Nina Simone

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Nina Simone
Simone in 1965
Simone in 1965
Background information
Birth nameEunice Kathleen Waymon
Born(1933-02-21)February 21, 1933
Tryon, North Carolina, U.S.
DiedApril 21, 2003(2003-04-21) (aged 70)
Carry-le-Rouet, France
Genres
Occupation(s)
  • Singer
  • songwriter
  • pianist
  • composer
  • arranger
  • activist
Instrument(s)
  • Vocals
  • piano
DiscographyNina Simone discography
Years active1954–2003
Labels
Websitewww.ninasimone.com Edit this at Wikidata
Signature

Nina Simone (born Eunice Kathleen Waymon; February 21, 1933 – April 21, 2003) (/ˌniːnə sɪˈmoʊn/)[1] was an American singer, songwriter, pianist, composer, arranger and civil rights activist. Her music spanned styles including classical, folk, gospel, blues, jazz, R&B, and pop. In 2023 Rolling Stone ranked Simone at No. 21 on their list of the 200 Greatest Singers of All Time.

The sixth of eight children born into a poor family in

concert pianist.[2] With the help of a few supporters in her hometown, she enrolled in the Juilliard School of Music in New York City.[3] She then applied for a scholarship to study at the Curtis Institute of Music in Philadelphia, where, despite a well received audition, she was denied admission,[4] which she attributed to racism. In 2003, just days before her death, the Institute awarded her an honorary degree.[5]

To make a living, Simone started playing piano at a

Atlantic City. She changed her name to "Nina Simone" to disguise herself from family members, having chosen to play "the devil's music"[4] or so-called "cocktail piano". She was told in the nightclub that she would have to sing to her own accompaniment, which effectively launched her career as a jazz vocalist.[6] She went on to record more than 40 albums between 1958 and 1974, making her debut with Little Girl Blue. She released her first hit single in the United States in 1958 with "I Loves You, Porgy".[2] Her piano playing was strongly influenced by baroque and classical music, especially Johann Sebastian Bach,[7] and accompanied expressive, jazz-like singing in her contralto voice.[8][9]

Biography

1933–1954: Early life

Simone was born on February 21, 1933, in

recital, was given when she was 12. Simone later said that during this performance, her parents, who had taken seats in the front row, were forced to move to the back of the hall to make way for white people.[13] She said that she refused to play until her parents were moved back to the front,[14][15] and that the incident contributed to her later involvement in the civil rights movement.[16] Simone's music teacher helped establish a special fund to pay for her education.[17] Subsequently, a local fund was set up to assist her continued education. With the help of this scholarship money, she was able to attend Allen High School for Girls in Asheville, North Carolina.[citation needed
]

After her graduation, Simone spent the summer of 1950 at the

Arlene Smith's vocal studio, and taught piano from her home in Philadelphia.[18]

1954–1959: Early success

In order to fund her private lessons, Simone performed at the Midtown Bar & Grill on Pacific Avenue in Atlantic City, New Jersey, whose owner insisted that she sing as well as play the piano, which increased her income to $90 a week. In 1954, she adopted the stage name "Nina Simone". "Nina", derived from niña, was a nickname given to her by a boyfriend named Chico,[18] and "Simone" was taken from the French actress Simone Signoret, whom she had seen in the 1952 movie Casque d'Or.[21] Knowing her mother would not approve of her playing "the Devil's music," she used her new stage name to remain undetected. Simone's mixture of jazz, blues, and classical music in her performances at the bar earned her a small but loyal fan base.[22]

In 1958, she befriended and married Don Ross, a beatnik who worked as a fairground barker, but quickly regretted their marriage.[23] Playing in small clubs in the same year, she recorded George Gershwin's "I Loves You, Porgy" (from Porgy and Bess), which she learned from a Billie Holiday album and performed as a favor to a friend. It became her only Billboard top 20 success in the United States, and her debut album Little Girl Blue followed in February 1959 on Bethlehem Records.[24][25][26] Because she had sold her rights outright for $3,000, Simone lost more than $1 million in royalties (notably for the 1980s re-release of her version of the jazz standard "My Baby Just Cares for Me") and never benefited financially from the album's sales.[27]

