Meet the Parents

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This article is about the 2000 film. For other uses, see Meet the Parents (disambiguation).
Meet the Parents
International theatrical release poster
Directed byJay Roach
Screenplay by
Story by
Based on
Meet the Parents
by
  • Greg Glienna
  • Mary Ruth Clarke
Produced by
Starring
CinematographyPeter James
Edited by
Music byRandy Newman
Production
companies
Distributed by
Release date
  • October 6, 2000 (2000-10-06)
Running time
108 minutes
CountryUnited States
LanguageEnglish
Budget$55 million
Box office$330.4 million

Meet the Parents is a 2000 American romantic comedy film written by Jim Herzfeld and John Hamburg and directed by Jay Roach. It chronicles a series of unfortunate events that befall a good-hearted but hapless nurse (Ben Stiller as Greg Focker) while visiting his girlfriend's parents (Robert De Niro as Jack Byrnes and Blythe Danner as Dina Byrnes). In addition, Teri Polo stars as Pam Byrnes (Greg Focker's girlfriend) while Owen Wilson stars as Kevin Rawley (Pam Byrnes' ex-boyfriend).

The film is a remake of a 1992 film of the same name directed by Greg Glienna and produced by Jim Vincent. Glienna – who also played the original film's protagonist – and Mary Ruth Clarke cowrote the screenplay. Universal Pictures purchased the rights to Glienna's film with the intent of creating a new version. Jim Herzfeld expanded the original script but development was halted for some time. Jay Roach read the expanded script and expressed his desire to direct it but Universal declined him. At that time, Steven Spielberg was interested in doing so while Jim Carrey was interested in playing the lead role.[1] The studio only offered the film to Roach once Spielberg and Carrey left the project.

Released in the United States and Canada on October 6, 2000 and distributed by Universal Pictures, the film earned back its initial budget of $55 million in only 11 days. It went on to become one of the highest-grossing films of 2000, earning over $165 million in North America and over $330 million worldwide. It was well received by film critics and viewers alike, winning several awards and earning additional nominations. Ben Stiller won two comedy awards for his performance and the film was chosen as the Favorite Comedy Motion Picture at the 2001 People's Choice Awards. The success of the film inspired two sequels, namely Meet the Fockers and Little Fockers released in 2004 and 2010, respectively. It also inspired a reality television show titled Meet My Folks and a sitcom titled In-Laws, both of which debuted on NBC in 2002.

Plot

Greg Focker, a Jewish American nurse living in Chicago, intends to propose to his girlfriend, Pam Byrnes. Greg chooses to obtain the blessing of Pam's father at the wedding of Pam's sister, Debbie, at their parents' house on Long Island, and then propose to her in front of her family. This plan is put on hold when the airline company loses his luggage, which contains the engagement ring.

At the Byrnes's house, Greg meets Pam's father Jack, mother Dina, and beloved cat Jinx. Despite maintaining a friendly demeanor towards Greg, Jack is immediately suspicious of him and is critical of his choice of career as a nurse. Greg gifts Jack an extremely rare flower, but Jack does not recognize it, and he becomes even more uncomfortable after he receives an impromptu lie detector test from Jack. Pam explains that Jack's profession as a florist is a cover, and he is actually a retired CIA operative who interrogated double agents.

Meeting the rest of Pam's family and friends, including Debbie's future in-laws, Greg still feels like an outsider. He also becomes insecure about his relationship with Pam when he learns she was previously engaged, and that her ex-fiancé Kevin is amiable, handsome, wealthy, and still on friendly terms with Pam, and is also acting as the Best Man in Debbie's wedding. Despite efforts to impress her family, Greg's inadvertent actions make him an easy target for ridicule. Greg unintentionally gives Debbie a broken nose and a black eye during a pool volleyball game, floods the backyard with sewage, breaks an urn containing the ashes of Jack's mother, and sets the wedding altar on fire. Jack suspects Greg is a

marijuana pipe
, Denny hastily claims he found it in Greg's luggage.

