Liverpool Biennial

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Liverpool Biennial is the largest international contemporary art festival in the United Kingdom.^[1]

Since its launch in 1998, Liverpool Biennial has commissioned over 380 new artworks and presented work by over 530 artists from around the world. During the last 10 years, Liverpool Biennial has had an economic impact of £119.6 million. Liverpool Biennial 2014 attracted nearly 877,000 visits.^[2]

History

Liverpool Biennial was established by James Moores (with Jane Rankin Read, Lewis Biggs and Bryan Biggs) in 1998 and has presented festivals in 1999, 2002, 2004, 2006, 2008 (as part of Liverpool's year as European Capital of Culture), 2010, 2012, 2014, 2016^{[citation needed]} and 2018.^[3] As of 2012, Sally Tallant is the Director of Liverpool Biennial.^{[citation needed]}

The Biennial exhibition is supported by

Since 2006, the Liverpool Biennial has included 'collateral' events organised and supported by embassies, international agencies, or galleries, and promoted by Liverpool Biennial as a part of the programme. In 2010, for the first time, the biennial offered a platform for exhibitions organised overseas and promoted under the title City States. Visitors to the Biennial spent £27 million total in 2010.^[citation needed]

Liverpool Biennial has a year-round programme of commissioning art for the public realm, such as Richard Wilson's Turning the Place Over and Antony Gormley's Another Place at Crosby Beach. The organizers also promote an ongoing educational programme.^{[citation needed]}

The Biennial coincides with the John Moores Painting Prize, an open submission award to the best contemporary painting in the UK. The winning work and shortlisted pieces are exhibited at the Walker Art Gallery as part of the Liverpool Biennial programme.

Biennials

2004

In 2004, the festival caused controversy by exhibiting a work by Yoko Ono entitled My mummy was beautiful. This was a series of full colour photographs of a woman's breast and crotch, which were exhibited throughout the city centre. Peter Johansson's Swedish red was a one-room house at the Pier Head painted bright red and playing ABBA's record "Dancing Queen". The Walker Art Gallery mounted The Stuckists Punk Victorian, the first major show of the Stuckist artists, who had not previously been given official recognition.^[5]

Participating artists included

In 2006, there were five exhibition strands—International 06, International +, John Moores 24, the Independents and New Contemporaries.^[6]

Participating artists included

The theme and title of the Biennial's showpiece International 08 exhibition was "Made Up".^[8]

Throughout 2008 as part of Liverpool's year as European Capital of Culture, new commissions for the public realm included Winter Lights (a series of neon lights by international artists, such as Frank Scurti and Michael Pinsky, in collaboration with local communities), Visible Virals (interventionist artworks in public spaces and buildings in the city), and a series of Pavilions (creating spaces for cultural activity in local communities).

Again there was also the John Moores Painting Prize (No. 25), the New Contemporaries and The Independents.

Participating artists included

The 6th biennial in Liverpool was launched with a one night exhibition by Filip Gilissen on 14 May 2010 and ran from 18 September 2010 to 28 November 2010. It contained six programmes of contemporary art including: Bloomberg New Contemporaries, City States, John Moores Painting Prize 2010, S.Q.U.A.T. Liverpool 2010, and The Cooperative.

Displays included works by

. Liverpool Biennial 2010 was curated by Lorenzo Fusi, Artistic Director in collaboration with: Frances Loeffler and Raj Sandhu.

2012

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For its 7th edition, Liverpool Biennial explored the theme of hospitality, inviting artists and thinkers to bring forth new understandings for our increasingly globalised and complex times. The biennial exhibition, The Unexpected Guest, comprised 62 international artists, and the Cunard Building was used as a venue for the first time. The programme included: Sky Arts Ignition Series, in partnership with Tate Liverpool, a public commission by US artist, Doug Aitken, installed on Albert Dock in a temporary structure designed by David Adjaye; American composer Rhys Chatham, known for his large-scale performance works presented a concert as part of the opening weekend; one of Argentina's most established and internationally renowned artists, Jorge Macchi, presented Refraction in the LJMU Copperas Hill Building; Israeli artist, Oded Hirsch presented Lift a work which appeared to burst through the floor of Liverpool ONE - Liverpool's retail destination.

