Miss Americana
Miss Americana | |
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Directed by | Lana Wilson |
Produced by | |
Starring | Taylor Swift |
Cinematography | Emily Topper |
Edited by |
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Music by |
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Production company | Tremolo Productions |
Distributed by | Netflix |
Release dates |
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Running time | 85 minutes |
Country | United States |
Language | English |
Miss Americana (also known as Taylor Swift: Miss Americana) is a 2020 American documentary film that follows the singer-songwriter Taylor Swift and her life over the course of several years of her career. It was directed by Lana Wilson, produced by Tremolo Productions, and released to Netflix and select theaters on January 31, 2020. The film is titled after "Miss Americana & the Heartbreak Prince", a 2019 song by Swift.
The film has been described as an unvarnished and emotionally revealing look at Swift, during a metamorphic phase in her life, as she learns to accept her role as not only a singer-songwriter and entertainer, but as an influential woman "harnessing the full power of her voice." It is set in the time period spanning from Swift's Reputation Stadium Tour (2018) to the release roll-out of her seventh studio album Lover (2019), dotted with flashback video clips portraying several undisclosed events of her life and career.
Premiering at the opening night of
Synopsis
Miss Americana follows Swift during a transitional phase in her career, as she wraps up her 2018 Reputation Stadium Tour and began creating her 2019 album Lover, while covering several years of her life through a biographical compilation of interviews, flashbacks, studio footage, home videos, cellphone videos and concert recordings. It focuses on sensitive subjects that Swift often avoided in interviews, such as her past battle with body dysmorphia and eating disorder, her mother's cancer diagnosis, the toxic Internet culture and media scrutiny she faces, her sexual assault trial, and decision to go public with her political views, including LGBTQ+ allyship.[1][2][3]
Netflix described the film as a "raw and emotionally revealing look" at Swift "during a transformational period in her life as she learns to embrace her role not only as a songwriter and performer, but as a woman harnessing the full power of her voice".[4] The Sundance Institute outlined: "Director Lana Wilson offers a multifaceted window into Swift, her creative process, and her singular experience of being one of the brightest lights on the world's global stage. Showcasing Swift's trademark vulnerability and her fierce intelligence and wit, Wilson captures moments both tender and exhilarating as the superstar embarks on the latest chapter of her already extraordinary career."[5]
Cast
- Taylor Swift
- Andrea Swift, mother
- Scott Swift, father
- Abigail Anderson Lucier, friend
- Tree Paine, publicist
- Robert G. Allen, manager
- Joe Alwyn, actor
- Jack Antonoff, record producer
- Joel Little, record producer
- Max Martin, record producer
- Dave Meyers, music video director
- Brendon Urie, musician
- Todrick Hall, musician
- Paul Sidoti, guitarist
- Kamilah Marshall, singer
- Melanie Nyema, singer
Additionally, the archive footages used in the documentary feature record producer
Production
Development
Swift expressed interest in making a documentary with Netflix following the
The title of the documentary is borrowed from "Miss Americana & the Heartbreak Prince", the seventh track on Lover, in which Swift expressed her disillusionment over the current state of United States politics.[7]
Swift revealed the documentary in November 2019, when she said the owner and founder of her former label Big Machine Records, Scooter Braun and Scott Borchetta respectively, blocked her from using older music and performance footage for the documentary.[9] She added that the documentary does not mention Braun, Borchetta, or Big Machine.[2] Big Machine denied the accusations in a statement.[10] In response, a representative for Swift published an email from a Big Machine executive refusing to issue licences in connection to the documentary.[11] In December, Variety reported Big Machine had cleared the use of Swift's older material for the film.[1]
Needing to speak up about beliefs I'd always had, because it felt like an opportunity to shed light on what those trials are like. I experienced it as a person with extreme privilege, so I can only imagine what it's like when you don't have that. And I think one theme that ended up emerging in the film [Miss Americana] is what happens when you are not just a people pleaser but someone who's always been respectful of authority figures, doing what you were supposed to do, being polite at all costs. I still think it's important to be polite, but not at all costs. Not when you're being pushed beyond your limits, and not when people are walking all over you. I needed to get to a point where I was ready, able and willing to call out bullshit rather than just smiling my way through it.