1959–1964: Burgeoning popularity

After the success of Little Girl Blue, Simone signed a contract with

creative control to her, including the choice of material that would be recorded, in exchange for her signing the contract with them. After the release of her live album Nina Simone at Town Hall, Simone became a favorite performer in Greenwich Village.[28] By this time, Simone performed pop music only to make money to continue her classical music studies and was indifferent about having a recording contract. She kept this attitude toward the record industry for most of her career.[29]

Simone married Andrew Stroud, a detective with the New York Police Department, in December 1961. In a few years he became her manager and the father of her daughter Lisa, but later he abused Simone psychologically and physically.[4][verification needed][30]

1964–1974: Civil Rights era

Amsterdam, Netherlands
in March 1969

In 1964, Simone changed record distributors from Colpix, an American company, to the Dutch

civil rights message was the norm in Simone's recordings and became part of her concerts. As her political activism rose, the rate of release of her music slowed.[citation needed
]

Simone in 1969

Simone performed and spoke at civil rights meetings, such as at the Selma to Montgomery marches.[35] Like Malcolm X, her neighbor in Mount Vernon, New York, she supported black nationalism and advocated violent revolution rather than Martin Luther King Jr.'s non-violent approach.[36] She hoped that African Americans could use armed combat to form a separate state, though she wrote in her autobiography that she and her family regarded all races as equal.[citation needed]

In 1967, Simone moved from Philips to

Westbury Music Fair of April 7, 1968, three days after the assassination of Martin Luther King Jr. She dedicated the performance to him and sang "Why? (The King of Love Is Dead)," a song written by her bass player, Gene Taylor.[37] In 1969, she performed at the Harlem Cultural Festival in Harlem's Mount Morris Park. The performance was recorded and is featured in Questlove's 2021 documentary Summer of Soul.[38][39]

Simone and Weldon Irvine turned the unfinished play To Be Young, Gifted and Black by Lorraine Hansberry into a civil rights song of the same name. She credited her friend Hansberry with cultivating her social and political consciousness. She performed the song live on the album Black Gold (1970). A studio recording was released as a single, and renditions of the song have been recorded by Aretha Franklin (on her 1972 album Young, Gifted and Black) and Donny Hathaway.[31] When reflecting on this period, she wrote in her autobiography, "I felt more alive then than I feel now because I was needed, and I could sing something to help my people".[40]

1974–1993: Later life

In an interview for

Jet magazine, Simone stated that her controversial song "Mississippi Goddam" harmed her career. She claimed that the music industry punished her by boycotting her records.[41] Hurt and disappointed, Simone left the US in September 1970, flying to Barbados and expecting her husband and manager Stroud to communicate with her when she had to perform again. However, Stroud interpreted Simone's sudden disappearance, and the fact that she had left behind her wedding ring, as an indication of her desire for a divorce. As her manager, Stroud was in charge of Simone's income.[citation needed
]

Simone at a concert in Morlaix, France, May 1982

When Simone returned to the United States, she learned that a warrant had been issued for her arrest for unpaid taxes (allegedly unpaid as a protest against her country's involvement with the Vietnam War) and fled to Barbados to evade the authorities and prosecution.[42] Simone stayed in Barbados for quite some time and had a lengthy affair with the Prime Minister, Errol Barrow.[43][44] A close friend, singer Miriam Makeba, then persuaded her to go to Liberia.[citation needed]