Greg loses Jinx and replaces him with a near-identical stray, whose tail he spray-paints and who makes a mess of the house, including destroying Debbie's wedding dress. Greg's deception is exposed when a neighbor finds the real Jinx, and the entire Byrnes family, including Pam, agrees that Greg should leave Long Island, while Jack accuses Greg of lying about taking the Medical College Admission Test because his CIA contacts could not find any record of a Gregory Focker. Greg retaliates by revealing he has seen Jack engaging in secret meetings, receiving passports, and speaking in Thai, and deduces that Jack has taken on a new CIA mission, only for Jack to angrily reveal that he was arranging a surprise honeymoon in Thailand for Debbie and her fiancé Bob.

A devastated Greg drives to the airport to return to Chicago, but is detained by airport security for refusing to again check his luggage, which is too large for carry-on. Back at the Byrnes's house, Pam shows her parents copies of Greg's Medical College Admission Test transcript which his parents faxed her; the CIA found no record of Greg because his first name is Gaylord, not Gregory. Jack still believes that Greg is an unsuitable husband for Pam, but Dina lectures him over his consistent disapproval of any man Pam brings home. After hearing Pam make a heartfelt phone call to Greg, apologizing for not sticking up for him, Jack realizes that Pam truly loves Greg. He rushes to the airport and convinces security to release Greg. The two clear the air with each other, with Greg citing his fear of living up to Jack’s unattainable standards. After ensuring Greg’s loyalty and devotion to Pam, Jack finally accepts Greg, and asks him to be his son-in-law.

After returning to the Byrnes home, Greg proposes to Pam, as Jack and Dina listen in from their bedroom, agreeing that they should now meet Greg's parents. After Debbie's wedding, Jack views footage of Greg recorded by hidden cameras that he had placed around the house, in which Greg vents his frustrations with Jack, and also exposes Denny as a marijuana user.

Cast

  • veteran
    who is overprotective of his family, slightly paranoid, and takes an instant dislike towards Greg
  • Ben Stiller as Gaylord "Greg" Focker, a nurse and Pam's boyfriend, who seeks to impress her parents
  • Teri Polo as Pam Byrnes, a 2nd-grade teacher, who is Greg's girlfriend and Jack and Dina's older daughter
  • Blythe Danner as Dina Byrnes, Jack's wife and Pam's mother
  • Nicole DeHuff as Debbie Byrnes, the younger sister of Pam, Jack and Dina's younger daughter and Bob's fiancée
  • Jon Abrahams as Denny Byrnes, brother of Pam and Debbie, and Jack and Dina's youngest child
  • Owen Wilson as Kevin Rawley, the wealthy stock investor/carpenter ex-fiancé of Pam
  • James Rebhorn as Larry Banks, Bob's father and a close friend of Jack, who is a plastic surgeon
  • Thomas McCarthy as Bob Banks, Larry and Linda's son, a doctor and Debbie's fiancé
  • Phyllis George as Linda Banks, Larry's wife and Bob's mother
  • Mark Hammer as Patient in the Hospital

Themes

"But I was trying to have in a kind of forties-farce way, the opportunity to create realistic characters, but heighten the comedic situations and predicaments a bit so that they're still very funny and there is still some very broad humor, but you would connect to the characters and completely identify with Ben Stiller's anxiety about not only meeting Robert De Niro's character and all, but the kind of characters from his past that come with him."

Jay Roach[2]

Greg Focker is a middle-class Jewish nurse whose social and cultural position is juxtaposed against the Byrnes family of upper-middle class

White Anglo-Saxon Protestants.[3][4] With respect to Greg as a Jew and a nurse when compared to the Byrnes and Banks families, a distinct cultural gap is created and subsequently widened. The cultural differences are often highlighted, and Greg repeatedly made aware of them. This serves to achieve comedic effect through character development and has also been commented upon as being indicative of thematic portrayal of Jewish characters' roles in modern film as well as being a prime example of how male nurses are portrayed in media.[5][6][7] Speaking about character development in Meet the Parents, director Jay Roach stated that he wanted an opportunity to "do character-driven comedy"[2] and "to create realistic characters, but heighten the comedic situations and predicaments."[2]

Vincent Brook observes mainstream Hollywood cinema's tendency since the 1990s of incorporating Jewish

Jim Levenstein of the American Pie film series where Levenstein is often the comedic centerpiece due to his repeated sexual embarrassments.[8]

At the insistence of his Christian host, the Jewish Greg agrees to say a prayer to bless the food at the dinner table. Unskilled at this custom, he improvises and recites a part of Godspell. This scene served to show a wide social and cultural gap between Greg and the Christian Byrnes family.

