Night photography
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Night photography (also called nighttime photography) refers to the activity of capturing images outdoors at night, between dusk and dawn. Night photographers generally have a choice between using artificial lighting and using a long exposure, exposing the shot for seconds, minutes, or even hours in order to give photosensitive film or an image sensor enough time to capture a desirable image. With the progress of high-speed films, higher-sensitivity digital sensors, wide-aperture lenses, and the ever-greater power of urban lights, night photography is increasingly possible using available light.
History
The very long exposure times of early photographic processes didn't mean people didn't try to take photographs at night from quite early on. The development of mechanical clock drives meant cameras attached to telescopes could eventually capture successful images of celestial objects.
The first-known attempt at
John William Draper, New York University Professor of Chemistry, physician and scientific experimenter managed to make the first successful photograph of the moon a year later on March 23, 1840, taking a 20-minute-long daguerreotype image using a 5-inch (13 cm) reflecting telescope.
The increasing use of street lighting throughout the second half of the 19th century meant it was possible to capture nighttime scenes despite the long exposure times of the equipment of the period.
Developments in illumination, especially through the use of electricity, coincided with the shortening of exposure times. By the beginning of the 20th century newspapers and journals often showed night time views usually of illuminated urban streets or places of amusement such as Coney Island.
In the early 1900s, a few notable photographers,
Photography at night found several new practitioners in the 1970s, beginning with the black and white photographs that Richard Misrach made of desert flora (1975–77). Joel Meyerowitz made luminous large format color studies of Cape Cod at nightfall which were published in his influential book, Cape Light (1979). Jan Staller’s twilight color photographs (1977–84) of abandoned and derelict parts of New York City captured uncanny visions of the urban landscape lit by the glare of sodium vapor street lights.
By the 1990s, British-born photographer
.During the beginning of the 21st century, the popularity of digital cameras made it much easier for beginning photographers to understand the complexities of photographing at night. Today, there are hundreds of websites dedicated to night photography.
Subjects
Common subjects photographed at night or in low light include the following:
- planets, etc. (see astrophotography and star trail)
- City skylines
- Factories and industrial areas, particularly those that are brightly lit and are emitting smoke, steam, or another aerosol
- Fireworks
- Nightlife or rock concerts
- Lit caves
- cars
- Abandoned buildings or other artificial structures that are only moonlit
- Bodies of water that are reflecting moonlight or city lights – lakes, rivers, canals, etc.
- Lightning during thunderstorms
- Aurora (northern or southern lights)
- Lava
- Amusement rides
- Lit aircraft
- Bioluminescence
Technique and equipment
The following techniques and equipment are generally used in night photography.
- A tripod is usually necessary due to the long exposure times. Alternatively, the camera may be placed on a steady, flat object e.g. a table or chair, low wall, window sill, etc.
- A shutter release cable or self timer is almost always used to prevent camera shake when the shutter is released.
- Manual focus, since autofocus systems usually operate poorly in low light conditions. Newer digital cameras incorporate a Live View mode which often allows very accurate manual focusing.
- A stopwatch or remote timer, to time very long exposures where the camera's bulb setting is used.
- A camera lens with a wide aperture, preferably one with aspherical elements that can minimize coma
- A smartphone with a night photography mode, such as Night Mode on Huawei phones, Night Sight on Google Pixel phones, Night Mode on Samsung Galaxy phones, Night Mode on iPhone 11 Pro and Nightscape on Oneplus phones
Long exposures and multiple flashes
The long-exposure multiple-flash technique is a method of night or low-light photography which use a mobile flash unit to expose various parts of a building or interior using a long exposure.
This technique is often combined with using coloured gels in front of the flash unit to provide different colours in order to illuminate the subject in different ways. It is also common to flash the unit several times during the exposure while swapping the colours of the gels around to mix colours on the final photo. This requires some skill and a lot of imagination since it is not possible to see how the effects will turn out until the exposure is complete. By using this technique, the photographer can illuminate specific parts of the subject in different colours creating shadows in ways which would not normally be possible.
Painting with light
When the correct equipment is used such as a tripod and shutter release cable, the photographer can use long exposures to photograph images of light. For example, when photographing a subject try switching the exposure to manual and selecting the bulb setting on the camera. Once this is achieved trip the shutter and photograph your subject moving a flashlight or any small light in various patterns. Experiment with this outcome to produce artistic results. Multiple attempts are usually needed to produce the desired result.
High ISO
Advanced imaging sensors along with sophisticated software processing make low-light photography with High ISO possible without a tripod or long exposure. Digital SLRs have high end
Moonlight photography
Moonlight photography (capturing scenes on Earth illuminated by moonlight) greatly differs from lunar photography (capturing scenes on the Moon illuminated by direct sunlight). The Moon has an effective albedo of approximately 0.12, comparable to worn asphalt concrete. Since the Moon is essentially a dark body in direct sunlight, photographing its surface needs an exposure comparable to what a photographer would use for ordinary, mid-brightness surfaces (buildings, trees, faces, etc.) with an overcast sky.
The sunlight reflected from the full Moon onto Earth is about 1/250,000 of the brightness of direct sunlight in daytime. Since log2(250,000) = 17.93..., full-moon photography requires 18 stops more exposure than sunlight photography, for which the sunny 16 rule is a commonly used guideline.[2]
Reciprocity failure
Imagine a directly sunlit exposure of 1/100 second at ISO 100 and f/16 (the baseline of
For example, testing shows that Kodak Portra needs 1 extra stop for a nominal 8-second exposure, so in this case it would need 16 seconds.[3]
In practice, moonlight photography often uses exposures of several minutes. Digital cameras generally have less reciprocity failure, but do show image noise in low light.
