Mecha Ortiz

Source: Wikipedia, the free encyclopedia.
In this
Spanish name, the first or paternal surname
is Varela and the second or maternal family name is Domínguez.
Mecha Ortiz
Mecha Ortiz in Mujeres que trabajan (1938).
Born
María Mercedes Varela Nimo Domínguez Castro

(1900-09-24)24 September 1900
Buenos Aires, Argentina
Died20 October 1987(1987-10-20) (aged 87)
Buenos Aires, Argentina
NationalityArgentine
Occupationactress
Years active1936-1976
Known forSapho

Mecha Ortiz (née María Mercedes Varela Nimo Domínguez Castro; 1900–1987) was a classic

El canto del cisne (1945). She was known as the Argentine Greta Garbo
and for playing mysterious characters, who suffered by past misfortunes in love, mental disorders, or forbidden love. Safo, historia de una pasión was the first erotic Argentine film, though there was no nudity. She also played in the first film in which a woman struck a man and the first film with a lesbian romance. In 1981, she was awarded the Grand Prize for actresses from the National Endowment for the Arts.

Early life and background

María Mercedes Varela Nimo Domínguez Castro, known as Mecha was born 24 September 1900. Until she was 29, Mecha, was married to a farmer and was busy being a wife and mother.

Conservatorio Nacional de Música y Declamación (National Conservatory of Music and Speech) in the inaugural class under the direction of Carlos López Buchardo and Enrique García Velloso. This first class of 1926, which included Ortiz, Miguel Mileo and Paulina Singerman, among others, sought to teach acting using a standardized manual.[2] When her husband was thrown from a horse and had a serious back injury, she took a job in the prosecutor's office, refusing help from her well-to-do family. Her sister, Amanda Varela, was an established actress and got her a screen test with Paramount Studios of France. She was selected but no films were made, so her sister introduced her to a friend, influential film critic Chas de Cruz, who helped her find work.[1]

Career

She began her entertainment career as a supporting actress in the Rivera-De Rosas Theatre Company of Enrique de Rosas. She debuted on stage with El Proceso de Mary Duggan, by Bayard Veiller on 20 June 1929, at the Ateneo Theater.[3] In 1933, she was in the production of Mirandolina by Carlo Goldoni which was put on by the Theater Company of Antonio Cunill Cabanellas.[2] Also in 1933, she appeared in Corine with Guillermo Battaglia, Nedda Francy, Miguel Faust Rocha and Iris Marga at the Odeón Theater.[4] She had a theatrical season on the Smart Theater, in 1938 with "Mujeres", written by US actress and writer Clare Boothe Luce,[5] and co-starring Amelia Bence.[6]

In 1936 she had her first film role as "Rubia Mireya", with Florencio Parravicini, Irma Córdoba and Santiago Arrieta, in the classic Los muchachos de antes no usaban gomina directed by Manuel Romero. The role was the first of many wherein she played a character who could not be with the man she loved, but made personal sacrifices to be honorable.[7] Mecha was often cast as mysterious characters, plagued by past misfortunes in love, mental disorders, or forbidden love and was frequently compared with Greta Garbo.[1][8][9] She was also seen as a symbol of sophistication and was referred to in other works to denote the line between what was chic or provincial.[8] Years later the character was brought back for Ortiz in the film La Rubia Mireya (1948) with Fernando Lamas also directed by Manuel Romero. In this version, a woman who had reluctantly married, divorced and is rejected by her daughter.[10]

Ortiz in Safo, historia de una pasión

In 1938 she starred with

El canto del cisne[15] (Swan Song) for which Ortiz won acting awards in Cuba and Brazil,[8][17] as well as the Argentine Silver Condor Award for Best Actress.[15]

Stability and permanence was rarely found in Argentine theatre companies. One of the exceptions was La Compañía Argentina de Comedias Mecha Ortiz (the Argentine Comedy Company of Mecha Ortiz) which included a cast of Ortiz,

Carlos Olivari at the Versailles Theater on 6 April 1955; and "Ardelé (la margarita del amor) " by Jean Anouilh and translated by Maria Luz Regás at the Athenaeum Theatre on 23 May 1957.[3]

She starred in films such as Una mujer sin importancia (1945) with

Aida Luz, Alba Mujica, and Olga Zubarry.[25]