Anne Bower writes about Jewish characters at mealtime as part of the broader movement she believes started in the 1960s where filmmakers started producing work that explored the "Jewish self-definition."

Jewishness.[4]

Based on common misconceptions and stereotypes about men in nursing, Greg's profession is repeatedly brought up by Jack in a negative context and the character of Greg Focker has come to be one of the best known film portrayals of a male nurse.[7] Even though men dominated the profession in earlier times,[9] there has been a feminization of the nursing profession over the course of the last century which has caused men in nursing to often be portrayed as misfits by the media.[10] A common stereotype is that of a man who accepts a career in nursing as an unfortunate secondary career choice, either failing to become a physician or still trying to become one. Such stereotyping is due to a presumption that a man would prefer to be a physician but is unable to become one due to lack of intelligence or non-masculine attributes. Jack is often seen openly criticizing Greg's career choice per his perception of nursing being an effeminate profession. In their book Men in Nursing: History, Challenges, and Opportunities authors Chad O'Lynn and Russell Tranbarger present this as an example of a negative portrayal.[11] Commenting on the same issue but disagreeing, Barbara Cherry in her book Contemporary Nursing: Issues, Trends, & Management called the portrayal of Greg as a nurse "one of the most positive film portrayals of men who are nurses"[12] and commented that Greg "humorously addresses and rises above the worst of all stereotypes that are endured by men in this profession."[12] Sandy and Harry Summers in the book Saving Lives: Why the Media's Portrayal of Nurses Puts Us All at Risk postulate that Greg's character, although intelligent and firm in his defense of his profession, "might have done more to rebut the stereotypes"[7] while also reporting that "some men in nursing"[7] expressed their opinions that it would have been better to not present the stereotypes at all.[7]

Production

Background

Main article: Meet the Parents (1992 film)

The film is a remake of a 1992 independent film of the same name.[13][14][15][16] Greg Glienna and Mary Ruth Clarke wrote the original story and screenplay. Glienna also directed and starred in the 76-minute film which was filmed on 16 mm film in 1991 and released the following year.[17][18][19][20] The 1992 film also marked one of only several film roles played by comedian Emo Philips which he also helped produce.[14][15][19][21] Film producer Elliot Grove, founder of Raindance Film Festival and the British Independent Film Awards, listed the original Meet the Parents on his personal Top Ten list of favorite films where he called it "much funnier and tighter than the Hollywood version".[22] The 1992 film was a featured entry in the 1995 Raindance Film Festival.

Producer Nancy Tenenbaum acquired the rights to the 1992 film.

Out of Sight.[13][24]

Writing

"...I think the film is fantastic, and I can't imagine a screenwriter being any happier with a film unless he directs it himself. Which, in this case, would've been a disaster since Jay is a brilliant director..."

Jim Herzfeld[25]

Universal approached screenwriter

Austin Powers films. Roach admits to have liked the script from the beginning[27] and was very much willing to make the film even though he thought "it needed more work."[25] Universal initially declined to have relatively inexperienced Roach take on the project. The studio was skeptical of Roach's ability to direct a "less-cartoony, character-driven script" compared to a comedy like Austin Powers.[25] Universal's reluctance to give the project to Roach was also due to new interest from Steven Spielberg who wanted to direct and produce the film with Jim Carrey playing the role of Greg Focker.[25][26][27][28][29] However, Spielberg and Carrey never took the project past the planning stages.[25] The script was then returned to Roach who had by now taken on his next project of Mystery, Alaska
but was still interested in making Meet the Parents.

The drafts of the script were written by Herzfeld and, once De Niro and Stiller were confirmed as stars, John Hamburg was brought on board "to help fit the script to their verbal styles."[23] Due to changes in directorial and acting line-ups after the early drafts of the script were written, Hamburg kept adjusting and re-writing the script well after production had already begun.[27][28]

Casting

Robert De Niro was cast upon the suggestion of Universal Studios due to critical acclaim of his recent comedy work.

