Lin Carter

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Lin Carter
Carter c. 1975
Carter c. 1975
BornLinwood Vrooman Carter
(1930-06-09)June 9, 1930
St. Petersburg, Florida, USA
DiedFebruary 7, 1988(1988-02-07) (aged 57)
Montclair, New Jersey, USA
Occupation
  • Writer
  • editor
  • critic
NationalityAmerican
Education
Imaginary Worlds
SpouseNoël Vreeland

Linwood Vrooman Carter (June 9, 1930 – February 7, 1988) was an American author of

Ballantine Adult Fantasy series,[1]
which introduced readers to many overlooked classics of the fantasy genre.

Life

Carter was born in St. Petersburg, Florida. He was an avid reader of science fiction and fantasy in his youth, and became broadly knowledgeable in both fields. He was also active in fandom.

Carter served in the United States Army (infantry,

Leonie Adams's Poetry Workshop (1953–54).[2] He was an advertising and publishers' copywriter from 1957 until 1969, when he took up writing full-time. He was also an editorial consultant. During much of his writing career he lived in Hollis
, New York.

Carter was married twice, first to Judith Ellen Hershkovitz (married 1959, divorced 1960) and second to Noel Vreeland (married 1963, when they were both working for the publisher Prentice-Hall; divorced 1975).

Carter was a member of the

Heroic fantasy authors founded in the 1960s, some of whose work he anthologized in the Flashing Swords!
series.

In the 1970s Carter published one issue of his own fantasy fanzine Kadath, named after H. P. Lovecraft's fictional setting (see The Dream-Quest of Unknown Kadath). About 3,000 copies were printed; however the printer was in a dispute with the binder, who held the copies. While Carter paid the printer, the printer decamped into California. When Carter went to see the binder, he was told that the copies had been kept for a while, but then most had been thrown out. Carter believed that only about 30 copies of the issue survived, thus the magazine was scarcely circulated.[5] It contained Carter's Cthulhu Mythos story "The City of Pillars" (pp. 22–25).

Carter resided in

Kalem Club
) - meetings which were attended by Frank Belknap Long, Robert M. Price and others.

In the last year before his death, he had begun to reappear in print with a new book in his Terra Magica series, a long-promised Prince Zarkon pulp hero pastiche, Horror Wears Blue, and a regular column for the magazine Crypt of Cthulhu.[6] Despite these successes, Carter increased his alcohol intake, becoming an alcoholic. His cancer resurfaced, spreading to his throat and leading to his death in Montclair, New Jersey, in 1988.

Robert M. Price, the editor of Crypt of Cthulhu, who had published a Lin Carter special issue (Vol. 5, No 2, whole number 36, Yuletide 1985), was preparing a second all-Carter issue when Carter died. It was turned into a memorial issue (Vol. 7, No 4, whole number 54, Eastertide 1988). Two further issues of the magazine were devoted to Carter alone (see References below). Price was also appointed Carter's literary executor.

Writing career

A longtime science-fiction and fantasy fan, Carter first appeared in print with entertaining letters to Startling Stories and other

pulp magazines in 1943 and again in the late 1940s.[7] He issued two volumes of fantasy verse, Sandalwood and Jade (1951), technically his first book, and Galleon of Dream (1955) (see Poetry in Bibliography below) His first professional publication[citation needed] was the short story "Masters of the Metropolis", co-written with Randall Garrett, and published by Anthony Boucher in The Magazine of Fantasy and Science Fiction, April 1957.[7] Another early collaborative story, "The Slitherer from the Slime" (Inside SF, September 1958), by Carter, as "H. P. Lowcraft", with Dave Foley, is a parody of H. P. Lovecraft. The story "Uncollected Works" (Fantasy and SF, March 1965) was a finalist for the annual Nebula Award for Best Short Story, from the SF and fantasy writers, the only time Carter was a runner-up for a major award.[8]

Early in his efforts to establish himself as a writer, Carter gained a mentor in L. Sprague de Camp, who critiqued his novel The Wizard of Lemuria in manuscript. The seventh novel Carter wrote, it was the first to find a publisher, appearing from Ace Books in March 1965.[9] Due in large part to their later collaborations, mutual promotion of each other in print, joint membership in both the Trap Door Spiders and SAGA, and complementary scholarly efforts to document the history of fantasy, de Camp is the person with whom Carter is most closely associated as a writer. A falling-out in the last decade of Carter's life did not become generally known until after his death.

Carter was a prolific writer, producing an average of six books a year from 1965 to 1969.[a] He also wrote a nearly monthly column, "Our Man in Fandom", in If, edited by Frederik Pohl,[7] and was a major writer on ABC's original Spider-Man animated TV show during its fantasy-oriented second season in 1968–69.