Examples
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Clun lake and castle by moonlight, 1920s
-
São Paulo, Brazil
-
Chay kenar Boulevard in Tabriz, Iran
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An exposure blended night image of the Sydney Opera House
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Amusement rides
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Four image panorama of Washington Park, 30 second exposures each.
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An exposure blended image consisting of 30, 2.5 and 10 second exposures
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Early night photograph of theDetroit Publishing Co.collection, 1905.
Published night photographers
This section includes significant night photographers who have published books dedicated to night photography, and some of their selected works.
- Robert Adams
- Summer nights, walking : along the Colorado front range, 1976-1982 Millerton, NY: Aperture; New Haven, CT: Yale University Art Gallery, 1982[4]
- Brassai
- Paris de Nuit, Arts et metiers graphiques, 1932.
- Harold Burdekin and John Morrison
- London Night, Collins, 1934.
- Jeff Brouws
- Inside the Live Reptile Tent, ISBN 0-8118-2824-7
- Inside the Live Reptile Tent,
- Alan Delaney
- London After Dark, ISBN 0-7148-2870-X
- London After Dark,
- Maciej Dakowicz
- Cardiff after Dark. London: Thames & Hudson, 2012. ISBN 978-0-500-54419-8.[5]
- Cardiff after Dark. London: Thames & Hudson, 2012.
- Neil Folberg
- Celestial Nights, ISBN 0-89381-945-X
- Celestial Nights,
- Karekin Goekjian
- Light After Dark, Lucinne, Inc. ASIN B0006QOVCG
- Todd Hido
- Outskirts, ISBN 1-59005-028-2
- House Hunting, ISBN 978-3923922963.
- Outskirts,
- Peter Hujar
- Night, Matthew Marks Gallery/ISBN 1-880146-45-2
- Night, Matthew Marks Gallery/
- Rolfe Horn
- 28 Photographs, Nazraeli Press. ISBN 1-59005-122-X
- 28 Photographs, Nazraeli Press.
- Lance Keimig
- Night Photography, Finding Your Way In The Dark, ISBN 978-0-240-81258-8
- Night Photography, Finding Your Way In The Dark,
- Brian Kelly
- Grand Rapids: Night After Night, Glass Eye, 2001. ISBN 0-9701293-0-0
- Grand Rapids: Night After Night, Glass Eye, 2001.
- Michael Kenna
- The Rouge, RAM Publications, 1995. ISBN 0-9630785-1-8
- Night Work, Nazraeli Press, 2000. ISBN 3-923922-83-3
- The Rouge, RAM Publications, 1995.
- William Lesch
- Expansions, RAM Publications, 1992. ISBN 4-8457-0667-9
- Expansions, RAM Publications, 1992.
- O. Winston Link
- The Last Steam Railroad in America, ISBN 0-8109-3575-9
- The Last Steam Railroad in America,
- Tom Paiva
- Industrial Night, The Image Room, 2002. ISBN 0-9716928-0-7
- Industrial Night, The Image Room, 2002.
- Troy Paiva
- Night Vision: The Art of Urban Exploration, Chronicle Books, 2008. ISBN 0-8118-6338-7
- Lost America: The Abandoned Roadside West, MBI Publishing, 2003. ISBN 0-7603-1490-X
- Night Vision: The Art of Urban Exploration, Chronicle Books, 2008.
- Andrew Sanderson
- Night Photography, Amphoto Books. ISBN 0-8174-5007-6
- Night Photography, Amphoto Books.
- Bill Schwab
- Bill Schwab: Photographs, North Light Press, 1999. ISBN 0-9765193-0-5
- Gathering Calm, North Light Press, 2005. ISBN 0-9765193-2-1
- Bill Schwab: Photographs, North Light Press, 1999.
- Jan Staller
- Frontier New York, Hudson Hills Press, 1988. ISBN 1-55595-009-4[6]
- Frontier New York, Hudson Hills Press, 1988.
- Zabrina Tipton
- At Night in San Francisco, San Francisco Guild of the Arts Press, 2006. ISBN 1-4243-1882-3
- At Night in San Francisco, San Francisco Guild of the Arts Press, 2006.
- Giovanna Tucker
- "How to Night Photography", 2011. ISBN 978-1-4657-4423-4
- "How to Night Photography", 2011.
- Nora Vrublevska and Dan Squires
- "Cambridge at Night", 2013. ISBN 978-1-935489-27-6
- "Cambridge at Night", 2013.
- Volkmar Wentzel
- Washington by Night, Fulcrum Publishing, 1998. ISBN 978-1-55591-410-3
- Washington by Night, Fulcrum Publishing, 1998.
See also
References
- ^ "Tested and Compared: 21 Top Cameras For Digital Low-Light Photography". November 8, 2012. Archived from the original on June 29, 2013. Retrieved June 6, 2013.
- ISBN 9781136097256.
- ^ "Portra 160 and 400 Reciprocity Failure". largeformatphotography.info.
- ^ Woodward, Richard B. "Robert Adams, 'Summer Nights, Walking'". WSJ.
- ISSN 0029-7712. Retrieved 2024-01-23.
- ^ "Frontier New York – Jan Staller". www.janstaller.net.
External links