Mordor
Mordor | |
---|---|
Barad-dûr |
In
Commentators have noted that Mordor was influenced by Tolkien's own experiences in the industrial
Geography
Overview
Mordor was roughly rectangular in shape, with the longer sides on the north and south. Three sides were defended by mountain ranges: the Ered Lithui ("Ash Mountains") on the north, and the Ephel Dúath on the west and south. The lengths of these ranges are estimated to be 498, 283 and 501 miles (801, 455 and 806 kilometres) respectively, which gives Mordor an area of roughly 140,000 square miles (360,000 square kilometres).[1]
To the west lay the narrow land of
The Black Gate
In the northwest, the pass of Cirith Gorgor led into the enclosed plain of Udûn. Sauron built the Black Gate of Mordor (the Morannon) across the pass. This added to the earlier fortifications, the Towers of the Teeth – Carchost to the east, Narchost to the west, guard towers which had been built by Gondor to keep a watch on this entrance.[T 4] The passage through the inner side of Udûn into the interior of Mordor was guarded by another gate, the Isenmouthe. Outside the Morannon lay the Dagorlad or Battle Plain, and the Dead Marshes.[T 3]
The Mountains of Shadow
The Ephel Dúath ("Fence of Shadow") defended Mordor on the west and south. The main pass was guarded by
Inside the Ephel Dúath ran a lower parallel ridge, the Morgai, separated by a narrow valley, a "dying land not yet dead" with "low scrubby trees", "coarse grey grass-tussocks", "withered mosses", "great writhing, tangled brambles", and thickets of
Interior
The interior of Mordor was composed of three large regions. The core of Sauron's realm was in the northwest: the arid plateau of Gorgoroth, with the active volcano
Mount Doom
Mount Doom, Orodruin, or Amon Amarth ("Mountain of Fate") is more than an ordinary volcano; it responds to Sauron's commands and his presence, lapsing into dormancy when he is away from Mordor, and becoming active again when he returns. It is the place where the
Tolkien stated in his "
The International Astronomical Union names all mountains on Saturn's moon Titan after mountains in Tolkien's work.[5] In 2012, they named a Titanian mountain "Doom Mons" after Mount Doom.[6] The Swedish melodic death metal band Amon Amarth, whose lyrics deal primarily with Viking culture and Norse mythology,[7] and the North American doom metal band Orodruin, are named after the mountain.[8]
In Peter Jackson's film adaptation of The Lord of the Rings, Mount Doom was represented by two active volcanoes in New Zealand: Mount Ngauruhoe and Mount Ruapehu, located in Tongariro National Park. In long shots, the mountain is either a large model or a CGI effect, or a combination. The production was not permitted to film the summit of Ngauruhoe because the Māori hold it to be sacred, but some scenes on the slopes of Mount Doom were filmed on the slopes of Ruapehu.[9]
In the TV series
Barad-dûr
The name Barad-dûr is
In the
In
In The Return of the King, Sam Gamgee witnessed the destruction of Barad-dûr: "... towers and battlements, tall as hills, founded upon a mighty mountain-throne above immeasurable pits; great courts and dungeons, eyeless prisons sheer as cliffs, and gaping gates of steel and adamant..."[T 20]
Barad-dûr, along with the One Ring, Mordor, and Sauron himself, were destroyed on 25 March, a traditional
First Age
In
History
Early history
Sauron settled in Mordor in the
Over a thousand years later, the Númenóreans under
The Last Alliance and Third Age
Sauron's rule was interrupted again when his efforts to overthrow the surviving Men of Númenor and the
The
War of the Ring
Languages and peoples
At the time of the War of the Ring, Sauron had gathered great armies to serve him. These included
Naming
Within Tolkien's fiction, "Mordor" had two meanings: "Black Land" in
Popular sources have conjectured or stated directly that "Mordor" came from
Fauskanger writes that there are however several words that sound like "mor" with connotations of darkness. Italian moro (cf. Latin maurus, black, and Mauri, a North African tribe) means a
Origins
Grendel's wilderness in Beowulf