When Simone relocated, she abandoned her daughter

Lisa in Mount Vernon.[45] Lisa eventually reunited with Simone in Liberia, but, according to Lisa, her mother was physically and mentally abusive.[46] The abuse was so unbearable that Lisa became suicidal and she moved back to New York to live with her father Andrew Stroud.[45][46] Simone recorded her last album for RCA, It Is Finished, in 1974, and did not make another record until 1978, when she was persuaded to go into the recording studio by CTI Records owner Creed Taylor. The result was the album Baltimore, which, while not a commercial success, was fairly well received critically and marked a quiet artistic renaissance in Simone's recording output.[47] Her choice of material retained its eclecticism, ranging from spiritual songs to Hall & Oates' "Rich Girl". Four years later, Simone recorded Fodder on My Wings on a French label, Studio Davout.[citation needed
]

During the 1980s, Simone performed regularly at Ronnie Scott's Jazz Club in London, where she recorded the album Live at Ronnie Scott's in 1984. Although her early on-stage style could be somewhat haughty and aloof, in later years, Simone particularly seemed to enjoy engaging with her audiences sometimes, by recounting humorous anecdotes related to her career and music and by soliciting requests.[citation needed] By this time she stayed everywhere and nowhere. She lived in Liberia, Barbados and Switzerland and eventually ended up in Paris. There she regularly performed in a small jazz club called Aux Trois Mailletz for relatively small financial reward. The performances were sometimes brilliant and at other times Nina Simone gave up after fifteen minutes. Often she was too drunk to sing or play the piano properly. At other times she scolded the audience,[48] so that manager Raymond Gonzalez, guitarist Al Schackman and Gerrit de Bruin, a Dutch friend of hers, decided to intervene.[citation needed]

Hotel Belvoir Nijmegen, Netherlands. Apartment of Nina Simone was next to this building between 1988 and 1991

In 1987, Simone scored a huge European hit with the song "My Baby Just Cares for Me". Recorded by her for the first time in 1958, the song was used in a commercial for Chanel No. 5 perfume in Europe, leading to a re-release of the recording. This stormed to number 4 on the UK's NME singles chart, giving Simone a brief surge in popularity in the UK and elsewhere.[48]

In the spring of 1988, Simone moved to

Trilafon for her. Despite the illness, it was generally a happy time for Simone in Nijmegen, where she could lead a fairly anonymous life. Only a few recognized her; most Nijmegen people did not know who she was. Slowly but surely her life started to improve, and she was even able to make money from the Chanel commercial after a legal battle. In 1991 Nina Simone exchanged Nijmegen for Amsterdam, where she lived for two years with friends and Hammond.[49][unreliable source?][50]

1993–2003: Final years, illness and death

In 1993, Simone settled near Aix-en-Provence in southern France (Bouches-du-Rhône).[51] In the same year, her final album, A Single Woman, was released. She variously contended that she married or had a love affair with a Tunisian around this time, but that their relationship ended because, "His family didn't want him to move to France, and France didn't want him because he's a North African."[52] During a 1998 performance in Newark, she announced, "If you're going to come see me again, you've got to come to France, because I am not coming back."[53] She suffered from breast cancer for several years before she died in her sleep at her home in Carry-le-Rouet (Bouches-du-Rhône), on April 21, 2003. Her Catholic funeral service at the local parish was attended by singers Miriam Makeba and Patti LaBelle, poet Sonia Sanchez, actors Ossie Davis and Ruby Dee, and hundreds of others. Simone's ashes were scattered in several African countries. Her daughter Lisa Celeste Stroud is an actress and singer who took the stage name Simone, and who has appeared on Broadway in Aida.[54]

Activism

Influence

Simone's consciousness on the racial and social discourse was prompted by her friendship with the playwright Lorraine Hansberry.[55] Simone stated that during her conversations with Hansberry "we never talked about men or clothes. It was always Marx, Lenin and revolution – real girls' talk."[56] The influence of Hansberry planted the seed for the provocative social commentary that became an expectation in Simone's repertoire. One of Nina's more hopeful activism anthems, "To Be Young, Gifted and Black," was written with collaborator Weldon Irvine in the years following the playwright's passing, acquiring the title of one of Hansberry's unpublished plays. Simone's social circles included notable black activists such as James Baldwin, Stokely Carmichael and Langston Hughes: the lyrics of her song "Backlash Blues" were written by Hughes.[56]

