Milton Berle
Milton Berle | |
---|---|
Born | Mendel Berlinger July 12, 1908 New York City, U.S. |
Died | March 27, 2002 Los Angeles, California, U.S. | (aged 93)
Resting place | Hillside Memorial Park Cemetery |
Other names |
|
Education | Professional Children's School |
Occupations |
|
Years active | 1913–2000 |
Spouses |
|
Children | 3 |
Milton Berle (born Mendel Berlinger;
Early life
Milton Berle was born into a Jewish[1] family in a five-story walkup in the Harlem neighborhood of Manhattan. His given name was Mendel Berlinger,[2][3][4] but he chose Milton Berle as his professional name when he was 16. His father, Moses Berlinger (1872–1938), was a paint and varnish salesman. His mother, Sarah (Sadie) Glantz Berlinger (1877–1954),[5] changed her name to Sandra Berle when Milton became famous. He had three older brothers (from oldest to youngest): Phil, Frank, and Jack Berle. For many years, the latter two worked on Berle's TV production staff while Phil was a programming executive at NBC.[6]
Child actor
Berle entered show business in 1913 at the age of five when he won a children's Charlie Chaplin contest.[
By Berle's account, he continued to play child roles in other films: Bunny's Little Brother, Tess of the Storm Country, Birthright, Love's Penalty, Divorce Coupons, and Ruth of the Range. Berle recalled, "There were even trips out to Hollywood—the studios paid—where I got parts in Rebecca of Sunnybrook Farm, with Mary Pickford; The Mark of Zorro, with Douglas Fairbanks, Sr.; and Tillie's Punctured Romance, with Charlie Chaplin, Mabel Normand, and Marie Dressler."[10] However, Berle's claim to have appeared in Tillie's Punctured Romance has been disputed by film historians including Glenn Mitchell, who in his book, The Chaplin Encyclopedia, writes that Berle's alleged role was most likely played by child actor Gordon Griffith.[11]
In 1916, Berle enrolled in the Professional Children's School.[10]
Career
Vaudeville
Around 1920 at age 12, Berle made his stage debut in a revival of the musical comedy Florodora in Atlantic City, New Jersey, which later moved to Broadway. By the time he was 16, he was working as a master of ceremonies in vaudeville. He is also known to have played small bit parts in several silent films in the 1910s and 1920s, though his presence in some is disputed (see Filmography, below). In 1932, he starred in Earl Carrol's "Vanities," a Broadway musical. By the early 1930s, he was a successful stand-up comedian, patterning himself after one of vaudeville's top comics, Ted Healy.[citation needed]
Rising star
In 1933, Berle was hired by producer
Radio
From 1934 to 1936, Berle appeared frequently on
In the late 1940s, he canceled well-paying nightclub appearances to expand his radio career.
Scripted by Nat Hiken and Aaron Ruben, The Milton Berle Show also featured Arnold Stang, later a familiar face as Berle's TV sidekick. Others in the cast were Pert Kelton, Mary Schipp, Jack Albertson, Arthur Q. Bryan, Ed Begley, Brazilian singer Dick Farney, and announcer Frank Gallop. Sponsored by Philip Morris, it aired on NBC from March 11, 1947, until April 13, 1948.[citation needed] It then ran for an additional season (with new sponsor Texaco), keeping the same format but running concurrently with Berle's better known TV series, from September 11, 1948 to June 15, 1949.[15]
Berle later described this series as "the best radio show I ever did ... a hell of a funny variety show." It served as a springboard for Berle's emergence as television's first major star.[13]
Mr. Television
Berle first appeared on television in 1929 in an experimental broadcast in Chicago which he hosted in front of 129 people.[16] He would return to television 20 years later.[17]
Berle would revive the structure and routines of his vaudeville act for his debut on commercial TV, hosting The Texaco Star Theatre on June 8, 1948, over the NBC Television Network.[18][19][20] They did not settle on Berle as the permanent host right away; he was originally part of a rotation of hosts (Berle himself had only a four-week contract). Jack Carter was the host for August. Berle was named the permanent host that fall. Berle's highly visual style, characterized by vaudeville slapstick and outlandish costumes, proved ideal for the new medium.[21] Berle modeled the show's structure and skits directly from his vaudeville shows and hired writer Hal Collins to revive his old routines.[18][19]
Berle dominated Tuesday night television for the next several years, reaching the number one slot in the