Music
The documentary includes the song "
Release and promotion
In December 2019, Netflix revealed that the documentary was set to premiere at the
On January 15, 2020, Swift revealed the release date and a poster of the film through her social media accounts.[15] Six days later, an official trailer to the film was released on YouTube and on Swift's social media accounts.[16][17] On January 30, Swift announced the list of select theatres that will play Miss Americana, for a limited time. It included 25 Alamo Drafthouse theatres and an iPic theatre in the United States, and the Prince Charles Cinema in the United Kingdom.[18]
Critical reception
On review aggregator website Rotten Tomatoes, the film has an approval rating of 91% based on 92 reviews, with an average rating of 7.4/10. The site's critics consensus reads: "Miss Americana provides an engaging if somewhat deliberately opaque backstage look at a pop star turned cultural phenomenon."[19] On Metacritic, it has a mean score of 65 out of 100, based on 23 critics.[20]
The film premiered at the 2020 Sundance Film Festival to praise and a standing ovation from the critics and audience.[21] Miss Americana has been described as an intimate, genuine, funny and empowering film, documenting "her humble beginnings as a country-music star to her position as an influential figure in pop culture".[22] Reviews complimented the film for Wilson's direction, and the "emotional heft" that came from Swift's vulnerable interviews discussing issues such as eating disorder, self esteem and sexual assault,[22] and for capturing Swift's creative process as well.
Wesley Morris of The New York Times chose Miss Americana as his Critic's Pick, describing it as "85 minutes of translucence" with Swift, stating that she is "self-critical, grown up and ready, perhaps, to deliver a message beyond the music".[23] Nancy Coleman, of the same publication, opined that the film "opens a rare, honest window on what makes this star [Swift] tick".[24] Hannah Woodhead of Little White Lies said the film offers "unprecedented access to the notoriously private singer and her dizzying world" through "interviews, studio footage, home videos and concert recordings". She described it as "glossy, conventional, flicking between past and present with a warm intimacy" as Swift "bares her soul in this intimate, earnest docu-portrait".[25] Slash Film's Chris Evangelita termed the film a "dynamite crowd pleaser" and described it as "a sweet, surprisingly funny portrait of Taylor Swift growing up and getting political".[26] Leslie Felperin of The Hollywood Reporter wrote: "what's ultimately very endearing about Swift is her intelligence and self-awareness, qualities that also make her music compelling, sophisticated and capable of appealing both to adolescent kids and hipster musicologists".[27] Writing for The Salt Lake Tribune, Sean Means stated that the film is "an eye-opening look at Taylor Swift finding a new voice" and "shows Swift as an artist and activist just warming up for the next act".[28] Amber Wilkinson of The Times wrote that the "intimate and open" documentary offers "a much more personal and open consideration of a star who has always been known for her onstage sound and who is now finding her political voice off stage too".[29]
In a two-star review for
Accolades
Miss Americana won three industry awards and received four other nominations. It has been placed in various best-of lists from publications and media outlets.
Awards and nominations
Year | Award | Category | Result | Ref. |
---|---|---|---|---|
2020 | Hollywood Critics Association Midseason Awards
|
Best Documentary | Runner-up | [41][42] |
Critics' Choice Documentary Awards | Most Compelling Living Subjects of a Documentary (Honor) | Won | [43] | |
2021 | Hollywood Music in Media Awards | Best Original Song in a Documentary | Nominated | [44] |
Best Music Documentary/Special Program | Nominated | |||
