Mark Millar
Mark Millar Kingsman |
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Mark Millar
Millar has written numerous creator-owned series which have been published under the unified
In addition to his work as a writer, Millar serves as an executive producer on all film and television adaptations of his comics. Between 2012 and 2016, he was employed by
In 2013, Millar was appointed a
Early life
Millar was born on 24 December 1969[5] in Coatbridge, Scotland. He spent the first half of his life in the town's Townhead area and attended St. Ambrose High School.[6]
Millar has four older brothers,
In the mid-late 1970s, Millar frequently appeared as a guest on the long-running Scottish kids TV programme Glen Michael's Cartoon Cavalcade, which he was a regular fan of at the time. On one occasion, he was invited onto the show to talk about the history of comics and, in a 2010 interview with the Scottish newspaper Daily Record, Millar has stated that Glen Michael's TV programme was where he first discovered superheroes.[10]
Millar's mother died of a heart attack at age 64, when Millar was 14, and his father died four years later, aged 65.
Career
1980s–1990s work
Millar was first inspired to become a comic book creator after meeting
In 1992, Trident's owner
In 1994, Millar crossed over to the American comic book industry, taking over the long-running series
Several of Millar's unrealized projects of this period include a revamp of Marvel's
In the late 1990s, Millar made the first attempt to branch out from comics into screenwriting with a vampire-themed black comedy-drama
In 1999 and 2000, Millar wrote a
Marvel and DC career
Millar started gaining notice at DC Comics for his work on the all-ages comic book series
In August 1999, it was announced that Millar and Scottish artist
In June 2000, Marvel announced that Millar will join its then-upcoming "Ultimate" line of comics as the writer on Ultimate X-Men,[49][50] since Brian Michael Bendis, who was previously attached to the series, decided to focus his attention on the inaugural "Ultimate" launch of the Spider-Man title.[51] The line, designed to simplify and streamline the company's long-running fictional continuity for mainstream audiences, was met with instant critical and commercial success[52] and, soon after the launch of Ultimate X-Men, Millar announced that he had signed a two-year contract for a staff writing position at Marvel.[48] As part of the deal, Millar and his family relocated to New York City.
In November 2000, Millar and Quitely announced their plans to leave The Authority after the third story arc, but never produced.
In 2002, Millar and artist Bryan Hitch further expanded Marvel's Ultimate line with The Ultimates, a reimagining of the company's Avengers team.[61] The title also proved highly successful, although it suffered from delays in shipping due to Hitch's personal issues.[62] The Ultimates was eventually cancelled after 13 issues and two years of publication with the aim of relaunching the title so that more issues could be produced in advance.[63] The Ultimates 2 launched shortly thereafter[64][65] and also suffered from delays, this time due to Millar's newly-diagnosed chronic condition and increased workload at Marvel.[66][67] The second volume as well as the creative team's run on the title ended in 2007 with another 13th issue.[68] Millar and Hitch's work on The Ultimates inspired two Marvel Animated Features titled Ultimate Avengers[69][70] and the subsequent 2012 Marvel Studios feature film The Avengers, directed by Joss Whedon.[1] Actor Aaron Taylor-Johnson, who portrayed the character Quicksilver in the 2015 sequel film Avengers: Age of Ultron, stated that it also drew inspiration from the Ultimate comics.[71]
In 2002 and 2003, Millar wrote a column for
In 2006, after renewing his exclusive contract with Marvel for two more years,
In 2007 and 2008, Millar attempted to pitch a new series of
In 2011, Millar abandoned work-for-hire in favor of working full-time on his creator-owned properties.[105][106]
Millarworld
In 2003, Millar introduced
In 2010, Millar and British publisher
Most of the Millarworld series have enjoyed interest from Hollywood over the years. In 2008,
In August 2017, it was announced that Millarworld has been purchased for an undisclosed sum by
Public image
Over the years, Millar has earned a reputation as a controversial and outspoken writer. In interviews, he openly criticized the business practices of the American comics industry in the 90s,
