spanish sung in any genre is categorized as "Latin".[23] In turn, this has led to artists from Spain being labelled as "Latin" because they sing in the same language.[24]
The Recording Industry Association of America (RIAA) and Billboard magazine use this definition of Latin music to track sales of Spanish-language records in the United States.[25][26] Billboard however considers an artist to be "Latin" if they perform in Spanish or Portuguese.[27] The RIAA initiated the "Los Premios de Oro y Platino" ("The Gold and Platinum Awards" in Spanish) in 2000 to certify sales of Latin music albums and singles under a different threshold than its standard certifications.[28] Billboard divides its Latin music charts into three subcategories: Latin pop, Regional Mexican, and tropical.[29] A fourth subcategory was added in the mid 2000s to address the rise of Latin urban music genres such as Latin hip hop and reggaeton.[30]
History
1940s–1950s
The term "Latin music" originated from the United States due to the growing influence of
1960s
The Brazilian bossa nova became widespread in Latin America and later became an international trend, led especially by Antônio Carlos Jobim.[36] Rock en español became popular with the younger generation of Latinos in Latin America,[37] for example the Argentine band Almendra.[38] Mexican-American Latin rock guitarist Carlos Santana began decades of popularity.[39] By the late 60s, the boogaloo boom was coming, and boogaloo musicians such as Pérez Prado, Tito Rodríguez and Tito Puente[40] released boogaloo singles and albums. Most of the other groups were young musicians such as Pucho & His Latin Soul Brothers and Joe Bataan.
Early examples of boogaloo were 1966 music by Richie Ray and Bobby Cruz. The biggest boogaloo hit of the '60s was "Bang Bang" by the Joe Cuba Sextet in 1966. Hits by other groups included Johnny Colón's "Boogaloo Blues", Pete Rodríguez's "I Like It like That"(1967).[41]
1970s
Salsa music became the dominant genre of tropical music in the 1970s. Fania Records was credited for popularizing salsa music, with acts such as Rubén Blades, Héctor Lavoe, and Celia Cruz expanding the audience.[42] In the late 1970s, an influx of balladeers from Spain such as Julio Iglesias, Camilo Sesto, and Raphael established their presence on the music charts both in Latin America and the US Latin market.[43] In 1972, OTI Festival was established by the Organización de Telecomunicaciones de Iberoamérica as a songwriting contest to interconnect the Ibero-American countries (Latin America, Spain, and Portugal). Ramiro Burr of Billboard remarked that the contest was considered to be the "largest and most prestigious songwriting festival in the Latin music world".[44]
1980s
In the 1980s, the
1990s
In the
By the mid-1990s, Tejano music was replaced by
Bolero music saw a resurgence of popularity with the younger audience. Mexican singer Luis Miguel was credited for the renewed interest with the success of his album, Romance (1991), a collection of classics covered by the artist.[77] Around the same time, artists from Italy such as Eros Ramazzotti, Laura Pausini, and Nek successfully crossed over to the Latin music field by recording Spanish-language versions of their songs.[78] In the tropical music field, merengue, which had gained attention in the 1980s, rivaled salsa in popularity.[79]
2000s
In the mid-2000s,
2010s
By the turn of the decade, the Latin music field was dominated by up-tempo rhythms, including electropop, reggaeton,
Regions
United States
The origins of Latin Music in the United States dates back to the 1930s with Rhumba.[86] Rhumba was prominent with Cuban-style ballroom dancing in the 1930s, but was not mainstream.[86] It was not until the 1950s and 1960s that Latin Music started to become intertwined with American culture.[87] Latin music is starting to become mainstream in the US as Latin artists are teaming up with English speaking artists.[87] In 2017, a song named, "Despacito" by Justin Bieber, Luis Fonsi, and Daddy Yankee had 4.5 billion views on YouTube.[88] In 2017, six of the top ten viewed songs on YouTube feature Latin Artists.[88] The song was the beginning for the boom of Latin music in the United States.[88] Some of the most popular forms of Latin music are Salsa, Bachata, Regional Mexican music, Tango, Merengue, Latin Pop, and Reggaeton.[89] Today, reggaeton is a very popular style that combines reggae and American hip-hop.[87] Some of the most popular artists today are Daddy Yankee, Melymel, J Balvin and Nicky Jam.[87] In 2018, Latin music came second in total video streams with 21.8% market share.[90] Latin music listeners tend to be younger, more tech savvy, 95% of Latin music coming from streaming suggests, according to Jeff Benjamin.[90]
