Loren MacIver

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Loren MacIver
Carl van Vechten
Born
Mary Newman[1]

(1909-02-02)February 2, 1909
New York City, New York
DiedMay 3, 1998(1998-05-03) (aged 89)
New York City, New York
NationalityAmerican
OccupationArtist

Loren MacIver (February 2, 1909 – May 3, 1998) was an American painter and the first woman represented in the Museum of Modern Art's permanent collection.

Personal life

Loren MacIver was born in New York in 1909. Her father, Charles Augustus Paul Newman, was a physician, and her mother was Julia McIvers, whose name she kept but modified. At ten years old, she would attend Saturday art classes at the Art Students League.[2] She claimed that attending these classes for only one year was the only institutional learning she had received her whole career.[3] In 1929 she married poet and critic Lloyd Frankenburg.[4][5]

Work

MacIver's work ranges from naturalistic to abstract, but consistent throughout her work is the skill with which she depicts light.

She first began showing her work in group exhibitions in a few galleries and art associations from 1933 to 1937. She worked for the Federal Art Project/Works Progress Administration (FAP/WPA).[3] The director of the FAP/WPA, Holger Cahill, wrote of MacIver's work saying, "In its fusion of the interests of the world of fact and the world of feeling, Miss MacIver's work is richly imaginative, and delightful in its sensitive, personalized expression".[3] She ripened in her personal artistic style. She explained her method in 1946: "Quite simple things can lead to discovery. This is what I would like to do with painting: starting with simple things to lead the eye by various manipulations of colors, objects and tensions toward a transformation and a reward".[2] Her work was even shown in popular magazines like

S.S. Argentina luxury liner and the dining rooms of the American Export Lines ships.[3]
Maclvers work was highly praised during her life, in a New York Times article her method of incorporating french elements into her work was highlighted, "Miss Maclver, also an American who has lived for many years in France, is an artist in her own right and has been eminently capable of taking the French ingredients, assimilating and creating out of them a taste, a style, and at times, a vision all her own".[6] In her later years by the 1970s, she had begun reinterpreting previous themes and her work was considered no longer innovative and the Pierre Matisse Gallery took her work down. After her husband's death in 1975, she painted little but did continue showing several of her pieces in art galleries. Then in 1998, the Tibor de Nagy Gallery hung its first exhibition of her work only months before her death.[2] This is what I would like to do with painting: starting with simple things, to lead the eye by various manipulations of colors, objects and tensions toward a transformation and reward" by playing with simple aspects of paintings, she is able to encompass them all to create something that provokes the viewer to sense something new. In a New York Times article, her mastery of the foundations of art are highlighted, "Completely at home with pictorial haute cuisine, Miss MacIver has for some time been mixing up the soufflés and sauces béarnaise of futurism, sur realism and cubism, and adding more than a prodigious pinch of impressionism" MacIver is a master of her trade, and those around her were witness to it[7]

MacIver is the first woman represented in the

Alfred H. Barr, Jr.[1] in 1935.[8]

MacIver's works are in the permanent collections of a number of institutions, including the

Whitney Museum of American Art,[23] and Yale University Art Gallery.[24]

References

  1. ^ a b Butler, Sharon L. (7 March 2008). "Tracking Loren MacIver". The Brooklyn Rail. Retrieved 23 March 2016.
  2. ^ a b c "Maciver, Loren." (n.d.): Art Full Text Biographies. Web. 3 Mar. 2016.
  3. ^
    JSTOR 1358864
    .
  4. ISSN 0362-4331
    . Retrieved 2016-03-05.
  5. JSTOR 1358864
    .
  6. ^ Shirey, David L. (28 November 1970). "Art: Futurism, Surrealism and Cubism". The New York Times. Retrieved 24 February 2019.
  7. doi:10.5479/sil.274885.39088000387423
    .
  8. ^ "Loren MacIver". The Art Institute of Chicago. Retrieved 17 January 2023.
  9. ^ "Au Revoir Paris". Baltimore Museum of Art. Retrieved 17 January 2023.
  10. ^ "Fire Escape". Brooklyn Museum. Retrieved 17 January 2023.
  11. ^ "Irish Landscape". Smithsonian Institution (in Spanish). Retrieved 17 January 2023.
  12. ^ "Violet Hour". LACMA Collections. Retrieved 17 January 2023.
  13. ^ "Paris". Metropolitan Museum of Art. Retrieved 17 January 2023.
  14. ^ "Loren MacIver". MCA. Retrieved 17 January 2023.
  15. ^ "Loren MacIver". The Museum of Modern Art. Retrieved 17 January 2023.
  16. ^ "Loren MacIver, "Oil Slick" (1949)". Pennsylvania Academy of the Fine Arts. 28 December 2014. Retrieved 17 January 2023.
  17. ^ "Loren MacIver". Phillips Collection. Retrieved 17 January 2023.
  18. ^ "MacIver, Loren". SFMOMA. Retrieved 17 January 2023.
  19. ^ "Paris". Walker Art Center. Retrieved 17 January 2023.
  20. ^ "Loren MacIver". Whitney Museum of American Art. Retrieved 17 January 2023.

Further reading

External links
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