Between 1940 and 1950 she broadcast on the radio on the Teatro del Aire Palmolive with Orestes Caviglia, Pedro López Lagar, and Francisco Petrone.[9] Then beginning in the late 1950s, she appeared in television series, including El mar profundo y azul (1956), Estrellita, esa pobre campesina (1968-1969), Rolando Rivas, taxista (1972-1973), Invitación a Jamaica (1977) and Aventura '77 (1977).[21] Her last appearance on TV was in 1981 for the ATC Special Christmas 2000 with Rosa Rosen, Duilio Marzio, Luisa Vehil and Iris Marga.[9]

In the 1960s, her career began to decline and she made a suicide attempt, which was stopped by her son.[1] She returned to the theatre and did a revival of El proceso de Mary Duggan (1965-1966), Así es la vida (1967), Canción para un crepúsculo (1968) and several television roles.[21]

Her return to the screen came a decade later in 1974 with Boquitas pintadas, based on a novel by

Alfredo Alcon and Marta González.[26] In 1976 along with other stars, like Arturo García Buhr, Mario Soffici, Bárbara Mujica and Narciso Ibáñez Menta, Ortiz plays in Los muchachos de antes no usaban arsénico.[1] The plot is a black comedy about aging, friendships, madness and greed.[27] Piedra libre (1976) was her last film also directed by Leopoldo Torre Nilsson with Marilina Ross and Juan José Camero.[28]

In 1981, she was awarded the Grand Prize for actresses from the National Endowment for the Arts.[29] She wrote her memoirs under the title Mecha Ortiz by Mecha Ortiz. They were published in 1982.[30]

Family

Her husband, Julián Ortiz, was a farmer in Argentina. When she was 29, her husband was injured in a fall from a horse.[1] Some articles have said he became a paraplegic,[8] and others that he spent nearly 3 decades in a coma after the accident.[31] Ortiz was dedicated to him and their privacy, which in many instances escalated the mystery and speculation about her.[1] Their son, Julián, became a translator and playwright. Her brother, José, was a theatre director, and a sister, Amanda, was also an actress.

Death

She died on 20 October 1987 in

Buenos Aires, Argentina.[21]

Filmography

Movies

Television

Theater

  • Los cien rejóvenes años (1973)
  • Canción para un crepúsculo (1968)
  • Así es la vida (1967)
  • El proceso de Mary Duggan (1965-1966)
  • Culpables (1963)
  • Amantes en verano (1962)
  • Lecho nupcial (1961)
  • La esposa constante (1961)
  • Jano (1961)
  • Delito en la isla de las cabras (1961)
  • Castillo en Suecia (1961)
  • La visita de la anciana dama (1961)
  • La esposa constante (1958) *Actor and director
  • Frenesí (1956 )
  • Un tranvía llamado Deseo (Blanche Dubois) (1956)
  • El mar hondo y azul (1955)
  • Sandra (1955)
  • Iremos a Valparaíso (1955)
  • También las mujeres han perdido la guerra (1955)
  • Tú, el ángel y el demonio (1954)
  • La cama (1954)
  • Anna Karenina (1953)
  • Rueda de amantes (1953)
  • La hechicera del Corinto (1953)
  • Un tranvía llamado Deseo (Blanche Dubois) (1952)
  • El mal amor (1951)
  • El mago escondido (1949)
  • La esposa constante (1949)
  • Iremos a Valparaíso (1949)
  • La señora Ana luce sus medallas (1945)
  • Mujeres (1938 )
  • Corine (1933)
  • Mirandolina (1933)
  • El proceso de Mary Duggan (1929)

Autobiography

  • Mecha Ortiz por Mecha Ortiz Moreno: Buenos Aires (1982) (In Spanish)

