Moby
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Years active | 1983–present |
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Website | moby |
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Richard Melville Hall (born September 11, 1965), known professionally as Moby, is an American musician, songwriter, singer, producer, and animal rights activist. He has sold 20 million records worldwide. AllMusic considers him to be "among the most important dance music figures of the early 1990s, helping bring dance music to a mainstream audience both in the United States and the United Kingdom".[1]
After taking up guitar and piano at age nine, he played in several underground punk rock bands through the 1980s before turning to electronic dance music. In 1989, he moved to New York City and became a prolific figure as a DJ, producer and remixer. His 1991 single "Go" was his mainstream breakthrough, especially in Europe, where it peaked within the top ten of the charts in the Netherlands and the United Kingdom. Between 1992 and 1997 he scored eight top 10 hits on the Billboard Dance Club Songs chart including "Move (You Make Me Feel So Good)", "Feeling So Real", and "James Bond Theme (Moby Re-Version)". Throughout the decade he also produced music under various pseudonyms, released the critically acclaimed Everything Is Wrong (1995), and composed music for films. His punk-oriented album Animal Rights (1996) alienated much of his fan base.
Moby found commercial and critical success with his fifth album Play (1999) which, after receiving little recognition, became an unexpected global hit in 2000 after each track was licensed to films, television shows, and commercials. It remains his highest selling album with 12 million copies sold.[2] Its seventh single, "South Side", featuring Gwen Stefani, remains his only one to appear on the US Billboard Hot 100, reaching No. 14. Moby followed Play with albums of varied styles including electronic, dance, rock, and downtempo music, starting with 18 (2002), Hotel (2005), and Last Night (2008). His later albums saw him explore ambient music, including the almost four-hour release Long Ambients 1: Calm. Sleep. (2016). Moby continues to record and release albums; his twenty-first studio album, Resound NYC, was released in May 2023.
In addition to his music career, Moby is known for his veganism and support for animal rights and humanitarian aid. He was the owner of TeaNY, a vegan cafe in Manhattan, and Little Pine, a vegan restaurant in Los Angeles, and organized the vegan music and food festival Circle V. He is the author of four books, including a collection of his photography and two memoirs: Porcelain: A Memoir (2016) and Then It Fell Apart (2019).
Early life and influences
Richard Melville Hall was born September 11, 1965, in the neighborhood of Harlem in Manhattan, New York City. He is an only child of Elizabeth McBride (née Warner), a medical secretary, and James Frederick Hall, a chemistry professor, who died in a car crash while drunk when Moby was two.[3][4][5][6] His father gave him the nickname Moby three days after his birth as his parents considered the name Richard too large for a newborn baby. The name was also a reference to the ancestry Hall says he was told by his family,[7][8] though he is not directly related to Herman Melville, author of Moby-Dick.[9] Moby is distantly related to David Melville, inventor of the first United States-patented gas light system.[10]
Moby was raised by his mother, first in San Francisco from 1969 for a short period. He recalled being sexually abused by a staff member at his daycare during this time.[11] This was followed by a move to Darien, Connecticut,[12][13] living in a squat with "three or four other drug-addicted hippies, with bands playing in the basement."[14] The two then moved to Stratford, Connecticut, for a brief time.[15] His mother struggled to support her son, often relying on food stamps and government welfare.[3] They occasionally stayed with Moby's grandparents in Darien, but the affluence of the New York City suburb made him feel poor and ashamed.[14] Shortly before his mother's death in 1997, Moby learned from her that he has a half brother.[14] His first job was a caddy at a golf course.[16]
Moby took up music at the age of nine.[17] He started on classical guitar and received piano lessons from his mother[7] before studying jazz, music theory, and percussion. In 1983, he became the guitarist in a hardcore punk band, the Vatican Commandos, playing on their debut EP Hit Squad for God.[18] Around this time he was the lead vocalist for Flipper for two days; Moby played bass for their reunion shows in the 2000s.[19] Moby formed a post-punk group named AWOL around the time of his eighteenth birthday. He is credited on their only release, a self-titled EP, as Moby Hall.[20]
