Mahakala

Source: Wikipedia, the free encyclopedia.
For Mahakala Temple, see
Mahakala (dinosaur)
.
Mahakala
God of Time, Maya, Creation, Destruction and Power
Mahākāla and companions
AffiliationShiva
AbodeŚmaśāna (but varies by interpretation)
WeaponKhanda, Trishula,
Hammer (in Japanese depictions)
ConsortParvati as Mahakali

Mahākāla (Sanskrit: महाकाल) is a deity common to Hinduism and Buddhism.[1]

In Buddhism, Mahākāla is regarded as a Dharmapāla ("Protector of the Dharma") and a wrathful manifestation of a Buddha, while in Hinduism, Mahākāla is a fierce manifestation of the Hindu god Shiva and the consort of the goddess Mahākālī;[1] he most prominently appears in the Kalikula sect of Shaktism.[2][3][4]

Mahākāla appears as a protector deity in the various traditions of Vajrayana Buddhism, like Chinese Esoteric Buddhism, Shingon, and Tibetan Buddhism.[1] He is known as Dàhēitiān and Daaih'hāktīn (大黑天) in Mandarin and Cantonese, Daeheukcheon (대흑천) in Korean, Đại Hắc Thiên in Vietnamese, and Daikokuten (大黒天) in Japanese.

Etymology

Mahākāla is a Sanskrit bahuvrihi of mahā "great" and kāla "time/death", which means "beyond time" or death.[5]

Tibetan: ནག་པོ་ཆེན་པོ།, THL: nak po chen po means "Great Black One". Tibetan: མགོན་པོ།, THL: gön po "Protector" is also used to refer specifically to Mahākāla.

Description

Indian Buddhist Mahakala, 11th–12th century, Bihar
A basalt statue of Mahākāla from Odisha, dated to the Pala period (eastern Bengal, 1100–1200 CE). Victoria and Albert Museum, London

According to Shaktisamgama Tantra, the spouse of

human skulls, seated on five corpses, holds a trident
(triśūla), a drum, a sword, and a scythe in his hands. He is adorned with ashes from the cremation ground and surrounded by numbers of loudly shrieking vultures and jackals. At his side is his consort, symbolized as Kālī.

Both Mahākāla and Kālī represent the ultimate destructive power of

kalpa. They are also responsible for annihilating great evils and great demons when other Gods, Devas, and even Trimurtis fail to do so. Mahākāla and Kālī annihilate men, women, children, animals, the world, and the entire universe without mercy because they are Kala or Time in the personified form, and Time is not bound by anything, and Time does not show mercy, nor does it wait for anything or anyone.[2][6] In some parts of Odisha, Jharkhand, and Dooars (that is, in eastern Bengal), wild elephants are worshiped as manifestations of Mahākāla.[3][4]

Mahākāla is typically depicted blue or black in colour. Just as all colours are absorbed and dissolved into black, all names and forms are said to melt into those of Mahākāla, symbolising his all-embracing, comprehensive nature. Black can also represent the total absence of colour, and again in this case it signifies the nature of Mahākāla as

nirguna, beyond all quality and form, and it is typified by both interpretations.[7]

In Hinduism

Main article: Bhairava

Mahakala is also known as

Nandi, Shiva's mount and so is often represented outside the main doorway of early Hindu
temples.

In Buddhism

Numerous traditions of

Mahayana Buddhism rely on Mahakala as guardian deity (Dharmapala, "dharma protector"). Mahakala is one of the most popular protector deities in Tibetan Buddhism and he is also sometimes used as a meditational deity (yidam) in tantric Buddhist yogas.[10][11] He is depicted in a number of variations, each with distinctly different qualities and aspects.[11]
He is generally depicted as a wrathful deity

Mahakala is commonly regarded as the emanation of different beings in different cases, such as Hevajra, Vajradhara, Amitabha, and Avalokiteshvara or Akshobhya Buddha.[11][12] Different tantric cycles, like Guhyasamaja and Chakrasamvara, each contain Mahakala as an emanation of their central Buddha deity.[12]

Mahakala is almost always depicted with a crown of five skulls, which represent the transmutation of the five

five wisdoms
.