Upon the suggestion of Universal Studios, Roach cast De Niro in the role of Jack Byrnes due to critical acclaim of his recent comedy work in films such as

live-action/animated film The Adventures of Rocky and Bullwinkle.[25] His character is Pam's father and a retired CIA operative who is overly protective of his family and has a hard time warming up to his daughters' love interests. The script was not written with De Niro in mind as Jack Byrnes; the first draft of the script was completed in 1996, three years before De Niro appeared in Analyze This.[26] However, shortly after De Niro finished filming The Adventures of Rocky and Bullwinkle, Universal suggested to Roach that he should cast him for the role to which Roach agrees that he had "no reservations whatsoever."[25] In an interview with Entertainment Weekly, De Niro stated that he was in active pursuit of comedic roles since Analyze This.[28] Admitting that he had initial reservations about starring in the film, he said that he felt "pushed into it" due to insistence by Jane Rosenthal—De Niro's partner in TriBeCa Productions who also acted as one of the producers.[28] Screenwriter Jim Herzfeld and director Jay Roach both confirmed that, after committing to the project and reviewing the script, De Niro was actually the person who came up with the idea for the famous polygraph test scene.[26][28] Asked about working with him given the serious nature of his previous roles, Ben Stiller said that "it was a little bit intimidating working with De Niro" but that he "has a great sense of humor and I think that's the biggest surprise about him."[30]

Ben Stiller was cast partly because the director was impressed with his improvisational abilities.

Explaining how Ben Stiller came to be cast in the role of Greg, Roach states: "I saw Meet the Parents as an anxiety dream, and in my view nobody plays that kind of material better than Ben."

nurse who loves his girlfriend and tries desperately to impress her parents by any means which includes telling harmless little lies which are then covered up with bigger lies and elaborate cover-up schemes. The film's script was initially written with Jim Carrey in the role of Greg and contained much more physical comedy, something that Stiller did not think would be successful with himself playing the role.[27][28] This resulted in deletion of some scenes but also in introduction of at least one unscripted scene that was completely improvised by Stiller.[25][27] Roach cast Stiller only after it became clear that Carrey would not be taking on the role.[25]

The consideration to play the character of Pam Byrnes, Greg's girlfriend who acts as a mediator between Greg and the Byrnes family, especially her father, Jack, was initially given to British actress Naomi Watts. She ultimately lost the role to Teri Polo because the filmmakers "didn't think [Watts] was sexy enough".[31][32]

Other characters in the film were played by Blythe Danner (as Dina Byrnes, Jack's wife and Pam's mother), Owen Wilson (as Kevin Rawley, Pam's ex-fiancée), Nicole DeHuff (as Debbie Byrnes, Pam's sister), Jon Abrahams (as Denny Byrnes, the youngest child of Jack and Dina Byrnes), Thomas McCarthy (as Bob Banks, Debbie's fiancé), and James Rebhorn (as Larry Banks, Bob Banks' father and a close friend of Jack's).[33] Phyllis George, who is a former Miss Texas and Miss America pageant winner and has appeared on numerous television programs as a guest and a host, made her acting debut as Linda Banks, Larry's wife and Bob's mother.[34]

The role of Jinx the cat was played by two five-year-old

American Humane Association oversaw the filming of all scenes where the cats were used and ensured the animals' obedience and well-being by keeping two trainers and a veterinarian on set at all times.[37]

Rating

Greg Glienna did not come up with the surname Focker; Greg's character in the original film did not have a last name. The name was written into the script after Jim Carrey came up with the idea for the Focker surname during a creative session held before he abandoned the project.