Television sales more than doubled after Texaco Star Theatre's debut, reaching two million in 1949. Berle's stature as the medium's first superstar earned him the sobriquet "Mr. Television".[9] He also earned another nickname after ending a 1949 broadcast with a brief ad-libbed remark to children watching the show: "Listen to your Uncle Miltie and go to bed."[25] Francis Craig and Kermit Goell's "Near You" became the theme song that closed Berle's TV shows.[26]
Berle risked his newfound TV stardom at its zenith to challenge Texaco when the sponsor tried to prevent black performers from appearing on his show:
I remember clashing with the advertising agency and the sponsor over my signing the Four Step Brothers for an appearance on the show. The only thing I could figure out was that there was an objection to black performers on the show, but I couldn't even find out who was objecting. "We just don't like them," I was told, but who the hell was "we?" Because I was riding high in 1950, I sent out the word: "If they don't go on, I don't go on." At ten minutes of eight—minutes before showtime—I got permission for the Step Brothers to appear. If I broke the color-line policy or not, I don't know, but later on, I had no trouble booking Bill Robinson or Lena Horne.[27]
Berle's mother, Sadie, was often in the audience for his broadcasts; she had long served as a "plant" to encourage laughter from his stage show audiences.[8] Her unique, "piercing, roof-shaking laugh"[8][28] would stand out, especially when Berle made an entrance in an outrageous costume. After feigning surprise he would "ad-lib" a response; for example: "Lady, you've got all night to make a fool of yourself. I've only got an hour!"
Berle asked NBC to switch from live broadcasts to film, which would have made possible reruns (and residual income from them); he was angered when the network refused. However, NBC did consent to make a
A frequent user of tranquilizers, Berle frequently endorsed Miltown on his show and became one of its leading advocates in 1950s America. Due to his promotion of the drug, Berle was dubbed "Uncle Miltown" by Time magazine.[30]
For Berle's contribution to television, he was inducted to the Hollywood Walk of Fame in 1960.[31]
Berle's imperious, abrasive and controlling manner on the show was the inspiration for the 1957 CBS Playhouse 90 production of "The Comedian". starring Mickey Rooney as egomanaical TV comic Sammy Hogarth, who ran his weekly show through explosive tantrums, intimidation, bullying and cruelty. Writer Ernest Lehman had been assigned to profile Berle for a magazine, and captured Berle's high-handedness so completely that the magazine declined to run it, but suggested he fictionalize it and recast it as a novella. When it was picked up for the show, Rod Serling wrote the teleplay. John Frankenheimer directed the live production which received considerable acclaim. The cast included Edmond O'Brien, Kim Hunter and jazz singer Mel Tormé in his first dramatic role, portraying Hogarth's spineless brother Lester. While some speculated the play was based on Jackie Gleason's loud, controlling personality, Berle, aware the production echoed his own reputation, was quoted as saying, "I wasn't that bad." The episode won two Emmy Awards.[citation needed]
TV decline
In 1951, NBC signed Berle to an unprecedented 30-year exclusive television contract at a million dollars a year.[32]
In 1953, Texaco pulled out of sponsorship of the show but Buick picked it up, prompting a renaming as The Buick-Berle Show. The program's format was changed to include the backstage preparations for the variety show. Critics generally approved of the changes, but Berle's ratings continued to fall, and Buick pulled out after two seasons.[33] In addition, "Berle's persona had shifted from the impetuous and aggressive style of the Texaco Star Theater days to a more cultivated but less distinctive personality, leaving many fans somehow unsatisfied."[10]
By the time the again-renamed Milton Berle Show finished its only full season (1955–56), Berle was already becoming history—though his final season was host to two of Elvis Presley's earliest television appearances, April 3 and June 5, 1956.[34] The final straw during that last season may have come from CBS scheduling The Phil Silvers Show opposite Berle. Silvers was one of Berle's best friends in show business and had come to CBS's attention in an appearance on Berle's program. Bilko's creator-producer, Nat Hiken, had been one of Berle's radio writers.