In 1983, Moby graduated from Darien High School[21] and started a philosophy degree at the University of Connecticut in Storrs, Connecticut. Around this time he had found the instruments he had learned "sonically limiting" and moved to electronic music.[22] He spun records at the campus radio station WHUS, which led to DJ work in local clubs and bars.[7] Moby grew increasingly unhappy at university, however, and transferred to State University of New York at Purchase, studying philosophy and photography, to try and renew his interest in studying. He dropped out in April 1984 to pursue DJing and music full-time, which started his interest in electronic dance music.[3][23][24] For two years he lived in Greenwich, Connecticut, where he DJ'd at The Cafe, an under-21 nightclub at the back of a church.[25][26] In 1987, he started to send demos of his music to record labels in New York City; he failed to receive an offer, which led to a two-year period of "very fruitless labor".[26] Around 1988, Moby moved into a semi-abandoned factory in Stamford, Connecticut, that had no bathroom or running water, but the free electricity supply allowed him to work on his music,[24] using a 4-track recorder, synthesizer, and drum machine.[27]
Moby cites English band Orchestral Manoeuvres in the Dark (OMD) as "heroes", without whom he would never have begun making electronic music.[28][29] His other formative influences include Nick Drake, Suicide, Silver Apples, Eric B. & Rakim, and Public Enemy.[30]
Career
1989–1993: Signing with Instinct, "Go", and breakthrough
In 1989, Moby relocated to New York City with his close friend, artist Damian Loeb.[12][20] In addition to performing DJ sets in local bars and clubs, he played guitar in alternative rock group Ultra Vivid Scene and appeared in the video for their 1989 single "Mercy Seat".[31][32] In 1990, Moby joined Shopwell and played on their album Peanuts.[33][34] Moby's first live electronic music gig followed in the summer of 1990 at Club MK; he wore a suit for the show.[26][35] His future manager Eric Härle, who was in attendance, recalled Moby's set: "The music was amazing, but the show was riddled with technical mishaps. It left me very intrigued and impressed in a strange way."[36]
By mid-1990, Moby had signed a deal as the sole artist of Instinct Records, an independent New York City-based dance label then still in its infancy. The three-man operation saw Moby answer incoming calls and make records in a studio he set up in the owner's lounge.[37] To appear that Instinct had more artists, Moby's early singles were put out under several names such as Voodoo Child, Barracuda, Brainstorm, and UHF.[26] The first, "Time's Up" as The Brotherhood, was co-written by Moby and vocalist Jimmy Mack.[38][39] This was followed by "Mobility", his first single released as Moby, in November 1990, which sold an initial 2,000 copies.[35] He then scored a breakthrough hit with a remix of "Go", originally a B-side to "Mobility" with an added sample of "Laura Palmer's Theme" by Angelo Badalamenti from the television series Twin Peaks. Released in March 1991, it peaked at No. 10 in the UK in October and earned him national exposure there with an appearance on Top of the Pops.[36] Instinct capitalised on Moby's success with the late 1991 compilation Instinct Dance featuring tracks by Moby and his pseudonyms. The following year, Moby revealed that "Go" had earned him just $2,000 in royalties.[39]
The success of "Go" led to increased demand for Moby to produce more music and to remix other artists' songs. He often arranged for the artist and himself to trade remixes as opposed to being paid for his work, which was the case for his mixes for
In 1992, Moby completed his first US tour as the opening act for The Shamen.[26][44] In mid-1992, Moby estimated that he had earned between $8,000 to $11,000 a year for the past six years.[39] At the 1992 Mixmag awards, he smashed his keyboard after his set.[35] After his second nationwide tour, this time with The Prodigy and Richie Hawtin, in early 1993,[26] a second compilation of Moby's work for Instinct followed named Early Underground. His second and final album on Instinct, Ambient, was released in August 1993. It is a collection of mostly ambient techno instrumentals of a more experimental style. By this time Instinct had agreed to release Moby who then took legal action, claiming that the label demanded "a ridiculous amount of money" that he did not have to leave. He also expressed disagreements over the way Instinct had packaged and handled his music.[44] Moby was eventually released after he paid the label $10,000.[22]
1993–1998: Signing with Elektra, Everything Is Wrong, and Animal Rights
In 1993, Moby signed with
Moby's contract with Elektra allowed the opportunity to make his third full-length album, which was underway in 1994. He chose to include a variety of musical styles on the album that he either liked or had been influenced by, including electronic dance, ambient, rock, and industrial music.