Tolkien, a scholar of Old English, was an expert on Beowulf, calling it one of his "most valued sources" for Middle-earth.[T 26] The medievalists Stuart D. Lee and Elizabeth Solopova compare Tolkien's account of Mordor and the neighbouring landscapes to the monster Grendel's wilderness in Beowulf.[17] In particular, they compare Frodo and Sam's crossing of the Dead Marshes and what Gollum called its "tricksy lights", with Beowulf's "fire on the water"; and their traversal of the parched Morgai, full of rocks and vicious thorns, with Grendel's dangerous moors.[17] Lee and Solopova write that the Beowulf description both emphasises the coming horror, "play[ing] on ideas of desolation, wintry landscapes and the supernatural",[17] and like Tolkien giving realistic descriptions of nature. At the same time, they write, both the Beowulf poet and Tolkien incorporate "an element of fantasy": Grendel's moor is both full of water and a "craggy headland .. inhabited by supernatural evil",[17] while Tolkien fills the landscapes in and around Mordor with "similar ambiguity and sense of unease".[17]
Grendel's wilderness in Beowulf II.1345-1382 |
Translation | Landscapes around Mordor |
---|---|---|
... ... ... ... Hie dygel lond warigeað, wulfhleoþu, windige næssas, frecne fengelad |
... ... ... ... They a secret land watch, wolf-infested slopes / windy headlands dangerous moor-path |
The Morgai: rocks, thorns, "grassless, bare, jagged ... barren", "ruinous and dead" |
wudu wyrtum fæst / wæter oferhelmað. þær mæg nihta gehwæm / niðwundor seon, fyr on flode. ... Nis þæt heoru stow! |
Well-rooted trees / overshadow the water There one may each night / a horrible wonder see: fire on the water, ... This is not a safe place. |
"wide fens and mires... Mists curled and smoked from dark and noisome pools". "Candles for corpses" (lights in the Dead Marshes) |
'Black Country' of the West Midlands
An art exhibition entitled "The Making of Mordor" at the
First World War's Western Front
Evil
The critic Lykke Guanio-Uluru sees Mordor as specifically evil, marked by Sauron: a land that is "dying, struggling for life, though not yet dead",
Allusions in other works
In film
Mordor features in all three films of
For Jackson's film trilogy,
In Womack's view the 2019 biopic Tolkien explicitly connects Mordor to trench warfare: "riders become bloody knights; smoke billows and turns into the form of dark kings."[19]
In other media
The third verse of Led Zeppelin's 1969 song "Ramble On" by Jimmy Page features a "bizarre" Middle-earth including a Mordor where one can meet beautiful women: "Twas in the darkest depths of Mordor / I met a girl so fair / But Gollum, and the evil one crept up / And slipped away with her".[30][31]
In the city of Warsaw, Poland, an area in the south-western district of Mokotów, in the neighbourhoods of Służewiec and Ksawerów, is commonly known as Mordor. There are located two small streets named in reference Tolkien works, J. R. R. Tolkiena Street, and Gandalfa Street.[32]
The 2014
In 2015 NASA published photographs taken as the New Horizons space probe passed within 7,000 miles (11,000 km) of Pluto. A photo of Pluto's largest moon, Charon, shows a large dark area near its north pole. The dark area has been unofficially called Mordor Macula.[34]
See also
- Dol Guldur
- The Last Ringbearer
Notes
- Sea of Rhûn exists already in the First Age.[T 21]
References
Primary
- ^ Tolkien 1955, ch. 10, "The Black Gate Opens": "A single banner, black but bearing on it in red the Evil Eye"
- ^ Tolkien 1954, book 4, ch. 7 "Journey to the Cross-Roads"
- ^ a b Tolkien 1955, Map of Rohan, Gondor, and Mordor
- ^ a b c Tolkien 1954, book 4, ch. 3 "The Black Gate is Closed"
- ^ Tolkien 1954, book 4, ch. 8 "The Stairs of Cirith Ungol"
- ^ a b Tolkien 1955, book 6, ch. 2 "The Land of Shadow"
- ^ Tolkien 1954, book 4, ch. 9 "Shelob's Lair"
- ^ Tolkien 1955, book 6, ch. 1 "The Tower of Cirith Ungol"
- ^ Tolkien 1955, book 6, ch. 2 "The Land of Shadow"
- ^ a b c Tolkien 1955, book 6, ch. 4 "The Field of Cormallen"
- ^ a b Tolkien 1955, book 6, ch. 5 "The Steward and the King"
- ^ Tolkien 1954a, Book 1, ch. 2 "The Shadow of the Past"
- ISBN 978-0875483030.
- ^ Tolkien 1955, Appendix F
- ^ Tolkien 1955, Index: III "Persons, Places, and Things"
- ^ Tolkien 1955, "The Last Debate"
- ^ a b Tolkien 1954a, Book 2, ch. 10 "The Breaking of the Fellowship"
- ^ Tolkien 1979, Plate 30: Orodruin and Barad-dûr
- ^ Tolkien 1954, "The Road to Isengard"
- ^ a b c d e Tolkien 1955, "Mount Doom"
- ^ Tolkien 1996, p. 373, note 13
- ^ a b c d e Tolkien 1977, "Of the Rings of Power and the Third Age"
- Akallabêth
- ^ Tolkien 1955, Appendix F, "The Languages and Peoples of the Third Age"
- ^ Carpenter 2023, #297 to Mr. Rang, draft, August 1967
- ^ Carpenter 2023, #25 to the editor of The Observer, signed "Habit", published 16 January 1938
Secondary
- ISBN 978-0-261-10277-4.