The most notable variation in Mahakala's manifestations and depictions is in the number of arms, but other details can vary as well. For instance, in some cases there are Mahakalas in white, with multiple heads, without genitals, standing on varying numbers of various things, holding various implements, with alternative adornments, and so on.

Tibetan Buddhism depictions

Two-armed forms

The two-armed "Black-Cloaked Mahakala" (Wylie: mgon po ber nag chen) is a protector of the Karma Kagyu school clad in the cloak of a māntrika "warlock". His imagery derives from terma of the Nyingma school and was adopted by the Karma Kagyu during the time of Karma Pakshi, 2nd Karmapa Lama. He is often depicted with his consort, Rangjung Gyalmo. He is often thought to be the primary protector, but he is in fact the main protector of the Karmapas specifically. Four-Armed Mahakala is technically the primary protector. Six-Armed Mahakala (Wylie: mgon po phyag drug pa) is also a common dharmapala in the Kagyu school.

Pañjaranātha Mahakala "Mahakala, Lord of the Tent", an emanation of

Mañjuśrī
, is a protector of the Sakya school.

  • A Nepalese statue of Mahakala Bernagchen (Black Cloak Mahakala), the protector of the Karmapas.
    A Nepalese statue of Mahakala Bernagchen (Black Cloak Mahakala), the protector of the Karmapas.
  • Black-Cloaked Mahākāla
    Black-Cloaked Mahākāla
  • Mahakala "Protector of the Tent", Central Tibet, circa 1500.
    Mahakala "Protector of the Tent", Central Tibet, circa 1500.
  • Tibetan Mahakala sculpture.
    Tibetan Mahakala sculpture.
  • Tibetan Mahakala at National Museum, New Delhi, India
    Tibetan Mahakala at National Museum, New Delhi, India

Four-armed forms

There are various Four-Armed Mahakalas (Skt. Chaturbhūjamahākāla, Wylie: mgon po phyag bzhi pa, "The Great Black Vajra Lord with Four Hands"), one popular depiction comes from the Arya linegae of Guhyasamaja.[12]

These are the primary protectors of the

Drukpa Lineage and the Nyingma of Tibetan Buddhism.[12] A four-armed Mahakala is also found in the Nyingma school, although the primary protector of the Dzogchen (Skt: Mahasandhi) teachings is Ekajati
.

  • Mahakala, 12th century, Rubin Museum of Art
    Mahakala, 12th century, Rubin Museum of Art
  • Exhibit in the Asian collection of the American Museum of Natural History, Manhattan, New York City, New York, USA.
    Exhibit in the Asian collection of the American Museum of Natural History, Manhattan, New York City, New York, USA.

Six-armed forms

Nyingshuk came from Khyungpo Nenjor, the founder of the

Sakya, Nyingma, and Gelug) and to the Kagyu lineages. There are also terma
lineages of various forms of Six-Armed Mahakala. Nyinghsuk, though derived from the Shangpa, is not the major Shangpa one; it is in a dancing posture rather than upright, and is a very advanced Mahakala practice.

The White Six-Armed Mahakala (Skt: Ṣadbhūjasītamahākāla; Wylie: mgon po yid bzhin nor bu) is popular among Mongolian Gelugpas.