National Board of Review | Top 5 Documentaries | Won | [45] | |
Golden Tomato Awards | Favorite Film of 2020 | Won | [46] | |
MTV Movie & TV Awards | Best Music Documentary | Nominated | [47] |
Lists
Critic/Publication | List | Rank | Ref. |
---|---|---|---|
Collider | The Best Documentaries of 2020 | Placed | [48] |
Cosmopolitan | 13 Music Documentaries on Netflix, for When You're Missing That IRL Concert Experience | [49] | |
Decider | The 15 Best Movies Of 2020... So Far | 9 | [50] |
Best on Netflix: The Top 12 Musical Movies + Shows for Theater Bugs | 16 | [51] | |
The 10 Best Netflix Documentaries of 2020 | 5 | [52] | |
Elle | The 16 Best Documentaries Of 2020 (So Far) | 15 | [53] |
Film Threat | Best Biographical Documentaries about Artists on Netflix | Placed | [54] |
FM104 | 2020 Documentaries | [55] | |
Forbes | Some Of 2020's Music Documentaries To Watch | [56] | |
Glamour | The 18 Best Documentaries of 2020 | [57] | |
GMA News
|
Best Movies of 2020 | [58] | |
Harper's Bazaar | 15 Netflix Documentaries That Are Actually Interesting To Watch | [59] | |
The Hollywood Reporter | Oscars: The Season of the Documentary | [60] | |
IndieWire | Best Movies of 2020 So Far | [61] | |
Insider Inc. | 12 of the Best Netflix Originals of 2020, so far | 3 | [22] |
27 Great Netflix Movies by Women | Placed | [62] | |
LA Weekly | Best Documentaries of 2020 | 3 | [63] |
Manchester Evening News | The 5 Best Music Documentaries to watch on Netflix and Disney+ | Placed | [64] |
Mashable | The 10 Best Films of 2020 (so far) | 9 | [65] |
The 10 Best Documentaries Of 2020 So Far | 6 | [66] | |
The Best Music Documentaries You Can Stream On Netflix | Placed | [67] | |
Channel 24 | Documentaries about music stars were all the rage in 2020 | [68] | |
The New York Times | 11 Best Netflix Music Documentaries | [69] | |
NME | The 50 Best Documentaries of All Time | [70] | |
PopSugar | 25 Music Documentaries to Watch on Netflix This Week | [71] | |
Refinery29 | The Best Documentaries about Women | [72] | |
Screen Rant | Taylor Swift's 7 Documentaries & Concert Movies, Ranked | 1
|
[73] |
Seventeen | Best Movies of 2020 | 9 | [74] |
SheKnows | 7 Music Documentaries About Strong Women | Placed | [75] |
Stylist | 7 captivating celebrity documentaries available to stream now | [76] | |
Tom's Guide
|
The Best Movies of 2020 | [77] | |
Us Weekly | Year in Review: Best Movies of 2020 | 10 | [78] |
Yen | List of 20 amazing celebrity documentaries to watch | 2 | [79] |
Impact
The premiere of Miss Americana at the opening night of the 2020 Sundance Film Festival and Swift's pre-announced appearance at the festival caused a surge in the number of attendees, traction and media coverage of the event. TechCrunch's Matthew Panzarino stated that, "in nearly a decade of attending Sundance, I've never seen a scene like the premiere of Miss Americana", and added that the "crowd before letting into the theater was huge", with rumors about how "there wouldn't be room for ticketed attendees".[80][81] Upon release, the film became the highest-rated Netflix-original biographical documentary by an artist in IMDb history.[82][83][84]
Mental health discourse
Miss Americana fueled several conversations about
I remember how, when I was 18, that was the first time I was on the cover of a magazine, and the headline was like "Pregnant at 18?". And it was because I had worn something that made my lower stomach look not flat. So I just registered that as a punishment. And then I'd walk into a photo shoot and be in the dressing room and somebody who worked at a magazine would say, "Oh, wow, this is so amazing that you can fit into the sample sizes. Usually we have to make alterations to the dresses, but we can take them right off the runway and put them on you!" And I looked at that as a pat on the head. You register that enough times, and you just start to accommodate everything towards praise and punishment, including your own body.