Carter frequently cited his own writings in his non-fiction and almost always included at least one of his own pieces in each of the anthologies he edited. The most extreme instance of his penchant for self-promotion is in the sixth novel in his Callisto sequence, Lankar of Callisto, which features Carter himself as the protagonist.

Carter was not reluctant to attack organized religion in his books, notably in his unfinished epic World's End, in "Amalric the Man-God" (also unfinished), and in The Wizard of Zao. He portrayed religions as cruel and repressive, and had his heroes escape from their inquisitions.

In most of his fiction, Carter was consciously imitative of the themes, subjects and styles of authors he admired. He usually identified his models in the introductions or afterwords of his novels, as well as in the introductory notes to self-anthologized or collected short stories. His best-known works are his

sword and planet and sword and sorcery novels in the tradition of Edgar Rice Burroughs, Robert E. Howard, and James Branch Cabell. His first published book, The Wizard of Lemuria (1965), first of the "Thongor the Barbarian" series, combines both influences. Although he wrote only six Thongor novels, the character appeared in Marvel Comics's Creatures on the Loose for an eight-issue run in 1973–74 and was often optioned for films, although none has been produced. His other major series, the "Callisto" and "Zanthodon" books, are direct tributes to Burroughs' Barsoom series and Pellucidar
novels, respectively.

In other works Carter paid homage to the styles of contemporary

fairy tales, and even branched out briefly into pornographic
fantasy.

Posthumous collaborations with Howard and Smith

Some of Carter's most prominent works were what he referred to as "posthumous collaborations" with deceased authors, notably

short stories
featuring Conan.

The "posthumous collaborations" with Smith were of a different order, usually completely new stories built around title ideas or short fragments found among Smith's notes and jottings. A number of these tales feature Smith's invented book of forbidden lore, the

Cthulhu Mythos arcane literature). Some of them also overlap as pastiches of H.P. Lovecraft's work by utilising elements of Lovecraft's Cthulhu Mythos. These stories are uncollected. For further information see Steve Behrends, "The Carter-Smith Collaborations" in Robert M. Price
(ed). The Horror of it All: Encrusted Gems from the Crypt of Cthulhu. See also Lin Carter deities.

Pastiches of H. P. Lovecraft and Lord Dunsany

Few had escaped the holocaust of inconceivable cold that blew ravening down the boreal Pole...

— Lin Carter, The Acolyte of the Flame from
The Book of Eibon

Carter wrote numerous stories in the Cthulhu Mythos of H. P. Lovecraft. Many have been collected in The Xothic Legend Cycle: The Complete Mythos Fiction of Lin Carter, edited by Robert M. Price. Despite the title, there are many uncollected Mythos stories by Carter. See also Xothic legend cycle. For further info see Robert M. Price "The Statement of Lin Carter", Crypt of Cthulhu 1, No 2 (Yuletide 1981), 11–19.

Carter wrote two cycles of stories set in "dreamlands," paying tribute to the fantasy of Lord Dunsany, Ikranos, from his fan days, and Simrana, after he became a professional writer.

Carter also wrote the introduction to the book, Over the Hills and Far Away.

Unfinished projects

Carter left a number of projects unfinished. He regularly announced plans for future works that never came to fruition, even including some among lists of other works printed in the fronts of his books. His 1976 anthologies

Tolkien: A Look Behind "The Lord of the Rings" (1969), never saw print; the second seems to be related to The Terror Out of Time, a collection of Cthulhu Mythos tales he had pitched unsuccessfully to Arkham House (the existing material for which was eventually gathered into his The Xothic Legend Cycle (1997)); the third was apparently a working title for Ylana of Callisto (1977), published the year after the anthologies.[12]

Several of his series were abandoned due to lack of publisher or reader interest or to his deteriorating health. Among these are his "Thongor" series, to which he intended to add two books dealing with the hero's youth; only a scattering of short stories intended for the volumes appeared. His "Gondwane" epic, which he began with the final book and afterwards added several more covering the beginning of the saga, lacks its middle volumes, his publisher having canceled the series before he managed to fill the gap between. Similarly, his projected Atlantis trilogy was canceled after the first book (The Black Star), and his five-volume "Chronicles of Kylix" ended with three volumes published and parts of another (Amalric).

Another unfinished project was Carter's self-proclaimed magnum opus, an epic literary fantasy entitled Khymyrium, or, to give it its full title, Khymyrium: The City of the Hundred Kings, from the Coming of Aviathar the Lion to the Passing of Spheridion the Doomed. It was intended to take the genre in a new direction by resurrecting the fantastic medieval chronicle history of the sort exemplified by

Imaginary Worlds: the Art of Fantasy
in 1973. While he continued to make claims for its excellence throughout his lifetime, the complete novel never appeared. Part of the problem was that Carter was forcing himself to write the novel in a formal style more like that of William Morris and quite unlike his own.