Millar frequently employs unusual tactics to promote himself and his work, such as the public bet with
Throughout the 90s and early 00s, Millar was close friends with fellow Scottish writer
Awards and accolades
In August 2011, Millar appeared in his native Coatbridge to unveil a superhero-themed steel archway beside the Monkland Canal, created by sculptor Andy Scott with the help from the students at St. Ambrose High School, Millar's alma mater.[6] The six-metre-high archway, created as part of the efforts to reinvigorate the canal, was inspired by Millar's work, depicting a superhero named Captain Coatbridge and two superheroines.[172]
In June 2013, Millar was appointed a Member of the
Award nominations
- 2000 Eisner Award for Best Title for a Younger Audience — Superman Adventures (shared with Aluir Amâncio, Terry Austin, and others)[34]
- 2000 Eisner Award for Best Writer — Superman Adventures[34]
- 2001 Eisner Award for Best Writer — The Authority and Ultimate X-Men[176]
- 2001 Eisner Award for Best Serialized Story — The Authority #13–16: "The Nativity" (shared with Frank Quitely and Trevor Scott)[176]
- 2004 Eagle Award for Favourite Comics Writer[177]
- 2005 Eagle Award for Favourite Comics Writer[178]
Influences
Millar has cited
In 2013, Millar listed
Personal life
Millar is a practicing
In 2005, Millar was diagnosed with Crohn's disease.[184][66][185]
Political views
Speaking about his political views, Millar has described himself thus, "I regard myself as traditionally left of centre and progressive, a
Before the 2014 Scottish independence referendum, Millar was cited as a supporter of Scottish independence by groups[186] such as the National Collective,[187] and made comments interpreted in support of independence.[186][187] However, in the run-up to the referendum, Millar stated that he was "genuinely undecided".[188] In a January 2015 interview with The Herald, he stated, "Originally I was Yes and then about six months before I started having doubts, and then I just went silent on it because I saw the country going mad. People who I love were falling out with each other."[182] In 2020, Millar explained on Twitter that he is not a "tribalist" when it comes to Scottish independence, stating, "After the Blair era I was tempted for a year or two" regarding the matter, but questioned whether an independent Scotland could function economically.[189][190]
Millar supported
Bibliography
UK publishers
Trident
- Saviour #1–6 (with Daniel Vallely and Nigel Kitching, 1989–1990)
- Issues #1–5 are collected as Saviour Book One (tpb, 128 pages, 1990, ISBN 1-8728-2901-5)
- A "Saviour" short story (drawn by Nigel Kitching) has also appeared in Trident #5 (anthology, 1990)
- Issues #1–5 are collected as Saviour Book One (tpb, 128 pages, 1990,
- The Shadowmen #1–2 (with Andrew Hope and Ben Dilworth (#2), 1990)
Fleetway
- Crisis(anthology):
- "Her Parents" (with John McCrea, in #31, 1989)
- "Insiders" (with Paul Grist, in #54–59, 1991)
- 2000 AD (anthology):
- Tharg's Future Shocks:
- All-Star Future Shocks (tpb, 192 pages, ISBN 1-7810-8074-7) includes:
- "The Foreign Model" (with Dave D'Antiquis, in #643, 1989)
- "Self Awareness" (with Keith Page, in #648, 1989)
- "Nightmare on Ses*me Street " (with Brian Williamson, in #785, 1992)
- "A Fete Worse Than Death" (with Brian Williamson, in #786, 1992)
- "The Night Santa Signed On" (with Ron Smith, in #868, 1994)
- All-Star Future Shocks (tpb, 192 pages,
- ISBN 1-7810-8065-8)
- ISBN 1-7810-8346-0)
- Judge Dredd:
- "Christmas is Cancelled" (with ISBN 1-9079-9221-9)
- "Happy Birthday Judge Dredd!" (with ISBN 1-9079-9225-1)
- Judge Dredd: The Complete Case Files Volume 19 (tpb, 320 pages, Rebellion, 2012, ISBN 1-9079-9296-0) includes:
- "Great Brain Robbery" (with Ron Smith, in #835–836, 1993)
- "Tough Justice" (with Mick Austin, in #840, 1993)
- "Down Among the Dead Men" (with Brett Ewins, in #841, 1993)
- "War Games" (with Paul Marshall, in #854, 1993)
- "Judge Tyrannosaur" (with Ron Smith, in #855, 1993)
- Judge Dredd: The Complete Case Files Volume 20 (tpb, 320 pages, Rebellion, 2013, ISBN 1-7810-8141-7) includes:
- "Book of the Dead" (co-written by Millar and Grant Morrison, art by Dermot Power, in #859–866, 1993)
- "I Hate Christmas" (with Carlos Ezquerra, in #867, 1993)
- "Frankenstein Division" (with Carlos Ezquerra, in #868–871, 1994)
- "Crime Prevention" (with Nick Percival, in #872, 1994)
