Monody

In music, monody refers to a solo vocal style distinguished by having a single

madrigals, motets, or even concertos (in the earlier sense of "concertato

In poetry, the term monody has become specialized to refer to a poem in which one person laments another's death. (In the context of ancient Greek literature, monody, μονῳδία, could simply refer to lyric poetry sung by a single performer, rather than by a chorus.)

History

Musical monody, which developed out of an attempt by the

chitarrone, theorbo, harpsichord, organ, and even on occasion guitar. While some monodies were arrangements for smaller forces of the music for large ensembles which was common at the end of the 16th century, especially in the Venetian School, most monodies were composed independently. The development of monody was one of the defining characteristics of early Baroque practice, as opposed to late Renaissance

style, in which groups of voices sang independently and with a greater balance between parts.

Contrasting passages in monodies could be for the most part melodic or for the most part declamatory and the two styles of presentation developed into the aria and the recitative respectively, both of which came to be incorporated into the cantata by about 1635.

The parallel development of solo song with accompaniment in France was called the air de cour: the term monody is not normally applied to these more conservative songs, however, which retained many musical characteristics of the Renaissance chanson.

An important early treatise on monody is contained in Giulio Caccini's song collection, Le nuove musiche (Florence, 1601).