Berle knew that NBC had already decided to cancel his show before Presley appeared.[35] He later hosted the first television version of the popular radio variety series, The Kraft Music Hall from 1958 to 1959,[36] but NBC was finding increasingly fewer showcases for its one-time superstar. By 1960, he was reduced to hosting a bowling program, Jackpot Bowling, delivering his quips and interviewing celebrities between the efforts of that week's bowling contestants.[37]
Life after The Milton Berle Show
In Las Vegas, Berle played to packed showrooms at
He appeared in numerous films, including .
Freed in part from the obligations of his NBC contract, Berle was signed in 1966 to a new weekly variety series on
Like his contemporary
During this period, Berle was named to the
Late career
On April 14, 1979, Berle guest-hosted NBC's Saturday Night Live. Berle's long reputation for taking control of an entire television production—whether invited to do so or not—was a cause of stress on the set. In addition, he appeared skeptical about the show's satirical bent. One of the show's writers, Rosie Shuster, described the rehearsals for the Berle SNL show and the telecast as "watching a comedy train accident in slow motion on a loop." Upstaging, camera mugging, doing spit-takes, inserting old comedy bits, and climaxing the show with a maudlin performance of "September Song" complete with a pre-arranged standing ovation (something producer Lorne Michaels had never sanctioned) resulted in Berle being banned from hosting the show again. The episode was also barred from being rerun until surfacing in 2003 because Michaels thought it brought down the show's reputation.[45][46]
As a guest star on The Muppet Show,[47] Berle was memorably upstaged by the heckling theater critics Statler and Waldorf.[48] The Statler and Waldorf puppets were inspired by a character named Sidney Spritzer, played by comedian Irving Benson, who regularly heckled Berle from a box seat during episodes of the 1960s ABC series. Milton Berle also made a cameo appearance in The Muppet Movie as a used car dealer, taking Fozzie Bear's 1951 Studebaker in trade for a station wagon. [citation needed]
In 1974, Berle had a minor altercation with a younger actor/comedian Richard Pryor when both appeared as guests on The Mike Douglas Show. At the time, Berle was discussing the emotional fallout from an experience he had with impregnating a woman with whom he was not married, having to then decide whether or not they would keep the child. During his talk, Pryor let out a laugh, to which Berle took exception and confronted him, stating, "I wish, I wish, Richard, that I could have laughed at that time at your age when I was your age, the way you just laughed now, but I just couldn't ... I told you this nine years ago, and now I'll tell you on the air in front of millions of people: Pick your spots, baby." This prompted Pryor to mockingly quip back, "All right, sweetheart" in a Humphrey Bogart voice.[49]
Another well-known incident of upstaging occurred during the 1982
In 1984, Berle appeared in
In 1985, he appeared on NBC's Amazing Stories (created by Steven Spielberg) in the episode "Fine Tunin'". In it, friendly aliens from space receive TV signals from the Earth of the 1950s and travel to Hollywood in search of their idols, Lucille Ball, Jackie Gleason, The Three Stooges, Burns and Allen, and Milton Berle. When Berle realizes the aliens are doing his old material, Uncle Miltie is thunderstruck: "Stealing from Berle? Is that even possible?" Speaking gibberish, Berle is the only person able to communicate directly with the aliens.[53]
One of Berle's most popular performances in his later years was guest-starring in 1992 in