The success of Everything Is Wrong had Moby reach a new peak in critical acclaim. The Los Angeles Times thought the 29-year-old Moby was "poised for greatness [...] to make that big crossover" from a respected underground artist to a mainstream dance and rock musician.[49] Billboard declared him "King of techno" and Spin named him "the closest techno comes to a complete artist."[50] In 1995, Moby was approached by Courtney Love to produce the next Hole album, but he declined.[35] He directed the music video for "Young Man's Stride" by Mercury Rev.[51] In 1995 and 1996, Moby put out a number of "self-indulgent dance" singles under the pseudonyms Lopez and DJ Cake on Trophy Records, his own Mute imprint, so he could release material that he was interested in without concern for its commercial impact.[23] In 1996, Moby contributed "Republican Party" to the AIDS benefit album Offbeat: A Red Hot Soundtrip produced by the Red Hot Organization and released his second Voodoo Child album, The End of Everything.[52]
While touring Everything Is Wrong, Moby had grown bored with the electronic scene and felt the press had failed to understand his records and take them seriously. This marked a major stylistic change for his next album, Animal Rights, combining guitar-driven rock songs with Moby on lead vocals and softer ambient tracks.[53][54] Upon completing the album Moby said that it was "weird, long, self-indulgent and difficult".[36][52] Its lead single is a cover version of "That's When I Reach for My Revolver" by post-punk group Mission of Burma. Animal Rights was released in September 1996 in the UK, where it peaked at No. 38, and in February 1997 in the US. It was poorly received by his dance fan base who felt Moby had abandoned them, creating doubts as to what kind of artist Moby really was. Moby pointed out that he had not abandoned his electronic music completely and had worked on dance and house mixes and film scores while making Animal Rights.[40][55]
After Animal Rights, Moby's manager recalled: "We found ourselves struggling for even the slightest bit of recognition. He became a has-been in the eyes of a lot of people in the industry".[36] Despite the hit in sales and critical response, Moby promoted the album with a European tour with Red Hot Chili Peppers and Soundgarden, and headlined the Big Top tour with other dance and electronic DJs.[54] He returned to the genre after liking the house music that a friend and DJ had played at a party.[55] In October 1997, Moby displayed his range of music styles with the release of I Like to Score, a compilation of his film soundtrack work with some re-recorded tracks.[54][56] Among them are updated version of the "James Bond Theme" used for Tomorrow Never Dies, music used in Scream, and a cover of "New Dawn Fades" by Joy Division, an instrumental version of which appeared in Heat.[56][57] Late 1997 saw Moby start his first US tour in two years.[58]
In 1998, Elektra granted Moby's request to be released from his deal on the condition that he paid to leave, which amounted to "quite a lot". He felt Elektra did little to capitalise on the critical success of Everything Is Wrong, and that it was only interested in radio friendly hits.[59] Left without an American distributor, his only deal remained with the UK-based Mute Records.[20][60] Moby considered himself an artist that did not belong to a major label as his music did not fit with the genres that they promoted.[45]
1999–2004: Play, worldwide success, and 18
Moby's fifth album,
In 2000, Moby contributed "Flower" to
Moby started on the follow-up to Play in late 2000.
In February 2002, Moby performed at the closing ceremony of the
In 2003, Moby headlined the
2004–2010: Hotel, Last Night, and Wait for Me
Moby's seventh album, Hotel, was released in March 2005. The album contains little use of samples, which Moby reasoned to using different audio recording software which had a sampling function that was too difficult to learn, "so it was me just being lazy". He nonetheless said that Hotel is a more satisfying album as a result.[80] The instruments were recorded live by Moby except for the drums, for which he enlisted his longtime live drummer Scott Frassetto. The album features vocals from six other performers, including Laura Dawn and Shayna Steele.[81] In 2013, Moby looked back on the album as his least favourite of his career, pointing out that it was the only one not recorded at his home studio.[19] The singles "Lift Me Up" and "Slipping Away" became top-10 hits across Europe.[82] Early copies of the album included a bonus CD of remixes and ambient music entitled Hotel: Ambient that was released on its own in 2014.[83]
In 2006, he accepted an offer to score the soundtrack for
In 2008, Moby released Last Night, an electronic dance album inspired by a night out in his New York City neighborhood. The album was recorded in Moby's home studio and features various guest vocalists, including Wendy Starland, MC Grandmaster Caz, Sylvia of Kudu, MC Aynzli, and the Nigerian 419 Squad.[89] The singles from Last Night include "Alice" and "Disco Lies".
Moby wished for the follow-up to Last Night to be emotional, personal, and melodic.
Moby held a user-generated content competition to have fans create a video for "Wait for Me", the last single from the album, which was to be used as the official video. The winning entry was written and directed by Nimrod Shapira of Israel, and portrays the story of a girl who decides to invite Moby into her life. She attempts to do so by using a book called How to Summon Moby, A Guide for Dummies, putting herself through bizarre and comical steps, each is a tribute to a different Moby video.[95] The single was released in May 2010.[96]
The Wait for Me tour featured a full band.[97] Moby raised over $75,000 from three shows in California to help those affected by domestic violence[98] after funding for the state's domestic violence program had been cut. The tour also saw Moby headline the Falls Festival in Australia[99] and various Sunset Sounds festivals.[100] An ambient version Wait for Me was released in late 2009 as Wait for Me: Ambient, which Moby did not produce.[101]
In 2010, Moby enlisted vocalist Phil Costello as a songwriting partner for a new heavy metal band, Diamondsnake. After writing 13 songs, they recruited guitarist Dave Hill and a drummer named Tomato to complete the line-up. They recorded their self-titled debut album in one day and released it for free on their website. It was promoted with a series of gigs in New York City and Los Angeles.[102] Moby contributed four songs to the soundtrack of The Next Three Days, including the single "Mistake".
