Marvel Music
Marvel Music (record label) (through Hollywood Records) | |
Country of origin | United States |
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Headquarters location | New York City |
Key people |
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Publication types | Comics |
Fiction genres | Music |
Marvel Music was a short-lived imprint of Marvel Comics, introduced in 1994 to publish comics developed in collaboration with musicians.
The concept descended from previous Marvel collaborations with
The Marvel Music series was considered unsuccessful; Todd felt that Marvel did not market the series well, while only Marty Stuart took up Marvel's suggestion to sell the comics as concert merchandise. Marvel's president Terry Stewart felt that the imprint may have been "doomed at the beginning", and it was discontinued in 1995 in the wake of Marvel's descent into bankruptcy.
Background
Marvel had previously published some music-based comics; the premiere issue of
History
In 1991,
Marvel president Terry Stewart was seeking to diversify Marvel's output beyond superhero comics; noticing the popularity of Revolutionary Comics' Rock 'N' Roll Comics series, which featured unauthorized biographies of bands, Stewart felt that there was a market for comics based on musicians.[3][5] Marvel published Cheap Trick: Busted and Boo-Yaa T.R.I.B.E: Coming to Yaa as test runs in 1990. Stewart enlisted Mort Todd to serve as an editor for a music-focused imprint. The concept was met with some skepticism internally; assistant editor Karl Bollers recalled that "[when the] superhero heads in the office heard that we were doing rock comics, there was a feeling of, 'Oh my god, this is terrible!'", showing concerns that the idea would either be too kitschy, or follow in the footsteps of Revolutionary, which had been sued twice by musicians over their portrayals in Rock 'N' Roll Comics.[3][5]
In contrast to Rock 'N' Roll Comics, Marvel planned to grant creative control over its music comics to their respective musicians;
The titles were hampered by poor promotion.[3] Todd felt that Marvel "didn't know how to sell anything that wasn't superheroes", recalling that, "I was talking with their marketing people, and they were like, 'You know, we just can't really sell Elvis or Bob Marley.' And I was like, 'What? There are companies that sell Elvis tampons, and you can't sell an Elvis comic book? What? People love Elvis, people love comics!' So I was infuriated with Marvel and didn't renew my contract."[3] To reach their target audience, Marvel suggested that the comics also be sold as concert merchandise. However, only Marty Stuart took up this recommendation; subsequently, Marty Party in Space was among the best-selling titles under the Marvel Music imprint, alongside the Rolling Stones' Voodoo Lounge.[3]
With Marvel heading into bankruptcy, the imprint was discontinued in 1995.[3] In retrospect, Stewart felt that "Maybe it was doomed from the beginning, there just wasn’t enough of a market. Was it because we couldn’t get into the record stores? I don’t know."[3]
The Marvel Music name is presently used by an unrelated unit of Marvel Studios, responsible for releasing its film soundtracks.[3]
Titles
These comics featured the life stories of famous musicians and bands, while some were album-oriented mini-dramas, drawn song lyrics or superhero fantasies. All of these comics were made with the performers' input.[5] The imprint used the square, bound graphic novels as they were considered better price points for bookstores.[3]
- Bob Marley: Tale Of The Tuff Gong[3] #1–3 (1994–1995)
- Alice Cooper: The Last Temptation #1–3, by Neil Gaiman[5] and Michael Zulli,[3] with Alice Cooper (1994) — based on The Last Temptation album by Alice Cooper[5]
- The Compleat Alice Cooper: Incorporating the Three Acts of Alice Cooper, The Last Temptation, by Neil Gaiman; Michael Zulli; Alice Cooper (1995)[3]
- Break The Chain, based on the life of
- ISBN 0-7851-0075-X
- Marty Stuart: Marty Party In Space, by Paul S. Newman,[3] Marty Stuart, and Pat Boyette (1995)
- Dan Barry, and Gail Beckett(1995)
- (1995)
- Onyx: Fight! by Karl Bollers and Larry Lee (1995)[3]
References
- ^ "New World Entertainment Inc. Completes Sale of Marvel for $82.5 Million; Company Begins 1989 With Busy Schedule and Further Debt Reduction". PR Newswire. January 25, 1989. Retrieved October 4, 2011.[dead link]
- ^ "NWCG [New World Communications Group] Holdings Corp. Form 10-K405". SEC Info, Fran Finnegan & Company. Archived from the original on May 16, 2012. Retrieved November 5, 2011.
- ^ a b c d e f g h i j k l m n o p q r s t u v w Grossman, David (March 12, 2014). "Marvel Music's Strange, Brief, and Totally Doomed Rock-Comics Revolution". Spin Magazine. Spin. Retrieved May 21, 2016.
- ISBN 978-0756641238.
Marvel Super Special #1 featured the rock band Kiss as super heroes battling Mephisto and Doctor Doom, aided by the Avengers, the Defenders, Spider-Man, and the Fantastic Four.
- ^ a b c d e f g h Considine, J.D. (July 10, 1994). "Comics That Rock – It's Not The New Music Video – Yet – But The Comic Book Has Become A Hot Marketing Tool For Top Names In Rock,". The Baltimore Sun. Retrieved 4 October 2011.
- ^ a b c "A Look Into Marvel Comics' Collaborations with Hip-Hop". Hypebeast. Retrieved 2017-07-26.