Myron
Myron of Eleutherae (480–440 BC) (
None of his original sculptures are known to survive, but there are many of what are believed to be later copies in marble, mostly Roman.
Reputation
Myron worked almost exclusively in
Works
According to Pliny's Natural History, Myron's most famous works included "heifer, a dog (canem, Cerberus?), a Perseus, a satyr (Marsyas) admiring the flute and Minerva (Athena), a Hercules, which was taken to the shrine dedicated by Pompey the Great at the Circus Maximus, Discobolus (the discus thrower), and an Apollo for Ephesus, "which Antony the triumvir took from the Ephesians, but the deified Augustus restored it again after being warned in a dream".[6] The Early Imperial Roman writers consistently rated Myron among the greatest of Greek sculptors, a sign that his contemporaneous reputation had remained high. The heifer seems to have earned its fame mainly by serving as a peg on which to hang epigrams,[7] which tell nothing about the pose of the animal.
Chionis, a 7th-century BC Olympic victor from Sparta, was commemorated in an idealized bronze by Myron.[8]
Attributions
An epigram
A marble figure in the Lateran Museum, which is now restored as a dancing satyr, is almost certainly a copy of a work of Myron, a Marsyas desirous of picking up the aulos which Athena had thrown away.[12] The full group is copied on coins of Athens, on a vase and in a relief which represent Marsyas as oscillating between curiosity and the fear of the displeasure of Athena. The ancient critics say of Myron that while he succeeded admirably in giving life and motion to his figures, he did not succeed in rendering the emotions of the mind. This agrees with the extant evidence, in a certain degree, though not perfectly. The bodies of his men are of far greater excellence than the heads. The face of the Marsyas is almost a mask; but from the attitude we gain a vivid impression of the passions which sway him. The face of the discus-thrower is calm and unruffled; but all the muscles of his body are concentrated in an effort.
A considerable number of other extant works were ascribed to the school or the influence of Myron by
Gallery
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Minotaur, from a fountain in Athens, a Roman copy of Myron's lost group of Theseus and the Minotaur,National Archaeological Museum of Athens
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Athena and Marsyas, Roman copies, Vatican Museums
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Roman copy of Myron's heifer, Capitoline Museums
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Head of a boxer, Capitoline Museums
References and sources
- References
- ^ Pausanias' references (e.g. 6.8.4, etc.) seem to suggest that he habitually signed his works "Myron the Athenian": Eleutherae became an Athenian demos in 460 BC.
- ^ Pliny, Natural History 34.57, suggests that Myron was also in some sense self-taught: "Hageladae et ipsum discipulum." The account of Myron directly follows Pliny's account of Polyclitus of Sicyon, also a pupil of Ageladas.
- ^ Pausanias thought a xoanon was by Myron (Pausanias 2.30.2)
- ^ "numerosior in arte quam Polyclitus et in symmetria diligentior"
- ^ Ellen E. Perry, "Notes on Diligentia as a term of Roman art criticism" Classical Philology 95.4 (October 2000), pp. 445-458.
- ^ "fecit et canem et discobolon et Perseum et pristas et Satyrum admirantem tibias et Minervam, Delphicos pentathlos, pancratiasta, Herculem, qui est apud circum maximum in aede Pompei Magni. fecisse et cicadae monumentum ac locustae carminibus suis Erinna significat. fecit et Apollinem, quem ab triumviro Antonio sublatum restituit Ephesiis divus Augustus admonitus in quiete"
- ^ There are thirty-six epigrams on Myron's heifer in the Greek Anthology, most of them remarking on its realism.
- ^ Pausanias iii.14.3.
- ^ In the Greek Anthology.
- Philopseudes18.
- ^ C.K. Jenkins, "The Reinstatement of Myron" The Burlington Magazine for Connoisseurs 49 No. 283 (October 1926), pp. 182-192.
- ^ Pausanias, 1.24.1; H. Anne Weis, "The 'Marsyas' of Myron: Old Problems and New Evidence" American Journal of Archaeology 83.2 (April 1979), pp. 214-219, distinguishes two versions.
- ^ A. Furtwängler, Masterpieces of Greek Sculpture, (London) 1907, 168—2 19
- ^ Bernard Pyne Grenfell and Arthur Surridge Hunt, The Oxyrhynchus Papyri 1899, p 86f.
- Sources
public domain: Chisholm, Hugh, ed. (1911). "Myron". Encyclopædia Britannica. Vol. 19 (11th ed.). Cambridge University Press. p. 114.
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