2010–2015: Destroyed and Innocents
In January 2010, Moby announced that he had started work on a new album.
Moby toured worldwide throughout 2013, completing acoustic and DJ sets at various concerts and festivals.
In October 2013, Moby released
Six of Moby's songs are feature in Charlie Countryman (2013). His music set the tone to Cathedrals of Culture (2014), a 3D documentary film about the soul of buildings, directed by Wim Wenders.[118] In December 2014, Moby performed three shows of ambient music at the Masonic Lodge in Hollywood Forever Cemetery to support the release of Hotel: Ambient. The performances were accompanied by visuals created by himself and with David Lynch.[83]
2016–present: Recent albums and documentary
After Innocents, Moby proceeded to make a new wave dance album with a choir, but realised the difficulty in recording a full choir in his home studio and resorted to multi-tracking vocals performed by himself and guests. He then decided against the new wave album and opted for one made by himself and seven guest vocalists he named the Void Pacific Choir.
Moby announced his fifteenth studio album, Everything Was Beautiful, and Nothing Hurt, in December 2017. The announcement coincided with the release of the first single, "Like a Motherless Child". In contrast to the politically inspired and punk nature of the two Void Pacific Choir records, the album explores themes of spirituality, individuality, and humanity.[126][127][128] The album was released on March 2, 2018.[126] The second single, "Mere Anarchy", was described by Moby as "post apocalypse, people are gone, and my friend Julie and I are time traveling aliens visiting the empty Earth."[129] "This Wild Darkness" was the third single, released in February 2018.[130] Moby described the song as "an existential dialog between me and the gospel choir: me talking about my confusion, the choir answering with longing and hope."[130] Moby promoted the album with three live shows in March 2018 with a full band, one at The Echo in Los Angeles and two at Rough Trade in New York City.[131] All profits from the album and gigs were donated to animal rights organizations.[132]
In 2018, Moby was a guest performer on "A$AP Forever" by American rapper
In March 2019, Moby released a follow-up to his first long ambient album, Long Ambients 2.
In January 2020, Moby announced that his new studio album All Visible Objects will be released on May 15. The first single, "Power is Taken" featuring D. H. Peligro, was released on the same day as the announcement. All profits from the album will be given to charity.[135]
In December 2020, Moby released another ambient album, Live Ambients – Improvised Recordings Vol. 1. It features tracks recorded under three conditions that he set himself: improvise with nothing written beforehand, no editing of the pieces after recording, and that every part of the process was to be "calming". The album was released on digital streaming platforms, followed by videos of Moby performing each track on December 30 on his YouTube channel.[136]
A documentary titled Moby Doc on Moby's life and career was released digitally and theatrically in May 2021.[137] The film was produced by his production company Little Walnut.[138] Moby's next album, Reprise, was also released that month on Deutsche Grammophon. It features orchestral versions of his greatest hits with multiple guest artists.[139] The album charted in 16 countries and includes vocals by Gregory Porter, Kris Kristofferson, Jim James and more. In May 2022, Moby released Reprise Remixes, featuring remixes of tracks from the Reprise from various artists, including Topic, Anfisa Letyago, Planningtorock, and Biscuits.
On June 1, 2022, Moby launched his new record label, Always Centered at Night. He established it to sign "emerging and fascinating variety of singers to join with me in making music they might not have been able to make elsewhere." The first single, "Medusa", features Grammy nominated singer Aynzli Jones.
On January 1, 2023, Moby released a two-and-a-half-hour ambient album
Collaborations
Moby has collaborated live with many of his heroes while on tour or at fundraisers. He has performed "Walk on the Wild Side" with
He has performed two duets with the French singer
In 1992 he contributed vocals to song "Curse" on Recoil's "Bloodline" (Alan Wilder's solo project, he was Depeche Mode member at time of that recording). Moby arguably later used this inspiration for his breakthrough 1999 album, Play, for which he used several old field recordings by Alan Lomax, much as Wilder had used a 1937 recording of White's "Shake 'Em On Down".
In 2013, Moby was responsible for the soundtrack of the documentary The Crash Reel, who tells the story of snowboarder Kevin Pearce.