Beyond the civil rights movement

Simone's social commentary was not limited to the

angry Black woman.[56]

Artistry

Simone standards

Simone assembled a collection of songs that became standards in her repertoire. Some were songs that she wrote herself, while others were new arrangements of other standards, and others had been written especially for the singer. Her first hit song in America was her rendition of George Gershwin's "I Loves You, Porgy" (1958). It peaked at number 18 on the Billboard magazine Hot 100 chart.[59]

During that same period Simone recorded "My Baby Just Cares for Me," which would become her biggest success years later, in 1987, after it was featured in a 1986 Chanel No. 5 perfume commercial.[60] A music video was also created by Aardman Studios.[61] Well-known songs from her Philips albums include "Don't Let Me Be Misunderstood" on Broadway-Blues-Ballads (1964); "I Put a Spell on You", "Ne me quitte pas" (a rendition of a Jacques Brel song), and "Feeling Good" on I Put a Spell On You (1965); and "Lilac Wine" and "Wild Is the Wind" on Wild is the Wind (1966).[62]

"Don't Let Me Be Misunderstood" and her takes on "

Devo Springsteen on "Misunderstood" from Common's 2007 album Finding Forever, and by little-known producers Rodnae and Mousa for the song "Don't Get It" on Lil Wayne's 2008 album Tha Carter III. "See-Line Woman" was sampled by Kanye West for "Bad News" on his album 808s & Heartbreak. The 1965 rendition of "Strange Fruit", originally recorded by Billie Holiday, was sampled by Kanye West for "Blood on the Leaves" on his album Yeezus.[citation needed
]

Simone's years at RCA spawned many singles and album tracks that were popular, particularly in Europe. In 1968, it was "

UK Singles Chart and introducing her to a younger audience.[63][64] In 2006, it returned to the UK Top 30 in a remixed version by Groovefinder.[citation needed
]

The following single, a rendition of the Bee Gees' "To Love Somebody", also reached the UK Top 10 in 1969. "The House of the Rising Sun" was featured on Nina Simone Sings the Blues in 1967, but Simone had recorded the song in 1961 and it was featured on Nina at the Village Gate (1962).[65][66]

Performance style

Simone at the 1986 Playboy Jazz Festival

Simone's bearing and stage presence earned her the title "the High Priestess of Soul".[67] She was a pianist, singer and performer, "separately, and simultaneously".[citation needed] As a composer and arranger, Simone moved from gospel to blues, jazz, and folk, and to numbers with European classical styling. Besides using Bach-style counterpoint, she called upon the particular virtuosity of the 19th-century Romantic piano repertoire—Chopin, Liszt, Rachmaninoff, and others. Jazz trumpeter Miles Davis spoke highly of Simone, deeply impressed by her ability to play three-part counterpoint and incorporate it into pop songs and improvisation.[20] Onstage, she incorporated monologues and dialogues with the audience into the program, and often used silence as a musical element.[68] Throughout most of her life and recording career she was accompanied by percussionist Leopoldo Fleming and guitarist and musical director Al Schackman.[69] She was known to pay close attention to the design and acoustics of each venue, tailoring her performances to individual venues.[20] Rolling Stone once said that Simone could "channel every facet of lived experience." Simone was often credited for her ability to express an expansive emotional range in her music, from immeasurable rage to limitless joy.[70]

Simone was perceived as a sometimes difficult or unpredictable performer, occasionally hectoring the audience if she felt they were disrespectful. Schackman would try to calm Simone during these episodes, performing solo until she calmed offstage and returned to finish the engagement. Her early experiences as a classical pianist had conditioned Simone to expect quiet attentive audiences, and her anger tended to flare up at nightclubs, lounges, or other locations where patrons were less attentive.[20] Schackman described her live appearances as hit or miss, either reaching heights of hypnotic brilliance or on the other hand mechanically playing a few songs and then abruptly ending concerts early.[citation needed]