In 1994, Berle released a fitness videotape titled "Milton Berle's Low Impact/High Comedy Workout" which was targeted towards seniors.[54]
Berle was again on the receiving end of an onstage gibe at the 1993
Berle offstage
In 1947, Milton Berle was one of the founding members of the
Berle avoided consuming drugs and alcohol, but was an avid cigar smoker, womanizer, and gambler; primarily gambling on horse racing. His enjoyment of the latter may have been responsible for Berle never equaling the wealth of many of his contemporaries.[56]
Purported penis size
Berle was famous within show business for the rumored
Radio shock jock Howard Stern barraged Berle with an endless array of penis questions during his appearances on Stern's morning talk show in 1988 and 1996.[65][66] In Berle's 1988 appearance, when fielding phone calls, Stern purposely asked his producer to only air callers whose questions dealt with Berle's penis.[67][68] In his autobiography, Berle tells of a man who accosted him in a steam bath and challenged him to compare sizes, leading a bystander to remark, "Go ahead, Milton, just take out enough to win."[69] Berle attributed this line to comedian Jackie Gleason and said, "It was maybe the funniest spontaneous line I ever heard."[70] In the oral history Live From New York: An Uncensored History of Saturday Night Live, SNL writer Alan Zweibel describes how Berle opened his bathrobe in his dressing room to show his penis size to Zweibel, only to have cast member Gilda Radner walk in on the uncomfortable scene.
Though Berle "worked clean" for his entire career, excluding the Friars Club private celebrity roasts, he reportedly used profane language extensively in private.[citation needed]
Personal life
After twice marrying and divorcing showgirl Joyce Mathews, Berle married publicist Ruth Cosgrove (née Rosenthal) in 1953; she died of cancer in 1989.[28][71] In 1989, Berle stated that his mother was behind the breakup of his marriages to Mathews. He also said that she managed to damage his previous relationships: "My mother never resented me going out with a girl, but if I had more than three dates with one girl, Mama found some way to break it up."[72] He married a fourth time in 1992 to Lorna Adams, a fashion designer 30 years his junior. He had three children, Victoria (adopted by Berle and Mathews), William (adopted by Berle and Cosgrove) and a biological son, Bob Williams, with showgirl Junior Standish (née Jean Dunne Arthur; 1925–2006).[73] Berle had two stepdaughters from his marriage to Adams: Leslie and Susan Brown.[74] He also had three grandchildren: Victoria's sons James and Mathew,[71] and William's son Tyler Daniel Roe, who died in 2014.[75]
Berle's autobiography contains many tales of his sexual exploits. He claimed relationships with numerous famous women including Marilyn Monroe and Betty Hutton, columnist Dorothy Kilgallen, and evangelist Aimee Semple McPherson.[76] The veracity of some of these claims has been questioned.[77] The McPherson story, in particular, has been challenged by McPherson's biographer[78] and her daughter, among others.[79]
In later life, Berle found comfort in Christian Science and subsequently characterized himself as "a Jew and a Christian Scientist."[80] Oscar Levant, when queried by Jack Paar about Berle's adoption of Christian Science, quipped, "Our loss is their loss."[81]
Berle was a Democrat who endorsed Lyndon B. Johnson in the 1964 United States presidential election.[82]
Final role and death
Berle guest-starred as Uncle Leo in the
In April 2001, Berle announced that a malignant tumor had been found in his colon, but he had declined surgery.