Immigration and globalization has caused Latin music to skyrocket in popularity.[87] Historically, the United States and Britain have had control over the music industry but the internet and technology has allowed for diversification and local music to become more prominent throughout the world.[87] The technological advancements have allowed streaming services to flourish that offer a wide variety of music without having to pay for each individual song/album.[91] The increase in Latin artists working with English speaking American artists has caused songs such as Ritmo by An American band, The Black Eyed Peas, and J Balvin, a Latin singer, to be number one on the billboard's Hot Latin Songs chart. This increase has caused Latin music sales revenue in the US to rise from 176 million to 413 million dollars in 2018.[87] From 2016 to 2017, the amount of Latin songs on the billboard hot 100 increased from four to 19. Latin music surpassed Country and EDM in terms of album sales in the US in 2018.[87] This trend has caused pop music in the US to adopt certain styles from Latin music.[92] This has some experts questioning whether less popular Latin genres will become more niche in the future as record labels focus on products in industries with a greater concentration of money.[92]
Miscategorization
Numerous computer science and music experts have reported a common error on streaming services such as Spotify. Overlooking mainstay artists in catch-all genre terms such as Latin music, potentially causing a categorical homogenization of musical styles; incorrectly miscategorizing musicians and songs from heritage styles, such as Norteño, New Mexico music, Duranguense, and Tejano music, leading to underperformance of these styles on their platforms.[93][94][95][96]
See also
- Billboard Top Latin Albums
- Hot Latin Songs
- The Latin Recording Academy
- List of best-selling Latin albums
- List of best-selling Latin music artists
- Category:Latin music by year
References
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- ^ Abaroa, Gabriel (2019). "The First Twenty Years". 20a Entrega Anual del Latin Grammy. The Latin Recording Academy: 6. Retrieved July 20, 2022.
...together with the musical community of Latin America, Portugal, Spain, and the Latino population in Canada and the United States (that is, Ibero America)...
- ISBN 978-0-306-81018-3. Retrieved September 10, 2015.
Including Spain, there are twenty-two predominantly Spanish-speaking countries, and there are many more styles of Latin music.
- ^ ISBN 978-0-313-34396-4. Retrieved October 30, 2014.
- ^ ISSN 0006-2510. Retrieved April 9, 2015.
- ^ ISBN 978-0-470-65826-0. Retrieved September 10, 2015.
- ISSN 0006-2510. Retrieved July 30, 2015.
- ISBN 978-0-8166-6983-7. Retrieved September 10, 2015.
- ISBN 978-0-7172-5818-5.
The term Latin music identifies a wide range of genres and styles generated in Latin America and the Iberian Peninsula
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The U.S. record industry defines Latin music as simply any release with lyrics that are mostly in Spanish.
- ^ Valdes-Rodriguez, Alisa (December 26, 1999). "The Loud and Quiet Explosions". Los Angeles Times. Retrieved October 28, 2015.
- ^ Cobo, Leila (April 18, 2019). "What 'Latin' Means Now, In Music and Beyond". Billboard. Prometheus Global Media. Retrieved July 17, 2019.
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- ^ Cobo, Leila (January 5, 2012). "Latin Sales Down Slightly in 2011, Digital Latin Sales Up". Billboard. Retrieved September 30, 2015.
- ^ "Rosalia's Best New Artist Nomination: What It Means To Latin Music". Billboard. Prometheus Global Media. November 20, 2019. Retrieved June 11, 2020.
Note: we are considering Rosalía an artist who falls into the "Latin" category because she performs in Spanish or Portuguese
- ^ "RIAA Updates Latin Gold & Platinum Program". RIAA. December 20, 2013. Retrieved July 20, 2019.
- ^ "Billboard's Latin Charts Switch To SoundScan". Billboard. Prometheus Global Media. July 10, 1993. pp. 4, 71. Retrieved January 19, 2013.
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the power that Hollywood films could exert in the two-pronged campaign to win the hearts and minds of Latin Americans and to convince Americans of the benefits of Pan-American friendship
- ^ "Pérez Prado Songs, Albums, Reviews, Bio & More". AllMusic. Retrieved March 1, 2022.
- ^ Giro, Radamés 2007. Diccionario enciclopédico de la música en Cuba. La Habana. vol 4, p147
- ^ Listed in Díaz Ayala, Cristóbal 1988. Si te quieres por el pico divertir: historia del pregón musical latinoamericano. Cubanacan, San Juan P.R. p317–322. [list fairly complete up to 1988]
- ISBN 978-0-19-538568-7. Retrieved June 7, 2017.
- ^ Candelaria 2004b, p. 690.
- ISBN 978-0-415-96101-1. Retrieved June 7, 2017.
- ^ Ruhlmann, William (2003). "Carlos Santana: Biography". AllMusic. Retrieved June 7, 2017.
- ^ Tito Puente biography. Retrieved February 14, 2020.
