List of Rembrandt connoisseurs and scholars

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Rembrandt Harmenszoon van Rijn in one of the best expertly researched (visual) artists in history.[1][2][3] His life and work have long attracted the attention of multidisciplinary scholarship. The field of Rembrandt studies (i.e. study of Rembrandt's life and work) — as an academic field in its own right with many noted Rembrandt scholars — has been very dynamic and well published since the Dutch Golden Age.

The following is a list of notable Rembrandt experts (e.g. connoisseurs and scholars).

See also

References

  1. Dutch Crossing: Journal of Low Countries Studies
    25(2): 305–322
  2. Connoisseurship
    . (Amsterdam: Amsterdam University Press, 2004)
  3. ^ Franits, Wayne (ed.): The Ashgate Research Companion to Dutch Art of the Seventeenth Century. (Burlington, VT: Ashgate, 2016)
  4. ^
    • Bauch, Kurt: Die Kunst des Jungen Rembrandt. (Heidelberg: Winter, 1933) [in German]
    • Bauch, Kurt: Der frühe Rembrandt und seine Zeit. Studien zur geschichtlichen Bedeutung seines Frühstils. (Berlin: Verlag Gebr. Mann, 1960) [in German]
    • Bauch, Kurt: Rembrandt Gemälde. (Berlin: W. de Gruyter, 1966) [in German]
    • Bauch, Kurt (1967), 'Ikonographischer Stil: Zur Frage der Inhalte in Rembrandt's Kunst,'. In: Studien zur Kunstgeschichte. (Berlin: De Grayter, 1967), pp. 123–151. [in German]
  5. ^
    • Benesch, Otto: Rembrandt: Werk und Forschung. (Vienna, 1935) [in German]
    • Benesch, Otto: The Drawings of Rembrandt: First Complete Edition in Six Volumes. (London: Phaidon, 1954–57)
    • Benesch, Otto: Rembrandt as a Draughtsman: An Essay with 115 Illustrations. (London: Phaidon Press, 1960)
    • Benesch, Otto: The Drawings of Rembrandt. A Critical and Chronological Catalogue [2nd ed., 6 vols.]. (London: Phaidon, 1973)
    • Benesch, Otto (1956), 'Worldly and Religious Portraits in Rembrandt's Late Art,'. The Art Quarterly 19: 335–355
    • Benesch, Otto (1970), 'Rembrandt's Artistic Heritage: From
      Cézanne
      ,'. (Collected Writings, vol. 1, New York, 1970, pp. 57–82)
    • Benesch, Otto (1973), 'Rembrandts Bild bei Picasso,'; in Benesch's Collected Writings, vol. 4 (London, 1973) [in German]
  6. ^
  7. ^
  8. ^
  9. ^
    • Bockemühl, Michael: Rembrandt: Zum Wandel des Bildes und seiner Anschauung im Spätwerk. (Mittenwald: Mäander Verlag, 1981) [in German]
    • Bockemühl, Michael: Rembrandt, 1606–1669. Das Rätsel der Erscheinung. (Köln: Benedikt Taschen Verlag, 1991) [in German]
  10. ^
    • Von Bode, Wilhelm; de Groot, Cornelis Hofstede: The Complete Work of Rembrandt: History, Description and Heliographic Reproduction of All the Master's Pictures, with a Study of His Life and Art. [8 vols.]. (Paris: Charles Sedelmeyer, 1897–1906)
    • Von Bode, Wilhelm: Rembrandt und seine Zeitgenossen: Charakterbilder der grossen Meister der holländischen und vlämischen Malerschule im siebzehnten Jahrhundert. (Leipzig: E. A. Seemann Verlag, 1907) [in German]
    • Von Bode, Wilhelm: Studien zur Geschichte der holländischen Malerei [Studies in the history of Dutch painting]. (Brunswick: Friedrich Viewege, 1883) [in German]
  11. ^
    • Self-Portrait
      . (New York: Rizzoli, 1985)
    • Bonafoux, Pascal: Rembrandt, le clair, l'obscur, collection "Découvertes Gallimard" (nº 76). (Paris: Gallimard, 1990) [in French]
  12. ^
    • Bredius, Abraham: The Paintings of Rembrandt. (London: Phaidon, 1937)
    • Bredius, Abraham: Rembrandt: The Complete Edition of the Paintings, 3rd ed. [Revised by Horst Gerson]. (London: Phaidon Press, 1969)
  13. ^
    • Broos, B.P.J.: Oude tekeningen in het bezit van de Gemeentemusea van Amsterdam waaronder de collectie Fodor [Deel 3]: Rembrandt en tekenaars uit zijn omgeving. (Amsterdam: Amsterdams Historisch Museum, 1981) [in Dutch]