- "Top Gun" (with Ron Smith, in #879, 1994)
- "Under Siege" (with Paul Peart, in #880, 1994)
- "Mr. Bennet Joins the Judges" (with ISBN 1-7810-8046-1)
- "Crusade" (co-written by Millar and Grant Morrison and Mick Austin, in #928–937, 1995) collected in Judge Dredd: The Complete Case Files Volume 22 (tpb, 304 pages, Rebellion, 2014, ISBN 1-7810-8227-8)
- "Man Who Broke the Law" (with ISBN 1-7810-8339-8)
- "The Big Hit" (with ISBN 1-7810-8431-9)
- "Christmas is Cancelled" (with
- Robo-Hunter:
- "Sam Slade: Robo-Hunter" (with Jose Casanovas, in #723–734, 1991)
- "Return of the Puppet Master" (with Simon Jacob, in Sci-Fi Special '91, 1991)
- "Killer Grannies" (with Graham Higgins, in Yearbook '92, 1991)
- "Escape from Bisleyland" (with Anthony Williams, in #750–759, 1991)
- "The Return to Verdus" (with Jose Casanovas, in #792–802, 1992)
- "Aces of Slades" (with Anthony Williams, in #813–816, 1992–1993)
- "The Succubus" (with Simon Jacob, in Yearbook '93, 1992)
- "Serial Stunners" (with Jose Casanovas, in #819–822, 1993)
- "Keith the Killer Robot" (with Ron Smith, in #825–827, 1993)
- "The Robotic Revenge of Dr. Robotski" (with Simon Jacob, in #881–884, 1994)
- Red Razors:
- Red Razors (tpb, 144 pages, ISBN 1-904265-18-9) collects:
- Judge Dredd Megazine #8–15: "Red Razors" (with Steve Yeowell, 1991)
- "The Hunt for Red Razors" (with Nigel Dobbyn, in #908–917, 1994)
- "The Secret Origin of Comrade Ed" (with Steve Yeowell, in Judge Dredd Mega-Special #5, 1992)
- "Doctor's Orders" (with Steve Yeowell, in Judge Dredd Yearbook '93, 1992)
- "Rites of Passage" (with Nigel Dobbyn, in #971, 1995)
- Red Razors (tpb, 144 pages,
- ISBN 1-7810-8236-7)
- ISBN 1-60706-471-5)
- ISBN 1-781-08230-8)
- The Spider: "Vicious Games" (with John Higgins and David Hine, in Action Special, 1992)
- Purgatory(with Carlos Ezquerra, in #834–841, 1993)
- Tharg's Terror Tales:
- "The Tooth Fairy" (with Greg Staples, in #839, 1993)
- "The Uncanny Dr. Doctor" (with Shaky Kane, in #860, 1993)
- "Milk and Honey" (with Kevin Cullen, in #895, 1994)
- Maniac 5:
- "Maniac 5" (with Steve Yeowell, in #842–849, 1993)
- "War Journal" (with David Hine, in Sci-Fi Special '93, 1993)
- "Maniac 6 (prelude)" (with Richard Elson, in Winter Special '93, 1993)
- "Funeral for a Friend" (with Robert McCallum, in Winter Special '94, 1994)
- "Maniac 6" (with Steve Yeowell, in #956–963, 1995)
- Big Dave(co-written by Millar and Grant Morrison):
- "Target: Baghdad" (with Steve Parkhouse, in #842–845, 1993)
- "Monarchy in the UK" (with Steve Parkhouse, in #846–849, 1993)
- "Young Dave" (with Steve Parkhouse, in Yearbook '94, 1993)
- "Costa del Chaos" (with Anthony Williams, in #869–872, 1994)
- "Wotta Lotta Balls" (with Steve Parkhouse, in #904–907, 1994)
- Canon Fodder (with Chris Weston, in #861–867, 1993)
- The Grudge-Father(with Jim McCarthy, in #878–883, 1994)
- Babe Race 2000(with Anthony Williams, in #883–888 and Yearbook '95, 1994–1995)
- Rogue Trooper (Friday): "G.I. Blues" (with Chris Weston, in #901–903, 1994)
- Paul Johnson):
- "A New Star" (in #980–984, 1996)
- "Faustus" (co-written by Millar and Grant Morrison, in #1024–1031, 1997)
- Revolver Horror Special: "Mother's Day" (with Phil Winslade, anthology, 1990)
- The Comic Relief Comic (among other writers and artists, one-shot, 1991)
- Sonic the Comic (anthology):
- Sonic the Hedgehog:
- "Robofox" (with Woodrow Phoenix, in #2, 1993)
- "Mayhem in the Marble Hill Zone" (with Jose Casanovas, in #3, 1993)
- "Lost in the Labyrinth Zone" (with Woodrow Phoenix, in #5, 1993)
- "Time Racer" (with Ed Hillyer, in #11, 1993)
- "Hidden Danger!" (with Carl Flint, in #12, 1993)
- "Double Trouble" (with Mike Hadley, in #13, 1993)
- "The Green Eater" (with Mike Hadley, in #15, 1993)
- "Happy Christmas Doctor Robotnik!" (with Brian Williamson, in #16, 1993)
- "A Day in the Life of Doctor Robotnik" (with Mike Hadley, in #42, 1994)
- "Odour Zone" (with Mike Hadley, in #72, 1996)
- "Spinball Wizard" (with Keith Page, in #73, 1996)
- Streets of Rage (with Peter Richardson, in #7–12 and 25–30, 1993–1994)
- Sonic the Hedgehog:
Other
- Daily Star (daily newspaper strip featuring Judge Dredd, published by Reach plc):
- "Return of the Peeper" (with Mike Collins, episodes #1556–1598, published from 2 March to 20 April 1991)
- "How to be a... Monster" (with Mike Collins, episodes #1599–1640, published from 22 April to 8 June 1991)
- "Assault on Sector House 13" (with Carlos Pino, episodes #1641–1682, published from 10 June to 27 July 1991)