On October 16, 2015,
On September 24, 2016, Moby announced the release of an album titled These Systems Are Failing, released under the name Moby & Void Pacific Choir. The followed the release of two singles from Moby & The Void Pacific Choir in 2015, "Almost Loved" & "The Light Is Clear In My Eyes".[143]
TV work
Starz aired a special episode of Blunt Talk, the Patrick Stewart comedy which involved Moby. He had been friends with Jonathan Ames for a long time, and "when we both lived in NY we did a lot of really strange, cabaret, vaudeville type shows together, and we just sort of stayed friends over the years. I guess when he and the other writers were writing Blunt Talk one of them thought it would be funny to include me as Patrick Stewart's character's ex-wife's current boyfriend."[144]
Moby was one of the first musicians to have an episode on Netflix's new music documentary series titled Once In a Lifetime Sessions; where he records, discusses, and performs his music.[145]
Moby Doc, a documentary about the artist's life was released on May 28, 2021.[137][146][147]
His documentary Punk Rock Vegan Movie was released in February 2023.[148]
Business ventures
Starting in around 2001, Moby launched a series of co-owned business ventures, with the two most prominent being the Little Idiot Collective—a New York City, U.S. bricks-and-mortar clothing store, comics store, and animation studio
In November 2015, Moby opened the Vegan restaurant Little Pine in the Silver Lake neighborhood of Los Angeles, California.[152] The restaurant serves organic, vegan, Mediterranean-inspired dishes and has a retail section with art and books, curated by Moby himself.[153] All profits are donated to animal welfare organizations; in May 2016, Moby estimated the year's donations at $250,000.[154] In December 2019, Moby launched the Little Pine lifestyle range of products and merchandise, with all profits donated to six charities.[155]
On August 23, 2016, Moby announced the inaugural Circle V Festival along with the official video for 'Don't Leave Me' by Moby & The Void Pacific Choir.
The second Circle V event took place on November 18 this time at The Regent Theatre in Los Angeles. Moby headlined the event for the second year with artists Waka Flocka Flame, Dreamcar and Raury featuring on the bill.[158]
Personal life
Moby lived in New York City for 21 years. From 1996 to 2010, he lived in an apartment on Mott Street where he also recorded his albums.[159] He then relocated to the Hollywood Hills area of Los Angeles, spending almost $4 million to purchase a castle known as Wolf's Lair (built in 1927 by developer L. Milton Wolf), spending an additional $3.5 million to restore it. He also owns an apartment in Little Italy, Manhattan.[12] In 2014, Moby sold the castle and downsized to a smaller home in the Los Feliz neighborhood of Los Angeles.[160]
In June 2013, Moby and numerous other celebrities appeared in a video showing support for Chelsea Manning.[161][162]
Moby identifies himself as
In 2019, in his book Then It Fell Apart, he claimed to have had a brief relationship with actress Natalie Portman in the late 1990s. In response, Portman denied the story and called Moby's account "disturbing" (she was 18 at the time, while he was 33), with Portman further describing their interactions as "a much older man being creepy with me".[163] He later apologized to Portman, saying: "I accept that given the dynamic of our almost 14 year age difference I absolutely should've acted more responsibly and respectfully."[164]
Moby practices meditation and has explored different types, including
Veganism and animal rights
In 1984, Moby was inspired to become a vegetarian by a cat named Tucker that he had found at a dump in Darien, Connecticut. "My mom and I, with the help of George the dachshund, took care of Tucker and he grew up to be the happiest, healthiest cat I'd ever known". In November 1987, while playing with Tucker, "I decided that just as I would never do anything to harm Tucker, or any of our rescued animals, I also would never do anything to harm any animal, anywhere", and became a vegan.[166] He is a strong supporter of animal rights, and described it as his "day job" other than musical projects.[6][167]
In March 2016, Moby supported the social media campaign #TurnYourNoseUp to end factory farming in association with the nonprofit organization Farms Not Factories.[168]
In 2019, Moby had "Vegan for life" tattooed on his neck by his friend, tattoo artist Kat Von D.[169] That November, he had "Animal rights" tattooed on his arms to commemorate the 32nd anniversary of being a vegan.[170] He also had "VX" tattooed next to his right eye, the "V" standing for vegan and the "X" for straight edge, referencing his sobriety.[171]
In February 2023 he released Punk Rock Vegan Movie, his documentary about the relationship between the worlds of punk rock and animal rights.