Berle reportedly left arrangements to be buried with his second wife, Ruth, at
Honors and awards
- Berle won the Emmy for Most Outstanding Kinescoped Personality in 1950, the same year his show, the Texaco Star Theater, won the Emmy for Best Kinescope Show.[89] He was twice nominated for Emmys for his acting, in 1962 and 1995.[90][91] In 1979, Berle was awarded a special Emmy Award, titled "Mr. Television."[92]
- The Hollywood Walk of Fame, on February 8, 1960, inducted Berle with two stars, for television and radio.[93]
- Berle was in the first group of inductees into the Television Hall of Fame in 1984.[94]
- On December 5, 2007, California Governor The California Museum for History, Women and the Arts.[95]
Broadway
- Earl Carroll's Vanities of 1932 (1932) – revue – in the roles of "Mortimer" in the sketch "Mourning Becomes Impossible", "Joe Miller, Jr." in "What Price Jokes", "Frank" in "Two Sailors", "Paul" in "The Cabinet of Doctor X", the "Announcer" in "Studio W.M.C.A." the "Defendant" in "Trial by Jury" and "Milton" in "The Bar Relief"
- Saluta (1934) – musical – co-lyricist and performer cast in the role of "'Windy' Walker"
- See My Lawyer (1939) – play – performer cast in the role of "Arthur Lee"
- Ziegfeld Follies of 1943 (1943) – revue – performer in the role of "Cecil" in Counter Attack, "J. Pierswift Armour" in The Merchant of Venison, "Perry Johnson" in Loves-A-Poppin, "Escamillio" in Carmen in Zoot, "Charlie Grant" Mr Grant Goes To Washington, "'The Micromaniac' Singer" and "'Hold That Smile' Dancer"
- I'll Take the High Road (1943) – play – co-producer
- Seventeen (1951) – musical – co-producer
- The Goodbye People (1968) – performer cast in the role of "Max Silverman"
Selected filmography
- 1914: The Perils of Pauline (credit disputed)
- 1915: Fanchon the Cricket as Bit Role (uncredited)
- 1917: Rebecca of Sunnybrook Farm as Bit Part (uncredited)
- 1920: Birthright
- 1920: The Mark of Zorro as Boy (uncredited)
- 1921: Little Lord Fauntleroy as Boy (uncredited)
- 1922: Tess of the Storm Country as Bit Role (uncredited)
- 1923: Ruth of the Range as Bit Role (uncredited)
- 1933: Poppin' the Cork as Elmer Brown
- 1937: New Faces of 1937 as Wallington Wedge
- 1938: Radio City Revels as Teddy Jordan
- 1940: Li'l Abner (title song with Ben Oakland and Milton Drake)
- 1941: Tall, Dark and Handsomeas Frosty Welch
- 1941: The Great American Broadcast as Radio Announcer (scenes deleted)
- 1941: Sun Valley Serenade as Nifty Allen
- 1941: Rise and Shine as Seabiscuit
- 1942: A Gentleman at Heart as Lucky Cullen
- 1942: Whispering Ghosts as H.H. Van Buren
- 1942: Over My Dead Body as Jason Cordry
- 1943: Margin for Error as Moe Finkelstein
- 1949: Always Leave Them Laughing as Kipling 'Kip' Cooper
- 1959: Lucy-Desi Comedy Hour "Milton Berle Hides Out at The Ricardos'" as himself[96]
- 1960: The Bellboy as himself / Bellboy (uncredited)
- 1960: Let's Make Love as himself (uncredited)
- 1961: The Ladies Man (1961) as himself (scenes deleted)
- 1963: It's a Mad, Mad, Mad, Mad World as J. Russell Finch
- 1965: The Loved One as Mr. Kenton
- 1966: The Oscar as Kappy Kapstetter
- 1966: Don't Worry, We'll Think of a Title as Bookstore Customer with Rope (uncredited)
- 1967: The Happening as Fred
- 1967: Who's Minding the Mint? as Luther Burton
- 1967: The Big Valley (Season 3, Episode 3, A Flock of Trouble) as Josiah Freeman
- 1967: Batman (Season 3, Episode 7, "Louie the Lilac") as Louie the Lilac
- 1968: Where Angels Go, Trouble Follows as The Movie Director: The 'In' Group
- 1968: For Singles Only as Mr Parker
- 1969: Can Heironymus Merkin Ever Forget Mercy Humppe and Find True Happiness? as Goodtime Eddie Filth
- 1969: Seven in Darkness as Sam Fuller
- 1971: That Girl (Season 5, Episode 15, Those Friars) as himself
- 1972: Evil Roy Slade as Harry Fern