- "Reform School Reunion" (with Carlos Pino, episodes #1725–1766, published from 16 September to 2 November 1991)
- "Blood of Nosferatu" (with Carlos Pino, episodes #1767–1808, published from 4 November to 21 December 1991)
- "Death to the Judges" (with Carlos Pino, episodes #1851–1892, published from 12 February to 31 March 1992)
- "Vic Slaughter's Big Night Out" (with Carlos Pino, episodes #1935–1976, published from 20 May to 7 July 1992)
- "Hondo City Nightmare" (with Carlos Pino, episodes #1977–2018, published from 8 July to 24 August 1992)
- "Night of the Living Dredd" (with Carlos Pino, episodes #2061–2102, published from 13 October to 1 December 1992)
- "Brute Force" (with Carlos Pino, episodes #2103–2144, published from 2 December 1992 to 20 January 1993)
- "Mega-City Heat" (with Carlos Pino, episodes #2145–2186, published from 21 January to 10 March 1993)
- "The Poverty Trap" (with Carlos Pino, episodes #2229–2270, published from 29 April to 16 June 1993)
- "The Underworld Rises!" (with Carlos Pino, episodes #2271–2312, published from 17 June to 4 August 1993)
- "Night of the Futant" (with Carlos Pino, episodes #2355–2396, published from 23 September to 10 November 1993)
- "Corpulence, Inc." (with Carlos Pino, episodes #2397–2438, published from 11 November to 31 December 1993)
- "Pritzy's Honour" (with Carlos Pino, episodes #2439–2480, published from 1 January to 18 February 1994)
- "Breakout" (with Carlos Pino, episodes #2481–2522, published from 19 February to 8 April 1994)
- "The Big Hit" (with Carlos Pino, episodes #2565–2606, published from 28 May to 15 July 1994)
- "Perp Watch" (with Carlos Pino, episodes #2649–2690, published from 3 September to 21 October 1994)
- "Wanted: Judge Dredd" (with Carlos Pino, episodes #2691–2732, published from 22 October to 9 December 1994)
- "Marked for Death" (with Carlos Pino, episodes #2775–2816, published from 30 January to 18 March 1995)
- "Mean as Sin" (with Carlos Pino, episodes #2817–2858, published from 30 March to 6 May 1995)
- "Nutty City One" (with Ron Smith, episodes #2859–2894, published from 8 May to 24 June 1995)
- "The Dead Judge's Society" (with Carlos Pino, episodes #2895–2936, published from 26 June to 12 August 1995)
- "Muggable Willy" (with Carlos Pino, episodes #2937–2978, published from 14 August to 30 September 1995)
- "Dead Man's Boots" (with Ron Smith, episodes #2979–2990, published from 2 October to 18 November 1995)
- "Block Law" (with Carlos Pino, episodes #3021–3061, published from 20 November 1995 to 11 January 1996)
- "Spirit of Vengeance" (with Ron Smith, episodes #3062–3102, published from 12 January to 27 March 1996)
- "Teutronic Knights" (with Carlos Pino, episodes #3103–3144, published from 28 March to 16 April 1996)
- "The Long Walk" (with Carlos Pino, episodes #3145–3186, published from 17 April to 4 June 1996)
- "Euroball 2118!" (with Ron Smith, episodes #3187–3228, published from 5 June to 23 July 1996)
- "Slugheads!" (with Ron Smith, episodes #3229–3270, published from 24 July to 10 September 1996)
- "Jimpy" (with Carlos Pino, episodes #3271–3312, published from 11 September to 29 October 1996)
- "Strangers on a Zoom Train" (with Ron Smith, episodes #3313–3354, published from 30 October to 17 December 1996)
- Titan):
- CLiNT #1–15 (featuring serializations American Jesus (#2–7) and Superior(#6–15), 2010–2012)
- Original stories featured in the magazine:
- Space Oddities (self-contained strips by various creators):
- "The Diner" (written and drawn by Manuel Bracchi, in #1)
- "Emergency Pit-Stop" (written and drawn by Mateus Santolouco, in #2)
- "Fall of the Fortress" (written and drawn by Bruno Letizia, in #3)
- "Best Man" (written by Muriel Grey, drawn by Des Taylor, in #4)
- "Someone Got to Eddie" (written by Ian Rankin, drawn by Stephen Daly, in #5)
- "The Battle of Dansroom" (written by Ryan Schrodt, drawn by Des Taylor, in #6)
- "Treasure" (written and drawn by Stephen Baskerville, in #7)
- Rex Royd (co-written by Frankie Boyle and Jim Muir, drawn by Mike Dowling, in #1–4, 12–13 and Mark Millar's CLiNT #1)
- The Property (written by Stewart Lee, drawn by Steve Yeowell, in #4)
- Beat My Score (written by Jimmy Carr, drawn by Ryusuke Hamamoto, in #9)
- Space Oddities (self-contained strips by various creators):
- Reprints of previously published stories serialized in the magazine:
- Turf (written by Jonathan Ross, drawn by Tommy Lee Edwards, in #1–10)
