Mir iskusstva
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Mir iskusstva (Russian: «Мир искусства», IPA: [ˈmʲir ɪˈskustvə], World of Art) was a Russian magazine and the artistic movement it inspired and embodied, which was a major influence on the Russians who helped revolutionize European art during the first decade of the 20th century. The magazine had limited circulation outside Russia.[1]
From 1909, several of the miriskusniki (i.e., members of the movement) also participated in productions of Sergei Diaghilev's Ballets Russes company based in Paris.
Foundation
The artistic group was founded in November 1898 by a group of students that included
The magazine was co-founded in 1899 in St. Petersburg by Alexandre Benois, Léon Bakst, and Sergei Diaghilev (the Chief Editor).[3] They aimed at assailing artistic standards of the obsolescent Peredvizhniki school and promoting artistic individualism and other principles of Art Nouveau. The theoretical declarations of the art movements were stated in Diaghilev's articles "Difficult Questions", "Our Imaginary Degradation", "Permanent Struggle", "In Search of Beauty", and "The Fundamentals of Artistic Appreciation" published in the N1/2 and N3/4 of the new journal.[4]
Classical period
In its "classical period" (1898-1904) the art group organized six exhibitions: 1899 (International), 1900, 1901 (At the Imperial Academy of Arts, Saint Petersburg), 1902 (Moscow and Saint Petersburg), 1903, 1906 (Saint Petersburg). The sixth exhibition was seen as a Diaghilev's attempt to prevent the separation from the Moscow members of the group who organized a separate "Exhibition of 36 artists" (1901) and later "The Union of Russian Artists" group (from 1903).[5] The magazine ended in 1904.[5]
In 1904–1910, Mir iskusstva did not exist as a separate artistic group. Its place was inherited by the Union of Russian Artists which continued officially until 1910 and unofficially until 1924. The Union included painters (Valentin Serov, Konstantin Korovin, Boris Kustodiev, Zinaida Serebriakova, Sergei Lednev-Schukin), illustrators (Ivan Bilibin, Konstantin Somov, Dmitry Mitrohin), restorators (Igor Grabar), and scenic designers (Nicholas Roerich, Serge Sudeikin).[6]
In 1910 Benois published a critical article in the magazine Rech' about the Union of Russian Artists. Mir iskusstva was recreated.
The group organized numerous exhibitions: 1911, 1912, 1913, 1915, 1916, 1917, 1918, 1921, 1922 Saint-Petersburg, Moscow). The last exhibition of Mir iskusstva was organized in Paris in 1927. Some members of the group entered the Zhar-Tsvet (Moscow, organized in 1924) and Four Arts (Moscow-Leningrad, organized in 1925) artistic movements.
Art
Like the English
Like the Romantics before them, the miriskusniki promoted understanding and conservation of the art of previous epochs, particularly traditional folk art and the 18th-century rococo. Antoine Watteau was probably the single artist whom they admired the most.
Such Revivalist projects were treated by the miriskusniki
As for media, the miriskusniki preferred the light, airy effects of
In 1902 Benois and 'Mir Iskusstva' established a publishing house. They created postcards with reproductions of art masterpieces, 'educational' postcards with short commentaries and pictures from different fields of science (geography, zoology, etc.). However, the demand was rather low. Only the scenery and landscapes were sold in large runs, by 1909 the publishing house started printing books. They published guide-books on Pavlovsk, St Petersburg, Hermitage Museum, an exquisite edition of The Bronze Horseman with illustrations by Benois and many more.[7]
Gallery
References
- JSTOR 25228603.
- ISBN 0415092221.
- ^ a b Melnik 2015, p. 205.
- ^ Yakovleva 2017, p. 150-152.
- ^ ISBN 0521241987.
- ^ Ilyina & Fomina 2018, p. 238.
- ^ Mazokhina 2009, p. 163-167.
Literature
- Hanna Chuchvaha, Art Periodical Culture in Late Imperial Russia (1898-1917). Print Modernism in Transition (Boston & Leiden: Brill, 2016)
- Melnik, Natalya (2015). "On the History of the Establishing of 'Mir Iskusstva' in St Petersburg". SPSU Journal (in Russian). 3. Saint Petersburg State University: 203–215. Retrieved 2020-12-08.
- Yakovleva, A. S. (2017). "Aestheticism and decadence in articles of journal "World of art"". Journal of Saint-Petersburg State University of Culture and Arts (in Russian). 3 (32): 150–152. Retrieved 2020-12-08.
- Ilyina, T. V.; Fomina, M. S. (2018). История отечественного искусства [National Arts History] (in Russian). Moscow. p. 238. ISBN 978-5-534-07319-5.)
{{cite book}}
: CS1 maint: location missing publisher (link - Mazokhina, N. A. (2009). "Издательский проект художников объединения "Мир искусства"" ['Mir Iskusstva' Publication]. Chelyabinsk State University Journal (in Russian). 34 (172): 163–167. Retrieved 2020-12-08.
- Janet Kennedy, The Mir Iskusstva Group and Russian Art 1898-1912 (New York: Garland, 1977)