Naoya Shiga

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Naoya Shiga
Setagaya-ku, Tokyo, Japan
Resting placeAoyama Cemetery, Tokyo, Japan
OccupationWriter
LanguageJapanese
GenreI-novel

Naoya Shiga (志賀直哉, Shiga Naoya, February 20, 1883 – October 21, 1971) was a Japanese writer active during the

Shōwa periods of Japan,[1] whose work was distinguished by its lucid, straightforward style[2] and strong autobiographical overtones.[3]

Early life

Shiga was born in

Ishinomaki, Miyagi Prefecture, as the son of a banker and descendant of an aristocratic samurai family.[1][4] In 1885, the family moved to Tokyo and Shiga given into his grandparents' custody.[4] His mother died when he was twelve,[5] an experience that marked the beginning of an obsession with and fear of death both on an individual and a collective level, and which stayed with him until his early thirties.[5] At the same time, his relationship with his father became increasingly strained.[1] One conflict resulted from Shiga's announcement that he intended to participate in the protests following the 1907 Ashio Copper Mine incident and his father's forbidding him to do so because part of the family's wealth was derived from a past investment in the mine.[5][6]

Shiga's imagination was inspired by nature, and he was an avid reader of

Tokyo Imperial University, but left two years later without a degree.[4] Another family crisis arose when Shiga announced to marry one of the housemaids, Chiyo, with whom he was having an affair. The father terminated his son's plans, and the maid was removed from the household.[6]

Literary career

In 1910, Shiga co-founded the magazine Shirakaba ("White birch"), the literary publication of the Shirakaba-ha ("White birch society").[6][8] Other co-founders included Saneatsu Mushanokōji and Rigen Kinoshita, who Shiga had befriended at Gakushuin Peer's School, and Takeo Arishima and Ton Satomi.[4] The Shirakaba-ha rejected Confucianism and Naturalism, and instead propagated individualism, idealism and humanitarianism, for which Russian writer Leo Tolstoy served as a model.[8] Shiga contributed the story As Far as Abashiri (Abashiri made) to the first issue.[1]

In the following years, Shiga published short stories like The Razor (Kamisori, 1910), Han's Crime (Han no hanzai, 1913) and Seibei and his Gourds (Seibei to hyotan, 1913).[1] The story Ōtsu Junkichi, published in Chūō Kōron in 1912, his first publication for which he received a fee, was an autobiographical account of his affair with the former housemaid Chiyo and the familial conflicts.[1][6] It also marked the first time that Shiga drew on the method of a narrating self, a distinctive mark of the I-novel genre,[6] to which many of Shiga's works are ascribed to.[4][7] While working on Ōtsu Junkichi, Shiga had read the English translation of Anatole France's novel The Crime of Sylvestre Bonnard, which he cited as an important influence on his own writing.[6]

In 1914, Shiga married Sada Kadenokōji, a widow with a six-year-old daughter (and a cousin of Mushanokōji),[1][6][9] which led to a complete break between father and son. However, 1917 saw the reconciliation with his father, which he thematised in his novella Reconciliation (Wakai, 1917).[6] He followed with a series of short stories and A Dark Night's Passing (An'ya koro, 1921–1937); the latter, his only full length novel, was serialized in the socialist magazine Kaizō and is regarded as his major work.[4][6][10] The novel's protagonist, young struggling writer Kensaku, has often been associated with its author.[6] Shiga's sometimes confessional stories also included a series of accounts of his extramarital affair in the mid-1920s, among them A Memory of Yamashina (Yamashina no kioku, 1926), Infatuation (Chijo, 1926) and Kuniko (1927).[11]

Shiga's work influenced many later writers,

Dazai Osamu, Mitsuo Nakamura and Sakunosuke Oda were strongly critical of it.[1][6][12] Jun'ichirō Tanizaki praised the "practicality" (jitsuyō) of Shiga's style, in which he discovered, with reference to At Kinosaki, a "tightening up" (higishimeta) of the sentences: "[…] any word that is not absolutely necessary has been left out".[6][13]

Shiga was also known for being a harsh moral critic of the literary establishment, blaming Tōson Shimazaki for having written his debut novel The Broken Commandment under such precarious financial hardship that Shimazaki's three young daughters died of malnutrition.[14][15]

Later life

Gravestone of Naoya Shiga

Shiga published very few new works in his later years.

Nara, where he lived from 1929 to 1938, has been preserved and is open to the public as a memorial museum.[9]

Selected works

Translations (selected)

  • A Dark Night's Passing. Translated by McClellan, Edwin. Tokyo: Kodansha International Ltd. 1976.
    ISBN 9780870113628
    .
  • The Paper Door and Other Stories by Shiga Naoya. Translated by Dunlop, Lane. San Francisco: North Point. 1987.
    ISBN 9780865472600
    .
  • ISBN 9781134247264
    .

References

  1. ^ a b c d e f g h i j k l "志賀直哉 (Shiga Naoya)". Kotobank (in Japanese). Retrieved 16 September 2021.
  2. ISBN 9783442098866
    .
  3. ^ a b Berndt, Jürgen, ed. (1975). Träume aus zehn Nächten. Moderne japanische Erzählungen. Berlin und Weimar: Aufbau Verlag.
  4. ^ a b c d e f "Shiga Naoya". Britannica. Retrieved 22 January 2022.
  5. ^ a b c Ama, Michihiro (2021). The Awakening of Modern Japanese Fiction: Path Literature and an Interpretation of Buddhism. State University of New York Press.
  6. ^
    ISBN 9780739181041
    .
  7. ^ a b c d e Miller, J. Scott (2010). The A to Z of Modern Japanese Literature and Theater. Scarecrow Press.
  8. ^ a b "Shirakaba". Britannica. Retrieved 23 January 2022.
  9. ^ a b "志賀直哉旧居 (Nayoa Shiga house)" (in Japanese). Retrieved 23 January 2022.
  10. ^ "暗夜行路 (An'ya koro)". Kotobank (in Japanese). Retrieved 23 January 2022.
  11. ^ Hiroaki, Sato (5 April 1987). "The Knife Thrower's Bad Aim". The New York Times. Retrieved 19 January 2022.
  12. ISBN 9780804731621
    .
  13. ISBN 9781873410646
    .
  14. ^ Naff, William E. (2011). The Kiso Road: The Life and Times of Shimazaki Tōson. Honolulu: University of Hawai'i Press. pp. 275–275.
  15. ^ Shimazaki, Tōson (1976). The Family. Translated by Sagawa Seigle, Cecilia. Tokyo: University of Tokyo Press. p. xi.
  16. ^ "A Short History of the Japan P.E.N. Club". Japan P.E.N. Club. Retrieved 23 January 2022.
  17. ISBN 4490104634
    .
  18. ISBN 4101110166
    .

Further reading

External links
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