- The Pro (written by Garth Ennis, drawn by Amanda Conner, in #5–9)
- Who is Jake Ellis? (written by Nathan Edmondson, drawn by Tonči Zonjić, in #8–12)
- Officer Downe (written by Joe Casey, drawn by Chris Burnham, in #10–11)
- Graveyard of Empires (written by Mark Sable, drawn by Paul Azaceta, in #12–15 and Mark Millar's CLiNT #3–4)
- Original stories featured in the magazine:
- Mark Millar's CLiNT #1–8 (featuring serializations of The Secret Service (#1–7) and Hit-Girl(#2–7), 2012–2013)
- Original stories featured in the magazine:
- Death Sentence (written by Monty Nero, drawn by Mike Dowling, in #1–8)
- Homesick (written by J. P. Rutter, drawn by Martin Stiff, in #7)
- Dave Elliott, drawn by Garrie Gastonny, in #8)
- Original stories featured in the magazine:
- CLiNT #1–15 (featuring serializations
DC Comics
- Vertigo, 1994–1996) collected as:
- The Root of All Evil (collects #140–150, tpb, 296 pages, 2015, ISBN 1-4012-5241-9)
- Darker Genesis (collects #151–160, tpb, 256 pages, 2015, ISBN 1-4012-5828-X)
- Trial by Fire (collects #161–171, tpb, 272 pages, 2016, ISBN 1-4012-6337-2)
- The Root of All Evil (collects #140–150, tpb, 296 pages, 2015,
- ISBN 1-4012-0444-9)
- ISBN 1-4012-1688-9)
- Justice League:
- JLA Secret Files & Origins:
- JLA: The Deluxe Edition Volume 1 (tpb, 256 pages, 2011, ISBN 1-4012-3314-7) includes:
- "Secret Origin: Star-Seed" (co-written by Millar and Grant Morrison, art by Howard Porter, in #1, 1997)
- "Lost Pages: The New Superman Meets the JLA" (with Don Hillsman, co-feature in #1, 1997)
- "A Day in the Life: Martian Manhunter" (with Don Hillsman, co-feature in #1, 1997)
- "Secrets of the JLA Trophy Room" (with Chris Jones, co-feature in #2, 1998)
- JLA: The Deluxe Edition Volume 1 (tpb, 256 pages, 2011,
- JLA: Paradise Lost #1–3 (with Ariel Olivetti, 1998)
- JLA 80-Page Giant #1: "The Secret Society of Super-Villains" (with Chris Jones, anthology, 1998)
- ISBN 1-4012-3832-7)
- The Flash vol. 2 (co-written by Millar and Grant Morrison, art by Paul Ryan, Ron Wagner (#137–138) and Pop Mhan (#139–141), 1997–1998) collected as:
- Emergency Stop (collects #130–135, tpb, 144 pages, 2009, ISBN 1-4012-2177-7)
- The Human Race (collects #136–141, tpb, 160 pages, 2009, ISBN 1-4012-2239-0)
- The Flash by Grant Morrison and Mark Millar (collects #130–141, tpb, 334 pages, 2016, ISBN 1-4012-6102-7)
- Includes the "Your Life is My Business" short story (art by Ariel Olivetti) from The Flash 80-Page Giant #1 (anthology, 1998)
- Emergency Stop (collects #130–135, tpb, 144 pages, 2009,
- Superman:
- Superman Adventures (with Aluir Amâncio, Mike Manley (#25, 28, 34) and Neil Vokes (#33), 1998–2000) collected as:
- Up, Up and Away! (collects #16, 19, 22–24, digest-sized tpb, 112 pages, 2004, ISBN 1-4012-0331-0)
- The Never-Ending Battle (collects #25–29, digest-sized tpb, 112 pages, 2004, ISBN 1-4012-0332-9)
- Last Son of Krypton (collects #30–31, 33–34, digest-sized tpb, 112 pages, 2006, ISBN 1-4012-1037-6)
- The Man of Steel (collects #35–38, digest-sized tpb, 112 pages, 2006, ISBN 1-4012-1038-4)
- Superman Adventures (includes 15 of the 22 one-page stories from #41, digest-sized tpb, 128 pages, 2013, ISBN 1-4012-4706-7)
- Superman by Mark Millar (includes #52, tpb, 280 pages, 2018, ISBN 1-4012-7874-4)
- Also collects the Butch Guice, 1998)
- Also collects the Team Superman one-shot (art by Georges Jeanty, 1999)
- Also collects the "From Krypton with Love" short story (art by Sean Phillips) from Superman 80-Page Giant #2 (anthology, 1999)
- Also collects the
- Up, Up and Away! (collects #16, 19, 22–24, digest-sized tpb, 112 pages, 2004,
- Action Comics #753–755, 758 (co-written by Millar and Stuart Immonen, art by Immonen and Shawn Martinbrough (#755), 1999)
- Superman: Secret Files & Origins #2: "Big Belly Burgers" (with Shannon Denton, co-feature, 1999)
- Adventures of Superman (co-written by Millar and Stuart Immonen):
- Superman: The City of Tomorrow Volume 1 (tpb, 466 pages, 2019, ISBN 1-4012-9508-8) includes:
- "Higher Ground" (art by Steve Epting, in #573, 1999)
- "Something Borrowed, Something Blue" (art by Joe Phillips, in #574, 2000)
- "A Night at the Opera" (art by Yanick Paquette, in #575, 2000)
- "AnarchY2Knowledge" (art by Stuart Immonen, in #576, 2000)
- Superman: The City of Tomorrow Volume 1 (tpb, 466 pages, 2019,
- Superman: For the Animals: "Dear Superman..." (with Tom Grummett, free one-shot polybagged with DC Comics publications with a March 2000 cover date, 2000)
- ISBN 1-4012-2425-3)
