Looking for Mr. Goodbar (film)

Looking for Mr. Goodbar
Theatrical release poster
Directed by	Richard Brooks
Screenplay by	Richard Brooks
Based on	Looking for Mr. Goodbar by Judith Rossner
Produced by	Freddie Fields
Starring	Diane Keaton Tuesday Weld William Atherton Richard Kiley Richard Gere
Cinematography	William A. Fraker
Edited by	George Grenville
Music by	Artie Kane
Distributed by	Paramount Pictures
Release date	October 19, 1977 (1977-10-19)
Running time	136 minutes[1]
Country	United States
Language	English
Box office	$22.5 million[2]

Looking for Mr. Goodbar is a 1977 American

The film was a commercial success, earning $22.5 million,[a] and received generally favorable reviews, with much of the praise directed towards Keaton's performance. It garnered two Academy Award nominations, Best Supporting Actress for Weld and Best Cinematography for William A. Fraker, while Keaton earned a Golden Globe Award nomination for Best Actress in a Motion Picture – Drama. Looking for Mr. Goodbar introduced Richard Gere, LeVar Burton, and Tom Berenger, all as men whom the protagonist Theresa encounters.

Plot

Theresa Dunn, a young schoolteacher in

Meanwhile, Theresa's beautiful "perfect" older sister, Katherine, has left her husband and embarked on a wild lifestyle involving multiple affairs, a secret abortion, recreational drug use, and a short-lived marriage to a Jewish man. Theresa finds first love and loses her virginity to her much older, and married, college professor, Martin. He ends their affair just before her graduation, leaving Theresa feeling used and lonely.

Theresa takes a job teaching deaf children and proves to be a gifted and caring teacher. With Katherine's encouragement, she moves into an apartment in Katherine's building. She frequents a bar at night where she meets Tony, a charming but vain Italian-American. She ends up taking Tony to her apartment, taking cocaine with him and sleeping with him. Tony leaves in a hurry and gives her a Quaalude pill to counteract the cocaine. This causes her to oversleep and she arrives very late for work the next day, angering her employer and students. Tony then disappears for a long while, and Theresa initially misses him.

Through her job, Theresa also meets and dates an Irish-American welfare caseworker, James. Her parents approve of the responsible James, seeing him as a potential husband for Theresa. However, the couple do not have sex because James wants a traditional courtship and a monogamous relationship. Theresa sees this as stifling her freedom. Although James initially seems nice, over time he appears to become controlling and disrespectful of Theresa. Moreover, he shows signs of being just as selfish as Tony.

Meanwhile, Theresa begins to go out to more marginal places and has sex with complete strangers, often with older men. Tony eventually returns and acts as if nothing had happened. He barges in on Theresa while she is with another man and chases him away. Tony becomes controlling and abusive, and Theresa also discovers that he is a street hustler. She breaks up with Tony but he stalks and harasses her, both at home and at her workplace. After imagining what could happen if Tony were to turn her in to the police as revenge, Theresa gathers up all of the drugs in her apartment and flushes them down the toilet.

With the New Year approaching, Theresa resolves to turn over a new leaf and take control of her life. On New Year's Eve, she meets Gary in a bar, and cajoles him into helping her avoid James. Gary has been living with his gay lover but lies to Theresa, telling her that he has a pregnant wife in Florida. When they are in bed together at her apartment, Gary finds himself unable to achieve an erection. He then sniffs a "popper". Theresa tells him that it is okay if they don't have sex but Gary misinterprets this as questioning his sexuality. In a rage, Gary attacks her, rapes her, and then stabs her repeatedly, killing her.

Cast

Soundtrack

Looking For Mr. Goodbar is the 1977 soundtrack album of the film of the same name.^[3] The album includes numerous disco, R&B and rock tracks from the era reflective of the music being played in clubs and discos in that period, as well as the film's theme, "Don't Ask To Stay Until Tomorrow" (written by Carol Connors and Artie Kane), presented in both vocal and instrumental versions.