  • A rūpa of a six-armed Mahākāla
    A rūpa of a six-armed Mahākāla
  • Six-Armed Mahakala, Likir Gompa, Ladakh
    Six-Armed Mahakala, Likir Gompa, Ladakh
  • Tibetan Black Six-Armed Mahakala
    Tibetan Black Six-Armed Mahakala

Other forms

  • Mahakala in the Form of a Brahman
    Mahakala in the Form of a Brahman
  • A red Mahakala
    A red Mahakala

In China

Six armed Mahakala, Qing dynasty China c. 1840 CE, gilt bronze
Tibetan Mahakala, 12th century

Mahākāla is mentioned in many

Chinese characters as 摩訶迦羅 (pinyin: Móhējiāluó; Middle Chinese (Baxter): mwa xa kæ la) and translated as 大黑天 (pinyin: Dàhēitiān; lit. 'Great Black Deva
', with kāla being understood to mean 'black'; M. C. (Baxter): dɑH xok then).

He eventually became the center of a flourishing cult after the 9th century in the kingdoms of

Mongol-led Yuan dynasty, with his likeness being displayed in the imperial palace and in Buddhist temples inside and outside the capital.[13][14] Mahakala remains a central figure in the minority Buddhist tradition of Azhaliism
.

In some texts, Mahākāla is described as a fearsome god, a "demon who steals the vital essence (of people)" and who feeds on flesh and blood, though he is also said to only devour those who committed sins against the

Three Jewels of Buddhism.[15]

One story found in the Tang-era monk

Mahāvairocana Tantra portrays Mahākāla as a manifestation of the buddha Vairocana who subjugated the ḍākinīs, a race of flesh-eating female demons, by swallowing them. Mahākāla released them on the condition that they no longer kill humans, decreeing that they could only eat the heart - believed to contain the vital essence of humans known as 'human yellow' (人黄, pinyin: rénhuáng) - of those who were near death.[16][17][18] A tale found in Amoghavajra's translation of the Humane King Sūtra relates how a heterodox (i.e. non-Buddhist) master instructed Prince Kalmāṣapāda (斑足王) to offer the heads of a thousand kings to Mahākāla, the "great black god of the graveyard" (塚間摩訶迦羅大黑天神), if he wished to ascend the throne of his kingdom.[19][20]

As time went by, Mahākāla also became seen as a guardian of Buddhist monasteries, especially its kitchens. The monk Yijing, who traveled to Srivijaya and India during the late 7th century, claimed that images of Mahākāla were to be found in the kitchens and porches of Indian Buddhist monasteries, before which offerings of food were made:[21]

There is likewise in great monasteries in India, at the side of a pillar in the kitchen, or before the porch, a figure of a deity carved in wood, two or three feet high, holding a golden bag, and seated on a small chair, with one foot hanging down towards the ground. Being always wiped with oil its countenance is blackened, and the deity is called Mahākāla [莫訶哥羅, pinyin: Mòhēgēluō, M.C. (Baxter): mak xa ka la] or the great black deity [大黑神, pinyin: Dàhēishén, M. C. (Baxter): dɑH xok zyin]. The ancient tradition asserts that he belonged to the beings (in the heaven) of the great god (or Maheśvara). He naturally loves the Three Jewels, and protects the five assemblies from misfortune. Those who offer prayers to him have their desires fulfilled. At meal-times those who serve in the kitchen offer light and incense, and arrange all kinds of prepared food before the deity. (...) In China the image of that deity has often been found in the districts of Kiang-nan, though not in Huai-poh. Those who ask him (for a boon) find their wishes fulfilled. The efficacy of that deity is undeniable.[22]

In China, the god was also associated with fertility and sexuality: during the Qixi Festival (a.k.a. the Double Seventh Festival) held on the 7th day of the 7th month of the Chinese calendar, married women traditionally bought dolls or figurines called 'Móhéluó' (魔合羅) or 'Móhóuluó' (摩睺羅) - the term probably deriving from 'Mahākāla' - in the hopes of giving birth to a child.[23][24][25]

Ritual texts also prescribe the worship of Mahākāla to women looking for a male partner or to pregnant women.[23]

In addition, he is also commonly invoked as a protective deity in certain mantras, such as the Śūraṅgama Mantra and the Mahamayuri-vidyarajñi-dharani contained in the Mahamayuri Vidyarajñi Sutra, which are popular in Chan Buddhism tradition.[26][27]

In Japan

Japanese Daikokuten
Main article: Daikokuten

Mahakala (known as Daikokuten 大黑天) enjoys an exalted position as a household deity in Japan, as he is one of the Seven Lucky Gods in Japanese folklore.