- Superman Adventures (with Aluir Amâncio, Mike Manley (#25, 28, 34) and Neil Vokes (#33), 1998–2000) collected as:
- ISBN 1-4012-4243-X)
- DCU Heroes: Secret Files & Origins: "Lost Pages: Above Top Secret" (with Matthew Clark, co-feature in one-shot, 1999)
- ISBN 1-7795-1320-8)
- ISBN 1-4012-3795-9)
- Silver Age: Justice League of America: "The League without Justice!" (with Scott Kolins, one-shot, 2000)
- Wonder Woman vol. 2 #153: "Mad About the Boy" (with Georges Jeanty, 2000)
- The Authority Omnibus (hc, 984 pages, 2019, ISBN 1-4012-9231-3) includes:
- Wildstorm, 2000–2002)
- In a 2003 interview, Grant Morrison stated he ghost-wrote issue #28, with Millar later adjusting the script to make the issue fit his storyline.[166][192]
- Millar's run along with the fill-in issues was also collected as The Authority Volume 2 (hc, 416 pages, 2013, ISBN 1-4012-5080-7)
- Script and art in issues #13–14 and 27–28 were censored;ISBN 1-4012-8115-X)[194]
- ISBN 1-56389-769-5)
- ISBN 1-4012-1637-4)
Marvel Comics
- ISBN 0-7851-2120-X)
- Marvels Comics Group: Codename X-Men: "How I Learned to Love the Bomb" (with Sean Phillips, one-shot, 2000)
- 411 #1: "Tit-for-Tat" (with Frank Quitely, anthology, 2003)
- ISBN 0-7851-5086-2)
- ISBN 0-7851-5640-2)
- John Romita, Jr. and Kaare Andrews (#32), Marvel Knights, 2004–2005; with Steve McNiven, 2008–2009) collected as:
- Enemy of the State: The Complete Edition (collects #20–32, hc, 352 pages, 2006, ISBN 0-7851-3301-1)
- Old Man Logan (collects #66–72 and the ISBN 0-7851-3172-8)
- Wolverine by Mark Millar Omnibus (collects #20–32, 66–72 and the Giant-Size Wolverine: Old Man Logan one-shot special, hc, 576 pages, 2013, ISBN 0-7851-6796-X)
- Enemy of the State: The Complete Edition (collects #20–32, hc, 352 pages, 2006,
- ISBN 1-3029-0211-3)
- ISBN 0-7851-2178-1)
- Fantastic Four (with Bryan Hitch, Neil Edwards (#568) and Stuart Immonen (#569); issues #568–569 are scripted by Joe Ahearne from Millar's plots, 2008–2009) collected as:
- World's Greatest (collects #554–561, hc, 200 pages, 2009, ISBN 0-7851-2555-8)
- The Master of Doom (collects #562–569, hc, 248 pages, 2009, ISBN 0-7851-2967-7)
- World's Greatest (collects #554–561, hc, 200 pages, 2009,
- ISBN 0-7851-2159-5)
Ultimate Comics
- Ultimate X-Men (with Adam and Andy Kubert, Tom Raney (#9), Tom Derenick (#12), Chris Bachalo (#18–19), Kaare Andrews (#23–24), Ben Lai (#26) and David Finch, 2001–2003) collected as:
- Ultimate Collection: Ultimate X-Men Volume 1 (collects #1–12, hc, 352 pages, 2002, ISBN 0-7851-2187-0)
- Ultimate Collection: Ultimate X-Men Volume 2 (collects #15–25, hc, 336 pages, 2003, ISBN 0-7851-2856-5)
- Ultimate Collection: Ultimate X-Men Volume 3 (collects #26–33, hc, 312 pages, 2003, ISBN 0-7851-4187-1)
- Includes the 4-issue spin-off limited series Ultimate War (written by Millar, art by Chris Bachalo, 2003)
- Ultimate Collection: Ultimate X-Men Volume 1 (collects #1–12, hc, 352 pages, 2002,
- ISBN 0-7851-3780-7) collects:
- ISBN 0-7851-4387-4)
- ISBN 0-7851-4916-3)
- Ultimate Fantastic Four (with Adam Kubert, Jae Lee (Annual), Greg Land and Mitch Breitweiser (#29–32); issues #1–6 are co-written by Millar and Brian Michael Bendis, 2004–2006) collected as:
- Volume 1 (includes #1–6, hc, 320 pages, 2005, ISBN 0-7851-1458-0)
- Volume 2 (includes Annual #1, hc, 240 pages, 2006, ISBN 0-7851-2058-0)
- Volume 3 (collects #21–32, hc, 296 pages, 2007, ISBN 0-7851-2603-1)
- Volume 1 (includes #1–6, hc, 320 pages, 2005,
- ISBN 0-7851-2173-0)
- ISBN 0-7851-6132-5) collects:
- Ultimate Comics: Avengers #1–6 (with ISBN 0-7851-4097-2)
- Ultimate Comics: Avengers 2 #1–6 (with ISBN 0-7851-3671-1)
- Ultimate Comics: Avengers 3 #1–6 (with Steve Dillon, 2010–2011) also collected as Ultimate Avengers: Blade vs. the Avengers (hc, 152 pages, 2011, ISBN 0-7851-4096-4)
- Ultimate Comics: Avengers vs. New Ultimates #1–6 (with Leinil Francis Yu, 2011) also collected as Ultimate Avengers vs. New Ultimates (hc, 144 pages, 2011, ISBN 0-7851-5273-3)
- Ultimate Comics: Avengers #1–6 (with
Icon Comics
- Hit-Girl & Kick-Ass (with John Romita, Jr.):
- ISBN 0-7851-3261-9)
- ISBN 0-7851-5246-6)
- ISBN 0-7851-6598-3)
- ISBN 0-7851-8489-9)
- ISBN 0-7851-4866-3)
- ISBN 0-7851-5317-9)
- ISBN 0-7851-6544-4)
- A sequel entitled Supercrooks: The Bounty Hunter was announced for 2017, along with the sequel for American Jesus.[199] While the latter was eventually published in 2020, Supercrooks: The Bounty Hunter remains unreleased.