Critical reputation

Simone is regarded as one of the most influential recording artists of 20th-century jazz, cabaret and R&B genres.[71] According to Rickey Vincent, she was a pioneering musician whose career was characterized by "fits of outrage and improvisational genius". Pointing to her composition of "Mississippi Goddam," Vincent said Simone broke the mold, having the courage as "an established black musical entertainer to break from the norms of the industry and produce direct social commentary in her music during the early 1960s".[72]

Rolling Stone wrote that "her honey-coated, slightly adenoidal cry was one of the most affecting voices of the civil rights movement," while making note of her ability to "belt barroom blues, croon cabaret and explore jazz—sometimes all on a single record".[73] In the opinion of AllMusic's Mark Deming, she was "one of the most gifted vocalists of her generation, and also one of the most eclectic".[74] Creed Taylor, who wrote the liner notes for Simone's 1978 Baltimore album, said the singer possessed a "magnificent intensity" that "turns everything—even the most simple, mundane phrase or lyric—into a radiant, poetic message".[75] Jim Fusilli, music critic for The Wall Street Journal, writes that Simone's music is still relevant today: "it didn't adhere to ephemeral trends, it isn't a relic of a bygone era; her vocal delivery and technical skills as a pianist still dazzle; and her emotional performances have a visceral impact."[76]

"She is loved or feared, adored or disliked," Maya Angelou wrote in 1970, "but few who have met her music or glimpsed her soul react with moderation."[77]

Health

Simone was diagnosed with

treatment.[20]

According to a biographer, Simone took medication from the mid-1960s onward, although this was supposedly only known to a small group of intimates.

Trilafon, which Simone's friends and caretakers sometimes surreptitiously mixed into her food when she refused to follow her treatment plan.[20] This fact was kept out of public view until 2004 when a biography, Break Down and Let It All Out, written by Sylvia Hampton and David Nathan (of her UK fan club), was published posthumously.[84] Singer-songwriter Janis Ian, a one-time friend of Simone's, related in her own autobiography, Society's Child: My Autobiography, two instances to illustrate Simone's volatility: one incident in which she forced a shoe store cashier at gunpoint to take back a pair of sandals she'd already worn; and another in which Simone demanded a royalty payment from Ian herself as an exchange for having recorded one of Ian's songs, and then ripped a pay telephone out of its wall when she was refused.[85]

Awards and recognition

Simone was the recipient of a

Grammy Hall of Fame Award in 2000 for her interpretation of "I Loves You, Porgy". On Human Kindness Day 1974 in Washington, D.C., more than 10,000 people paid tribute to Simone.[86][87]
Simone received two honorary degrees in music and humanities, from Amherst College and Malcolm X College.[88][89] She preferred to be called "Dr. Nina Simone" after these honors were bestowed upon her.[90] She was inducted into the Rock and Roll Hall of Fame in 2018.[91]

Two days before her death, Simone learned she would be awarded an honorary degree by the Curtis Institute of Music, the music school that had refused to admit her as a student at the beginning of her career.[5]

Simone has received four career

Best Female R&B Vocal Performance for the track "(You'll) Go to Hell" from her thirteenth album Silk & Soul (1967). The award went to "Respect" by Aretha Franklin.[citation needed
]

Simone garnered a second nomination in the category in 1971, for her

4:44 album which contained a sample of "Four Women" by Simone.[citation needed
]

In 1999 Simone was given a lifetime achievement award by the Irish Music Hall of Fame, presented by Sinead O'Connor.[93]

In 2018 she was inducted into the Rock and Roll Hall of Fame[94] by fellow R&B artist Mary J. Blige.[95]