The Japanese also use the symbol of Mahakala as a monogram. The traditional pilgrims climbing the holy Mount Ontake wear tenugui on white Japanese scarves with the Sanskrit seed syllable of Mahakala.

In Japan, this deity is variously considered to be the god of wealth or of the household, particularly the kitchen. He is recognised by his wide face, smile, and a flat black hat, in stark contrast to the fierce imagery portrayed in Tibetan Buddhist art. He is often portrayed holding a golden mallet, otherwise known as a magic money mallet, and is seen seated on bales of rice, with mice nearby (mice signify plentiful food).

In Sikhism

Depiction of Mahakal from an edition of the Dasam Granth

In Sikhism Mahakal (ਮਹਾਕਾਲ) is used to refer to God. In the text Dasam Granth, which is attributed to Guru Gobind Singh,[28] Mahakal is applied as a name of God to emphasize his supremacy over all beings. In the section titled Bachittar Natak, It states that in a previous incarnation the author was a sadhu meditating in the Himalayan foothills on Mahakal before being called to take birth as Guru Gobind Singh.[29] Further verses the praise Mahakal. Verse 434 of the Chaubis Avtar section states:

I will not first honor Ganesha [Ganesa], nor do I ever meditate upon Krishna or Vishnu (kisan bisan).

I have heard of but do not recognize them. I am absorbed in contemplation at His feet. (434)

Mahakal is my protector...[30]

See also

References

Citations

  1. ^ a b c Bryson (2017), p. 42.
  2. ^ a b Magee (n.d.).
  3. ^ a b Bhattacharya Saxena (2011).
  4. ^ a b Johnson (2009), p. [page needed].
  5. ^ Mookerjee (1988), p. [page needed].
  6. ^ Snyder (2001), p. 76.
  7. ^ Bowker (2000), p. [page needed].
  8. ^ Coulter & Turner (2021), p. 99.
  9. ^ Eck (2012), p. 237.
  10. ^ "Mahakala, Protector of the Tent | Central Tibet". The Metropolitan Museum of Art. Retrieved 2023-11-25.
  11. ^ a b c "Buddhist Protector: Mahakala Main Page". www.himalayanart.org. Retrieved 2023-11-25.
  12. ^ a b c d Rana (2019)
  13. ^ Faure (2015b), pp. 46–47.
  14. ^ Howard et al. (2006), p. 416.
  15. ^ Faure (2015b), pp. 45–46.
  16. ^ Faure (2015a), p. 195.
  17. ^ Faure (2015b), pp. 117–118.
  18. ^ "荼枳尼天 (Dakiniten)". Flying Deity Tobifudō (Ryūkō-zan Shōbō-in Official Website). Retrieved 2021-04-08.
  19. ^ Amoghavajra (n.d.).
  20. ^ Iyanaga (2008).
  21. ^ Faure (2015b), p. 49.
  22. ^ I-Tsing (1896), pp. 38–39.
  23. ^ a b Faure (2015b), pp. 52–53.
  24. ^ Johnson (2021), p. 157.
  25. ^ Hsia, Kao & Li (2014), p. 147.
  26. ^ Hsüan Hua (2009), p. xviii.
  27. ^ Keyworth (2016).
  28. ISBN 978-81-7010-301-1
    .
  29. ^ Rinehart (2011), pp. 26–27.
  30. ^ Rinehart (2011), pp. 29–31.

Works cited

Further reading

External links
Retrieved from "https://en.wikipedia.org/w/index.php?title=Mahakala&oldid=1214105696"