Ling Mengchu
Ling Mengchu (
Biography
Ling Mengchu was born into the Ling clan of Wucheng in northern
His ancestors were government officials. His grandfather was named Ling Yueyan (凌约言). He was a successful candidate in the highest
At the time of Ling's birth, his family fortunes were declining. He had four brothers, and he was the fourth son in this family. He went to school when he was 12 and became
In addition family members were actively engaged in the printing business with a local specialty of books in polychrome. The Wucheng area was adjacent to the commercial and cultural areas of Hangzhou and Suzhou where reading materials were in increasing demand. Ling Mengchu was certainly a merchant businessman and also certainly a traditional scholar with civil service ambitions.
The business motive of the Ling family was originally discussed by Ling Mengchu’s contemporary Xie Zhaozhe (谢肇浙 1567-1624) in his Wu zazu (五雜俎 - Five Assorted Offerings). Such were the times. Ling repeatedly failed at the examinations and did not take a government post until he was fifty-four. Ling would finally perish in fighting against the Li Zicheng led rebels in 1644.[2] He is frequently associated with Feng Menglong.
Works
Ling’s Two Slaps collections of short stories (Slapping the Table in Amazement and Slapping the Table in Amazement, vol. 2) comprise a detailed composite portrait of his 17th century moral world, offering tales of virtue, vice, and adventure. Sometimes racy, often outrageous, and wildly imaginative, they have remained popular reading for centuries. While focusing on extraordinary events, the narratorial attitude alternates openness toward the unorthodox with reflexive Confucian conservatism, a mix also found in contemporaneous works such as Feng Menglong's Three Words trio of story collections and Zhang Yingyu's The Book of Swindles. Ling was most strongly influenced by Feng Menglong, whose success he acknowledged as having emboldened him to publish commercially.
In the prefatory material to his first short story collection he insisted it was infinitely more difficult to paint a likeness of a dog or horse one had actually seen than to render a ghost or goblin one had never observed (a quotation from Han Feizi).
Notes
- Victor Mair, (ed.), The Columbia History of Chinese Literature (NY: Columbia University Press, 2001). pp. 605- 610.
- ^ a b c Cihai: Page 369.
- ^ Master and Masterpiece (published by Jinan Press, first published in 1997) page 1
- ^ <Master and Masterpiece> (published by Jinan Press, first published in 1997)
References
- Ci hai bian ji wei yuan hui (辞海编辑委员会). Ci hai (辞海). Shanghai: Shanghai ci shu chu ban she (上海辞书出版社), 1979.
- James Scott, Rapp, trans., The Lecherous Academician,(1973), ISBN 0-85391-186-X
- Mengchu Ling. The Abbot and the Widow: Tales from the Ming Dynasty. (Norwalk: EastBridge, 2004). ISBN 1891936409
- Wen Jingen trans., Amazing Tales (Volume One), Panda Books, 1998. ISBN 7-5071-0398-6
- Perry W. Ma trans., Amazing Tales (Volume Two), Panda Books, 1998. ISBN 750710401X
Further reading
- Ling Mengchu, Slapping the Table in Amazement: A Ming Dynasty Story Collection. Translated by Shuhui Yang and Yunqin Yang. Seattle, WA: University of Washington Press, 2018.
- Carpenter, Bruce E., 'The Ming Short Story Collection "P'ai-an ching-ch'i."' Tezukayama Daigaku Jinbunkagakubu Kiyo (Tezukayama University Journal of Humanities), Nara, Japan, 2000, pp. 41–111.
- Goodrich and Fang ed., Dictionary of Ming Biography 1368-1644 ( bio. by Li Tienyi), New York,1976, vol. 1, pp. 930–931.