In 2019 "Mississippi Goddam" was selected by the Library of Congress for preservation in the National Recording Registry for being "culturally, historically, or aesthetically significant".[96] Simone was inducted into the National Rhythm & Blues Hall of Fame in 2021.[97]

In 2023 Rolling Stone ranked Simone at No. 21 on their list of the 200 Greatest Singers of All Time.[98]

Legacy and influence

Music

Musicians who have cited Simone as important for their own musical upbringing include

Kerry Brothers, Jr., Krucial, Amanda Palmer, Steve Adey, and Jeff Buckley.[31][99][100][101][102][103] John Lennon cited Simone's version of "I Put a Spell on You" as a source of inspiration for the Beatles' song "Michelle".[103] American singer Meshell Ndegeocello released her own tribute album Pour une Âme Souveraine: A Dedication to Nina Simone in 2012. The following year, experimental band Xiu Xiu released a cover album, Nina. In late 2019, American rapper Wale released an album titled Wow... That's Crazy, containing a track called "Love Me Nina/Semiautomatic" which contains audio clips from Simone.[citation needed
]

Simone's music has been featured in soundtracks of various motion pictures and video games, including La Femme Nikita (1990), Point of No Return (1993), Shallow Grave (1994), The Big Lebowski (1998), Any Given Sunday (1999), The Thomas Crown Affair (1999), Disappearing Acts (2000), Six Feet Under (2001), The Dancer Upstairs (2002), Before Sunset (2004), Cellular (2004), Inland Empire (2006), Miami Vice (2006), Sex and the City (2008), The World Unseen (2008), Revolutionary Road (2008), Home (2008), Watchmen (2009), The Saboteur (2009), Repo Men (2010), Beyond the Lights (2014), Hunt for the Wilderpeople (2016), and Nobody (2021). Frequently her music is used in remixes, commercials, and TV series including "Feeling Good", which featured prominently in the Season Four Promo of Six Feet Under (2004). Simone's "Take Care of Business" is the closing theme of The Man from U.N.C.L.E. (2015), Simone's cover of Janis Ian's "Stars" is played during the final moments of the season 3 finale of BoJack Horseman (2016),[104] and "I Wish I Knew How It Would Feel to Be Free" and "Don't Let Me Be Misunderstood" were included in the film Acrimony (2018).[citation needed]

Film

The documentary Nina Simone: La légende (The Legend) was made in the 1990s by French filmmakers and based on her autobiography I Put a Spell on You. It features live footage from different periods of her career, interviews with family, various interviews with Simone then living in the Netherlands, and while on a trip to her birthplace. A portion of footage from The Legend was taken from an earlier 26-minute biographical documentary by Peter Rodis, released in 1969 and entitled simply Nina. Her filmed 1976 performance at the Montreux Jazz Festival is available on video courtesy of Mercury Studios and is screened annually in New York City at an event called "The Rise and Fall of Nina Simone: Montreux, 1976" which is curated by Tom Blunt.[105]

Footage of Simone singing "Mississippi Goddam" for 40,000 marchers at the end of the Selma to Montgomery marches can be seen in the 1970 documentary King: A Filmed Record... Montgomery to Memphis and the 2015 Liz Garbus documentary What Happened, Miss Simone?[4]

Plans for a Simone

Zoe Saldana, who since openly apologized for taking the controversial title role.[107][108][109][110]

In 2015, two documentary features about Simone's life and music were released. The first, directed by

Academy Award for Best Documentary Feature.[112]

The second documentary in 2015,

The Amazing Nina Simone is an independent film written and directed by Jeff L. Lieberman, who initially consulted with Simone's daughter, Lisa before going the independent route and then worked closely with Simone's siblings, predominantly Sam Waymon.[113][114] The film debuted in cinemas in October 2015, and has since played more than 100 theaters in 10 countries.[115]

