Margaret Johnston
Margaret Johnston | |
---|---|
Born | Margaret Annette McCrie Johnston 10 August 1914 Sydney, New South Wales, Australia |
Died | 19 June 2002 Kingston upon Thames, London, England | (aged 87)
Occupation | Actress |
Years active | 1936–1968 |
Spouse | |
Relatives | Angela Scoular (niece) |
Margaret Johnston (10 August 1914 – 19 June 2002) was an Australian actress. Johnston was best known for her stage performances, but also appeared in 12 films and a handful of TV productions before retiring from acting in 1968 to devote herself to running a theatrical agency.
Early life
Johnston was the second of three daughters born in Australia to English parents. She was educated at the
Stage career
Johnston's first role on the West End stage was a minor part in a 1939 production of Saloon Bar, a comedy-thriller. She followed this with a period in
In 1946, Johnston played the lead role of Kitty Duval in
Johnston appeared as Alma Winemiller in a 1951 production of
From 1956 Johnston appeared in several productions at the Royal Shakespeare Theatre in Stratford-upon-Avon, playing Desdemona in Othello, Portia in The Merchant of Venice and Isabella in Measure for Measure. Two roles in 1959, in Sugar in the Morning at the Royal Court and a rare venture into domestic comedy with The Ring of Truth at the Savoy Theatre, marked her last stage appearances until 1966, when she starred as Lady Macbeth in Michael Benthall's production of Macbeth at the Chichester Festival Theatre in what would prove to be her last stage role.
Film and television career
Johnston made her screen debut in the film
One of Johnston's best known film roles came in the adaptation of Francis Brett Young's novel Portrait of Clare (1950), another box-office success. The following year brought her most high-profile screen appearance, as Robert Donat's long-suffering second wife in the star-studded The Magic Box (1951), made as a project of the Festival of Britain. Johnston was very complimentary about the René Clément-directed Knave of Hearts (1954), a Franco-British co-production of which she said: "The director was brilliant...it was a very sophisticated European film."[1] Less felicitous was Ealing's Touch and Go (US: The Light Touch, 1955), a farce in which – somewhat ironically in Johnston's case – she and Jack Hawkins played an English couple making plans to emigrate to Australia. Despite early enthusiasm for the venture from the Australian press in particular (The Age wrote: "For years this versatile and exquisitely beautiful Australian actress...has been wasted...playing dowdy middle-aged frumps. This role may well take her right to the top...at long last.)"[5] the finished product turned out to be a dud, a failure both with critics and filmgoers, and was Johnston's last screen appearance for several years.
Johnston returned to the screen via the unexpected medium of the
In tandem with her stage and screen appearances, Johnston also played in eight television productions between 1951 and 1964. These were all one-off productions for BBC and ITV drama strands, featuring works by such as Shakespeare, George Bernard Shaw, Noël Coward and Jean Cocteau.[6]
Later life
In 1946, Johnston had married Albert Parker, an American film director who had moved to Britain in the early 1930s and had directed several British films before establishing a very successful theatrical agency business (Al Parker Ltd.) in London. Parker was 27 years older than Johnston, and by the mid-1960s was in declining health. From 1965, Johnston was effectively running the business herself and decided, following her appearance in Sebastian, to give up her acting career in order to manage the agency full-time. Following Parker's death in August 1974, Johnston continued to run the business for over 20 years, handling clients such as James Mason, Helen Mirren and Frank Finlay, until her own health started to fail.
The marriage between Johnston and Parker was childless. Johnston died in a nursing home in Kingston upon Thames, London on 19 June 2002, aged 87.[1]
Birthdate
During her professional career, Johnston always gave her year of birth as 1918. Although this would have made her only 18 years old when she moved to Britain – and therefore too young to have studied at the University of Sydney before her departure from Australia – contemporary accounts during her acting career recorded her as four years younger than her actual age, and the 1918 birthdate was also erroneously quoted in some obituaries which gave her age on death as 83.[3]
Filmography
- 1941 : The Prime Minister – dir. Thorold Dickinson
- 1945 : The Rake's Progress – dir. Sidney Gilliat
- 1947 : A Man About the House – dir. Leslie Arliss
- 1950 : Portrait of Clare – dir. Lance Comfort
- 1951 : The Magic Box – dir. John Boulting
- 1954 : Knave of Hearts – dir. René Clément
- 1955 : Touch and Go – dir. Michael Truman
- 1962 : Night of the Eagle – dir. Sidney Hayers
- 1963 : Girl in the Headlines – dir. Michael Truman
- 1965 : Life at the Top – dir. Ted Kotcheff
- 1966 : The Psychopath – dir. Freddie Francis
- 1968 : Sebastian – dir. David Greene
Television productions
- 1951 : Androcles and the Lion
- 1952 : The Taming of the Shrew (BBC Sunday Night Theatre – live production, not recorded)
- 1952 : Autumn Crocus (BBC Sunday Night Theatre – as above)
- 1960 : Looking for Garrow (BBC Sunday Night Play)
- 1960 : The Shrike (ITV Play of the Week)
- 1962 : The Typewriter (ITV Play of the Week)
- 1964 : That's Where the Town Is Going (ITV Armchair Theatre)
- 1964 : The Vortex (ITV Play of the Week)
References
- ^ a b c d e Obituary in The Independent 12 July 2002. Retrieved 21 July 2010
- ^ a b "Australian Girl's Film Success" The Age, 10 December 1945. Retrieved 21 July 2010
- ^ a b c Obituary: Margaret Johnston, Daily Telegraph, 2 July 2002. Retrieved 21 July 2010
- ^ "Praise for Aust. Actress" The Sydney Morning Herald, 24 November 1951. Retrieved 21 July 2010
- ^ "Migrants Face Future: Film of Hope and Fear" The Age, 25 October 1955. Retrieved 21 July 2010
- ^ a b Margaret Johnston @ IMDb.com Retrieved 21 July 2010