Carter also spoke about publishing a magazine titled Yoh-Vombis, which he intended to consist of stories he would have published in his paperback Weird Tales series had he been permitted to continue editing it. As well as new fantastic stories, he intended to publish stories and verse by Robert E. Howard and Clark Ashton Smith; unpublished letters from Smith, H. P. Lovecraft; and art by Smith, Roy Krenkel, Mahlon Blaine, etc.[13] However, this mooted magazine never eventuated.

Career as editor and critic

Carter was influential as a critic of contemporary fantasy and a pioneering historian of the genre. His book reviews and surveys of the year's best fantasy fiction appeared regularly in

Imaginary Worlds: the Art of Fantasy, a study tracing the emergence and development of modern fantasy from the late nineteenth century novels of William Morris
through the 1970s.
Peter Beagle faulted Carter's scholarship, saying "He gets so many facts embarrassingly wrong, so many attributions misquoted, that the entire commentary is essentially worthless."[14]

His greatest influence in the field may have been as an editor for Ballantine Books from 1969 to 1974, when Carter brought several then obscure yet important books of fantasy back into print under the "Adult Fantasy" line.[1] Authors whose works he revived included Dunsany, Morris, Smith, James Branch Cabell, Hope Mirrlees, and Evangeline Walton. David G. Hartwell praised the series, saying it brought "into mass editions nearly all the adult fantasy stories and novels worth reading."[15] He also helped new authors break into the field, such as Katherine Kurtz, Joy Chant, and Sanders Anne Laubenthal.

Carter was a fantasy anthologist of note, editing a number of new anthologies of classic and contemporary fantasy for Ballantine and other publishers. He also edited several anthology series, including the Flashing Swords! series from 1973 to 1981, the first six volumes of The Year's Best Fantasy Stories for DAW Books from 1975 to 1980, and an anthology format revival of the classic fantasy magazine Weird Tales from 1981 to 1983.

Together with SAGA he sponsored the

World Science Fiction Society from 1974 to 1981, but went into abeyance with the collapse of Carter's health in the 1980s. Its primary purpose continues to be fulfilled by the initially rival World Fantasy Awards
, first presented in 1975.

Posthumous revival

Wildside Press began an extensive program returning much of Carter's fiction to print in 1999. All remain in print, and one original book was issued in 2012, collecting the short stories about Thongor. See the bibliography for Wildside reissues.

Awards

Bibliography

See also

Notes

  1. ^ For 1965 to 1969 inclusive, ISFDB catalogs at least five Thongor novels and nine others, three anthologies, four Howard books (posthumous collaboration with Howard, three by Carter and de Camp), and the Tolkien study.[7]

References

  1. ^ a b "Publication Series Ballantine Adult Fantasy – Bibliography". ISFDB. Retrieved 2013-04-06.
  2. ^ Contributor note on Lin Carter in August Derleth, ed. Fire, Sleet and Candlelight: New Poems of the Macabre. Sauk City, WI: Arkham House, 1961, p. 228
  3. .
  4. ^ a b Asimov (1994), p.373.
  5. ^ "An Interview with Lin Carter." Crypt of Cthulhu Vol 5, No 2 (Yuletide 1985), p.p. 36–37
  6. ^ Price, Robert (2008). Crypt of Cthulhu. Kevin L. O'Brien. Archived from the original on 2015-09-14.
  7. ^ a b c d Lin Carter at the Internet Speculative Fiction Database. (ISFDB). Retrieved 2013-04-06.
  8. ^ "Carter, Lin" Archived 2012-10-16 at the
    Locus Publications
    . Retrieved 2013-04-06.
  9. ^ Lin Carter, "A Word from the Author", Thongor and the Wizard of Lemuria (revised version of The Wizard of Lemuria), NY: Berkley Medallion Books, 1969, p. (6).
  10. ^ "Authors : Carter, Lin : SFE : Science Fiction Encyclopedia". www.sf-encyclopedia.com. Retrieved 3 April 2018.
  11. ^ "Lin Carter on Kull". Savage Sword of Conan No 3 (Dec 1974). Online at: [1]
  12. ^ "Rutledge, Charles R. "Lost Kingdoms," April 11, 2008". Archived from the original on June 10, 2015.
  13. ^ "An Interview with Lin Carter." Crypt of Cthulhu,, Vol 5, No 2 (Yuletide 1985)p. 37.
  14. ^ "Introduction", The Secret History of Fantasy, Peter S. Beagle (ed), Tachyon Publications 2010.
  15. ^ "The Making of the American Fantasy Genre", in The Secret History of Fantasy, Peter S. Beagle (ed), Tachyon Publications 2010.

Sources

Further reading

  • Linwood Vrooman Carter
    ." Dead Reckonings 28 (Fall 2020) Eds. Alex Houstoun and Michael J. Abolafia.

External links