Manto Ke Afsanay
| Author | Saadat Hasan Manto |
|---|---|
| Original title | Manto Ke Afsanay |
| Country | British India |
| Language | Urdu |
Publication date | 1940 (first edition) |
| Media type |
| Part of a series on |
| Progressive Writers' Movement |
|---|
Manto Ke Afsanay (lit. 'Stories of Manto') is a collection of short stories in Urdu by Saadat Hasan Manto . It was first published in 1940. Rekhta has the largest collection of 233 stories written by Saadat Hasan Manto.[1]
Background
Manto Ke Afsanay was first published in 1940 from
Content
The stories in this collection include:[3]
- Naya Qanun (New Law or New Constitution)[a]
- Shaghl (Amusement)
- Khushiya (Khushiya)
- Banjh (Barren)
- Na’rah (The Slogan)
- Shah nasin par (On the balcony)
- Us ka pati (Her Husband)
- Tamasha (Spectacle) [b]
- Taqat ka imtahan (Test of Strength) [c]
- Inqilabi (Revolutionary) [d]
- Istudant yubyan kaimp (Student union camp)[e]
- Sharabi (Drunkard)[f]
- Shushu (Shushu)
- Mera aur uska intiqam (My revenge and hers)
- Mausam ki sharat (the playfulness of the season)
- Begu (Begu)
- Phaha (Bandage)
- Mantar (Mantra)
- Tehri lakir (Crooked line)
- Mom batti ke ansu (The tears of the wax candle)
- Diwali ke diye (The diwali lights)
- Pahchan (Discernment)
- Darpok (Coward)
- Das rupaye (Ten Rupees)
- Misiz di Kosta (Mrs. Dicosta)
- Blauz (Blouse)[g]
Themes
The themes of Manto’s stories show considerable variation. Stories such as Inqilabi (Revolutionary), Sharabi (Drunkard) and Istudant yubyan kaimp (Student union camp) deal with political issues with characters who identify as revolutionaries or activists.
Manto explores the theme of social realism in stories such as Shaghl (Amusement), Na’rah (The Slogan) and Das rupaye (Ten Rupees). Influenced from Maxim Gorky’s Twenty-six Men and a Girl, Shaghl deals with the abduction of a girl by some rich men.[11] In Das rupaye (Ten Rupees), he depicts the life of Sarita, an innocent young girl who works as a part time prostitute.[12]
Manto also depicted romance in some of his stories such as Shushu (Shushu) and Mera aur uska intiqam (My revenge and hers), both of which dealt with teenage love.[13]
Notes
- ^ first published in Humayun in May 1938.[4]
- Atish Paray; dropped in later editions.[2]
- Atish Paray; dropped in later editions.[2]
- Atish Paray; dropped in later editions.[2]
- ^ dropped in later editions.[7]
- ^ dropped in later editions.[7]
- ^ a later addition to the collection, it did not appear in the first edition.[8]
References
- ^ "Manto's Stories Collection by Rekhta".
- ^ a b c d e Flemming 1985, p. 41.
- ^ Flemming 1985b, p. 152.
- ^ Jalal 2013, p. 66.
- ^ Flemming 1985, p. 6.
- ^ Flemming 1985, p. 7.
- ^ a b c Flemming 1985, p. 42.
- ^ Flemming 1985, p. 56.
- ^ Flemming 1985, p. 44.
- ^ Jalil 2012, p. 44.
- ^ Flemming 1985, p. 47.
- ^ Rumi 2012, p. 80.
- ^ Flemming 1985, pp. 55, 56.
Cited sources
- Flemming, Leslie A. (1985). Another Lonely Voice: The Life and Works of Saadat Hassan Manto. Vanguard Books.
- Flemming, Leslie A. (1985b). "Manto Bibliography". Journal of South Asian Literature. 20 (2): 152–160. JSTOR 40872787.
- Rumi, Raza (2012). "Reclaiming Humanity: Women in Manto's Short Stories". Social Scientist. 40 (11/12): 75–86. JSTOR 23338872.
- Jalil, Rakhshanda (2012). "Loving Progress, Liking Modernity, Hating Manto". Social Scientist. 40 (11/12): 43–52. JSTOR 23338869.
- Jalal, Ayesha (2013). The Pity of Partition: Manto's Life, Times, and Work across the India-Pakistan Divide. Princeton University Press. ISBN 978-1-4008-4668-9.