Little Women (opera)

Little Women (1998) is the first opera written by American composer Mark Adamo to his own libretto after Louisa May Alcott's 1868–69 tale of growing up in New England after the American Civil War, Little Women. The opera also includes text by John Bunyan (Beth's setting of The Pilgrim's Progress), Johann Wolfgang von Goethe (Dr. Bhaer sings "Kennst du das Land" from Wilhelm Meister's Apprenticeship), and Alcott herself (an excerpt of one of her thrillers at the beginning of act 2, which is spoken and mostly omitted on the audio recording).

Performance history

Commissioned by the Opera Studio of Houston Grand Opera (HGO), then under the guidance of General Director David Gockley, Little Women was first performed on March 13, 1998, in a smaller scale production.^[1] The success of this first production prompted Gockley to pronounce it "destined to be an American classic" and scheduled the opera for a mainstage premiere of ten performances in March 2000 — making it the first of HGO's twenty-some commissions to be so revived.

The American television premiere took place on August 29, 2001, on PBS's Great Performances (a co-production between Houston Grand Opera and Thirteen/WNET New York), and the world premiere recording of the HGO production was released on Ondine on August 28, 2001.

Little Women had its Australian premiere in May 2007 at the Adelaide Festival. The opera premiered in Israel in July 2008 in Tel Aviv. Little Women had its European Premiere in Bruges, Belgium, on August 1, 2009. The Canadian premiere took place on January 30, 2010, performed by the Calgary Opera.^[2]

In 2017, Adamo's Little Women saw the big stage again in Houston for the first time since the televised production by the HGO in 2001. This time it was performed by Opera in the Heights and directed by Dashiell Waterbury, his professional debut.^[3]

In 2022, the UK premiere of Little Women was staged by Opera Holland Park, directed by Ella Marchment and conducted by Sian Edwards.^[4][5]

Critical reaction

While some critics have argued that the score's reach exceeds its grasp – Opera News suggests that "the nontonal pages never quite mesh with the arias' flights of aching, Bernsteinian lyricism" – critical consensus has largely followed that of John Rockwell of The New York Times, who, on the occasion of the March 2003 New York City Opera premiere, called Little Women a "masterpiece".

Roles

References