- ^ Wetwang is a place in Yorkshire; its name means "wet field", which is also the meaning of Nindalf in the elvish language Sindarin. Wayne G. Hammond and Christina Scull (eds), The Lord of the Rings: A Reader's Companion, p. 779
- ^ a b c Plotz, Dick (1968). "Many Meetings with Tolkien: An Edited Transcript of Remarks at the December 1966 TSA Meeting". Niekas (19): 40. Retrieved 8 September 2021.
- .
- ^ International Astronomical Union. "Categories for Naming Features on Planets and Satellites". Gazetteer of Planetary Nomenclature. Accessed 14 Nov 2012.
- ^ International Astronomical Union. "Doom Mons". Gazetteer of Planetary Nomenclature. Accessed 14 Nov 2012.
- ^ "Amon Amarth". Discogs. Retrieved 28 March 2020.
- ^ "Orodruin". Metal Archives. Retrieved 17 November 2020.
- Houghton Mifflin(2002).
- ^ Hibberd, James (29 September 2022). "'The Rings of Power' Showrunners — and a Geologist — Explain That Mount Doom Surprise". Hollywood Reporter. Retrieved 2 October 2022.
- ISBN 0905220102.
- ISBN 978-0345275479.
- ^ Shippey 2005, p. 227
- ISBN 0-395-53516-6.
- ^ McNelis 2006.
- ^ ISBN 978-91-973500-4-4.
- ^ ISBN 978-1403946713.
- ^ a b Jeffries, Stuart (19 September 2014). "Mordor, he wrote: how the Black Country inspired Tolkien's badlands". The Guardian. Retrieved 19 August 2020.
- ^ a b Womack, Philip (4 May 2019). "Why is Tolkien's work so successful, and why did the new film leave out his Christianity?". The Independent. Retrieved 19 August 2020.
- ^ ISBN 978-1-4438-3542-8.
- ^ a b c Ciabattari, Jane (20 November 2014). "Hobbits and hippies: Tolkien and the counterculture". BBC. Retrieved 19 August 2020.
- ^ Loconte, Joseph (30 June 2016). "How J.R.R. Tolkien Found Mordor on the Western Front". The New York Times. Retrieved 19 August 2020.
- ^ ISBN 978-1-137-46969-4.
- ^ ISBN 978-0-7864-8473-7.
- ^ Warner, Sam (1 June 2020). "'Lord of the Rings' director reveals Sean Bean was reading iconic Mordor speech on camera". NME. Retrieved 6 July 2020.
- New York magazine. February 2012. Retrieved 6 July 2020.
- ISBN 978-9-04201-682-8.
- ISBN 978-9042020627.
- ISBN 978-9-04201-682-8.
- ISBN 978-0-19-065844-1.
- ^ Greene, Andy (13 December 2012). "Ramble On: Rockers Who Love 'The Lord of the Rings' | A look back at Middle Earth in rock & roll, from Led Zeppelin to Rush and beyond". Rolling Stone. Retrieved 19 August 2020.
- ^ Martyna Konieczek (8 January 2023). "Ulice Tolkiena i Gandalfa powstały w Warszawie. Autor "Władcy pierścieni" i bohater jego powieści zostali patronami ulic w Mordorze". warszawa.naszemiasto.pl (in Polish).
- ^ Plante, Chris (1 October 2014). "'Shadow of Mordor' is morally repulsive and I can't stop playing it". The Verge. Archived from the original on 8 August 2015. Retrieved 29 July 2015.
- ^ Talbert, Tricia (1 October 2015). "Pluto's Big Moon Charon Reveals a Colorful and Violent History". NASA. Retrieved 19 August 2020.
Charon's color palette is not as diverse as Pluto's; most striking is the reddish north (top) polar region, informally named Mordor Macula.
Sources
- ISBN 978-0-35-865298-4.
- McNelis, James (2006). "Mordor". In ISBN 0-415-96942-5.
- ISBN 978-0261102750.
- OCLC 9552942.
- OCLC 1042159111.
- OCLC 519647821.
- ISBN 978-0-395-25730-2.
- ISBN 978-0-395-82760-4.
- ISBN 978-0-0474-1003-1.