Artists who were part of The Unexpected Guest included Doug Aitken with David Adjaye,

The 8th biennial, A Needle Walks into a Haystack, opened on 5 July 2014 and ran until 26 October 2014.[10]

Artists that exhibited as part of A Needle Walks into a Haystack include: Uri Aran, Marc Bauer, Bonnie Camplin, Jef Cornelis, Carlos Cruz-Diez, Chris Evans, Rana Hamadeh, Louise Hervé & Chloé Maillet, Judith Hopf, Aaron Flint Jamison, Norma Jeane, Nicola L., Sharon Lockhart, William Leavitt, James McNeill Whistler, Michael Nyman, Claude Parent, Christina Ramberg, Michael Stevenson, Josef Strau, Stefan Tcherepnin, Peter Wächtler and Amelie von Wulffen.

Liverpool Biennial 2014 was curated by Mai Abu ElDahab and Anthony Huberman.

16 artists' works were shown in The Old Blind School on Hardman St.^[11] There were two external works by Carlos Cruz-Diez,^[12] including a Dazzle Ship.

2016

The ninth edition of Liverpool Biennial ran from 9 July 2016 to 16 October 2016.^[13]

44 international artists were commissioned to create new works for locations across the city. The artists were:

In 2016, Liverpool Biennial also presented an exhibition of works by ten Associate Artists, based in the North of England: Simeon Barclay, Jacqueline Bebb, Lindsey Bull, Robert Carter & Lauren Velvick, Nina Chua, Matthew Crawley, Frances Disley, Daniel Fogarty, Harry Meadley, and Stephen Sheehan.^[14]

The Liverpool Biennial 2016 exhibition was conceived as a series of 'episodes' drawing inspiration from Liverpool's past, present and future, named as Ancient Greece, Chinatown, The Children’s Episode, Monuments from the Future, Flashback, and Software.^[15]

Among the locations for Liverpool Biennial 2016 were the Cains Brewery on Stanhope Street, the former ABC Cinema on Lime Street, the Oratory, Toxteth Reservoir, streets, squares, restaurants, a supermarket, and all the key visual art venues in the city including Tate Liverpool, FACT, Open Eye Gallery and Bluecoat.^[16] Also presented during the 2016 Biennial are the John Moores Painting Prize 2016 at Walker Art Gallery, Bloomberg New Contemporaries 2016 at Bluecoat, and the Biennial Fringe.

Liverpool Biennial 2016 was curated by Sally Tallant, Dominic Willsdon, Francesco Manacorda, Raimundas Malasauskas, Joasia Krysa, Rosie Cooper, Polly Brannan, Francesca Bertolotti-Bailey, Ying Tan, Sandeep Parmar, and Steven Cairns.

2018

The 2018 Biennial ran from 14 July to 28 October 2018 and was called Beautiful world, where are you?.^[3]

Artists included Ryan Gander,^[17] Suki Seokyeong Kang,^[18] and Melanie Smith.^[19]

2021

The 11th biennial curated by Manuela Moscoso and titled The Stomach and the Port ran from 20 March to 6 June 2021 in Liverpool and online.^[20] Artists include Linder, Judy Chicago, Ithell Colquhoun, Ines Doujak, Nicholas Hlobo, Jutta Koether, Ebony G. Patterson, Anu Põder, and Martine Syms.^[20]

2023

The 12th edition of Liverpool Biennial, uMoya: The sacred Return of Lost Things, ran from 10 June to 17 September 2023. The Biennial addresses the history and temperament of the city of Liverpool and is a call for ancestral and indigenous forms of knowledge, wisdom and healing. Liverpool Biennial 2023 is curated by Khanyisile Mbongwa.

See also

• Art exhibition
• Biennale

References

External links

Wikimedia Commons has media related to Liverpool Biennial.

• Official website

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