- 1972: Journey Back to Oz as The Cowardly Lion (voice)
- 1975: Lepke as Mr. Meyer
- 1976: Won Ton Ton, the Dog Who Saved Hollywood as Blind Man
- 1976: Let's Make a Deal (playing for a home viewer)
- 1978: Hey, Abbott! as himself (voice)
- 1979: The Muppet Movie as Mad Man Mooney
- 1980: CHiPs as himself
- 1981: General Hospital as Micky Miller
- 1981: The Fall Guy
- 1983: Cracking Up as Ms. Sultry
- 1984: Broadway Danny Rose as himself
- 1984: The 1st TV Academy Hall of Fame as himself/winner
- 1984: Music Video with Ratt & Milton Berle, Round and round
- 1985: Pee-wee's Big Adventure as himself (uncredited)
- 1985: Amazing Stories as himself
- 1988: Side by Side as Abe Mercer
- 1989: Going Overboard as himself (uncredited)
- 1991: Trabbi Goes to Hollywood as Hotel Clerk
- 1991: Shakes the Clown as Male Clown Barfly (uncredited)
- 1992: The Fresh Prince of Bel-Air as Max Jakey
- 1992: The Real Story of Au Clair De La Lune as The Prince of Darkness (voice)
- 1993: Matlock "The Last Laugh" as Harvey Chase
- 1995: Beverly Hills, 90210 as Saul Howard
- 1995: The Nanny as Uncle Manny
- 1995: Roseanneas Transvestite at Wedding (uncredited)
- 1995: The 4th of July Parade as Ice Cream Man
- 1996: Storybook as Illuzor
- 1996: Sister, Sister (TV Series) The Volunteers as Edgar Boggs
- 2000: Kenan & Kel as Uncle Leo (final film role)
References
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- ^ a b Epstein, Lawrence J. (2002) The Haunted Smile: The Story of Jewish Comedians in America, ch.6 The Magic Box, pp. 86–7, quotation:
Berle had hired the writer Hal Collins to revive old vaudeville, burlesque, and radio routines that Berle has used successfully. ... The shows were clearly vaudeville brought into the home. ... Berle was the ringmaster, the master of ceremonies who did his opening monologue and introduced each new act. Keeping to his own vaudeville tradition of entering into the acts of other performers, Berle often interrupted or joined in the act. When "Buffalo Bob" Smith came on, Berle appeared dressed as Howdy Doody.
- ^ a b Madigan, S.P. Texaco Star Theatre entry in Browne, Pat (2001) The guide to United States popular culture, p.833, quotation:
Texaco Star emulated a vaudeville variety hour, with several guests each week, including singers, comedians, ventriloquists, acrobats, dramatic performances, and so forth.
- ^ Sackett, Susan (1993) p.1954 quotation:
. When the program premiered on Tuesday, June 8, 1948, on NBC Television, the format was strictly vaudeville, with dancers, jugglers, acrobats, and guest stars in sketches--in short, a close approximation of the show that Berle was already doing for ABC on Wednesday nights.
- ^ Young, William H. and Young, Nancy K. (2010) World War II and the Postwar Years in America: A Historical and Cultural Encyclopedia, Volume 1, p.706 quotation:
Radio exists as an aural medium, and no matter how physically animated a performer may be or how clownish his or her costume ... Berle's comedic gift shone in slapstick, something he had mastered in his vaudeville experiences. Many radio stars found it difficult to make the transition to TV ... Not so Berle. Radio had confined the comedian, making him reliant on his wealth of jokes and little else. ... Berle clearly considered no costume too outlandish, no stunt too foolish.
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- ^ Sackett, Susan (1993) Prime-time hits: television's most popular network programs, 1950 p.1954 quotation:
The city of Detroit was baffled when the reservoir water levels dropped each Tuesday evening shortly after 9:00 pm. An investigation revealed that Detroit's citizens were waiting until Berle was off the air to go to the bathroom; the simultaneous flushing of thousands of toilets created havoc with Detroit's water works.
