Mad scientist

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One popular stereotype of a mad scientist

The mad scientist (also mad doctor or mad professor) is a

fictional technology or fails to recognise or value common human objections to attempting to play God. Some may have benevolent intentions, even if their actions are dangerous or questionable, which can make them accidental antagonists
.

History

Prototypes

Peter Cushing as Victor Frankenstein in The Curse of Frankenstein (1957)

The prototypical fictional mad scientist was

alchemist and a modern scientist, which makes him the bridge between two eras of an evolving archetype. The book is said to be a precursor of a new genre, science fiction,[5][6] although as an example of gothic horror[7][8][9][10]
it is connected with other antecedents as well.

The year 1896 saw the publication of H. G. Wells's The Island of Doctor Moreau, in which the titular doctor—a controversial vivisectionist—has isolated himself entirely from civilisation in order to continue his experiments in surgically reshaping animals into humanoid forms, heedless of the suffering he causes.[11] In 1925, the novelist Alexander Belyaev introduced mad scientists to the Russian people through the novel Professor Dowell's Head, in which the antagonist performs experimental head transplants on bodies stolen from the morgue, and reanimates the corpses.

Cinema depictions

Horace B. Carpenter as Dr. Meirschultz, a scientist attempting to bring the dead back to life in the 1934 film Maniac

fascist[citation needed] laboratory garb have all been adopted as shorthand for the mad scientist "look." Even his mechanical right hand has become a mark of twisted scientific power, echoed notably in Stanley Kubrick's film Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb and in the novel The Three Stigmata of Palmer Eldritch (1965) by Philip K. Dick.[citation needed
]

A recent survey of 1,000 horror films distributed in the UK between the 1930s and 1980s reveals mad scientists or their creations have been the villains of 30 percent of the films; scientific research has produced 39 percent of the threats; and, by contrast, scientists have been the heroes of a mere 11 percent.[13] Boris Karloff played mad scientists in several of his 1930s and 1940s films.

Bela Lugosi as Dr. Paul Carruthers, the mad scientist protagonist of the poverty row horror film The Devil Bat (1940). Slighted at his workplace, the chemist Carruthers breeds giant bats to attack his wealthy employers.

Movie serials

The Mad scientist was a staple of the Republic/Universal/Columbia movie serials of the 1930s and 40s. Examples include:

Post–World War II depictions

Mad scientists were most conspicuous in

atomic bomb, gave rise in this period to genuine fears that science and technology had gone out of control. That the scientific and technological build-up during the Cold War brought about increasing threats of unparalleled destruction of the human species did not lessen the impression. Mad scientists frequently figure in science fiction and motion pictures from the period.[14]

Animation

Mad scientists in animation have included Professor Frink, Professor Farnsworth, Rick Sanchez, Rintaro Okabe, and Dr. Heinz Doofenshmirtz.

Walt Disney Pictures had its mainstay Mickey Mouse trying to save his dog Pluto from The Mad Doctor (1933).

Depictions of mad scientists in Warner Brothers' Merrie Melodies/Looney Tunes cartoons include:

  1. Hair-Raising Hare (1946, based on Peter Lorre)
  2. Birth of a Notion (1947, again based on Lorre)
  3. Water, Water Every Hare (1952, based on Boris Karloff)

While both

Switchin' Kitten (1961), directed by Gene Deitch
.

See also

References

Bibliography

External links