Production

For the sex scenes, Richard Brooks closed the set to all but essential crew. Diane Keaton still had difficulty the first time she was required to appear naked. When she heard Richard playing a Bach record during lunch, she asked if he could play the record during her scene. "Diane is so shy," he said later. "She could only do a nude scene if she was playing to the music. She couldn't play to a man. I think Bach would have been pleased."^[4]

Release

Looking For Mr Goodbar grossed $1,540,635 from 110 theaters in its opening weekend. Variety listed the film at number one at the US box office for the week based on their sample of 20-22 cities, however, Star Wars grossed more for the weekend.^[5][6] After 16 days, the film expanded into 169 theatres and after 26 days of release it had grossed $8,128,345 and had spent another two weeks atop the US box office.^[7][8]

Reception

Critical response

On Rotten Tomatoes the film has a 61% rating based on 31 reviews, with an average rating of 6.40/10. The site's consensus states: "Diane Keaton gives an absolutely fearless performance in a sexual thriller whose ending will leave audiences trembling."^[9] On Metacritic the film has a score of 64 out of 100, based on 9 critics, indicating "generally favorable reviews".^[10]

Many critics praised Diane Keaton's performance.^[11] Roger Ebert gave the film 3-out-of-4 stars, praising Keaton's performance but lamenting the "many loose ends and dead ends," some of which he blamed on significant alterations to the novel's plot.^[12] Gene Siskel also awarded 3-out-of-4 stars, writing that "Keaton is absolutely compelling in Looking for Mr. Goodbar, even when the film is not."^[13] Charles Champlin of the Los Angeles Times called Keaton's performance "high among the year's finest" in a demanding role, and declared the film "powerful, sincere and overlong, and if the film raises questions about itself it is also thought-provoking."^[14] Variety stated: "Writer-director Brooks manifests his ability to catch accurately both the tone and subtlety of characters in the most repellant environments - in this case the desperate search for personal identity in the dreary and self-defeating world of compulsive sex and dope. Keaton's performance as the good/bad girl is excellent."^[15] Newsweek was also enthusiastic: "Looking for Mr. Goodbar could have been just another sensationalist movie version of a shocking best seller. But Richard Brooks has filmed it with power, seriousness and integrity."^[16] A retrospective review from AllMovie stated: "With the casting of Diane Keaton as Theresa, Looking for Mr. Goodbar became a then-rarity in Hollywood movies, depicting an everyday woman with an erotic life, rather than a vamp or a whore," rating the film 31⁄2-stars-out-of-5.^[17]

Some critics found the film lurid and muddled; a review by Frank Rich for Time magazine criticized Brooks for making "many crude miscalculations" in adapting the novel.^[11] Vincent Canby of The New York Times stated that Keaton was "virtually the only reason" to see the film, calling her "too good to waste on the sort of material the movie provides, which is artificial without in anyway qualifying as a miracle fabric."^[18] John Simon noted that while the novel is set in New York City, the film is said to be located in San Francisco (though identifiably filmed in Chicago's Rush Street neighborhood). He also noted that "the main character is made considerably prettier, thus reducing the principal sources of her insecurity", as compared to her portrayal in the novel as somewhat of a "Plain Jane".^[19] Pauline Kael noted, "Richard Brooks [...] has laid a windy jeremiad about our permissive society on top of fractured film syntax. He's lost the erotic, pulpy morbidity that made the novel a compulsive read; the film is splintered, moralistic, tedious."^[20] Leonard Maltin rated the film 11⁄2-stars-out-of-4, writing that the film "begins as an intelligent study of repressed young girl, then wallows endlessly in her new 'liberated' lifestyle", despite praising Keaton's performance.^[21]

Author Judith Rossner praised Keaton's performance. However, she had nothing to do with the making of the film and "detested" the final product.^[22]

Scientific analysis

Robert O. Friedel, MD, has suggested that Theresa's behavior in the film is consistent with a diagnosis of borderline personality disorder.^[23]

Awards and nominations

• While Keaton was not nominated for an Academy Award for this film, she did win Best Actress the same year for Annie Hall.^[24]

Home media

Looking for Mr. Goodbar was released on LaserDisc and VHS,^[28][29] with the most recent VHS release being in 1997.^[30] As of 2024, it has yet to be officially released on DVD or Blu-ray.^[31][32]

In popular culture

The film is referenced in the Frank Zappa song "Dancin' Fool" from the 1979 album Sheik Yerbouti.^[33]

The film is referenced in the 1985 "Weird Al" Yankovic song "Dare to Be Stupid" in which Yankovic advises the listener in one lyric to "look for Mr. Goodbar."^[34][35]

The film inspired the

The film was referenced in the "Homer Badman" episode of The Simpsons. When Homer and Marge are at a candy convention, an announcement over the PA system says "Looking for Mr. Goodbar, the front desk is Looking for Mr. Goodbar".

Notes

See also

• Closing Time: The True Story of the Goodbar Murder
• Mr. Goodbar
• Trackdown: Finding the Goodbar Killer, a made-for-TV semi-sequel that more or less follows the events of this film.
• List of films featuring the deaf and hard of hearing

References