    • Broos, B.P.J.: Rembrandt en zijn voorbeelden [Rembrandt and his sources]. (Amsterdam:
      Museum Het Rembrandthuis
      , 1985) [in Dutch]
    • Broos, B.P.J.: Rembrandt studies. (Ph.D. diss.,
      Universiteit Utrecht
      , 1977) [in Dutch]
    • Broos, B.P.J.: Index to the Formal Sources of Rembrandt's Art. (Maarssen, Netherlands: Gary Schwartz, 1977)
    • Broos, B.P.J.: Het Rembrandt boek. (Zwolle: Waanders, 2006)
      ISBN 9040091110
      [in Dutch]
    • Broos, B.P.J.: Saskia, de vrouw van Rembrandt. (Zwolle: Wbooks, 2012) [in Dutch]
    • Broos, B.P.J. (1971), 'The 'O' of Rembrandt,'. Simiolus: Netherlands Quarterly for the History of Art 4(3): 150–84
    • Broos, B.P.J. (1974), 'Rembrandt's Portrait of a Pole and His Horse,'. Simiolus: Netherlands Quarterly for the History of Art 7(4): 192–218
    • Broos, B.P.J. (1976), 'Rembrandt and Lastman's "Coriolanus": The History Piece in 17th-Century Theory and Practice,'. Simiolus: Netherlands Quarterly for the History of Art 8(4): 199–228
    • Broos, B.P.J. (1999), 'Rembrandt and His Picturesque Universe: The Artist's Collection as a Source of Inspiration,'. In: Rembrandt's Treasures, ed. Bob van den Boogert [exh. cat.]. (Amsterdam: Rembrandt House Museum; Zwolle: Waanders Publishers, 1999), pp. 91–13
    • Broos, B.P.J. (2009), 'Rembrandt &
      JSTOR 25674330
    • Broos, B.P.J. (2013), 'The Young Samuel van Hoogstraten Corrected by Rembrandt,'. In: The Universal Artof Samuel van Hoogstraten (1627–1678): Painter, Writer and Courtier, edited by Thijs Weststeijn. (Amsterdam: Amsterdam University Press, 2013), pp. 77–95
  14. ^
    • Bruyn, J.; et al.: A Corpus of Rembrandt Paintings [Volume I, Stichting Foundation Rembrandt Research Project]. (The Hague/Dordrecht/Boston: Martinus Nijhoff, 1982)
    • Bruyn, J.; et al.: A Corpus of Rembrandt Paintings [Volume II, Stichting Foundation Rembrandt Research Project]. (Dordrecht/Boston: Martinus Nijhoff, 1982)
    • Bruyn, J. (1970), 'Rembrandt and the Italian Baroque,'. Simiolus: Netherlands Quarterly for the History of Art 4: 28–48
    • Bruyn, J. (1990), 'An Unknown Assistant in Rembrandt's Workshop in the Early 1660s,'. The Burlington Magazine 132(1051): 714–718
  15. ^
  16. ^
    • Chapman, H. Perry: The Image of the Artist: Roles and Guises in Rembrandt's Self-Portraits. (Ph.D. diss., Princeton University, 1983)
    • Chapman, H. Perry: Rembrandt's Self-Portraits: A Study Seventeenth-Century Identity. (Princeton, N.J.: Princeton University Press, 1990)
    • Chapman, H. Perry (2005), 'The Imagined Studios of Rembrandt and Vermeer,'. In: Inventions of the Studio, Renaissance to Romanticism, edited by Michael Cole and Mary Pardo. (Chapel Hill, NC: University of North Carolina Press, 2005), pp. 108–46
    • Chapman, H. Perry (2010), 'Reclaiming the Inner Rembrandt: Passion and Rembrandt's Earliest Self-Portraits,'. In: The Passions in the Art of the Early Modern Netherlands, edited by Herman Roodenburg and Stephanie Dickey. Nederlands Kunsthistorisch Jaarboek 60 (2010): 188–215
    • Chapman, H. Perry (2014), 'Rembrandt's Laughter and the Love of Art,'. In: Midwestern Arcadia: Essays in honor of Alison Kettering. Northfield, 2014
    • Chapman, H. Perry (2014), 'Rembrandt and Caravaggio: Emulation without Imitation,'. In: Caravaggio: Reflections and Refractions, edited by Lorenzo Pericolo and David M. Stone. (Aldershot and Burlington, VT: Ashgate, 2014), pp. 273–300
    • Chapman, H. Perry (2017), 'Rubens, Rembrandt, and the Spousal Model/Muse,'. In: Melion, Walter; Woodall, Joanna; Zell, Michael: Ut pictura amor: The Reflexive Imagery of Love in Artistic Theory and Practice, 1500–1700. (Leiden: Brill, 2017)
  17. ^
  18. ^
  19. ^
  20. ^
  21. ^