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ignored (help) - ^ This song was used on soundtrack of the 2014 film Chef
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- ISSN 0006-2510. Retrieved March 24, 2017.
- ^ Burr 1991, p. 61.
- ^ Cobo, Leila (November 29, 2003). "The Prince's 40-Year Reign: A Billboard Q&A". Billboard. Vol. 115, no. 48. p. 28.
- ISBN 978-0-7391-6058-9.
- ^ "Enrique Iglesias Tops Billboard's Greatest of All Time Latin Artists Chart". Billboard. October 19, 2020. Archived from the original on November 17, 2021. Retrieved October 20, 2020.
- ^ a b c Burr 1999, p. 15.
- ^ Patoski 1996, p. 84.
- ^ a b Lannert & Burr 1996, pp. 38, 40–46.
- ^ a b c d Burr 1994, p. 30.
- ^ Maciel, Ortiz & Herrera-Sobek 2000, p. 23.
- ^ Lannert & Burr 1996, p. 38.
- ^ a b Patoski 2020.
- ^ Saldana 2015.
- ^ Tarradell 1995.
- ^ Untiedt 2013, p. 127.
- ^ Schone 1995.
- ^ Shaw 2005, p. 50.
- ^ San Miguel 2002, p. 110.
- ^ Burr 1999, p. 43.
- ^ Patoski 1996, pp. 160–161.
- ^ Lannert 1995.
- ^ San Miguel 2002a.
- ^ Patoski 2000.
- ^ Candelaria 2004b, p. 575.
- ^ Krohn 2008, p. 35.
- ^ Novas 2007, p. 326.
- ^ Furman & Furman 2000, p. 84.
- ^ Furman & Furman 2000, pp. 84–85.
- ^ Negrón-Muntaner 2004, p. 251.
- ^ Negrón-Muntaner 2004, p. 267.
- ^ Candelaria 2004b, p. 529.
- ^ Novas 2007, p. 324.
- ^ Novas 2007, p. 161.
- ^ Novas 2007, p. 325.
- ^ Holston, Mark (September 1, 1995). "Ageless Romance with Bolero". Américas. Retrieved March 21, 2015.
- Tribune Company. Retrieved January 4, 2015.
- ^ Rodriguez, Nelson (September 1, 1998). "A look at contemporary Merengue. – Free Online Library". Latin Beat Magazine. thefreelibrary.com. Archived from the original on May 1, 2021. Retrieved July 7, 2019.
- ^ Resto-Montero, Gabriela (January 25, 2016). "The Unstoppable Rise of Reggaeton". Fusion. Archived from the original on June 2, 2017. Retrieved May 19, 2017.
- ISSN 0006-2510. Retrieved May 19, 2017.
- ^ Henderson, Alex. "Me Cambiaste la Vida – Rogelio Martinez". AllMusic. Retrieved May 19, 2017.
- ^ Cobo, Leila (September 10, 2014). "Latin Noise: We Want Our Ballads". Billboard. Prometheus Global Media. Retrieved September 8, 2015.
- ^ Melendez, Angel (April 25, 2017). "Why Are Spanish Songs More Popular on YouTube? Billboard's Leila Cobo Knows". Miami New Times. Retrieved June 12, 2017.
- ^ "Trap's Latin American Takeover". The Fader. Retrieved December 29, 2017.
- ^ a b Nahmad, Erica (February 12, 2019). "Sonido: Understanding the Rise of Latin Music in the US". BeLatina. Retrieved October 4, 2021.
- ^ a b c d e f g h "From reggaeton to riches: inside Latin music's global takeover". MN2S. April 9, 2021. Retrieved October 4, 2021.
- ^ a b c Arbona-Ruiz, Marisa (December 25, 2017). "The 'Despacito' effect: The year Latino music broke the charts". NBC News. Retrieved October 4, 2021.
- ^ Quintana, Carlos. "What Are the Most Popular Latin Music Genres?". LiveAbout. Retrieved October 4, 2021.
- ^ a b Benjamin, Jeff. "Latin Music Is Now More Popular Than Country & EDM In America". Forbes. Retrieved October 4, 2021.
- ^ "Best music streaming services 2021: free streams to hi-res audio". whathifi. September 7, 2021. Retrieved October 4, 2021.
- ^ a b Leight, Elias (November 15, 2018). "Latin Music Is Reaching More Listeners Than Ever – But Who Is Represented?". Rolling Stone. Retrieved October 4, 2021.
- ^ "Spotify Pivots on Global Cultures Initiative, Alarming Music Industry". Rolling Stone. October 4, 2019. Retrieved February 18, 2020.