References

  1. ^ a b c d e f g Bello, Omar (1 November 2014). "Mecha Ortiz: Erotismo después de los cuarenta". La Verdad Online (in Spanish). Buenos Aires, Argentina: La Verdad Online. Archived from the original on 13 September 2015. Retrieved 28 May 2015.
  2. ^
    ISBN 950-556-491-0
    . Retrieved 28 May 2015.
  3. ^
    ISBN 950-556-447-3
    . Retrieved 28 May 2015.
  4. ^ "Miguel Faust Rocha". Acceder (in Spanish). Buenos Aires, Argentina: Ministerio de Cultura. Retrieved 28 May 2015.
  5. ^ "item 52.411". Boletín Oficial de la República Argentina (in Spanish). Ed. 84 (Núm. 13.315). Buenos Aires, Argentina: República Argentina: 16825. 14 December 1938. Retrieved 20 May 2015. Mujeres. Comedia en tres actos. 102 páginas. Mecanografíadas. Versión castellana de Francisco Madrid Alier. Claire Boothe. Dada en el Teatro Smart, por la compañía de Mecha Ortiz. Buenos Aires, 1938.
  6. ISBN 978-9-500-51934-2
    .
  7. JSTOR 27763728
    .
  8. ^ a b c d e Meccia, Ernesto (18 September 2009). "Mecha encendida" (in Spanish). Buenos Aires, Argentina: Página12. Retrieved 21 May 2015.
  9. ^ a b c Zancada, Ana Maria (16 October 2007). "La Garbo argentina" (in Spanish). Buenos Aires, Argentina: El Litoral. Retrieved 29 May 2015.
  10. ^ "La rubia Mireya". ACCEDER (in Spanish). Buenos Aires, Argentina: Ministerio de Cultura. Archived from the original on 14 April 2008. Retrieved 25 May 2015.
  11. ^ Rist (2014), pp 494-495
  12. ISBN 956-260-270-2
    . Retrieved 29 May 2015.
  13. ^ "Maestro Levita". Acceder (in Spanish). Buenos Aires, Argentina: Ministerio de Cultura. Retrieved 28 May 2015.
  14. ^ "1938: año de consagración para el cine nacional". Acceder (in Spanish). Buenos Aires, Argentina: Ministerio de Cultura. Retrieved 28 May 2015.
  15. ^
    ISBN 978-0-8108-8036-8
    . Retrieved 25 May 2015.
  16. ^ "Ortíz, Mecha". Nuestros Actores (in Spanish). Buenos Aires, Argentina: Nuestros Actores. Retrieved 29 May 2015.
  17. ^ Pardo, Soledad; Croci, Pablo. "Safo, historia de una pasión: Tensión entre canon y ruptura en el primer melodrama erótico del cine argentino". Imagofagia (in Spanish). Argentina: Asociación Argentina de Estudios de Cine y Audiovisual. Retrieved 21 May 2015.
  18. ^ "Mecha Ortiz estrenó anoche en el Teatro Casino "Anna Karenina"". Acceder (in Spanish). Buenos Aires, Argentina: Ministerio de Cultura. Retrieved 28 May 2015.
  19. ^ "Camino del infierno (1946)". Mar del Plata Filmfest (in Spanish). Mar del Plata, Argentina: Mar del Plata Filmfest. Retrieved 28 May 2015.
  20. ^ Garcia Oliveri, Ricardo (6 August 1998). "Centenario de un señor de la escena" (in Spanish). Buenos Aires, Argentina: Clarín. Retrieved 22 May 2015.
  21. ^ a b c d "Ortíz, Mecha". Nuestrosactores.com.ar. Retrieved 28 May 2014.
  22. ^ Pérez, Jorge (23 December 2013). "Se fue un mito, nació una leyenda" (in Spanish). Buenos Aires, Argentina: Diario El Tiempo. Archived from the original on 22 June 2015. Retrieved 21 May 2015.
  23. ^ "Deshonra (1952)". Mar del Plata Filmfest (in Spanish). Mar del Plata, Argentina: Mar del Plata Filmfest. Retrieved 28 May 2015.
  24. ^ "La sombra de Safo (1957)". Cine Nacional (in Spanish). Buenos Aires, Argentina: Cine Nacional. Retrieved 30 May 2015.
  25. ^ "Las furias (1960)". Cine Nacional (in Spanish). Buenos Aires, Argentina: Cine Nacional. Retrieved 30 May 2015.
  26. ^ "Boquitas pintadas". Montevideo GUB (in Spanish). Montevideo, Uruguay: Montevideo Departamento de Cultura. Retrieved 30 May 2015.
  27. ^ "Apertura del 19 Festival Internacional de Cine de Paraguay 2010 con la presencia del director argentino José Martínez Suárez" (in Spanish). Asuncion, Paraguay: Embajada Argentina en Paraguay. 7 September 2010. Retrieved 30 May 2015.
  28. ISBN 978-0-292-74415-8
    . Retrieved 30 May 2015.
  29. ^ "Distinción a Mecha Ortiz". acceder (in Spanish). Buenos Aires, Argentina: Ministére de la Culture. 1981. Retrieved 22 May 2015.
  30. ^ Ortiz, Mecha (1982). Mecha Ortiz (in Spanish). Buenos Aires: Moreno. Retrieved 30 May 2015.
  31. ^ "La Vida de Grandes Estrellas Revisitadas en un Libro" (in Spanish). Buenos Aires, Argentina: Noticias Terra. 29 December 2010. Retrieved 29 May 2015.

External links

Wikimedia Commons has media related to Mecha Ortiz.
Retrieved from "https://en.wikipedia.org/w/index.php?title=Mecha_Ortiz&oldid=1162879889"