Motion Picture Association of America film rating system. The filmmakers were asked if they had made up the name or if they can prove that such a name exists. The studio submitted to the MPAA a list of real people with the surname Focker which ensured that the film retained a PG-13 rating.[38]

Release

Theatrical run

Meet the Parents had its theatrical release in United States and Canada on October 6, 2000. Distributed domestically by Universal Studios, it had an advertising budget of

$33.9 million.[39] It quickly proved to be a financial success, taking in $28.6 million during its opening weekend and averaging $10,950 per theater in a total of 2,614 theaters.[40] It finished as the top-earning film for the weekend of October 6–8, beating the second-placer Remember the Titans by a margin of over $9 million and bringing in more than four times the earnings of Get Carter, the next highest-earning film released that same weekend.[41] Its opening-weekend earnings were the highest ever for any film released in the month of October, surpassing Antz, as well as marking the highest opening weekend earnings for a film starring Robert De Niro and Ben Stiller, beating Analyze This and The Cable Guy simultaneously.[42][43] The film's October opening weekend record was later given to Red Dragon in 2002.[44] Its earnings for the second week of release dropped by 26% down to $21.1 million, which still kept it at No.1 at the box office beating Remember the Titans by a margin of over $8 million.[45] By the end of the second week of release, it had already grossed over $58 million, surpassing its production budget of $55 million.[45]
It spent its first four weeks of theatrical release as the highest-grossing film at the U.S. box office, making it the first film to do so since The Sixth Sense in 1999.[40][46] It was displaced from No.1 during the weekend of November 3–5 by the newly released Charlie's Angels while still managing to stay ahead of The Legend of Bagger Vance, another new release that debuted at number 3.[47][48] It remained in the Top 10 grossing films until its 11th week.[40] In the United Kingdom, it had its theatrical premiere on December 15, 2000 and was distributed by United International Pictures (UIP).[49][50] There, it managed to earn over $21 million during its run.[51] In Australia, also being distributed by UIP, it was released on December 26, 2000,[52] where it earned over $11 million during the theatrical run.[51] In Germany, it made $7,064 in its opening weekend, making it the third-highest opening weekend of 2000 in the country, behind Mission: Impossible 2 and American Pie.[53]

Twenty-five weeks after its opening day in North America, Meet the Parents completed its theatrical run on March 29, 2001, grossing $166.2 million in the United States and a total of $330.4 million worldwide,[54] making it the seventh-highest-grossing film of the year both domestically[55] and worldwide.[56]

Home media

The film was released on VHS and DVD on March 6, 2001.[57] The DVD sales for it were successful, taking in over $200 million for 2001.[58] Billboard magazine listed it as having the highest video sales for all weeks from March 31 up to and including April 21,[59][60][61][62] being the top-selling DVD for the weeks of March 24 and March 31,[59][63] and being the top-rented video for the weeks of April 7 and April 14.[60][61] Within its first week of release, it made $4.3 million in DVD rentals, beating the previous record held by What Lies Beneath. Making $21.4 million, the film had the second-highest home video rentals at the time, after The Sixth Sense.[64]

The DVD release provides only the

French-language audio track is also available only in 5.1 Dolby Digital Format. Additionally, English language subtitles are provided as well.[65]

The single-disc "Collector's Edition" contains two audio commentaries, one a light-hearted and humorous discussion between Roach, Stiller, De Niro, and producer Jane Rosenthal and the other a more formal technical commentary on the film-making aspects by the director and editor

Full Screen (1.33:1) formats. Both versions contain three additional featurettes: Silly Cat Tricks, The Truth About Lying and a 12-minute-long Jay Roach: A Director's Profile.[14]

Soundtrack

Main article: Meet the Parents (soundtrack)

The original motion picture soundtrack for the film was released on September 26, 2000 on the

ASCAP Film & Television Music Award in the Top Box Office Films category[71] and was nominated at the 5th Golden Satellite Awards in the Original Song category.[72] Dan Goldwasser, in his review of the soundtrack for Soundtrack.Net, gave credit to Newman and the soundtrack for doing "an excellent job keeping the humor level high."[67]

Reception

Critical reception

"Making a funny but not mean, smart but not smug, broad but not lazy ensemble comedy about contemporary people in a realistic setting is hard. For which Meet the Parents is to be commended — it's a bouncy, loose-limbed, families-do-the-darnedest-things sitcom that elicits ungrudging laughs without invoking water boys, pet detectives, or Klumps."