    • Haverkamp-Begemann, Egbert; Judson, J. Richard; Logan, Anne-Marie: Rembrandt after Three Hundred Years: An Exhibition of Rembrandt and His Followers. (Chicago: Art Institute of Chicago, 1969)
    • Haverkamp-Begemann, Egbert: Rembrandt's The Nightwatch. (Princeton, NJ: Princeton University Press, 1982)
    • Haverkamp-Begemann, Egbert (1963), 'Rembrandt's So-Called Portrait of Anna Wymer as Minerva,'. In: Studies in Western Art: Acts of the Twentieth International Congress of the History of Art, New York, 1961, 3: 59–63
    • Haverkamp-Begemann, Egbert (1967), 'Purpose and Style: Oil Sketches of Rubens, Jan Brueghel, Rembrandt,'. In: Akten des 21. Internationalen Kongresses für Kunstgeschichte in Bonn 1964: Stil und Überlieferung in der Kunst des Abendlandes, 3: 104–13
    • Haverkamp-Begemann, Egbert (1971), 'The Present State of Rembrandt Studies,'. The Art Bulletin 53(1): 88–104
    • Haverkamp-Begemann, Egbert (1971), 'The Sketch, Its Function in the Hands of Three Masters: Rubens, Rembrandt, Jan Brueghel,'. Art News Annual 37: 57–74
    • Haverkamp-Begemann, Egbert (1972), 'Rembrandt as Teacher,'. In: Actes du XXIIe Congres International d'histoire de l'art. Budapest 1969: Evolution generale et développements régionaux en histoire de l'art, edited by György Rósza, pp. 105–13
    • Haverkamp-Begemann, Egbert (1973), 'Rembrandt's Night Watch and the Triumph of Mordecai,'. In: Album Amicorum J. G. van Gelder, edited by Joos Bruyn, et al., (The Hague: Martinus Nijhoff, 1973), pp. 5–8
    • Haverkamp-Begemann, Egbert (1989), 'Rembrandt as a Draughtsman: The Changing Image 1956–1988,'. Master Drawings 27(2): 105–10
    • Haverkamp-Begemann, Egbert (2005), 'Rembrandt's Drawing The Raising of the Cross in the Museum of Fine Arts, Boston,'. In: The Learned Eye: Regarding Art, Theory, and the Artist’s Reputation. Essays for Ernst van de Wetering, edited by Marieke van den Doel, et al. (Amsterdam: Amsterdam University Press, 2005), pp. 39–46
  22. ^
    • Held, Julius S.: Rembrandt and the Book of Tobit. (Northampton, MA: The Gehenna Press, 1964)
    • Held, Julius S.: Rembrandt's Aristotle and Other Rembrandt Studies. (Princeton, N.J.: Princeton University Press, 1969)
    • Held, Julius S.: Rembrandt-Studien. (Leipzig:
      E. A. Seemann
      Verlag, 1983) [in German]
    • Held, Julius S.: Rembrandt Studies, revised and expanded edition. (Princeton, N.J.: Princeton University Press, 1991)
    • Held, Julius S. (1944), 'Rembrandt's "Polish" Rider,'. The Art Bulletin 26(4): 246–265
    • Held, Julius S. (1984), 'A Rembrandt "Theme",'. Artibus et Historiae 5(10): 21–34
  23. ^
    • Hinterding, Erik: The Fortunes of Rembrandt's Copper Plates. (Amsterdam: Museum Het Rembrandthuis, 1993)
    • Hinterding, Erik: Rembrandt als etser. Twee studies naar de praktijk van productie en verspreiding. (Ph.D. diss.,
      Universiteit Utrecht
      , 2001) [in Dutch]
    • Hinterding, Erik: Rembrandt as an Etcher: The Practice of Production and Distribution. (Ouderkerk aan den IJssel, Netherlands: Sound and Vision Publishers, 2006)
    • Hinterding, Erik; Schatborn, Peter: Rembrandt: The Complete Drawings and Etchings. (London:
      ISBN 9783836575447
  24. ^
    • Rembrandt's Jews (University of Chicago Press, 2003) - Finalist for the Pulitzer Prize for General Non-Fiction in 2004.[10] ISBN 0-226-56737-0
    • Steven Nadler and Victor Tiribás (2021). Rembrandt’s Etchings for Menasseh ben Israel’s Piedra Gloriosa: A Mystery Solved? Kroniek van het Rembrandthuis 2021, 1-17, https://doi.org/10.48296/KvhR2021.01
  25. ^
    • Perlove, Shelley: By this blood most chaste…’: Passion and Politics in Rembrandt’s Lucretia of 1666, in Walter S. Melion and Art di Furia, eds. Ekphrastic Image-Making in the Early Modern Europe and the Americas 1500-1700. Leiden, Brill: 2022, Chapter 15, 650-684.