Drug use
From 1987 to 1995, Moby described his life as a "very clean" one and abstained from drugs, alcohol, and "for the most part", sex.[3] After taking LSD once at nineteen, he started to suffer from panic attacks which he continued to experience, but he learned to deal with them more effectively.[17] Moby recalls that shortly after his mother died from lung cancer in 1997, he had "an epiphany" and began to experiment with alcohol, drugs, and sex. This continued for four years after the commercial success of Play.[3][20][34] He became a self-confessed "old-timey alcoholic".[6] During his 18 tour in 2002 he found himself being argumentative and alienating close friends. At the end of the year he wished to make amends and live a healthier lifestyle and promised a girlfriend that he would quit alcohol for one month; he lasted two weeks.[3] Moby continued to drink to excess and would ask audiences at concerts to give him drugs. Matters culminated shortly after he turned 43 when he attempted suicide; he had his last drink on October 18, 2008, and has since attended Alcoholics Anonymous meetings.[172][173][174] In 2016, he said of his sobriety: "Since I stopped and reoriented myself towards things that have meaning, everything has gotten a million times better".[14]
Spirituality and faith
Moby has adopted different faiths throughout his life. He identified himself as an atheist when he was growing up, followed by agnostic, then "a good eight or ten years of being quite a serious Christian", during which time he taught Bible studies.[173] Around 1985, he read the teachings of Christ, including the New Testament and the Gospels and "was instantly struck by the idea that Christ was somehow divine. When I say I love Christ and love the teachings of Christ, I mean that in the most simple and naïve and subjective way. I'm not saying I'm right, and I certainly wouldn't criticize anyone else's beliefs."[175][176][177]
In the liner notes of Animal Rights (1996), Moby wrote: "I wouldn't necessarily consider myself a Christian in the conventional sense of the word, where I go to church or believe in cultural Christianity, but I really do love Christ and recognize him in whatever capacity as I can understand it as God. One of my problems with the church and conventional Christianity is it seems like their focus doesn't have much to do with the teachings of Christ, but rather with their own social agenda". In 2014, Moby pointed out that if he needed to label himself, it would be as a "Taoist–Christian–agnostic quantum mechanic."[178] In 2019, Moby said that he is not a Christian, "but my life is geared towards God [...] I have no idea who or what God might be."[11]
Charity
Moby is an advocate for a variety of causes, working with
Moby is a member of the board of directors of the
He is an advocate of net neutrality and testified before a United States House of Representatives committee debating the issue in 2006.[182][183]
In 2007, Moby launched MobyGratis.com, a website of unlicensed music for filmmakers and film students to use in any independent, non-commercial, or non-profit film, video, or short. If a film is commercially successful, all revenue from commercial licence fees granted via Moby Gratis is donated to Humane Society of the United States.[90][173][184]
In 2008, he participated in
In April 2009, Moby spoke about his personal experiences of Transcendental Meditation at the benefit concert Change Begins Within of the David Lynch Foundation in New York City.[186] In April 2015, Moby performed "Go" at the evening of a David Lynch tribute event, hosted at the Theatre at Ace Hotel in Los Angeles, which highlighted the work of the David Lynch Foundation and raised funds to teach Transcendental Meditation to local youth.[187]
In April 2018, Moby auctioned more than 100 pieces of musical equipment via Reverb.com to raise funds for the nonprofit organization Physicians Committee for Responsible Medicine, thinking it was better to sell it for a good cause rather than keep it in storage.[188] Moby held a second sale for the organization in June 2018 consisting of his personal record collection, including records that he used for DJ sets in his early career and his personal copies of his albums.[189] A third was held in October 2018 that included the sale of almost 200 analog drum machines, 100 instruments, and his entire vinyl collection.[190]
In 2018, Moby participated in Al Gore's 24-hour broadcast on climate change and other environmental issues.[191]
Moby is an advocate for Best Friends; he was part of the No-Kill Los Angeles (NKLA) launch celebration and directed a lyric video for his song "Almost Home" that features dogs and cats from the Best Friends Pet Adoption and Spay/Neuter Center in Mission Hills, California.[192]
Photography
Moby developed an interest in photography at age ten when his uncle, a photographer for The New York Times, gave him a Nikon F camera. He cites Edward Steichen as a major early influence.[193] At 17 he set up a darkroom in his basement and pursued photography while at university. Moby kept his photography private until 2010, when he put some of his work on public display at the Clic Gallery and the Brooklyn Museum in New York City.[193] In May 2011, Moby released a photography book called "Destroyed" containing pictures that were taken during the Wait for Me tour in 2010. It was released in conjunction with his same-titled album, and pictures from it were also put on display.[194][195] From October to December 2014, Moby showcased his Innocents collection of large-scale photographs at the Fremin Gallery, featuring a post-apocalyptic theme and a cast of fictitious cult members wearing masks.[196]
Books
In March 2010, Moby and animal activist Miyun Park released Gristle: From Factory Farms to Food Safety (Thinking Twice About the Meat We Eat), a collection of ten essays by various people in the food industry that they edited to detail "unbiased, factual information about the consequences of animal production" and factory farming.[197]
In 2014, Moby began writing an autobiography covering his life and career from his move to New York City in the late 1980s to the recording of Play in 1999.