Kelly Douglas of The Mighty opined that Swift's "powerful candor" about her eating disorders and body dysmorphia will "not only resonate with others facing similar struggles, but could also encourage others to seek help for their eating disorder behaviors".[87] The New York Post's Elana Fishman confessed: "every so often, I'll still catch myself criticizing the way my tummy or legs look in a photo or how a certain pair of pants fits me. From now on, whenever that happens, I'll be repeating a line Swift says in the film—We do not do that anymore, because it's better to think you look fat than to look sick".[88] Anne Petersen of BuzzFeed News commented that Swift contributes to society's "collective understanding of what beauty and success looks like", and that she is also talking about her "susceptibility to the pressure of that understanding". Petersen added that Swift refuses "to hide, and thus continue to normalize, the behaviors that perpetuate it".[89]
The Daily Targum stated that, despite being an expert when it comes to handling negative comments, even Swift "succumbed to insecurities that blossomed into eating problems, which shows how even the strongest among us are susceptible to potential eating disorders due to the toxic environment of social media".[90] Ellen Ricks of HelloGiggles called Swift's reveal of her disorder as inspirational, noting "how it can potentially impact so many people still fighting", as "there is still so much stigma and misinformation" surrounding eating disorders, and praised Swift for "using her voice to shed light on the issue for her fans".[91] In a Deccan Chronicle piece titled "Warring with food", writer Swati Sharma noted "it's no surprise" that many celebrities like Swift have struggled with eating disorders, and highlighted how the singer would be "so hungry after performances that she'd feel weak and on the verge of passing out".[92]
In an interview with
Apologies
Miss Americana further prompted many of Swift's past critics to respond to the documentary. American comedian Nikki Glaser wrote an apology on Instagram after her comments about Swift being "too skinny" were featured in the film. In the apology, Glaser stated that: "Unfortunately, I am featured in her [Swift's] new documentary as part of a montage of asshats saying mean things about her, which is used to explain why she felt the need to escape from the spotlight for a year", and admitted that her comments may have come from a place of "projection". She further added that "if you're familiar with my 'work' at all, you know I talk openly about battling some kind of eating disorder for the past 17 years, I was probably 'feeling fat' that day and was jealous". Swift responded: "One of the major themes of the doc is that we have the ability to change our opinions over time, to grow, to learn about ourselves. I'm so sorry to hear that you've struggled with some of the same things I've struggled with. Sending a massive hug".[95][96]
American writer Jenny Johnson also posted a lengthy apology on Instagram, writing that her comments about Swift being "annoying" were unnecessary, rude, and "made in jest", stating: "please know I'm not against you, I'm with you and I apologize." Journalist Kristen S. He took to Twitter to apologize to Swift for an article she wrote in 2016, titled "Taylor Swift Isn't Like Other Celebrities, She's Worse". She explained that the article was intended to "deconstruct the pettiness of the celebrity–industrial complex" and expressed her regret that the headline appeared to be "overly critical" of Swift. She concluded that she has "learned so much from Taylor's artistry over the years, and remain[s] a huge fan".[97][98]
In popular culture
An alternative poster of the film, featuring a male alter-ego of Swift, appears in the music video for Swift's 2020 single "The Man". The camera pans over a "Mr. Americana" poster starring "Tyler Swift", directed by "Larry Wilson", and premiering at the 2020 "Mandance Festival", a wordplay on the Sundance Festival.[99]
A
American singer Katy Perry praised the film, stating that she was impressed by Miss Americana because of its self-awareness and vulnerability, commenting that she was "really excited for her [Swift] to be able to show that to the world: that things aren't perfect, they don't have to be, and it's more beautiful when they aren't".[110] Perry further added that Miss Americana inspires her to make her own documentary.[111][112]
The Department of English of the Queen's University at Kingston, a public university in Ontario, Canada, offers a fall semester course titled "Taylor Swift's Literary Legacy (Taylor's Version)", with a syllabus requiring students to analyse many of Swift's works, including watching Miss Americana; the course objective is to examine Swift's music, its literary references, and her sociopolitical impact on contemporary culture.[113]
Politics
Criticism of Marsha Blackburn
In Miss Americana, Swift criticized Marsha Blackburn, a Republican senator from Tennessee, for her policies and voting record at the U.S. Congress. Swift called Blackburn "Trump in a wig" who won the 2018 U.S. Senate elections by "being a female applying to the kind of female males want us to be in a horrendous 1950s world."[114]
It's really basic human rights, and it's right and wrong at this point, and I can't see another commercial and see [Marsha Blackburn] disguising these policies behind the words "Tennessee Christian values". Those aren't Tennessee Christian values. I live in Tennessee. I'm a Christian. That's not what we stand for. [...] She gets to be the first female senator in Tennessee, and she's Trump in a wig. She represents no female interests. She won by being a female applying to the kind of female males want us to be in a horrendous 1950s world.
— Swift criticizing Marsha Blackburn's policies on LGBT and women's rights in Miss Americana.[115]
Blackburn responded to Swift's comments in her July 2021 interview to the American far-right website
Biden/Harris campaign
"Only the Young", the film's promotional single, was used in advertising campaigns for Democratic presidential candidate Joe Biden and vice presidential candidate Kamala Harris in the leadup to the 2020 U.S. presidential election. Representative Eric Swalwell revealed that Swift authorized the usage of the song for the campaign free-of-cost, marking the first time she has allowed her music to be used in a political advertisement.[119][120]
The video advertisement was released on October 30, 2020. It opens with a quote from vice presidential candidate,
See also
- List of Netflix original films
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External links
- Miss Americana on Netflix
- Miss Americana at IMDb