Lisa Schwarzbaum[73]

Meet the Parents received a generally positive response from film critics, being commended on the subtlety of its humor

weighted average, assigned the film a score of 73 out of 100, based on 33 critics, indicating "generally favorable" reviews.[84] Audiences polled by CinemaScore gave the film an average rating of "A−" on an A+ to F scale.[85]

Austin Powers film series and offering his opinion that "[Meet the Parents] is funnier because it never tries too hard."[74] Critic Christopher Null of AMC's Filmcritic.com claimed that "Meet the Parents is one of the funniest comedies I've seen since Annie Hall".[81] Lisa Schwarzbaum from Entertainment Weekly called the script "unforced" and concluded that it "goes down like a flute of Champagne, leaving an aftertaste of giggles."[73]

However, Internet film critic James Berardinelli, in spite of awarding it two-and-a-half stars out of four, gave the film a somewhat scathing review. On his website, Berardinelli wrote that "Meet the Parents is put together like a TV sit-com," that Roach "strings together a series of hit-and-miss lowbrow gags with little care for whether any of the connecting material is coherent, interesting, or enjoyable (in most cases, it's none of those three)" and concluding that "even with Stiller and De Niro, Meet the Parents is an encounter that can be postponed until it's available on video."[89] Jeff Vice of the Deseret News, another detractor of the film, proclaimed Meet the Parents "only erratically funny" and accused Roach of taking "the cheap way out with a series of unfunny jokes."[90] Critic Peter Bradshaw's review of it in The Guardian concludes that "It is somehow less than the sum of its parts. It strains to come to life, but never quite makes it."[91] After it was released on home media, DVD reviewer and Rolling Stone magazine contributor Douglas Pratt in his book Doug Pratt's DVD: Movies, Television, Music, Art, Adult, and More! stated that "perhaps in the crowded theater the film is hysterical, but in the quieter venue of home video, it just seems sadistic, and as the humor evaporates, the holes in the plot become clearer."[65]

Accolades

Award Category Nominee(s) Result
Academy Awards[92] Best Original Song "A Fool in Love"
Music and Lyrics by Randy Newman 		Nominated
American Comedy Awards Funniest Motion Picture Nominated
Funniest Actor in a Motion Picture (Leading Role) Robert De Niro Nominated
Ben Stiller Won
ASCAP Film and Television Music Awards Top Box Office Films Randy Newman Won
Blockbuster Entertainment Awards[93] Favorite Actor – Comedy/Romance Robert De Niro Nominated
Ben Stiller Nominated
Favorite Supporting Actor – Comedy Owen Wilson Nominated
Favorite Supporting Actress – Comedy Blythe Danner Nominated
Favorite Female – Newcomer Teri Polo Nominated
Bogey Awards Bogey Award Won
Golden Globe Awards[94] Best Actor in a Motion Picture – Musical or Comedy Robert De Niro Nominated
Golden Screen Awards Golden Screen Won
Golden Trailer Awards Best Comedy Nominated
Las Vegas Film Critics Society Awards[95] Best Original Song "Meet the Parents"
Music and Lyrics by Randy Newman 		Nominated
MTV Movie Awards Best Comedic Performance Ben Stiller Won
Best On-Screen Team Robert De Niro and Ben Stiller Nominated
Best Line "Are You a Pothead, Focker?" – Robert De Niro Won
People's Choice Awards Favorite Comedy Motion Picture Won
Satellite Awards[96] Best Original Song "A Fool in Love"
Music and Lyrics by Randy Newman 		Nominated
Teen Choice Awards Choice Movie – Comedy Nominated
Choice Movie – Actor Ben Stiller Nominated

Others

The film is recognized by American Film Institute in these lists:

  • 2005:
    AFI's 100 Years ... 100 Movie Quotes
    :
    • Jack Byrnes: "I have nipples, Greg. Could you milk me?" – Nominated[97]

Influence

The success of the film was initially responsible for a 2002

situation comedy entitled In-Laws. During the development of it, NBC called it "a Meet the Parents project" which prompted an investigation by Universal into whether NBC was infringing on Universal's copyright.[100]
Universal did not pursue any action against NBC but neither show lasted more than one season. NBC and Universal would merge in 2004.