- ISBN 0-7851-6546-0)
- Due to specifics of Millar's deal with Netflix,[136] he is reportedly not allowed to write sequels to any of the titles that were adapted to screen before the deal, such as Wanted, Kick-Ass or Kingsman, despite still owning the rights to them.[200]
- The next Kingsman release, a six-page short story subtitled "The Big Exit" and published in Playboy #2017–09/10, was written by Rob Williams and drawn by Ozgur Yildirim. It was followed by a sequel limited series:
- ISBN 1-5343-0509-2)
- ISBN 1-3029-0207-5)
Image Comics
- Top Cow, 2003)
- ISBN 1-58240-497-6)
- ISBN 1-6070-6996-2)
- Tony Harris, 2008–2009)
- American Jesus (with Peter Gross):
- ISBN 1-60706-006-X)
- ISBN 1-5343-1512-8)
- ISBN 1-5343-2499-2)
- Jupiter's Legacy:
- Jupiter's Legacy #1–5 (with Frank Quitely, 2013–2015) collected as Jupiter's Legacy Book One (tpb, 136 pages, 2015, ISBN 1-6321-5310-6)
- ISBN 1-6321-5556-7)
- Jupiter's Circle vol. 2 #1–6 (with Wilfredo Torres, ISBN 1-6321-5707-1)
- Jupiter's Legacy 2 #1–5 (with Frank Quitely, 2016–2017) collected as Jupiter's Legacy Book Two (tpb, 136 pages, 2017, ISBN 1-6321-5889-2)
- Jupiter's Legacy: Requiem #1–12 (with Tommy Lee Edwards, 2021–2023)
- Issues #1–6 are collected as Jupiter's Legacy Volume 5 (tpb, 192 pages, 2022, ISBN 1-5343-2106-3)
- Issues #1–6 are collected as Jupiter's Legacy Volume 5 (tpb, 192 pages, 2022,
- Jupiter's Legacy #1–5 (with Frank Quitely, 2013–2015) collected as Jupiter's Legacy Book One (tpb, 136 pages, 2015,
- ISBN 1-6321-5017-4)
- ISBN 1-6321-5265-7)
- Chrononauts:
- ISBN 1-6321-5406-4)
- ISBN 1-5343-1508-X)
- ISBN 1-6321-5729-2)
- ISBN 1-5343-0652-8)
- Millarworld Annual (one-shot specials containing winning entries from the online contest for up-and-coming creators held by Millar in 2015 and 2016):
- Millarworld Annual 2016:
- "Chrononauts: Prom Night" (written by Shaun Brill, drawn by Conor Hughes)
- "Kick-Ass: Blindsided" (written by Ricardo Mo, drawn by Ifesinachi Orkiekwe)
- "American Jesus: Undeath" (written by Cliff Bumgardner, drawn by Steve Beach)
- "Kingsman: Mum's the Word" (written by Phillip Huxley, drawn by Myron Macklin)
- "Starlight: Duke McQueen's Greatest Adventure" (written by Deniz Camp, drawn by Pracheta Banerjee)
- "Hit-Girl: Mindy's ABCs" (written by Mark Abnett, drawn by Ozgur Yildirim)
- Millarworld New Talent Annual 2017:
- "Kick-Ass: Trick or Cheat" (written by Emma Sayle, drawn by Edgy Ziane)
- "Empress: Rulebook" (written by Will McLaren, drawn by Luana Vecchio)
- "Nemesis: We are Nemesis" (written by Steve Lawrence, drawn by Marcelo Salazo)
- "Superior: Symptoms" (written by Simon James, drawn by Alex Aguilar)
- "Supercrooks: The Anniversary" (written by Martin Renart, drawn by Robert Carey)
- "Huck: Home Sweet Huck" (written by Stephanie Cooke, drawn by Jake Elphick)
- Millarworld Annual 2016:
- Hit-Girl & Kick-Ass:
- ISBN 1-5343-0832-6)
- The rest of the series, written by Steve Niles and drawn by Marcelo Frusin, is collected as:
- Kick-Ass – The New Girl Book Two (collects #7–12, tpb, 152 pages, 2019, ISBN 1-5343-1064-9)
- Kick-Ass – The New Girl Book Three (collects #13–18, tpb, 152 pages, 2019, ISBN 1-5343-1349-4)
- Kick-Ass – The New Girl Book Four (collects ISBN 1-5343-1708-2)
- Kick-Ass – The New Girl Book Two (collects #7–12, tpb, 152 pages, 2019,
- The rest of the series, written by Steve Niles and drawn by Marcelo Frusin, is collected as:
- ISBN 1-5343-0809-1)
- Issues #5–8, written by ISBN 1-5343-0981-0)
- Issues #9–12, co-written by Rafael Albuquerque with ISBN 1-5343-1039-8)
- Issues #1–4 of Hit-Girl: Season Two, written by ISBN 1-5343-1225-0)
- Issues #5–8 of Hit-Girl: Season Two, written by ISBN 1-5343-1407-5)
- Issues #9–12 of Hit-Girl: Season Two, written by ISBN 1-5343-1548-9)
- Issues #1–4 of Hit-Girl: Season Two, written by
- Issues #5–8, written by
- ISBN 1-5343-0822-9)
- The Magic Order:
- The Magic Order #1–6 (with ISBN 1-5343-0871-7)
- The Magic Order 2 #1–6 (with Stuart Immonen, 2021–2022) collected as The Magic Order Volume 2 (tpb, 168 pages, 2022, ISBN 1-53432-220-5)
- The Magic Order 3 #1–6 (with ISBN 1-5343-2469-0)
- The Magic Order 4 #1–6 (with ISBN 1-5343-9982-8)
- The Magic Order #1–6 (with
- Prodigy:
- Prodigy #1–6 (with Rafael Albuquerque, 2018–2019) collected as Prodigy: The Evil Earth (tpb, 168 pages, 2019, ISBN 1-5343-1236-6)
- ISBN 1-5343-2455-0)
- Prodigy #1–6 (with Rafael Albuquerque, 2018–2019) collected as Prodigy: The Evil Earth (tpb, 168 pages, 2019,
- ISBN 1-5343-1366-4)
- ISBN 1-5343-1501-2)
- ISBN 1-5343-2212-4)
- ISBN 1-5343-9991-7)
- ISBN 1-5343-9990-9)
- The Ambassadors #1–6 (with Frank Quitely (#1), ISBN 1-5343-9981-X)
- ISBN 1-5343-9911-9)
Other US publishers
- Harris):
- Vampirella: The Morrison/Millar Collection (tpb, 176 pages, 2006, ISBN 0-910692-93-9) collects:
- Vampirella Strikes #6: "A Cold Day in Hell!" (with Louis Small, Jr., anthology, 1996)
- "Ascending Evil" (co-written by Millar and Grant Morrison, art by Amanda Conner, in Vampirella Monthly #1–3, 1997)
