Lead sheet

Source: Wikipedia, the free encyclopedia.
A lead sheet

A lead sheet or fake sheet is a form of

staff and the harmony is specified with chord symbols
above the staff.

The lead sheet does not describe the

bass line or other aspects of the accompaniment. These are specified later by an arranger or improvised by the performers,[1] and are considered aspects of the arrangement or performance of a song, rather than a part of the song itself. "Lead" refers to a song's lead part
, the most important melody line or voice.

A lead sheet may also specify an instrumental part or theme, if this is considered essential to the song's identity. For example, the opening

" is a part of the song; any performance of the song should include the guitar riff, and any imitation of that guitar riff is an imitation of the song. Thus the riff belongs on the lead sheet.

A collected volume of lead sheets may be known as a fake book, due to the improvisational nature of its use: when presented with a lead sheet, proficient musicians may be able to "fake it" by performing the song adequately without a full score.[2] This is in contrast to a full score, in which every note to be played in a piece is written out. Since fake books and lead sheets only give a rough outline of the melody and harmony, the performer or arranger is expected to improvise significantly.

Use in performance

A lead sheet is often the only form of written music used by a small

jazz pianist or a jazz guitarist
) is able to accompany a singer or perform a song by themselves using only a lead sheet.

Lead sheets are not intended for novices. Sometimes, melodies with

(e.g., C711). Introductions and codas are often omitted, as it is expected that players will know the familiar intros and codas used on specific songs. Lead sheets are often bound together in a fake book.

Chord chart

Sheets containing only the chord progressions to the song are often called chord charts or chord sheets, to distinguish them from lead sheets. These sheets could be used by the rhythm section instruments to guide their improvised accompaniment and by lead instruments for their improvised solo sections, but since they do not contain the melody, they can be used in performances only by players who have the melodies memorized. Lead sheets are commonly used at informal "jam sessions" and at jazz shows at small nightclubs and bars.

As legal definition of a song

The melody, lyrics, and harmony define what a song is. In the

Grammy, the song is submitted for consideration in the form of a lead sheet.[citation needed
]

History

A predecessor to lead sheets was created in May 1942 when George Goodwin, a radio station director, released the first Tune-Dex cards. Printing on 3-by-5-inch (7.6 by 12.7 cm)

FBI's Cleveland, Ohio, office observed that "practically every professional musician in the country owns at least one of these fake music books as they constitute probably the single most useful document available".[4]

The first two volumes, Fake Book Volume 1 and Fake Book Volume 2, issued in the late 1940s and 1950s, together comprised about 2000 songs dating from the turn of the 20th century through the late 1950s. In the 1950s the Modern Jazz Fake Book, Volumes 1 and 2 was issued, and Fake Book Volume 3, containing about 500 songs, came out in 1961. The music in Fake Books 1, 2, and 3 was

photocopied or reset with a musical typewriter from the melody lines of the original sheet music
. Usually chord symbols, titles, composer names, and lyrics were typewritten, but for a number of songs these were all photocopied along with the melody line.

The three Fake Books were well indexed, alphabetically as well as by musical genre and

Broadway show. Although the tunes in the Fake Books were compiled illegally, the creators printed copyright information under every song — perhaps to give the false impression that the Fake Books were legal, or to show respect for the creators. The Modern Jazz Fake Book was divided into two sections, each indexed separately as Volume One and Volume Two. The music was transcribed by hand from recordings, and each transcription included performer name, record label, and catalog number. Unlike today's fake and "real" books that have "jazz" in their titles, the Modern Jazz Fake Book included no standards, but only original tunes written and recorded by jazz musicians. All these books have been long out of print, though music students have photocopied the books from other musicians. Fake books originally infringed copyrights, and their circulation was primarily underground
.

During the school year of 1974–75, an unidentified group of musicians based at the Berklee College of Music in Boston published the Real Book.[5] Bass guitarist Steve Swallow, who was teaching at Berklee at that time, said the students who edited the book intended "to make a book that contained a hipper repertoire, more contemporary repertoire".[4] It was popular and in its turn spawned a number of "fake Real Books". Swallow's 1994 album Real Book features his original compositions, but the cover art mimics a spiral-bound, coffee-stained fake book used by jazz musicians.

In the 2000s, some types of "real books" have been published which fully respect copyright laws. In the same period, some

singer who wants the band to play in a different key to accommodate their vocal range
.

See also

References