Mouthpiece (brass)

Source: Wikipedia, the free encyclopedia.
See also: Mouthpiece (woodwind)
Trumpet mouthpiece from the side

The mouthpiece on brass instruments is the part of the instrument placed on the player's lips. The mouthpiece is a circular opening that is enclosed by a rim and that leads to the instrument via a semi-spherical or conical cavity called the cup. From the cup, a smaller opening (the throat) leads into a tapered cylindrical passage called the backbore. The backbore is housed in a tapered shank, which is inserted into an opening called the receiver on the main body of the instrument.

On all brass instruments, sound is produced when the player's vibrating lips (embouchure) cause the air column, i.e. the air enclosed inside the instrument, to vibrate. This is done by pressing the lips together and blowing air through them in order to produce a 'buzz.' The mouthpiece is where this lip vibration takes place. On most instruments, the mouthpiece can be detached from the main instrument in order to facilitate putting the instrument in its case, to use different mouthpieces with the same instrument, or to 'play' the mouthpiece by itself to exercise the player's embouchure.

Different mouthpieces will produce different qualities of tone when used with the same instrument. Lower instruments also have larger mouthpieces, to maximize resonance (see pitch of brass instruments). Also, mouthpieces are selected to suit the embouchure of the player, to produce a certain timbre, or to optimize the instrument for certain playing styles. For example, trumpet and trombone mouthpieces are usually semi-spherical whereas French horn mouthpieces are conical.

Mouthpiece design

Cut-away view of trumpet mouthpiece:
  1. Inner rim diameter
  2. Rim width
  3. Rim contour
  4. Rim Edge
  5. Cup
  6. Throat
  7. Backbore
  8. Shank

The mouthpiece has a large effect on instrument sound. Major effects are due to the shape of the cup, shape of the backbore, and the inner rim diameter. In addition, players often choose a mouthpiece that complements their playing style. In general, brass players who concentrate on the upper range prefer a mouthpiece with a smaller inner rim diameter, and players who emphasize the lower range prefer a larger one. The cup depth also heavily influences the tone of the brass instrument. A shallow cup may "brighten" the sound, meaning that upper overtones are brought out more, while a deep cup can "darken" the sound, emphasizing lower overtones. However, these results will vary from player to player, depending on many personal factors.

The effects of different aspects of mouthpiece design
No. Mouthpiece element Effect on playing Typical size/nature
(Trumpet) 		Typical size/nature
(Tuba)
1. Inner rim diameter Larger inner rim diameters are optimized for lower ranges, giving a richer tone. Smaller diameters assist high range playing. 16 mm (0.63 in) 32 mm (1.3 in)
2. Rim width Wider rim widths reduce the pressure on the lips, allowing greater stamina. It does, however, reduce flexibility. 5, 6 or 7 mm (0.20, 0.24 or 0.28 in) 6 mm (0.24 in)
3. Rim contour Flatter rim contours tend to appear on rims with sharper edges (see below). Varied Varied
4. Rim edge (or bite) Sharper rim edges reduce stamina but increase control. More smoothed rims are commonly found on deeper cups. Varied varied
5. Cup depth Shallower cups greatly assist playing in high ranges but do so at the cost of fullness of tone. Deeper cups assist low range flexibility and rich tone. Around half the inner rim diameter. 3⁄4 to 2 times the inner rim diameter.
5. Cup shape Semi-spherical cups have brighter, more projected tones, while conical cups have less tone definition (see throat contour, below). Semi-spherical Both
6. Throat contour In semi-spherical cups, a sharper throat contour gives a more harsh, projected tone and a rounded contour gives a deeper, richer tone. Conical cups with a smooth throat have less definition. Relatively sharp Usually rounded
6. Throat diameter Larger throat diameters give more volume but less control. Smaller diameters have much more control but significant volume limitations. 3.6 mm (0.14 in) 7.6 mm (0.30 in)
7. Backbore More conical backbores give a richer tone, while more cylindrical ones give a brighter, more projected tone. Fairly cylindrical Varied
Note: in this table:
  • "flexibility" refers to the 'agility' possibility; greater flexibility assists in playing music with fast passages and large intervals.
  • "control" refers to the ease of control over harmonic and tone.
  • "rich tone" refers to notes possessing few high harmonics, while "bright tone" refers to notes possessing many high harmonics.

Material

Makers commonly construct mouthpieces from one of two types of material, with different costs, properties, and features. Metal mouthpieces can be plated with some other metal. Some of the following assertions, especially those regarding the effect of plating on tone color, are questioned by many players and specialists.[who?][citation needed]

Brass

Mouthpieces have traditionally been formed of solid brass. Due to brass often containing lead and being toxic upon contact, brass mouthpieces are usually plated with either gold or silver to protect the player from potential brass poisoning.[1]

Plastic

Lexan plastic, and are often available in various colors. They are durable and don't dent as do metal mouthpieces. Less expensive than metal mouthpieces, players commonly use them when playing outdoors—particularly marching brass players—because their heat conductivity is far less than in a metal mouthpiece. Players who prefer metal mouthpieces generally believe plastic mouthpieces have an inferior tone quality and feel compared to metal.[citation needed
]

Other

Recent additions to the mouthpiece world include stainless steel,

US$400 each.[citation needed
])

Silver plating

maintenance
because it tarnishes easily. Slightly tarnished silver-plate can be polished back to its brightness with silver polish.

Gold plating

Some players[who?] believe gold-plated mouthpieces on brass instruments create a fuller, richer tone that can also be somewhat darker timbre.[dubious – discuss][citation needed] For people allergic to the nickel found in most silver, this is the best (but not cheapest) way to play a brass instrument without discomfort. Gold does not tarnish, and subsequently requires little maintenance apart from regular washing with soap and water. The extreme price of gold, however, means that the plating is usually relatively thin and thus fragile, and can even be worn away with use.

Sizes

Each mouthpiece company uses a different labeling system. A larger number can mean a larger or smaller mouthpiece depending on the company. Likewise, the letters mean different things depending on the company. Even if companies appear to share marking systems it may be that same-marked mouthpieces from different manufacturers are different, although usually the differences are relatively small. There is no universally-recognized industry standard.

See also

Wikisource has the text of the 1911 Encyclopædia Britannica article "Mouthpiece".

References

  1. PMID 20759038
    .
  2. ^ "Welcome to LOUDMouthpieces.com. Home of the Best Stainless Steel Mouthpieces in the World". www.loudmouthpieces.com. Retrieved 2016-09-25.
  3. ^ "Home". numouthpieces.com. Retrieved 2016-09-25.

External links

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