Drama

She is the subject of Nina: A Story About Me and Nina Simone, a one-woman show first performed in 2016 at the Unity Theatre, Liverpool—a "deeply personal and often searing show inspired by the singer and activist Nina Simone"[116]—and which in July 2017 ran at the Young Vic, before being scheduled to move to Edinburgh's Traverse Theatre.[117]

Books

As well as her 1992 autobiography I Put a Spell on You (1992), written with Stephen Cleary, Simone has been the subject of several books. They include Nina Simone: Don't Let Me Be Misunderstood (2002) by Richard Williams; Nina Simone: Break Down and Let It All Out (2004) by Sylvia Hampton and David Nathan; Princess Noire (2010) by Nadine Cohodas; Nina Simone (2004) by Kerry Acker; Nina Simone, Black Is the Color (2005) by Andrew Stroud; and What Happened, Miss Simone? (2016) by Alan Light.[citation needed]

Simone inspired a book of poetry, Me and Nina, by Monica Hand,[118] and is the focus of musician Warren Ellis's book Nina Simone's Gum (2021).[119]

Honors

Nina Simonestraat in Nijmegen, Netherlands

In 2002, the city of

De Vereeniging concert hall, and more than 50 artists (among whom were Frank Boeijen, Rood Adeo, and Fay Claassen)[120] honored Simone with the tribute concert Greetings from Nijmegen.[citation needed
]

Simone was inducted into the North Carolina Music Hall of Fame in 2009.[121]

In 2010, a statue in her honor was erected on Trade Street in her native Tryon, North Carolina.[122]

The promotion from the French Institute of Political Studies of Lille (Sciences Po Lille), due to obtain their master's degree in 2021, named themselves in her honor.[clarification needed] The decision was made that this promotion was henceforth to be known as 'la promotion Nina Simone' after a vote in 2017.[123]

Simone was inducted into the Rock and Roll Hall of Fame in 2018.[124]

The Metropole Orkest at Royal Albert Hall led by Jules Buckley. Ledisi, Lisa Fischer and Jazz Trio, LaSharVu provided vocals.[125][126]

Discography

Main article: Nina Simone discography

References

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  20. ^
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      Relevant remarks:
      Bardin: "You've been married and divorced and had many romances. Do you still get around?"
      Simone: "I had an intense love affair with a Tunisian boy last year, but I don't think I want to get involved for a long time again because he opened me up like a volcano, and it almost put me under."
    • Hotel Carlton, Tunis (June 2, 2018). "#hotelcarltontunis". Instagram. Retrieved March 4, 2020. Nina Simone at the Carlton. It was in 1994, Nina Simone had fallen in love with a Tunisian boy and spent a lot of time in Tunis, including the Carlton! The story ended badly and Nina told the press, 'I will never fall in love again.'
    • Hunter, Kim D. (2003). "Nina Simone: And She Meant Every Word of It!". Solidarity. Retrieved March 4, 2020. In her late sixties, she claimed to have a 'volcanic' love affair with a young Tunisian.
    • Archived at Ghostarchive and the Wayback Machine: Sebastian, Tim (1999). Nina Simone on BBC HARDtalk. Event occurs at 4:45. Retrieved March 4, 2020.
      Relevant remarks:
      Sebastian: "You've been married before."
      Simone: "I've been married twice."
      Sebastian: "Have you been unlucky at love?"
      Simone: "Yeah—unlucky at marriages. Not so unlucky at love."
      Sebastian: "Lots of love, few marriages?"
      Simone: "Yes, two marriages."
      Sebastian: "Why didn't they work out?"
      Simone: "The music got in the way in the one where I married the cop from the United States [Andrew Stroud]. The music got in the way, and he treated me like a horse. You know, a nonstop workaholic horse. And the one in Tunisia—well, that was very hot, like a volcano. And his family didn't want him to move to France, and France didn't want him because he's a North African."
      Sebastian: "And the volcano didn't last?"
      Simone: "No, but it lasted long enough for me to never forget it, I'll tell you that."
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Sources

External links