Malcolm MacDonald (music critic)

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Malcolm MacDonald (26 February 1948 – 27 May 2014), also known by the alias Calum MacDonald, was a British author, mainly about music.

Biography

MacDonald was born in

Downing College, Cambridge. He lived in England from 1971 until his death, first in London and from 1992 in Gloucestershire. He died at Leckhampton Hospice.[1]

He wrote several books, notably volumes on

New Grove
.

He was editor of the modern-music journal Tempo, which he joined in 1972 as assistant to the then editor David Drew, until December 2013, and was a copious contributor to other English-language music-journals and magazines. For these and other journalistic purposes he used the nom-de-plume "Calum MacDonald" because at the outset of his writing career, which began with record reviewing for the journal Records & Recording, confusion arose between him and the composer Malcolm MacDonald, who was a long-established record reviewer for The Gramophone. As Calum MacDonald he also reviewed regularly for BBC Music Magazine and International Record Review.

MacDonald was a prime mover in the revival of interest in the music of John Foulds. He has also composed a number of works, mainly piano pieces and songs. In 1996 he edited for performance, and orchestrated the final portions of, the ballet Soirées de Barcelone by

BBC Philharmonic Orchestra, in a concert to mark the fiftieth anniversary of the BBC Third Programme
.

Writings (selected list)

Books

Articles in symposia

Articles

  • Many articles in the Newsletter of The Havergal Brian Society (see Articles in Symposia for those republished in 1997)
  • 'Havergal Brian' (The Listener, 15 July 1971)
  • 'Sense and Sound: Gerhard's Fourth Symphony' (Tempo No.100, 1972)
  • 'Ronald Stevenson' (Musical Events, 1972)
  • 'Visionary and Craftsman: Scriabin and Enescu' (The Listener, 8 September 1983)
  • 'Visionary Ecstasy: Szymanowski's Third Symphony' (The Listener, 15 September 1983)
  • 'Unreconciled Spirit: Franz Liszt 100 Years On' (The Listener, 24 July 1986)
  • 'Sombre Tragedy: Karl Amadeus Hartmann's Symphonies' (The Listener, 4 September 1986)
  • 'Spinner's Violin Sonata – Why Op.1?' (Tempo No.161/162, 1987)
  • 'Key Changes: Henze's Third Period?' (The Listener, 1 September 1988)
  • 'John Foulds (1880–1939). The Cello Sonata and its Context' (British Music Vol.20, 1998)
  • 'Statements and Connotations: Copland the Symphonist' (Tempo No.213, 2000)
  • 'Thoughts on Siegfried Wagner's Music' (International Record Review Volume 8 issue 10, July/August 2008)
  • 'Où l'on retrouve les ailes ...' (Tempo Vol. 64 No. 252, April 2010)

Sources

Mainly from the flyleaves of his books, and an autobiographical article, 'Too Many Records' in International Record Review (June 2002 edition)

References

  1. ^ "An encyclopedia of music has died". 28 May 2014. Retrieved 16 March 2022.
  2. ^ Gasser, Mark (1 January 2013). "Ronald Stevenson, composer-pianist : an exegetical critique from a pianistic perspective". Theses: Doctorates and Masters. Retrieved 16 March 2022.
  3. ^ "Grossel Brian Bibliography". Archived from the original on 10 May 2006. Retrieved 18 October 2007.