Legong (film)

Source: Wikipedia, the free encyclopedia.
For the Balinese dance, see Legong.
Legong: Dance of the Virgins
Hampton del Ruth (titles)
Produced byConstance Bennett
CinematographyW. Howard Greene
Production
company
Bennett Pictures Inc.
Distributed byDuWorld Pictures Inc. (US)
Paramount International (outside US)
Release date
  • October 1, 1935 (1935-10-01) (U.S.)
Running time
53 minutes
CountryUnited States
LanguagesSynchronized Sound
(English Intertitles)

Legong: Dance of the Virgins is a 1935 synchronized drama travelogue sound film in color, one of the last feature films shot using the two-color Technicolor process, and one of the last films shot by a major Hollywood studio without any dialogue. While the film has no audible dialog, it was released with a synchronized musical score with sound effects. It is a drama based on a Balinese native tale, with travelogue elements depicting Balinese culture. Legong and the follow-up travelogue drama Kliou, the Killer (once believed lost) were the last mainstream silent films to be released in the US.[1]

Plot

Poutou the daughter of Gousti Bagus is in love with Nyong. She attends a barong dance depicting a mythical struggle between a demon and men but is only interested in Nyong who is also there in the crowd of spectators. Nyong is invited to the home of Gousti Bagus and Poutou the next day. He is on his way when he sees Poutou's sister Saplak bathing and is smitten. Nyong writes on a leaf for Saplak to meet him during the temple dance (Legong) Potou is to dance at. It is to be her last temple dance and Potou is very happy until she finds the note and learns of the betrayal. She goes to the bridge and sees the pair together and commits suicide. Gousti Bagus puts her body in a funeral pyre and burns it so she may be reincarnated.

Cast

The cast were entirely native Balinese who only acted in this film.

  • Poetoe Aloes Goesti as Poutou
  • Bagus Mara Goesti as Gousti Bagus
  • Saplak Njoman as Saplak
  • Njong Njong Njoman as Nyong

Production

Legong was an American

Henry de la Falaise for Falaise's wife Constance Bennett's Bennett Pictures Corporation, and was filmed entirely on location in Bali from May to August 1933, using an all-Balinese cast. The crew was helped by Roosevelt, Denis, and Walter Spies
to gain access to local villages and people willing to act in the film.

The cameraman was three-time

Ben-Hur (1925), in addition to many other early Technicolor films. Legong was first distributed in the United States in 1935 by DuWorld Pictures Inc. and outside the U.S. by Paramount International. The score was compiled from stock cues from the Abe Meyer
library, and was conducted by Samuel Wineland.

Original release

The film opened in New York City on October 1, 1935 at USD$5.00 per ticket ($84.20 in 2012 dollars). Reaction from some New York critics was positive; "exquisitely beautiful" from one, "Moments that touch the heart" from another, and "flaming splendor" from a third. The New York Times' reviewer found it "a pleasant venture in the filmic literature of escape... a pretty tale, and the photoplay recites it simply and with faith. Subduing his color camera to inviting browns and pastel tints, the Marquis sets his native lovers against the rice fields, the shadowy lagoons, the pounding surf and the mountains of that island of which Paul Morand has written that it is absolutely irresistible to college boys and women of 40." Variety, on the other hand, considered it to offer "nothing especially refreshing in the story... follows usual procedure for this type of native stuff" though conceding "A number of elaborate production scenes with oriental trappings are made doubly effective through use of color".

Ten weeks later

Film Daily reported that Legong was still playing in New York. Part of the appeal was likely the bare-breasted young actresses that appear throughout the film: American censors of the time tended to be more lenient with toplessness in films purporting to be cultural studies, and the women were not white. Legong was successful enough that it was re-released several times. At one time advertisements promoted the film in large letters as "NUDITY WITHOUT CRUDITY: A FILM FOR ALL AUDIENCES!" "Bali... a garden of Eden with dozens of ‘Eves’! See the strange dance of Rongda, the Witch! Romance in the South Seas! Mass Cremation
ceremonies!"

While nudity may have been part of the film's appeal, it also received recognition at the time of its release for embodying "many details of anthropological interest, giving a record, in particular, of betrothal custom, traditional dances and mortuary rites." This is only partially true. The script writers, while basing the story on Balinese culture, gave it a decidedly Hollywood treatment. Despite its shortcomings, the film gives an unparalleled view of life in Bali in the 1930s.

In the course of the story there are several authentic performances of

Hampton del Ruth
.

The film was heavily edited in both the US and UK. In the US they removed a lot of the nudity while in the UK they removed the cockfighting scenes. The entire film has been found intact however.

Restoration and new musical score

The film was restored by the

I Made Subandi and performed by Gamelan Sekar Jaya[2] and Club Foot Orchestra.[3] The new score mixes Balinese and Western musical traditions. The score is quite unique in that it uses heavy violin ostinato with shouting over the top of it during scenes depicting crowds and cockfighting.[4]
This mixture of Balinese music with western instruments creates a unique sound. The score took roughly two months to compose though they had six months in advance to prepare. They borrowed heavily from native music such as barong, legong, garuda and bali langjar.

The new score was performed live at showings of the film at the

UC Theater in Berkeley in 2000.[citation needed] There were also performances at the Winter Garden in the World Financial Center in New York City, as part of the Silent Film/Live Music festival in 2000 and 2005. In July 2013 the score was performed again at the Castro Theatre as part of the San Francisco Silent Film Festival.[citation needed
]

In November 2004, a DVD of Legong was released with Bennett Pictures' follow-up film, Kliou, the Killer (1936), filmed in

Indochina
in color.

See also

References

  1. ^ Bloom, Peter J.; Hagedorn, Katherine J. (2013). "Legong: Dance of the Virgins". silentfilm.org. San Francisco Silent Film Festival. Retrieved February 25, 2021.
  2. ^ "Gamelan Sekar Jaya". gsj.org. Retrieved 2010-01-31.
  3. ^ "Clubfootorchestra.com". Clubfootorchestra.com. Retrieved 2010-01-31.
  4. ^ Entretien avec Richard Marriott and I Made Subandi, Milestone DVD

External links

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