His second memoir, Then It Fell Apart was released on May 2, 2019, and covers his life and career from 1999 to 2009.[200]
In September 2021, Moby published The Little Pine Cookbook, featuring vegan recipes developed from his time owning his restaurant.[201]
Discography
Studio albums
- Moby (1992)
- Ambient (1993)
- Everything Is Wrong (1995)
- Animal Rights (1996)
- Play (1999)
- 18 (2002)
- Hotel (2005)
- Last Night (2008)
- Wait for Me (2009)
- Destroyed (2011)
- Innocents (2013)
- Long Ambients 1: Calm. Sleep. (2016)
- These Systems Are Failing (2016)
- More Fast Songs About the Apocalypse (2017)
- Everything Was Beautiful, and Nothing Hurt (2018)
- Long Ambients 2 (2019)
- All Visible Objects (2020)
- Live Ambients – Improvised Recordings Vol. 1 (2020)
- Reprise (2021)
- Ambient 23 (2023)
- Resound NYC (2023)
- Always Centered at Night (2024)[202]
Awards
Award | Year | Nominee(s) | Category | Result | Ref. |
---|---|---|---|---|---|
BDS Certified Spin Awards
|
2003 | "South Side" | 300,000 Spins | Won | |
BMI Film & TV Awards | 2002 | Himself | Certificate of Achievement | Won | [203] |
BMI Pop Awards | 2002 | "South Side" | Award-Winning Song | Won | [204] |
Berlin Music Video Awards | 2021 | "My Only Love" | Animation | Nominated | [205] |
Billboard Music Awards | 2002 | 18 | Top Electronic Album | Won | [206] |
Himself | Top Electronic Artist | Won | |||
2005 | Nominated | ||||
Hotel | Top Electronic Album | Nominated | |||
Billboard Music Video Awards | 2000 | "Bodyrock" | Maximum Vision Award | Nominated | [207] |
Dance Clip of the Year | Won | ||||
Brit Awards | 2000 | Himself | International Male Solo Artist | Nominated | [208] |
2003 | Nominated | [209] | |||
Classic Pop Readers' Awards | 2020 | Then It Fell Apart | Book of the Year | Nominated | [210] |
Clio Awards | 2019 | "ASAP Forever" (with ASAP Rocky) | Best Visual Effects | Won | [211] |
D&AD Awards | 2000 | "Bodyrock" | Direction | Wood Pencil | [212] |
2019 | "ASAP Forever" (with ASAP Rocky) | Best Editing | Nominated | [213] | |
DanceStar Awards | 2000 | Himself | DanceStar of the Year | Won | [214] |
Play | Best Album | Won | |||
2003 | Himself | Best US Act | Won | [215] | |
2004 | Outstanding Contribution to Dance Music | Won | [216] | ||
18 B Sides + DVD | Best Music DVD | Won | |||
ECHO Awards
|
2006 | Himself | Best International Male | Nominated | |
GAFFA-Prisen Awards | 2019 | Best International Artist | Nominated | ||
Everything Was Beautiful, and Nothing Hurt | Best International Album | Nominated | |||
Grammy Awards | 2000
|
Play | Best Alternative Music Performance
|
Nominated | [217] |
"Bodyrock" | Best Rock Instrumental Performance
|
Nominated | |||
2001
|
"Natural Blues" | Best Dance Recording
|
Nominated | ||
2000
|
Play: The DVD | Best Music Video, Long Form
|
Nominated | ||
2003
|
"18" | Best Pop Instrumental Performance
|
Nominated | ||
2009
|
Last Night | Best Electronic/Dance Album
|
Nominated | ||
Hungarian Music Awards | 2003 | 18 | Best Foreign Dance Album | Nominated | [218] |
2011 | Himself | Electronic Music Production of the Year | Nominated | [219] | |
IFPI Platinum Europe Awards | 2001 | Play | Album Title | Won | [220] |
2002 | Won | ||||
2003 | 18 | Won | [221] | ||
Lunas del Auditorio | 2004 | Himself | Espectaculo Alternativo | Nominated | [222] |
2006 | Musica Electronica | Won | [223] | ||
2010 | Nominated | [224] | |||
MTV Asia Awards | 2003 | Best Male | Nominated | [225] [226] | |
MTV Europe Music Awards | 1995
|
Best Dance | Nominated | [227] | |
2000
|
Nominated | [228] | |||
"Natural Blues" | Best Video | Won | |||
Play | Best Album | Nominated | |||
2002
|
Himself | Web Awards | Won | [229] | |
Best Dance | Nominated | ||||
2003
|
Nominated | [230] | |||
2005
|
Best Male | Nominated | [231] | ||
MTV Russian Music Awards
|