    • Perlove, Shelley: An Irenic Vision of Utopia: Rembrandt's Triumph of Mordecai and the New Jerusalem. Zeitschrift für Kunstgeschichte, vol. 56 (1993): 38-60.
    • Perlove, Shelley; Silver, Larry: Rembrandt's Faith: Church and Temple in the
      ISBN 978-0-271-03406-5
    • Perlove, Shelley; Silver, Larry (2007), 'Rembrandt and the Dutch Catholics,'. Canadian Journal of Netherlandic Studies / Revue canadienne d'études néerlandaises 28: 53–75
  26. ^
    • Rosenberg, Jakob: Rembrandt [2 vols.]. (Cambridge, MA: Harvard University Press, 1948)
    • Rosenberg, Jakob: Rembrandt: Life and Work [revised edition]. (Ithaca, NY: Cornell University Press, 1980)
    • Rosenberg, Jakob (1956), 'Rembrandt the Draughtsman with Consideration of the Problem of Authenticity,'. Daedalus 86(2): 122–136
  27. ^
    • Royalton-Kisch, Martin: Drawings by Rembrandt and His Circle in the British Museum. (London: British Museum Press, 1992)
    • Royalton-Kisch, Martin; Hinterding, E.; Luijten, G.: Rembrandt the
      Printmaker
      . (British Museum Press, 2000)
    • Ekserdjian, David; Royalton-Kisch, Martin (2000), 'The Entombment of Christ: A Lost Mantegna Owned by Rembrandt?,'. Apollo 151(457): 52–56
    • Royalton-Kisch, Martin (1989), 'Rembrandt's Sketches for His Paintings,'. Master Drawings 27(2): 128–145
    • Royalton-Kisch, Martin (1991), 'Rembrandt's Drawing of "The Entombment of Christ" over "The Raising of Lazarus",'. Master Drawings 29(3): 263–283
    • Royalton-Kisch, Martin (1993), 'Rembrandt, Zomer, Zanetti and Smith,'. Print Quarterly 10(2): 111–122
    • Royalton-Kisch, Martin (2000), 'From Rembrandt to Van Renesse: Some Re-Attributed Drawings,'. The Burlington Magazine 142(1164): 157–164
    • Royalton-Kisch, Martin; Schatborn, Peter (2011), 'The Core Group of Rembrandt Drawings, II: The List,'. Master Drawings 49(3): 323–346
  28. ^
  29. ^
  30. ^
  31. ^
    • Schwartz, Gary: De Grote Rembrandt. (Zwolle: Waanders, 2006) [in Dutch]
    • Schwartz, Gary: The Rembrandt Book. (New York: Harry N. Abrams, 2006)
    • Schwartz, Gary: Rembrandt's Universe: His Art, His Life, His World. (London: Thames & Hudson, 2006)
    • Schwartz, Gary: Meet Rembrandt: Life and Work of the Master Painter. (New Haven, CT: Yale University Press, 2010)
  32. ^
  33. ^
    • Slive, Seymour: Rembrandt and his Critics, 1630–1730. (The Hague: Martinus Nijhoff, 1953)
    • Slive, Seymour: Rembrandt Drawings. (Los Angeles, CA: J. Paul Getty Museum, 2009)
    • Slive, Seymour: The Drawings of Rembrandt: A New Study. (London: Thames & Hudson, 2009)
    • Silve, Seymour: The Drawings of Rembrandt. (London: Thames & Hudson, 2019)
    • Slive, Seymour (1953), 'Rembrandt and His Contemporary Critics,'. Journal of the History of Ideas 14(2): 203–220
    • Slive, Seymour (1964), 'Rembrandt's 'Self-Portrait in a Studio','. The Burlington Magazine 106(740): 482–487
    • Slive, Seymour (1965), 'An Unpublished Head of Christ by Rembrandt,'. The Art Bulletin 47(4): 407–417.
