Michael Podro
Michael Podro Essex University, where he became professor. His best known work are from his period here: The Manifold in Perception: Theories of Art from Kant to Hildebrand (1972), and Critical Historians of Art (1982).[2] Here Podro argued for bringing philosophical questions to bear on the study of art, as well as the prevailing focus on style, attribution and contextual detail.[1]
Podro served as a trustee at the Victoria and Albert Museum, and was a fellow of the British Academy.[1] In 1961 he married Charlotte Booth, with whom he had two daughters.[2]
References
- ^ a b c Alex Potts (3 April 2008). "Michael Podro". The Guardian. Retrieved 26 April 2008.
- ^ Daily Telegraph. 25 April 2008. Retrieved 26 April 2008.[dead link]
External source
- David Carrier (April 2008). "Michael Podro (1931-2008)". artcritical.com. Retrieved 26 April 2008.
- Charles Saumarez Smith (April 2008). "Michael Podro (1931-2008)". The Independent. Archived from the original on 5 April 2008. Retrieved 2 August 2008.
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