2005 | Best International Act | Nominated | [232] | |
MTV Video Music Awards | 2000 | "Natural Blues" | Best Male Video | Nominated | [233] |
2001 | "South Side" | Won | [233] | ||
2002 | "We Are All Made of Stars" | Best Cinematography | Won | [233] | |
MTV VMAJ | 2003 | Best Dance Video | Nominated | ||
MVPA Awards | 2000 | " Run On "
|
Electronic Video of the Year | Nominated | [234] |
2001 | "South Side" | Pop Video of the Year | Nominated | [235] | |
Best Colorist/Telecine | Nominated | ||||
Best Hair in a Video | Nominated | ||||
"Porcelain" | Alternative Video of the Year | Nominated | |||
2003 | "In This World" | Best Directional Debut | Won | [236] | |
Best Electronic Video | Won | ||||
2007 | "New York, New York" | Nominated | [237] | ||
Best Choreography | Nominated | [238] | |||
Music Television Awards | 2000 | Himself | Best Male | Nominated | [239] |
Best Dance | Nominated | ||||
"Natural Blues" | Best Video | Nominated | |||
2008 | Himself | Best Dance | Nominated | [240] | |
My VH1 Music Awards | 2001 | Best Male | Nominated | [241] | |
"South Side" | Best Collaboration | Nominated | [241] | ||
Favorite Video | Nominated | ||||
NME Awards | 2000 | Himself | Best Solo Artist | Nominated | [242] |
Best Dance Act | Nominated | ||||
2001 | Nominated | [243] | |||
Best Live Act | Won | ||||
NRJ Music Awards
|
2001 | International Male Artist of the Year | Won | [244] | |
Play | International Album of the Year | Nominated | [244] | ||
2007 | Himself (with Mylene Farmer )
|
Francophone Duo/Group of the Year | Nominated | [245] | |
Online Music Awards | 1999 | Himself | Best Electronic Fansite | Nominated | [246] |
Q Awards | 2000 | Best Live Act | Nominated | ||
2002 | Best Producer | Won | [247] | ||
TMF Awards | 2000 | Play | Best Album International | Won | |
Teen Choice Awards | 2001 | "South Side" | Choice Dance Track | Nominated | [248] |
2002 | Himself | Choice Male Artist | Nominated | [249] | |
Top of the Pops Awards | 2002 | Best Dance Act | Nominated | [250] | |
UK Music Video Awards | 2018 | "ASAP Forever" (with ASAP Rocky) | Best Urban Video - International | Nominated | [251] |
Best Colour Grading in a Video | Nominated | ||||
2020 | "My Only Love" | Best Animation | Nominated | [252] | |
VH1/Vogue Fashion Awards | 2000 | "Natural Blues" | Visionary Video | Won | [253] |
Viva Comet Awards
|
"Why Does My Heart Feel So Bad?" | Best International Video | Won | [254] | |
Himself | Best Live Act | Nominated | |||
Viva Zwei Audience Award | Nominated | ||||
Veggie Awards | 2015 | Person of the Year | Won | [255] | |
Webby Awards | 2017 | "Are You Lost in the World Like Me?" | Animation | Won | [256] |
Žebřík Music Awards | 1999 | Himself | Best International DJ | Nominated | [257] |
Play | Best International Album | Nominated | |||
"Why Does My Heart Feel So Bad?" | Best International Song | Nominated | |||
"Bodyrock" | Best International Video | Nominated | |||
2000 | "Porcelain" | Best International Song | Nominated | ||
Himself | Best International Instrumentalist | Nominated | |||
Best International Personality | Nominated | ||||
Best International DJ | Nominated | ||||
2001 | Nominated | ||||
2002 | Nominated | ||||
18 | Best International Album | Nominated | |||
"In This World" | Best International Song | Nominated | |||
2003 | Himself | Best International DJ | Nominated | ||
2005 | Hotel | Best International Album | Nominated | [258] |
See also
References
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Sources
- James, Martin (2001). Moby: Replay – His Life and Times. Olmstead Press. ISBN 978-1-58-754011-0.
External links
- Official website
- Moby Gratis – an online service to freely license Moby's music
- Moby at Curlie
- Moby discography at Discogs
- Moby at IMDb
- NME article about Moby's Play tour (2000)