      JSTOR 3048299
  34. ^
    • Sluijter, Eric Jan: Rembrandt and the Female
      ISBN 978-90-5356-876-7
    • Sluijter, Eric Jan: Rembrandt's Rivals: History painting in Amsterdam, 1630–1650 [Oculi: Studies in the Arts of the Low Countries, vol. 14]. (Amsterdam/Philadelphia: John Benjamins Publishing, 2015)
    • Sluijter, E.J. (1999), 'Emulating Sensual Beauty: Representations of
      to Rembrandt
      ,'. Simiolus: Netherlands Quarterly for the History of Art 27(1/2): 4–45
    • Sluijter, E.J. (2009), 'Rembrandt and the Rules of Art Revisited,'. Jahrbuch der Berliner Museum 51: 121–129
    • Sluijter, E.J. (2010), 'Rembrandt's Portrayal of the Passions and Vondel's ‘Staetveranderinge’,'. Nederlands Kunsthistorisch Jaarboek 60: 285–304
    • Sluijter, E.J. (2014), 'How Rembrandt surpassed the Ancients, Italians and
      doi:10.18352/bmgn-lchr.9541
    • Sluijter, E.J. (2017), '
      doi:10.5092/jhna.2017.9.1.8
  35. ^
    • Sumowski, Werner: Drawings of the Rembrandt School [10 vols.]. Edited and translated by Walter L. Strauss. (New York: Abaris Books, 1979–1992)
    • Sumowski, Werner: Gemälde der Rembrandt-Schüler in vier Bänden [6 vols.]. (Landau in der Pfalz: Edition PVA, 1983) [in German]
  36. ^
  37. ^
    • Straßburg
      : Heitz & Mündel, 1905) [in German]
    • Valentiner, Wilhelm R.: Rembrandt in Bild und Wort, ed. Wilhelm von Bode. (Berlin: Rich Bong Kunstverlag, 1907) [in German]
    • Valentiner, Wilhelm R.: Rembrandt: Des Meisters Gemälde [3rd revised edition] (Klassiker der Kunst in Gesamtausgaben 2). (Stuttgart/Leipzig: Deutsche-Verlags Anstalt, 1909) [in German]
    • Valentiner, Wilhelm R.: Rembrandt: Wiedergefundene Gemälde, 1910–1922 [revised ed.] (Klassiker der Kunst in Gesamtausgaben 27). (Stuttgart: Deutsche-Verlags Anstalt, 1923) [in German]
    • Valentiner, Wilhelm R.: Rembrandt Paintings in America [2 vols.]. (New York, 1931)
    • Valentiner, Wilhelm R.: Rembrandt: Des Meisters Handzeichnungen [2 vols.]. (Stuttgart/Berlin/Leipzig: Deutsche Verlags-Anstalt, 1925–34) [in German]
    • Valentiner, Wilhelm R.: Rembrandt and Spinoza: A Study of the Spiritual Conflicts in Seventeenth-Century Holland. (London: Phaidon Press, 1957)
    • Valentiner, Wilhelm R. (1931), 'Rembrandt Drawings in the Havemeyer Collection,'. Metropolitan Museum Studies 3(2): 135–146
    • Valentiner, Wilhelm R. (1948), 'Rembrandt's Conception of Historical Portraiture,'. Art Quarterly 11(1948): 117–135
  38. ^
  39. ^
    • White, Christopher: Rembrandt and His World. (London: Thames and Hudson, 1964)
    • White, Christopher: Rembrandt. (New York: Thames & Hudson, 1984)
    • White, Christopher; Alexander, David; D'Oench, Ellen: Rembrandt in Eighteenth-Century England. (New Haven: Yale Center for British Art, 1983)
    • White, Christopher: Rembrandt as an Etcher: A Study of the Artist at Work [2 vols.]. (London: A. Zwemmer, 1969; 2nd ed., New Haven, CT: Yale University Press, 1999)
  40. ^

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