In 2004, Meet the Fockers was released as a sequel to the film.[101][102] Directed again by Jay Roach with a screenplay by Jim Herzfeld and John Hamburg, it chronicles the events that take place when the Byrnes family meets Bernie and Roz Focker, Greg's parents, played by Dustin Hoffman and Barbra Streisand. The producers intended for them to be the opposite of the Byrneses' conservative, upper class, WASPy demeanor; to that effect, producer Jane Rosenthal explains that "Dustin Hoffman and Barbra Streisand were our dream team."[103] The sequel proved to be another financial success grossing $280 million domestically and $516 million worldwide,[104] outperforming Meet the Parents by a large margin and finishing as the fourth-highest-grossing film of 2004.[105]

In February 2007, Universal Studios announced that they would be making a second sequel in the franchise, titled Little Fockers.[106][107][108] It was to be directed by Roach with the screenplay written by Larry Stuckey, Roach's former assistant.[106][108] The sequel brings back De Niro, Stiller, Polo, Danner, Hoffman, and Streisand.[106][108] Roach was later replaced as director of the third film by Paul Weitz. Little Fockers was released in 2010 and grossed $148.4 million domestically and $310.7 million worldwide.

On July 18, 2005, a regularly scheduled

FBI
whose agents questioned its 176 passengers about the note.

See also

References

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  2. ^ a b c Kleinman, Geoffrey. Jay Roach – Director of Meet The Parents Archived 2018-11-06 at the Wayback Machine, DVDtalk. Accessed April 1, 2010.
  3. ^ Wilmington, Michael. 'Meet the Parents' Finds Success by Marrying Classic Themes to Modern Tastes Archived 2017-05-01 at the Wayback Machine, Los Angeles Times, November 6, 2000. Accessed March 30, 2010.
  4. ^ a b c d e Bower 2004, p. 99
  5. ^ a b c d e f Brook 2006, pp. 240, 241
  6. ^ Bower 2004, pp. 97–99
  7. ^ a b c d e Summers & Summers 2009, pp. 172, 173
  8. ^ Brook 2006, p. 241
  9. ^ O'Lynn & Tranbarger 2007, p. 6
  10. ^ O'Lynn & Tranbarger 2007, p. 172
  11. ^ O'Lynn & Tranbarger 2007, p. 257
  12. ^ a b Cherry 2005, p. 34
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  16. ^ a b Press 2004, p. 170
  17. ^ Ayscough, Suzan. Meet the Parents Archived 2008-12-08 at the Wayback Machine, Variety, August 13, 1992. Accessed May 28, 2008.
  18. ^ a b Wooten, Amy. Greg Glienna: Meet the Comic Archived 2020-03-21 at the Wayback Machine, Windy City Times, May 31, 2008. Accessed May 28, 2008.
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  20. Howe, Desson. A High Mirth Rate Archived 2017-12-08 at the Wayback Machine, The Washington Post
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  21. ^ Local Film Producer Brings America's #1 Film School To Detroit, Reuters, July 8, 2009. Accessed August 20, 2009.
  22. ^ Elliot's Top Ten Archived 2016-04-06 at the Wayback Machine, raindance.co.uk. Accessed August 20, 2009.
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  28. ^ a b c d e f Daly, Steve. In-Laws & Disorder Archived 2013-05-21 at the Wayback Machine, Entertainment Weekly, October 13, 2000. Accessed February 3, 2010.
  29. ^ a b Interview with Fran Drescher; Jim Carrey Discusses Movies, Comedy and Relationships Archived 2020-03-21 at the Wayback Machine, CNN, December 15, 2008. Accessed March 29, 2010.
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  32. ^ Synnot, Siobhan. A Movie, Marriage and Baby...Mega Watts Archived 2011-06-09 at the Wayback Machine, Daily Record, April 30, 2007. Accessed February 3, 2010.
  33. ^ Meet the Parents (2000) – Acting Credits Archived 2012-11-02 at the Wayback Machine, The New York Times. Accessed March 26, 2010.
  34. ^ Laufenberg 2005, p. 253
  35. ^ Sandler 2007, p. 307
  36. ISBN 1-4170-1119-X
    .
  37. American Humane Association
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Further reading

External links

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