- "Holy War" (co-plotted by Millar and Grant Morrison; written by Steven Grant, drawn by Louis Small, Jr., in Vampirella Monthly #4–6, 1997)
- "The Queen's Gambit" (co-plotted by Millar and Grant Morrison; written by Steven Grant, drawn by Amanda Conner, in Vampirella Monthly #7–9, 1997)
- Vampirella vs. Pantha (with ISBN 0-910692-89-0)
- Vampirella vol. 2 #1–3: "Nowheresville" (with ISBN 0-910692-99-8)
- Vampirella: The Morrison/Millar Collection (tpb, 176 pages, 2006,
- ISBN 1-5930-7213-9)
- The Unfunnies #1–4 (with Anthony Williams, Avatar, 2004–2007)
- ISBN 1-6314-0939-5)
Adaptations of Millar's work
Film
Year | Title | Director(s) | Studio(s) | Based on | Budget | Box office | Rotten Tomatoes |
---|---|---|---|---|---|---|---|
USD$ | |||||||
2008 | Wanted | Timur Bekmambetov | Universal Studios
|
Wanted by Millar and J. G. Jones | $75 million | $341,433,252 | 71%[211] |
2010 | Kick-Ass | Matthew Vaughn | Marv Films
Plan B Entertainment |
John Romita, Jr.
|
$30 million | $96,188,903 | 76%[212] |
2013 | Kick-Ass 2 | Jeff Wadlow | Universal Studios Marv Films Plan B Entertainment |
Kick-Ass 2 and Hit-Girl by Millar and John Romita, Jr.
|
$28 million | $60,795,985 | 29%[213] |
2014 | Kingsman: The Secret Service[214] | Matthew Vaughn | 20th Century Fox Marv Films |
The Secret Service by Millar and Dave Gibbons
|
$81 million | $413,998,123[215] | 73%[216] |
2016 | Captain America: Civil War[217] | Anthony and Joe Russo | Marvel Studios Walt Disney Studios Motion Pictures |
Civil War by Millar and Steve McNiven | $250 million | $1.132 billion[218] | 91%[219] |
2017 | Logan | James Mangold | 20th Century Fox Marvel Entertainment The Donner's Company |
Old Man Logan by Millar and Steve McNiven | $97 million | $616.8 million[220] | 93% |
Kingsman: The Golden Circle | Matthew Vaughn | 20th Century Fox Marv Films |
The Secret Service by Millar and Dave Gibbons | $104 million | $410.8 million | 52% | |
2020 | Superman: Red Son | Sam Liu | Warner Bros. Animation DC Entertainment |
Superman: Red Son by Millar, Dave Johnson and Kilian Plunkett | |||
2021 | The King's Man | Matthew Vaughn | 20th Century Fox Marv Films |
The Secret Service by Millar and Dave Gibbons | $100 million | $125.9 million | 43% |
Television
Year | Title | Showrunner(s) | Studio(s) | Based on | Rotten Tomatoes |
---|---|---|---|---|---|
2021 | Jupiter's Legacy | Steven S. DeKnight Sang Kyu Kim |
Netflix Di Bonaventura Pictures |
Jupiter's Legacy by Millar and Frank Quitely | 40%[221] |
2021 | Super Crooks | Motonobu Hori | Netflix Studio Bones
|
Supercrooks by Millar and Leinil Francis Yu |
References
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The Ultimates run by Mark Millar was very influential on The Avengers.
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{{cite web}}
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It's interesting that '95 was perceived to be the worst year. In terms of cancellations, of course, 95–96 had the biggest number of kills, but this was artificial because the market and talent pool had been stretched gossammer-thin thanks to bad planning by the big companies.
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I'm honestly just getting so bloody bored with people talking about their five year arcs and reading quite obviously padded material conceived as a two-parter, but redesigned to suit a trade. It was necessary to revolutionize the trade market because comics weren't making much sense as books, but I honestly believe there's a middle way to work well as a graphic novel and still keep people interested in the monthlies. Why can't there be a story with a beginning, a middle, an end and a spectacular fight all inside twenty two pages?
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It was really important to me that everyone could understand every book without picking up the others. There's nothing more miserable than picking up a bunch of crap books you don't want to buy. I mean, the comic book industry for the last two years has felt like that. It's all a bunch of rubbish tie-ins to books you quite like and things like that, you know?
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The Authority was a very wounding experience in many ways. The way the book was treated by DC when it was their third or fourth biggest seller and fastest rising book was disgusting. Absolutely unprecedented in the medium.
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The Authority was the fastest growing book in the market when all their other books were sinking in sales and they killed it. As a creator and as a reader, I just think that's an abomination and it's why I wouldn't work there at the moment.
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External links
- Official website
- Millarworld newsletter
- Mark Millar at IMDb
- Mark Millar at Barney
- Mark Millar at the Grand Comics Database
- Mark Millar at the Comic Book DB (archived from the original)
- Millarworld message board (defunct)