- ^ Hepworth, Shelley (January 1, 2020). "Streaming spells the end of the 'ownership' era of music, but are we ready to let go?". The Guardian. Retrieved February 18, 2020.
- ^ Lucero, Mario J. (January 3, 2020). "The problem with how the music streaming industry handles data". Quartz. Retrieved February 18, 2020.
- ^ "Spotify and streaming services are breaking cultural music on a worldwide stage". RouteNote Blog. February 6, 2020. Retrieved February 18, 2020.
Works cited
- Burr, Ramiro (January 5, 1991). "Mexican Quartet Captures Top OTI Prize". Billboard.
- Burr, Ramiro (April 23, 1994). "Tejano". Billboard. Vol. 106, no. 17. pp. 30, 32, 34. Retrieved February 18, 2021.
- Burr, Ramiro (1999). The Billboard Guide to Tejano and Regional Mexican Music. Billboard books. ISBN 0-8230-7691-1.
- ISBN 0-313-33211-8.
- Furman, Elina; Furman, Leah (2000). Enrique Iglesias. New York, NY: St. Martin's Publishing Group. ISBN 1466810394. Retrieved May 31, 2022.
- Krohn, Katherine E. (2008). Shakira. Minneapolis: Twenty-First Century Books. ISBN 978-0822571599. Retrieved May 31, 2022.
- Lannert, John (August 5, 1995). "Selena's Dreaming of You is Bittersweet Hit for Late EMI Star". Billboard. Vol. 107, no. 31. p. 1. Retrieved May 28, 2022.
- Lannert, John; Burr, Ramiro (August 17, 1996). "Regional Mexican Music". Billboard. Vol. 108, no. 33. pp. 38–46. Retrieved February 18, 2021.
- Lannert, John (June 21, 1997). "LARAS Formed To Expand Latin Work of NARAS". Billboard. Vol. 109, no. 25. pp. 6, 92–93. Retrieved August 1, 2016.
- Maciel, David; Ortiz, Isidro D.; Herrera-Sobek, Mar'a (2000). Chicano renaissance : contemporary cultural trends. Tucson: University of Arizona Press. p. 330. ISBN 0816520216.
- Negrón-Muntaner, Frances (2004). Boricua Pop: Puerto Ricans and the Latinization of American Culture. NYU Press. p. 337. ISBN 978-0-8147-5878-6. Retrieved May 31, 2022.
- Novas, Himilce (2007). Everything you need to know about Latino history (2008 ed.). New York: Plume. p. 432. ISBN 978-0452288898. Retrieved May 31, 2022.
- Patoski, Joe Nick (1996). Selena: Como La Flor. Boston: Little Brown and Company. ISBN 0-316-69378-2.
- Patoski, Joe Nick (May 2000). "Tuned Out". Texas Monthly. Retrieved March 9, 2015.
- Patoski, Joe Nick (March 23, 2020). "A Timeline of Tejano Music". Cowboys & Indians. Retrieved February 17, 2021.
- Saldana, Hector (August 16, 2015). "Tejano music enjoyed a decade-long golden age". My San Antonio. Retrieved February 17, 2021.
- San Miguel, Guadalupe (2002). Tejano Proud. Texas A&M University Press. p. 192. ISBN 1585441880.
- San Miguel, Guadalupe (2002a). "When Tejano Ruled The Airways: The Rise and Fall of KQQK in Houston, Texas". NACCS Annual Conference Proceedings (PDF). Vol. 13. Western Association of Schools and Colleges. Retrieved March 9, 2015 – via SJSU ScholarWorks.
- Schone, Mark (April 20, 1995). "A Postmortem Star in death, Selena is a crossover success". Newsday. Retrieved November 4, 2011.
- Shaw, Lisa (2005). Pop Culture Latin America!: Media, Arts, and Lifestyle. ABC-CLIO. ISBN 1-85109-504-7.
- Tarradell, Mario (April 1, 1995). "Singer soared beyond traditional limits on Tejano music". The Dallas Morning News. Retrieved November 24, 2011.
- Untiedt, Kenneth L. (2013). Cowboys, Cops, Killers, and Ghosts: Legends and Lore in Texas. ISBN 978-1-57441-532-2.
Further reading
- ISBN 978-0-313-34396-4.
- Morales, Ed (2003). The Latin Beat. Da Capo Press. ISBN 978-0-306-81018-3.
- "1992 International Buyer's Guide to Latin Music". Billboard. 1992. ISSN 1074-746X.
External links
- What Is Latin Music? Archived December 15, 2016, at the About.com
- Latin Music Genre Overview AllMusic
- Latin Music Billboard
- Music Genres: Latin Grammy Awards
- Latin Grammy
- Latin Music USA PBS
- Latin Songwriters Hall of Fame
- American Sabor