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- ^ Klein, Joe (February 14, 1983). "But Seriously, Folks, It's Uncle Miltie". New York Magazine. 16 (7): 56. Retrieved December 20, 2013.
- ^ Cox, R.L. The Verdict Is In. Heritage Committee, California (1983), p. 241.
- ^ Sutton, M.A. Aimee Semple McPherson and the Resurrection of Christian America. Harvard University Press (2009), p. 271.
- ^ Cox (2008), pp. 240-41
- ^ "The religion of Milton Berle, comedian, 'Mr. Television'". adherents.com. Archived from the original on April 3, 2007. Retrieved January 25, 2007.
{{cite web}}
: CS1 maint: unfit URL (link) - ^ Amos, David (September 16, 2010). "More About Oscar Levant". San Diego Jewish World. Retrieved August 14, 2021.
- ^ Jet, October 1, 1964
- ^ "Breaking News, Daily News and Videos – CNN.com". CNN. Archived from the original on January 21, 2012. Retrieved December 6, 2007.
- ^ "'Mr. Television', Milton Berle, dead at 93". CNN. March 28, 2002. Retrieved January 27, 2009.
- ^ "Unrest Over Final Rest" (March 29, 2002). "Boldface Names", New York Times. Retrieved July 8, 2014.
- ^ Milton Berle, TV's First Star As 'Uncle Miltie,' Dies at 93, The New York Times. March 28, 2002.
- ^ "Archived copy". Archived from the original on May 25, 2014. Retrieved May 24, 2014.
{{cite web}}
: CS1 maint: archived copy as title (link) - ^ "'Mr. TV' Milton Berle dies". Variety.com. March 27, 2002. Retrieved June 24, 2014.
- ^ "2nd Emmy Awards Nominees and Winners". Emmys.com.
- ^ "14th Emmy Awards Nominees and Winners". Emmys.com.
- ^ "47th Emmy Awards Nominees and Winners". Emmys.com.
- ^ Saxon, Reed (September 22, 2019). "A look back at some earlier Emmy Awards". Tucson.com.
- ^ "Milton Berle | Hollywood Walk of Fame". www.walkoffame.com. Archived from the original on February 3, 2014. Retrieved January 15, 2022.
- ^ "Milton Berle Hall of Fame Induction 1984". Emmys.com.
- ^ Berle inducted into California Hall of Fame Archived January 10, 2008, at the Wayback Machine, California Museum.
- ^ "Milton Berle Hides Out at The Ricardo's". Classic TV Archives. Retrieved October 22, 2016.[permanent dead link]
Further reading
- Berle, Milton with Haskel Frankel. Milton Berle, an Autobiography. New York: Dell, 1975. ISBN 0-440-15626-2
- Dunning, John. On The Air: The Encyclopedia of Old-Time Radio, Oxford University Press, 1998. ISBN 0-19-507678-8
- McNeil, Alex. Total Television. New York: Penguin Books, 1996. ISBN 0-14-004911-8
- Shales, Tom and James Andrew Miller. Live From New York: An Uncensored History of Saturday Night Live. New York: Little, Brown, 2002. ISBN 0-316-78146-0
- Berle, William and Lewis, Brad. "My Father, Uncle Miltie". New York: Barricade Books, 1999. ISBN 1-56980-149-5
External links
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- Milton Berle at IMDb
- Milton Berle at Turner Classic Movies
- Milton Berle at The Interviews: An Oral History of Television
- Milton Berle at AllMovie
- Comedy Central's 100 Greatest Stand-ups of All Time
- Milton Berle Internet archive Several entries for free stream or download including Texaco Star Theater and Buick Berle Show.
- Museum of Broadcast Communications: Milton Berle
- Museum of Broadcast Communications: The Milton Berle Show
- Damon Runyon Cancer Research Foundation
- Milton 'Berlinger' Berle's birth certificate
- Literature on Milton Berle
- Episodes of the 'Milton Berle Show' on Radio at Internet Archive